Here are 100 books that Dragon's Reach fans have personally recommended if you like
Dragon's Reach.
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I’ve known I was “special” since I was a child. I saw, felt, and heard things that others did not. Eventually I embraced my clairaudient mediumship gifts and turned it into a thriving business, allowing me to live a life of purpose: helping others find their passions and live their most joyful lives. But the journey never ends; I am always on a mission to transform. Consistently, literature has been where I turn when I am seeking wisdom on becoming the best version of myself. I also pursued certification as a Book Therapist - the first thing I’ll recommend to friends, family, or clients is the best book for their dilemma!
J.R.R. Tolkien's masterful storytelling is unmatched, and The Lord of the Rings weaves together moral dilemmas and profound philosophical ideas seamlessly, encouraging me to contemplate the nature of power, the importance of preserving the natural world, and the significance of individual choices.
The book's themes of heroism, friendship, sacrifice, and the struggle between good and evil resonate deeply. In addition, each of his characters feels like an aspect of oneself; the introspection it inspires is brilliant!
The Lord of the Rings instills a sense of wonder, ignites the imagination, and imparts timeless wisdom, which heavily transformed my perspective on life, my values, and my understanding of the human condition.
One Ring to rule them all, One Ring to find them, One Ring to bring them all and in the darkness bind them
In ancient times the Rings of Power were crafted by the Elven-smiths, and Sauron, the Dark Lord, forged the One Ring, filling it with his own power so that he could rule all others. But the One Ring was taken from him, and though he sought it throughout Middle-earth, it remained lost to him. After many ages it fell by chance into the hands of the hobbit Bilbo Baggins.
I love to cheer for underdogs, and young women who are in this category have my special devotion. As a child of the 1960s, I remember a time when women didn’t have the same rights and opportunities as men, and we still seem to be fighting it today. Coming from a trauma-based childhood myself, I find myself comparing and contrasting coping mechanisms. Luckily, I haven’t found it necessary to kill anyone with dragon stone or jacked-up hornets so far. It delights me when these girls win, whether they game the system or fight their way with guns and knives.
Lessa is an amazing heroine who rises from scullery maid to ruler of a full Weyr of dragons, thanks to a persistent dragon rider who recognizes her hidden talents.
I admired her as much in either position, whether she was subtly using her powers to tear down her oppressor from the kitchen corner or flying high on her dragon, protecting those under her care from certain death. No matter what privilege or honors come to her, she remains humble and thereby gathers the admiration and love of all who know her.
Volume I of The Dragonriders of Pern®, the groundbreaking series by master storyteller Anne McCaffrey
On a beautiful world called Pern, an ancient way of life is about to come under attack from a myth that is all too real. Lessa is an outcast survivor—her parents murdered, her birthright stolen—a strong young woman who has never stopped dreaming of revenge. But when an ancient threat to Pern reemerges, Lessa will rise—upon the back of a great dragon with whom she shares a telepathic bond more intimate than any human connection. Together, dragon and rider will fly . . . and…
This set of books helped to form my character and my sense of possibility. I think the same passion for these stories and ideas has led me to study the unconscious and dreams. I also am passionate about the earth and caring for nature; the Elven magic deepened my sense of its sacredness while stretching my mind into the fun of creating magical realms. I think it’s a moral code but also a playful way of thinking and being. Other ways I’ve continued from these works, coupled with my love of language, is an extensive study of the Ancient Futhark, the runes, which have magical power in Tolkien’s Middle Earth.
This book, the start of a series of seven books, I think, made a difference in my life starting in my 20s. The main character, with her sentience and mind-powers that made her long red hair writhe when the power was rising, gave me a new sense of myself as a woman. She held 9 others’ souls within her, carried by the diadem that was sealed to her head. This gave me a new sense of how full spirits might be carried in others, expanding my perception of existence. I loved the dynamic quality of the story, the worlds she built, and the Thief who was her friend and sometimes lover. Through it all, the planet of her people and origin is missing, adding a compelling mystery.
Abandoned on an alien planet, a young woman gains remarkable powers from a mysterious artifact, in the first installment of a sprawling, unforgettable science fiction saga.
A magnificent combination of space opera and epic fantasy quest in the beloved science fantasy tradition of Andre Norton and C. J. Cherryh, author Jo Clayton’s masterful Diadem Saga begins with an unforgettable tale of destiny, self-discovery, survival, and an extraordinary young woman’s coming of age in a world that is not her own.
