Here are 100 books that Fish Out of Water fans have personally recommended if you like
Fish Out of Water.
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As a kid, I rarely spoke up, and I certainly didn’t think I had much influence. As a young adult, though, I came across true stories of kids who stood up for what they believed in. These kids inspired many of my own books, and now whenever I’m looking for something to read, I look for novels about kids who screw up their courage to speak up for a fairer, more inclusive, richer world.
Yasmin is a bookworm, so I immediately felt like we had an important bond. Also, I could totally relate to her feeling insignificant in the face of big adult decisions. Yasmin doesn’t stay in that spot, though. She looks around at her resources – dear friends, family, neighbours, and a great idea – and realises that she can have influence in the world around her. This book is a brilliant celebration of community activism, books, and friendship that had me cheering on the characters right to the end.
Winner of the International Literacy Association Social Justice Literature Award An award-winning middle-grade novel about the power of grassroots activism and how kids can make a difference.
Every day, nine-year-old Yasmin borrows a book from Book Uncle, a retired teacher who has set up a free lending library on the street corner. But when the mayor tries to shut down the rickety bookstand, Yasmin has to take her nose out of her book and do something.
What can she do? The local elections are coming up, but she’s just a kid. She can’t even vote!
As a kid, I rarely spoke up, and I certainly didn’t think I had much influence. As a young adult, though, I came across true stories of kids who stood up for what they believed in. These kids inspired many of my own books, and now whenever I’m looking for something to read, I look for novels about kids who screw up their courage to speak up for a fairer, more inclusive, richer world.
You know those books with characters so real that, when you’re not reading, you miss them and wonder what they’re up to? That’s what happened to me with Beatrice and Croc Harry. I didn’t think I liked stories involving talking animals, but wow, was I wrong. This book taught me that serious books can also be delightfully whimsical and funny. This novel is one of the best books I’ve read on hatred and racism, forgiveness, and love.
One of Canada’s most celebrated author’s debut novel for young readers
Beatrice, a young girl of uncertain age, wakes up all alone in a tree house in the forest. How did she arrive in this cozy dwelling, stocked carefully with bookshelves and oatmeal accoutrements? And who has been leaving a trail of clues, composed in delicate purple handwriting?
So begins the adventure of a brave and resilient Black girl’s search for identity and healing in bestselling author Lawrence Hill’s middle-grade debut. Though Beatrice cannot recall how or why she arrived in the magical forest of Argilia—where every conceivable fish, bird,…
As a kid, I rarely spoke up, and I certainly didn’t think I had much influence. As a young adult, though, I came across true stories of kids who stood up for what they believed in. These kids inspired many of my own books, and now whenever I’m looking for something to read, I look for novels about kids who screw up their courage to speak up for a fairer, more inclusive, richer world.
Katherine Hannigan creates quirky characters that I love, so when I saw True (… Sort Of)in our apartment building’s book exchange box, I snatched it up. Delly Patterson is an unlikely hero. She starts the book as the town troublemaker, bold in a way that I never dared to be as a child. Reading this book was like catapulting myself into a wilder, more adventurous childhood of my own without getting into trouble myself. Delly eventually uses her boldness to stand up for someone with more bravery than many adults might have. (I’d also like to give a shout-out to Katherine Hannigan for including a nonbinary character at a time when hardly anyone else – in society, and especially in children’s books – acknowledged nonbinary people.)
Can friendship save you? The day Ferris Boyd moves to town, Delly Pattison is sure a special surpresent (a present that is a surprise) is on its way. Instead, Delly ends up in even more trouble than usual. The Boyds' arrival in River Bluffs means big changes for Brud Kinney, too. He can't believe who he's hanging around with. Ferris Boyd isn't like anyone Delly or Brud have ever known. Ferris is a mystery and a wonder. Through friendship, though, Delly, Brud, and Ferris discover truths that will change their lives. And bring them the best surpresent of all. Includes…
As a kid, I rarely spoke up, and I certainly didn’t think I had much influence. As a young adult, though, I came across true stories of kids who stood up for what they believed in. These kids inspired many of my own books, and now whenever I’m looking for something to read, I look for novels about kids who screw up their courage to speak up for a fairer, more inclusive, richer world.
Just like me, Eddie loves books. Unlike me, Eddie is a shiny, green bug. (Clearly, I need to get over my bias against books including talking creatures!) Linda Bailey told this story so vividly that I soon became Eddie, painstakingly making my way across the ginormous landscape inside the school. How on earth could a tiny bug save his aunt, nevermind an entire school library? You’ll have to read the book to find out, but I can tell you that readers finish this story feeling like we can do anything we set our minds to!
