Here are 100 books that Dancing In The Streets fans have personally recommended if you like
Dancing In The Streets.
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I’ve always been fascinated by stories of myth, magic, and ancient cultures. I grew up devouring everything I could get my hands on, but it seemed like voices were missing in so many myths and legends. Persephone isn’t even the main character in her own myth. Aphrodite, Helen, and countless other women were painted with the same depthless brush. I wanted to know their stories, and as I grew older, I realized I wanted to tell them. The authors of the books in this list are kindred spirits. Countless hours of research and reading went into these stories, and their love for the subject shines through the text.
Ever since reading this book, I *can’t* think of the original version of the Iliad without referencing his haunting retelling from Patroclus’ perspective. Miller did such an incredible job putting me in the story and making the characters so real that I actively missed them when I put the book down.
It doesn’t hurt that it has some of the most beautiful poetic language I’ve encountered in story form. Helen is more of a background character playing her classic role, but I was still fascinated because Miller plays on the demigod aspect of both Helen and Achilles in a way that makes them steal any scene they’re in. There’s a quiet power to them that transcends the page.
**OVER 1.5 MILLION COPIES SOLD** **A 10th ANNIVERSARY SPECIAL EDITION, FEATURING A NEW FOREWORD BY THE AUTHOR**
WINNER OF THE ORANGE WOMEN'S PRIZE FOR FICTION THE INTERNATIONAL SENSATION A SUNDAY TIMES AND NEW YORK TIMES BESTSELLER
'Captivating' DONNA TARTT 'I loved it' J K ROWLING 'Ravishingly vivid' EMMA DONOGHUE
Greece in the age of heroes. Patroclus, an awkward young prince, has been exiled to the court of King Peleus and his perfect son Achilles. Despite their differences, Achilles befriends the shamed prince, and as they grow into young men skilled in the arts of war and medicine, their bond blossoms…
For the last seven years, I’ve worked with art and artists, particularly those who prioritize spaces like nightclubs as spaces of expression. Museums and nightclubs have both helped me bring my fullest self to fruition, from my queer experiences to my immigrant experiences. I believe something magical resides within those spaces that connect friends, family, and music, and it remains difficult to put a finger on, but you recognize it when you see it. These books are just a taste of a way to better understand that experience of collectivity—across love, friendship, and art—and I hope you enjoy them as much as I have!
I loved Hewitt’s writing style; it’s lush and intimate and deeply personal, and overall a heartwrenching queer memoir about loving someone who doesn’t want to love themselves anymore.
Trained as a poet, Hewitt has a knack for turning very mundane personal experiences into luminous scenes infused with spirituality.
A luminous memoir from the prize-winning poet - a story of love, heartbreak and coming of age, and a tender exploration of queer identity.
'Beautiful' Colm Toibin 'Rapturous' New York Times 'Extraordinary' Observer 'Stunning' Sunday Times
When Sean meets Elias, the two fall headlong into a love story. But as Elias struggles with severe depression, the couple comes face to face with crisis.
Wrestling with this, Sean Hewitt delves deep into his own history, enlisting the ghosts of queer figures and poets before him. From a nineteenth-century cemetery in Liverpool to the pine forests of Gothenburg, Hewitt plumbs the darkness…
For the last seven years, I’ve worked with art and artists, particularly those who prioritize spaces like nightclubs as spaces of expression. Museums and nightclubs have both helped me bring my fullest self to fruition, from my queer experiences to my immigrant experiences. I believe something magical resides within those spaces that connect friends, family, and music, and it remains difficult to put a finger on, but you recognize it when you see it. These books are just a taste of a way to better understand that experience of collectivity—across love, friendship, and art—and I hope you enjoy them as much as I have!
I was genuinely surprised and challenged by this inventive book by Cathy Park Hong that follows a mysterious translator into a dystopic new world.
Written in a pygin that combines over ten different languages, this poetry collection is deeply weird but oddly moving, despite its formal inventiveness, and connects politics to poetry in a novel and haunting way.
Named one of the Los Angeles Times's Best Science Fiction Books in 2007, Dance Dance Revolution is a genre-bending tour de force told from the perspective of the Guide, a former dissident and tour guide of an imagined desert city.
For the last seven years, I’ve worked with art and artists, particularly those who prioritize spaces like nightclubs as spaces of expression. Museums and nightclubs have both helped me bring my fullest self to fruition, from my queer experiences to my immigrant experiences. I believe something magical resides within those spaces that connect friends, family, and music, and it remains difficult to put a finger on, but you recognize it when you see it. These books are just a taste of a way to better understand that experience of collectivity—across love, friendship, and art—and I hope you enjoy them as much as I have!
In the rhapsodic, 90-page first essay, Heart Museum of Chew-Bose’s collection, she gushes in the most eloquent way possible about simply…being alive.