Raised, but never loved, by the barbarian valley people of Jaydugar, a planet of two suns, young Aleytys has always…
This set of books helped to form my character and my sense of possibility. I think the same passion for these stories and ideas has led me to study the unconscious and dreams. I also am passionate about the earth and caring for nature; the Elven magic deepened my sense of its sacredness while stretching my mind into the fun of creating magical realms. I think it’s a moral code but also a playful way of thinking and being. Other ways I’ve continued from these works, coupled with my love of language, is an extensive study of the Ancient Futhark, the runes, which have magical power in Tolkien’s Middle Earth.
This book carried a concept of shared thought that enchanted me. Colonists find themselves marooned on a planet of simple technologies. At a certain season, a flower sends pollen through the air that causes special connective telepathy and healing powers. They form a society based on royal families but there’s a group that melds minds which is beautifully depicted. This series raised in me a fascination with the idea of closeness of mind and connection. Amid the challenges of a primitive society blended with increasing amounts of outer, technologically advanced influence as their planet is eventually discovered, the mind is shown to still be the most powerful.
I’d written modern true crime before—a book that helped solve a 40-year-old cold case—and wanted to try my hand at historical true crime. I live in Manhattan, home to the greatest crime stories of the late nineteenth and early twentieth centuries, so I was able to see the actual locations where the grisliest murders, the biggest bank heists, and the crookedest con games took place. What really drew me in, though, were the many colorful, unforgettable characters, both good and bad, cops and robbers, who walked the bustling streets of Old New York during the fascinating era known as the Gilded Age.
If you read one biography/memoir of a Gilded Age criminal, make it this one. It tells the story (often in his own words) of the celebrated pickpocket George Appo, an odd little half-Chinese, half-Irish, one-eyed fellow who could make $800 in a few days when most working men made less than that in a year. Appo would rivet New Yorkers when he testified about his second career as a “green goods” con man, working to swindle gullible out-of-towners who came to buy purported counterfeit money at a discount, only to discover that there was nothing but sawdust inside the packages they carried away. Appo refused to name names, though, as he was a self-described “good fellow.”
In George Appo's world, child pickpockets swarmed the crowded streets, addicts drifted in furtive opium dens, and expert swindlers worked the lucrative green-goods game. On a good night Appo made as much as a skilled laborer made in a year. Bad nights left him with more than a dozen scars and over a decade in prisons from the Tombs and Sing Sing to the Matteawan State Hospital for the Criminally Insane, where he reunited with another inmate, his father. The child of Irish and Chinese immigrants, Appo grew up in the notorious Five Points and Chinatown neighborhoods. He rose as…
As someone half-Japanese who grew up in Austria, I've spent the last few years making sense of my relationship to my mother’s homeland. My mother spoke Japanese to us children from an early age, and we spent many childhood summers with our grandparents in Okayama. Because of this, my mother's home feels intimate and familiar to me. But it is also distant and foreign, and it is precisely this unknown, the seemingly exotic and mysterious, that I hope to approach through reading. For me, Japan is a kind of poetic space I set my characters in. In my last three books Japan was both the setting and the secret protagonist.
From the start, the reader can’t help but notice a tower looming in the distance.
The image has something threatening about it, and also deeply significant; the tower will continue to surface over the course of the novel’s unfolding, when certain fateful moments in the plot become clear, as well as the inescapable and hopeless nature of the main character entangled in it.
For me this book is so much more than “just” a crime novel, like it says on the cover. It is an existential masterwork. Slim, though so much is contained within its pages! The reader stays close at the pickpocket’s heels, following him breathlessly through a maze of streets, at the end of which stands the tower, appearing and disappearing in the distance. Nakamura has been compared to Dostoyevsky.
In my opinion, he doesn’t need that ascription. He is Nakamura – through and through. And for anyone…
Nishimura is a seasoned pickpocket, weaving through Tokyo's crowded streets, in search of potential targets. He has no family, no friends, no connections ...But he does have a past, which finally catches up with him when his old partner-in-crime reappears and offers him a job he can't refuse. Suddenly, Nishimura finds himself caught in a web so tangled and intricate that even he might not be able to escape. Taut, atmospheric and cool, The Thief will steal your breath away.
