100 books like Final Chapters

Growing up in a snowy, rural mountain town of less than 500 people, I became fascinated with humanity's will to survive the elements at an early age because I often had to do so myself. Add in a mysterious force or an escaped killer wandering through the hills outside a secluded cabin, and you've got my favorite thriller subgenre: Trapped and secluded. It wasn't until my third novel, The Excursion, that I realized my longtime dream of writing a survival thriller influenced by dozens of books and movies. Today, I live in a suburb of Denver, Colorado, but the mountains are close. And so are the secluded cabins.

When people ask me what makes me fall in love with a book, good characters will always be my first answer. And by good, I don’t mean perfect individuals who make no mistakes. I mean characters who make me feel something, whether it’s rage or hope or longing or disgust. As an author, I like filling my stories with messy, desperate characters who aren’t afraid to show emotion. And as an introverted flight attendant, I spend a lot of time observing people and I’m often fascinated by what I discover. The best stories—like people—have layers and depth to their characters. I like finding out what’s underneath.

I have been working with grieving individuals for over 30 years. Early in my career, I realized that my purpose in life was to help people who were grieving the loss of a loved one. I wrote my first book about grief over 25 years ago. It has been my mission to help people find light in the darkness. One way to do this is to have a broader perspective, to realize that there is more going on than we can see or understand. When you have a higher, broader perspective on your grief, you’re able to make meaning out of loss and find beauty in the brokenness.  

I was not intentionally set out to write books for children, but I was inspired to do so after struggling to face the challenges brought on by my illness—multiple brain tumors and surgeries. Creating messages through stories for children facing such hardship as a life-threatening illness, at times even brought me the reason I needed to keep fighting for my health and for my life.

I’m a children’s book author who typically centers humor at the heart of my books but who dipped into heartache to tell this specific story. As a former educator with four kiddos of my own, I’ve been able to witness the myriad ways kids cope with grief, everything from hiding out in blanket forts to holding a backyard funeral service for a beloved pet roly-poly. I hope my book, Where is Poppy? offers kids comfort, peace, and preparation for their own unique journeys with loss. I studied creative writing and political science at Stanford University and hold an MFA in Writing for Children and Young Adults from Vermont College of Fine Arts. 

Resilience - helping people recover their capacities to deal with any adversity, stress, loss or trauma – is the heart of my work as a licensed psychotherapist (25 years) and an international trainer of mental health professionals (more than a decade). Bouncing Back is the book I wanted to be able to hand my clients to help them learn to use the capacities of resilience innate in their brains to develop more effective patterns of response to life crises and catastrophes. No such book was available at the time, so I wrote my own. It has become a tremendous resource for people to learn to how to be more resilient, and to learn that they can learn.

I’ve always been drawn to stories about outsiders and misfits. Who hasn’t, at some point, wondered if they fit in with their family, friends, or school? I love the moments in stories when characters find their voice and recognize that being different can be empowering. As an elementary teacher, it’s my hope that each student in my classroom can share their uniqueness and let their voice shine. I want them to know that it’s okay to feel different or to be weird. The lead characters in the middle grade books I’m recommending all have that sense of being an outsider in some way. I hope you enjoy them.

I’m a novelist and admire writing that pushes against the conventions of mainstream fiction, that goes around and beyond the formulaic, commercial concept of plot. In the Western world, we’re especially stuck on what film director Raul Ruiz calls “conflict theory”—the masculinist idea that only conflict can create narrative. Of course conflict is part of life, but hello—there’s more. Conventional plot’s well-worn heroes, helpers, villians, saviours, and conflict-based climax, so closely tied to Hollywood USA, are predictable and unfulfilling. Many people seek something more innovative, like the literary versions of Philip Glass or Fernando Botero.

I'm a death professional who lives in a world where nobody wants to talk about my specialist subject, so I hoover up any books that discuss mortality and our relationship to it. To do my job well, I need to face death on a daily basis in a matter-of-fact way, without losing that reverence, but equally not getting lost in the reverence because there is plenty to smile at, laugh at and be brutally honest about. These things make me the rounded human that is needed to perform the task well and the kind of people who write these books typically embody those qualities and inspire me. I hope they can inspire you too.

I first turned to the ‘dark side’ of travel when a student of mine introduced me to ‘dark tourism’. Sadly the world is littered with places of tragedy where our misfortunes are exposed by dark tourism. As a social scientist, I have been writing about visiting our significant dead for over 20 years. I am fascinated as to why particular deaths are remembered, by whom, and how our dead are (re)presented within visitor economies. I have lectured and published extensively within academia, as well as being a media consultant. I continue to tell tales of our dead and how we attach cultural importance to certain kinds of death.