Eddie, a passionate reader and a shiny green bug, saves the school library in this funny, heartwarming tale that fans of Flora & Ulysses and Charlotte's Web will love. Includes black-and-white illustrations throughout from Newbery Honor Medalist and New York Times-bestselling author-artist Victoria Jamieson.
Eddie is a tiny green bug who loves to read and who lives behind the chalkboard in the fourth-grade classroom with his parents, his 53 brothers and sisters, and his aunt Min. But when Aunt Min goes to the school library to read a book and never returns, Eddie leaves the comfort of his home for…
I grew up in Spain, the U.S., and Germany, but no matter where we lived I always felt at home with a book in my hands. From a young age, I was drawn to stories with otherworldly content or told in dazzling ways. My curiosity about the workings of nature led me to a degree in Theoretical Physics, and later, I studied the history of science fiction and the craft of storytelling. Science fiction from the 60s and 70s, setting out to push the boundaries of the possible, hit me at exactly the right time in my development as a reader and changed me forever.
Jo Walton is a wonderfully humanistic storyteller with a deep knowledge of history and art who excels at creating alternate societies, and I was fascinated to see her work on a deliberately smaller, more intimate scale in this novel. The text is made up of the diary entries of Morgana, a precocious teenager who is a voracious science fiction and fantasy reader, as is Jason Velez in my novel. Though published in 2011, the book begins at the end of the 70s and perfectly captures the period.
Among Others excels at character development. It feels like a literary mainstream novel about a young person–imagine, say, the best of Judy Blume–smartly mixed in with glimpses of the fantastic. It wears its love for 70s science fiction on its sleeve and won the Hugo and Nebula awards.
Winner of the 2011 Nebula Award for Best Novel Winner of the 2012 Hugo Award for Best Novel
Startling, unusual, and yet irresistably readable, Jo Walton's Among Others is at once the compelling story of a young woman struggling to escape a troubled childhood, a brilliant diary of first encounters with the great novels of modern fantasy and SF, and a spellbinding tale of escape from ancient enchantment.
Raised by a half-mad mother who dabbled in magic, Morwenna Phelps found refuge in two worlds. As a child growing up in Wales, she played among the spirits who made their homes…
I study wolves. For the past three decades, much of that interest has focused on understanding the ecology of wolves who inhabit a wilderness island in Lake Superior, North America. I also work to improve the relationship between humans and wolves–knowing very well that wolves are a symbol to so many of all that we love and fear about nature. As a distinguished professor at Michigan Technological University, I teach classes in population ecology and environmental ethics. What ties my interests together is the desire to gain insights from the commingling of science and ethics.
This book is fiction, infused with magical realism, and I am a scientist. Yet, this book definitely belongs on my list of best books about wild animals.
Superficially, it is about a boy, Dave, who regularly observes a pine marten, a kind of large weasel, in the lush forests of Oregon. I love this book because even the slightest chance of properly empathizing with a wild animal requires a powerful yet constrained imagination. Some of Dave’s attributions to Martin are self-projected, and some of his attributions are deeply true. Reliability in telling the difference is not always so simple.
This book never let me stop wondering, are the thoughts and life of a marten beyond my imagination?
Dave is fourteen years old, living with his family in a cabin on Oregon's Mount Hood (or as Dave prefers to call it, like the Native Americans once did, Wy'east). He is entering high school, adulthood on the horizon not far off in distance, and contemplating a future away from his mother, father, and his precocious younger sister. And Dave is not the only one approaching adulthood and its freedoms on Wy'east that summer. Martin, a pine marten (a small animal of the deep woods, of the otter/mink family), is leaving his own mother and siblings and setting off on…
I was a teenager in the late sixties, born into a conservative household, with a huge rebellious streak. Starting with Woodstock, I was obsessed with hippie culture. Communes in particular held a special fascination for me, and later, as places of potential depravity. My sister-in-law lived in a commune in Oregon in the late 60s/early 70s. Many of the details in my novel are pulled from her life, and though she is no longer alive, her adult children shared stories from their childhoods. Her oldest daughter, whom I fictionalized as Shoshanna, became the character and voice I used to recount the family’s escape and eventual safe landing. The story still feels like uncovered family history.
I love The Age of Miracles because I was so taken with Walker’s scientific premise, that by the “slowing” of rotation, the world would come to its inevitable end. This scientifically grounded plot point was something I found arresting; it fascinated me immediately. I also loved Walker’s eleven-year-old protagonist, Julia. Julia is genuine, believable, set in her strange but also eerily recognizable nearing-the-apocalypse world. Julia also has a rich, and I felt very authentic, inner life. Her emotions rang true, and the plot not only riveted me, it broke my heart.