I was raised to be a Roman Catholic. I was not raised to think very deeply, but I did anyway. Eventually. When I was around fifteen, I started asking questions that irritated my parents. They referred me to our priest. Who basically patted me on the head and showed me the door. When the Pope said 'no contraception,' the shit really hit the fan. I haven't looked back. And I'm quite vocal about it because, damn it, religious beliefs and religions do damage, not the least of which involves hurting and killing people. (As for being funny, that's just icing on the cake.)
Published by the American Atheist Press, this isn't really a funny book, but since contradictions and absurdities figure prominently throughout the book, I'm listing it here. Next time anyonestarts to defend their faith, give them a copy of this book. I'm sure some of what's in my own book was inspired by this book.
No bible-thumping missionary will ever be safe on your doorstep again! This book includes devastating evidence needed to prove the "Holy Bible" is actually wholly babble.
I have just retired after teaching 35 years in the New Testament department at Denver Seminary. I have authored, co-authored, or co-edited thirty books related to New Testament studies and more than 150 peer-reviewed journal articles or chapters in multi-author books. I have learned that most of the reasons people don’t believe in part or all of the Bible is because they don’t understand it properly, so my passion is to try to rectify that. The New Testament changed my life for the better, as it has hundreds of millions of other people. I just want to help that number continue to grow.
The most practical book I’ve ever encountered for applying the Old Testament in the New Testament age and for dealing with culturally foreign parts of the New Testament as well. Outlines a process for extracting timeless principles from culture-specific passages and then finding equally concrete contemporary applications, even if we might not literally ‘greet one another with a holy kiss’! Jack was an editor with three major Christian publishers, a personal encouragement when I was writing my commentary on 1 Corinthians and his approach was the most influential resource I had when I was writing on application for my co-authored Introduction to Biblical Interpretation.
I grew up in a small seaside town north of Boston. I have three siblings, and we always spent a few weeks every summer with our cousins in a rented house somewhere in New England—a new place each year. I became a bookworm at a young age, and I’ve always loved reading novels about big families that capture both the magic and the conflicts inevitable with many siblings and relatives. I was also an anglophile, and I tended to gravitate toward books written in earlier decades, particularly those of the mid 20th century. When I began writing my own novels, it seemed natural to set them in those fascinating earlier times.
The true identity of Diana Tutton remains uncertain. She published three idiosyncratic novels in England in the 1950s, all of which have now fallen into obscurity. Of those, Guard Your Daughters is the best: it describes a loving family dedicated to protecting the children’s mother, whose poor health has led to an insular, overly sheltered lifestyle for her many daughters. Each of the girls is distinct and vividly drawn by Tutton, who has a keen eye for the traditions, tensions, and excitement of siblings in their teenage years. Over the course of the novel, the sisters gradually forge more connections with the outside world and discover not only their own larger desires but also the hidden truth of their family life.
Guard Your Daughters by Diana Tutton is a 1953 novel about a family of five daughters living in the country – or rather four daughters since one has recently escaped by marrying and it is Morgan, Cressida, Teresa and Thisbe who are still at home with their parents. Their mother stops her daughters going to school or making friends. But because she tends to make scenes or retire to bed, her family do all they can to avoid defying or upsetting her; yet they do so in a continually light-hearted, cheerful fashion.
I’ve been a fan of horror since I got sucked into Scooby-Doo as a three-year-old. When I started my academic career, I kind of kept that passion tucked inside as something to be embarrassed about – after all, I wanted to do serious work, and horror movies aren’t serious, right? Graduate school made me rethink that assumption, and pushed me towards seriously considering the engagement of horror and religion. I wrote my dissertation on a chapter of the Book of Numbers as a slasher narrative, and I haven’t looked back since.
Wiggins looks at how the Bible as a physical, tangible book plays an important role in horror movies – it doesn’t even need to be read to have power and be a crucial part of the plot. The book takes a deep dive into what the Bible means as a cultural symbol, even beyond our relationship to the words contained in its pages.
What makes you afraid? It may be more than what you think. Horror films have been exploiting our fears almost from the moment movies were invented. Lurking unseen in the corner of horror, however, is something unexpected: the Bible. Sit back while the curtain parts and watch as the Good Book appears in both supporting and starring roles in the most unlikely of cinema genres. Starting with Psycho and running up through the 2010s, horror films, monster movies and thrillers will flash across the screen with Scripture plainly in view. Holy Writ is not always what it seems. The Bible…
