Here are 38 books that Murder In The Streets fans have personally recommended if you like
Murder In The Streets.
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I taught for more than 26 years in classes ranging from first grade through college. No matter the age of the students, I used children’s books to introduce topics in history. I never shied away from using a picture book with older students and often found they were more engaged in a picture book than in an article. I also used historical fiction as a hook to lure students into picking up a related non-fiction book. In fact, historical fiction was the gateway that taught this writer of 13 nonfiction children’s books to love non-fiction history.
Weatherford depicts a vibrant and thriving Black Wall Street in Tulsa until one elevator ride brings it all crashing down.
Unspeakable has received numerous starred reviews and awards—all richly deserved for shining a light on this horrifying history and reminding us at the book’s conclusion that it is the responsibility of us all to reject hatred and choose hope. It’s a stunning work from a powerhouse author and illustrator team.
Don’t let its picture book format keep you from sharing this important book with teens and adults. The format makes the difficult subject both more accessible and more relatable.
Winner of the Coretta Scott King Book Awards for Author and Illustrator
A Caldecott Honor Book
A Sibert Honor Book
Longlisted for the National Book Award
A Kirkus Prize Finalist
A Boston Globe-Horn Book Honor Book
"A must-have"―Booklist (starred review)
Celebrated author Carole Boston Weatherford and illustrator Floyd Cooper provide a powerful look at the Tulsa Race Massacre, one of the worst incidents of racial violence in our nation's history. The book traces the history of African Americans in Tulsa's Greenwood district and chronicles the devastation that occurred in 1921 when a white mob attacked the Black community.
The Black Experience is my experience. Through living that experience, and with the benefit of education, my passion for storytelling—for sharing oft-neglected Black history from a Black perspective—evolved. Professionally, I am a Harvard-educated attorney who writes, lectures, teaches, and coaches in the general area of the Black experience and in the broader realm of diversity, equity, and inclusion. My ten books focus on aspects of the Black experience in America. I have received many honors and accolades for my professional and community work, including induction into both the Tulsa Hall of Fame and the Oklahoma Hall of Fame.
The Ground Breaking takes a look at the work Tulsa is doing to repair damage from the 1921 Tulsa Race Massacre—to make reparation. Specifically, the book examines Tulsa's commitment to investigating longstanding accounts of mass graves containing Black bodies hastily buried in the wake of the massacre. Collective trauma from historical events must be addressed. Answering the answerable questions that linger from the past is part of the healing process.
One of The New York Times' “11 New Books We Recommend This Week” | One of Oprah Daily's “20 of the Best Books to Pick Up This May” | One of The Oklahoman's“15 Books to Help You Learn About the Tulsa Race Massacre as the 100-Year Anniversary Approaches” |A The Week book of the week
As seen in documentaries on the History Channel, CNN, and Lebron James’s SpringHill Productions
And then they were gone.
More than one thousand homes and businesses. Restaurants and movie theaters, churches and doctors’ offices, a…
The Black Experience is my experience. Through living that experience, and with the benefit of education, my passion for storytelling—for sharing oft-neglected Black history from a Black perspective—evolved. Professionally, I am a Harvard-educated attorney who writes, lectures, teaches, and coaches in the general area of the Black experience and in the broader realm of diversity, equity, and inclusion. My ten books focus on aspects of the Black experience in America. I have received many honors and accolades for my professional and community work, including induction into both the Tulsa Hall of Fame and the Oklahoma Hall of Fame.
Release Me is an anthology that looks at the legacy of Tulsa's Historic Greenwood District through the eyes of various authors tapping a plethora of literary styles and devices. Through Release Me, the voices of the oft-unheard ring out. The legacy of the Greenwood District lives.
“Apparitions roam the Greenwood District, yearning to be free of the day they died…” The story of the Greenwood District in Tulsa, OK (aka Black Wall Street) is more than the 1921 Tulsa Race Massacre. RELEASE ME, the Spirits of Greenwood Speak anthology focuses on the lives of the citizens of Greenwood. The anthology is a symphony of historic facts about the Greenwood District (before and after the massacre) along with timeless and borderless community building principles wrapped in poetry, short stories, art, essays, and photography. RELEASE ME, the Spirits of Greenwood Speak anthology has contributions from Poet Laureate of…
The Black Experience is my experience. Through living that experience, and with the benefit of education, my passion for storytelling—for sharing oft-neglected Black history from a Black perspective—evolved. Professionally, I am a Harvard-educated attorney who writes, lectures, teaches, and coaches in the general area of the Black experience and in the broader realm of diversity, equity, and inclusion. My ten books focus on aspects of the Black experience in America. I have received many honors and accolades for my professional and community work, including induction into both the Tulsa Hall of Fame and the Oklahoma Hall of Fame.
This photographic history of the 1921 Tulsa Race Massacre recounts a compelling event with an equally compelling pictorial narrative. Dr. Hill, who leads the African and African American studies program at the University of Oklahoma, shares this curated look at a catastrophic moment in time with a view toward acknowledging our full history and shaping our collective vision for an inclusive future.
On the evening of May 31, 1921, and in the early morning hours of June 1, several thousand white citizens and authorities violently attacked the African American Greenwood District of Tulsa, Oklahoma. In the course of some twelve hours of mob violence, white Tulsans reduced one of the nation's most prosperous black communities to rubble and killed an estimated 300 people, mostly African Americans. This richly illustrated volume, featuring more than 175 photographs, along with oral testimonies, shines a new spotlight on the race massacre from the vantage point of its victims and survivors.