'It is never what you worry over that comes to pass in the end. The real catastrophes are always different - unimagined, unprepared for, unknown...'
What if our 24-hour day grew longer, first in minutes, then in hours, until day becomes night and night becomes day? What effect would this slowing have on the world? On the birds in the sky, the whales in the sea, the astronauts in space, and on an eleven-year-old girl, grappling with emotional changes in her own life..?
One morning, Julia and her parents wake up in their suburban home in California to discover, along…
I’m fascinated by these themes – love, France, mystery, women’s lives, war, and peace. My parents took me to France when I was 12 and I’ve spent years there in between and go back whenever I can. I started reading in French when sent to be an au pair in Switzerland when I was 17. My own novel, The Lost Love Letters Of Henri Fournier was absorbing to write as it contains all of the above. I found an unpublished novel of Fournier’s in a village in rural France a few years ago and decided I had to write about him and his lover, Pauline, who was a famous French actress.
The story of a boy growing up in France before World War 1, of friendship and love and a mysterious house to which the hero finds it hard to return, I have been mesmerized for a lifetime by this short novel, and it’s the basis for my own novel about Fournier’s life and loves.
The arrival of Augustin Meaulnes at a small provincial secondary school sets in train a series of events that will have a profound effect on his life, and that of his new friend Francois Seurel. It is Seurel who recalls the impact of le grand Meaulnes, disruptive and charismatic, on his schoolmates, and the encounter that is to haunt them both. Lost, and alone, Meaulnes stumbles upon an isolated house, mysterious revels, and a beautiful girl. When he returns to Seurel it is with the fixed determination to find the house again, and the girl with whom he has fallen…
Reading and writing about family dynamics, particularly Black families, has always appealed to me. Particularly when it comes to the generation gap between parents and their children that causes them to see the same world through different lenses. Who we choose to see as our true family, the ones who define the place we call home, may or may not be defined by blood. I am fortunate not to have personally experienced most of the drama and trauma found in novels that I am drawn to, and in stories I have felt compelled to write. Otherwise, I would have turned to memoir writing rather than fiction.
A girl is haunted by events that shaped her destiny early on. A father who vanished without a trace. A mother who took her own life along with those of her other children by leaping from the roof of a building. There is a witness and a survivor, and this beautiful novel is the latter's story, as well as an examination of race. She is her father's Black and her mother's White daughter. Her racial identity therefore is both and neither, dependent on how one sees her, or how she chooses to see herself on any given day. Exploration of racial as well as family dynamics are themes that I am strongly drawn to read as well as write about. Durrow blends the two masterfully.
"The Girl Who Fell from the Sky can actually fly." —The New York Times Book Review
Rachel, the daughter of a Danish mother and a black G.I., becomes the sole survivor of a family tragedy after a fateful morning on their Chicago rooftop.
Forced to move to a new city, with her strict African American grandmother as her guardian, Rachel is thrust for the first time into a mostly black community, where her light brown skin, blue eyes, and beauty bring a constant stream of attention her way. It’s there, as she grows up and tries to swallow her grief,…
I’m a big-time fantasy reader, and I’ve always loved non-human characters in fiction, whether it was The Little Mermaid or Beauty and the Beast. It never sat right with me that the Beast becomes human when I got to understand his vulnerability in monster form; I hated that Ariel wanted boring human legs. I was a romance novel hater for a long time, too, because I thought they were repetitive (and mostly straight). Finding queer indie romance that embraced these monsters and explored what makes them monstrous caused a huge shift in the way I interpret all relationships in literature, and it definitely influenced my choice to write monster romance.
This book is just pure, sexy, chaotic fun (with sapphic monster ladies, of course). I’m an absolute sucker for a good genre-bender, and this one is not only chock-full of a variety of monsters, but it’s also a mystery, a comedy, an erotica, and a kind of Bildungsroman all rolled into one.
I laughed out loud more than once when reading this, and certain twists were executed so well that they had me flipping back to the beginning to find the clever foreshadowing. Also, the monsters are plentiful and their interactions are an absolute blast.
This was the book that made Jemma Topaz an insta-buy author for me.
Rosemary Dulahan, answering a strange job posting, arrives in Monstertown – a place inhabited by magical beings from another world.
Navigating the politics of sphinxes, lamias, and secrets, she must learn how to get along with her non-human coworkers and maybe romance a few monster girls along the way.
There's nothing she wants less than getting caught up in a murder mystery troubling all of Monstertown... but the mystery doesn't care what she wants, and she's about to discover the darker side of her new world.