This book is a trojan horse, considering topics like race, identity, and creativity without branding itself as such. Instead, Chew-Bose seeks to render her object—emotions—in as acute detail as possible. I relate to and aspire to her sensibility. Like Chew-Bose, I want to be “a critic who prefers the term “enthusiast,” and an essayist who worries [he’s] really a poet.”
Named a best book of 2017 by NPR, The Guardian, Slate, NYLON and The Globe and Mail (Canada)
From Durga Chew-Bose, “one of our most gifted, insightful essayists and critics” (Nylon), comes "a warmly considered meld of criticism and memoir" (New Yorker), a lyrical and piercingly insightful debut collection of essays about identity and culture.
Too Much and Not the Mood is a beautiful and surprising exploration of what it means to be a first-generation, creative young woman working today. On April 11, 1931, Virginia Woolf ended her entry in A Writer’s Diary with the words “too much and not…
James M. Jasper has written a number of books and articles on politics and social movements since the 1980s, trying to get inside them to see what participants feel and think. In recent years he has examined the many emotions, good and bad, involved in political engagement. He summarizes what he has learned in this short book, The Emotions of Protest, taking the reader step by step through the emotions that generate actions, to those that link us to groups, down to the emotional and moral impacts of social movements. The book is hopeful and inspiring but at the same time also clear-eyed about the limitations of protest politics.
Since ancient times people have gathered outdoors to celebrate all sorts of things, generating joy through dancing, marching, singing, and feasting. In the past most had some religious aura, but in the present, many are political gatherings, deeply satisfying ways of expressing moral visions. In this romp through history Ehrenreich shows us the sheer fun of political (and other) gatherings, which modern elites have tried hard to suppress.
From the bestselling social commentator and cultural historian comes Barbara Ehrenreich's fascinating exploration of one of humanity's oldest traditions: the celebration of communal joy
In the acclaimed Blood Rites, Barbara Ehrenreich delved into the origins of our species' attraction to war. Here, she explores the opposite impulse, one that has been so effectively suppressed that we lack even a term for it: the desire for collective joy, historically expressed in ecstatic revels of feasting, costuming, and dancing.
Ehrenreich uncovers the origins of communal celebration in human biology and culture. Although sixteenth-century Europeans viewed mass festivities as foreign and "savage," Ehrenreich…
For longer than I can remember I have been fascinated by ancient civilizations, earth mysteries, cave art, magic, mythology, and shamanism. As an author, my research and writing continues to be inspired by these interests. I specialise in the ethnography of sacred landscapes and rituals; and more generally in esotericism, consciousness, and healing. My non-fiction is published by Inner Traditions and Scarlet Imprint; literary prose and poetry by Corbel Stone Press and Paralibrum. My essays on energy healing have appeared in the peer-reviewed Paranthropology Journal and the Journal of Exceptional Experiences and Psychology as well as on my academia.edu page.
This is without doubt the most accessible, enjoyable, lavishly illustrated, and informative guide to the mystery cults of antiquity that you will ever find. Its author, Hugh Bowden, is a renowned expert on the history and archaeology of mystery cults. That said, he has managed to combine a highly readable text with informative diagrams and images of the cult sites, cult objects, inscriptions, and wall paintings. This book provides the perfect introduction to the major cults, how they were organised and what they stood for.
This is the first book to describe and explain all of the ancient world's major mystery cults - one of the most intriguing but least understood aspects of Greek and Roman religion. In the nocturnal "Mysteries at Eleusis", participants dramatically re-enacted the story of Demeter's loss and recovery of her daughter Persephone; in the Bacchic cult, bands of women ran wild in the Greek countryside to honor Dionysus; and, in the mysteries of Mithras, men came to understand the nature of the universe and their place within it through frightening initiation ceremonies and astrological teachings. These cults were an important…
For longer than I can remember I have been fascinated by ancient civilizations, earth mysteries, cave art, magic, mythology, and shamanism. As an author, my research and writing continues to be inspired by these interests. I specialise in the ethnography of sacred landscapes and rituals; and more generally in esotericism, consciousness, and healing. My non-fiction is published by Inner Traditions and Scarlet Imprint; literary prose and poetry by Corbel Stone Press and Paralibrum. My essays on energy healing have appeared in the peer-reviewed Paranthropology Journal and the Journal of Exceptional Experiences and Psychology as well as on my academia.edu page.
For those wishing to dig a little deeper into the topic, Marvin Meyer’s The Ancient Mysteries is a key sourcebook for both the serious researcher and the curious amateur alike. For each of the major mystery cults of antiquity - the Rites of Eleusis, those of Isis and Osiris, Dionysus, Mithras, and others - Meyer has collected every pertinent classical reference to provide ready access to contemporary sources relevant to understanding each of the cults.
