100 books like Dreams Underfoot

Chances are many of you have heard of this one, or at least of its author.

Neverwhere is not Gaiman’s best-known or best-selling book. Not by a long shot on either score. But it is my personal favorite, in part because it is less flashy than his other books, while managing to be just as exciting and suspenseful.

Like all of Gaiman’s work, it is at once humorous and dark, fanciful and brutally believable. Our hero, Richard Mayhew, is hapless but ultimately lovable. Our villains, a pair of killers named Croup and Vandemar, are terrifying.

And the characters we discover in the world below the streets of London, are charming and worth fighting for.

War for the Oaks is a fantasy set in a very real Minneapolis (I’ve read parts of it on location) and concerns a war between the Seelie and Unseelie Courts for the city’s soul. As the fey are immortal, each side needs to recruit mortals to infect them with mortality or no victory will be possible. Eddi McCandry, a rock and roll singer, is chosen to fight alongside the Seelie Court.

Eddi starts playing an active role in their strategy and grows into the hero they need. It’s difficult not to love Eddi and her new band – some mortal, some fey – and the fact that the city she’s fighting for is real makes the story even more gripping than the battle for Gondor.

The difference between urban fantasy and horror is that in urban fantasy, the supernatural elements may be benign, not scary. In Tea With the Black Dragon, the fantasy element is Mayland Long, a black dragon converted to Buddhism and transformed into human form to search for a Zen master. In San Francisco, he meets middle-aged Martha Macnamara, violinist and zazen practitioner, and assists her in looking for her daughter. Amateur detectives (one of them a dragon) vs. computer criminals; there’s no magic and not much violence.

Wizard is one of Seattle’s homeless magicians, a seer who tells the truth to those who need it, haunted by a nebulous menace and hiding from his past. Apart from its (often ambiguous) fantasy elements, it’s a beautifully-written guide to urban survival and to downtown Seattle (as well as the setting for my latest novels). 

Ian Frazier’s exploration of his own family’s history takes the reader on a fascinating deep (and broad) dive into American history.

What begins as a chance discovery of letters written between his parents as a young couple leads him inexorably back into the far-reaching branches of his family tree, and a unique perspective on American life from the eighteenth century to the twentieth.

David McCullough called this book a ”remarkable history of an unremarkable family.” The author’s keen curiosity, masterful storytelling, and elegant prose kept me spellbound. I read this book when it first came out, and it was one of those books that for a while I couldn’t stop telling everyone to read.

I’ve never forgotten it, and now I think I’m about to read it again.

Charles de Lint is one of my favorite authors, and this book of short stories is set in Newford, his fictional city. It’s a fully-formed universe where there's always more to discover. You can read any of his books at any time; there’s no order they must be read in. I guarantee that the more you learn of his worlds—and especially Newford—the more you’ll want. I read Pixel Pixies (my favorite short story of all time) to my mom and dad when my mom was dying of cancer. I could barely read the last paragraph for wanting to cry; not because the story is sad, but because it's so beautiful, so hopeful, so abso-freaking-lutely wonderful. I still get teary-eyed thinking about that evening of reading that story to my mom and dad.

That’s what de Lint does. He transports you not only to a world, but indelibly marks the feelings… show more.

I recommend this book because, to me, it is unique–I’ve never read a book like it. It’s an interesting plot, end-of-the-world stuff, with some very unlikeable, low-life characters. It’s set in a very dark version of London that I know and love, in a pub environment similar to the one that I grew up in.

There is murder on the cards throughout the story, but the author still manages to squeeze in some humor. It’s just a different style of writing that I think people should give a try.

Samuel R. Delaney’s masterpiece, Dhalgren, is set in a city in the Midwest that has been emptied by an unnamed catastrophe.

A sense of freedom, violence and disaster hang everywhere as the hero – Kidd, Kid, or the kid, a man with no memory and of ambiguous race (he remembers his mother was Native American) – gains entry into the subcultures that remain behind: parties, high-rise poetry readings with older white people, gun fights, gangs, graphic sex.

Time and perspective seem fluxive, inconstant, and looping. 

This is beautiful, destabilized world building. Dhalgren answers no questions yet evokes a time, place, and milieu that shifts as you read.

I first found it when I was working as a librarian in a prison out on the plains. I didn’t last in prison.

This is a masterful work covering the period from the Norman conquest to the Black Death. Sarah Rees Jones is one of my go-to scholars for medieval York, as well as an engaging writer. I particularly appreciate her looking beyond the importance of the royal government in the city’s development to include the strong influence of the Minster and other ecclesiastical institutions in the city as well as the significance of the people of York—merchants and craftspeople.

Check here first if you want a feel for how the city grew, who were the makers and shakers, how the neighborhoods developed, where the influential people lived. Every time I dip into this book I learn something new. With 18 useful maps and an extensive bibliography.

“I want a long, calm book about people with large incomes – a book like a flat green meadow and the sheep feeding in it… I read most of the time and I am happy.” First published in1939, this novel is a portrait of a woman who struggles in Paris. She is on her own and has no job or money.