Zeus and the other gods of shining Olympus were in reality divine only by popular consent. Over the course of time Olympian luster diminished in favor of religious experiences more immediate to the concerns of people living in an increasingly cosmopolitan ancient world. These experiences were provided by the mysteries, religions that flourished particularly during the Hellenistic period and were secretly practiced by groups of adherents who decided, through personal choice, to be initiated into the profound realities of one deity or another. Unlike the official state religions, in which people were expected to make an outward show of allegiance…
I’ve always loved the darker side of fantasy. While heroes, knights, and handsome kings can occasionally be enjoyable, I want to know the other characters who have suffered, hurt, lost, grieved, and been hardened by grim circumstances and cruel fate. Those characters demonstrate the resilience of human nature and how goodness truly can exist even in the harshest environment. I love using this darkness in my own novels to show that even the tiniest spark can shine immensely bright—a true testament to the indefatigability of our spirits.
This book was one of the first assassin books ever written, and it’s a masterpiece of classic fantasy. The character is exactly as brooding and dour as I’d expected, but the moment he saves a young woman and her two orphaned companions, I understood there was so much more to him. And over the course of the book—and all his books—I saw those layers stripped away piece by piece and the grief-stricken man beneath.
The story was action-packed in exactly the way I wanted it to be, but it also profoundly explored nobility, morality, belief, and faith. The final scenes of the trilogy had me in tears, something not easily accomplished.
'THE HARD-BITTEN CHAMPION OF BRITISH HEROIC FANTASY' - Joe Abercrombie
'HEROISM AND HEARTBREAK . . . GEMMELL IS ADRENALINE WITH SOUL' - Brent Weeks
The Drenai King is dead - murdered by a ruthless assassin. Enemy troops swarm into Drenai lands. Their orders are simple - kill every man, woman and child.
But there is hope.
Stalked by men who act like beasts and beasts that walk like men, the warrior Waylander must journey into the shadow-haunted lands of the Nadir to find the legendary Armour of Bronze. With this he can turn the tide. But can he be trusted?…
The Black Experience is my experience. Through living that experience, and with the benefit of education, my passion for storytelling—for sharing oft-neglected Black history from a Black perspective—evolved. Professionally, I am a Harvard-educated attorney who writes, lectures, teaches, and coaches in the general area of the Black experience and in the broader realm of diversity, equity, and inclusion. My ten books focus on aspects of the Black experience in America. I have received many honors and accolades for my professional and community work, including induction into both the Tulsa Hall of Fame and the Oklahoma Hall of Fame.
Murder in the Streets is a unique, first-person, contemporaneous account of the massacre through the eyes of a Native American (Choctaw) man who was not identifiably Native and lived the life of a white man. The man, Choc Phillips, became a Tulsa police officer and wrote the book as a memoir later in his life. This is a rare, contemporaneous account of one of the low points in American race relations.
The 1921 Tulsa Race Massacre occurred over two days, May 30 and June 1, 1921, when a white mob destroyed the African American section of Tulsa, Okla., known as the Greenwood District. As a result, more than 1,250 homes and businesses were destroyed, thirty-five square blocks of Tulsa leveled, and hundreds of innocent people were injured or dead.
There have been numerous book and news articles written about the 1921 Tulsa Race Massacre, but most of the first-person accounts were given by African Americans. However, William C. "Choc" Phillips was part white and part Native American and an eyewitness to…
When I decided to familiarize myself with eighteenth-century authors of African descent by editing their writings, I didn’t anticipate becoming their biographer. In annotating their writings, I quickly became intrigued and challenged by trying to complete the biographical equivalent of jigsaw puzzles, ones which often lack borders, as well as many pieces. How does one recover, or at least credibly speculate about, what’s missing? Even the pieces one has may be from unreliable sources. But the thrill of the hunt for, and the joy of discovering, as many pieces as possible make the challenge rewarding. My recommendations demonstrate ways others have also met the biographical challenge.
Sensbach combines impressive archival skills with sophisticated analyses of textual and visual evidence to reconstruct the extraordinary life of a formerly enslaved woman of African descent, whose interracial marriage and missionary calling took her from the Caribbean to Germany and West Africa.
Rebecca’s Revivalis a methodological tour de force, working from fragmentary evidence to reveal the complexity of issues of slavery, religion, and identity in the transatlantic eighteenth-century world.
Refusing to over-simplify the certainty of the evidence or its implications, Sensbach’s frequent use of words like “may,” “might,” “if,” and “perhaps” reflects not the weakness of indecision but rather the strength of a historian who discriminates the known from the unknown, and more importantly, the possible from the probable.
Rebecca's Revival is the remarkable story of a Caribbean woman--a slave turned evangelist--who helped inspire the rise of black Christianity in the Atlantic world. All but unknown today, Rebecca Protten left an enduring influence on African-American religion and society. Born in 1718, Protten had a childhood conversion experience, gained her freedom from bondage, and joined a group of German proselytizers from the Moravian Church. She embarked on an itinerant mission, preaching to hundreds of the enslaved Africans of St. Thomas, a Danish sugar colony in the West Indies. Laboring in obscurity and weathering persecution from hostile planters, Protten and other…