I grew up on my family’s land run farm north of Enid before coming to the OKC metro for school, giving me a view of the quiet rural spaces and the hopping city life Oklahoma pushes for today and more!
It wasn’t until HBO’s Watchmen that most people learned of the Tulsa Race Massacre, though a few of us who paid attention in tenth-grade history remember a line or two about a “riot” back in Tulsa before the book moved on to talk about something else. This book gives chilling firsthand accounts, both from the author as well as other survivors, who experienced the demolition of an entire community strictly out of prejudice, fear, and hate. It’s a good reminder that it can happen anywhere, any time if we let it.
Mary Parrish was reading in her home when the Tulsa race massacre began on the evening of May 31, 1921. Parrish's daughter, Florence Mary, called the young journalist and teacher to the window. "Mother," she said, "I see men with guns."
The two eventually fled into the night under a hail of bullets and unwittingly became eyewitnesses to one of the greatest race tragedies in American history.
Spurred by word that a young Black man was about to be lynched for stepping on a white woman's foot, a three-day riot erupted that saw the death of hundreds of Black Oklahomans…
I was raised in Springfield, Illinois, what is considered Lincoln’s backyard. I grew up fascinated by history, and the Civil War in particular. The trouble was, its racial overtones always bothered me. Later in life, I became a high school history and journalism teacher and turned my interest in historical-based board gaming into a business I called Indulgent Wife Enterprises (because my wife is so incredibly supportive). To date, I have published 30 board games based mostly on American conflicts. When I retired, I began the ambitious project of writing a strongly researched account of the divisions leading up to the Civil War and through to the Reconstruction period that followed.
I was mesmerized and horrified by this 100th-anniversary recounting of the massacre. I didn’t just turn pages. I tore through the book, not believing that such a thing could happen in modern America.
The destruction of what was once considered a thriving Negro Wall Street and the slaughter of its people led me to an in-depth study of the Reconstruction riots a half-century before this one.
Essential reading as America finally comes to terms with its racial past.
When first published in 2001, society apparently wasn't ready for such an unstinting narrative. After it was published, The Burning, like its subject matter, remained unknown to most in America. That has changed dramatically.
"I began to suspect that a crucial piece remained missing from America's long attempts at racial reconciliation," Madigan wrote in 2001 in the author's note to The Burning. "Too many were oblivious to some of the darkest moments in our history, a legacy of which Tulsa is both a tragic example and a shameful…
I didn’t realize for a long time that I was drawn to reading and writing quiet, character-driven stories about found families–because I didn’t know that was a thing. But here we are. As an introvert, I love learning about people and exploring their relationships with one another, and I have devoted my writing and reading life to this endeavor (even before, again, I knew this was a thing). As a child, I spent my time in libraries, falling in love with these characters. Now, as an author and professor of writing, I believe these novels are also all incredible textbooks of character creation and storytelling.
I first read this as a teen and fell hard for the characters that populate this story and Novalee’s life. Pregnant and abandoned, Novalee’s life is the definition of loss at the start of the story—but by the end, her life is filled with such love and richness that it’s easy to forget how she started.
She continues to experience loss as the story continues, but the strength her found family gives her demonstrates how the right people can help us grow. These characters are quirky and loving, and I can’t help but wish they were all real every time I read it.
A 17-year-old pregnant girl heading for Califonia with her boyfriend finds herself stranded at a Wal-Mart in Oklahoma, with just $7.77 in change. But she's about to be helped by a group of down-to-earth, deeply caring people, including a bible-thumping nun and an eccentric librarian.
I am a children’s author best known for digging up fascinating stories about famous people—and forgotten people who deserve to be famous again. As a kid, I loved reading about the old days, but I wasn’t very interested in “history,” which seemed to be dull facts about a few Great Men. In college, though, I studied social movements and discovered that we all make history together, and that it takes the combined efforts of countless unsung heroes—just as brave, hardworking, and persistent as the big names everybody knows—to achieve real change.
When I studied the civil rights movement, nobody told me about Clara Luper or the Oklahoma City sit-ins, which took place a year and a half before the Greensboro sit-in. I didn’t even realize there was segregation that far west. Someday Is Now helps fill that common knowledge gap, but it’s also a solid introduction to “separate and unequal,” as well as a portrait of a teacher and civil rights activist who should be better known. It left me wanting to learn more about Luper and the children who joined her, especially Luper’s nine-year-old daughter Marilyn, who by her own account proposed the sit-in—without ever having heard of one!
"Not only does this book highlight an important civil rights activist, it can serve as an introduction to child activism as well as the movement itself. Valuable." -Kirkus Reviews starred review
"Relatable and meaningful ... A top addition to nonfiction collections." -School Library Journal starred review
More than a year before the Greensboro sit-ins, a teacher named Clara Luper led a group of young people to protest the segregated Katz Drug Store by sitting at its lunch counter. With simple, elegant art, Someday Is Now tells the inspirational story of this unsung hero of the Civil Rights Movement.
Photographs, for me, are essential to writing about a particular period. They ignite my imagination like nothing else. For this book I pored over the Library of Congress archives of 1930s FSA photographs, particularly those by Dorothea Lange. Her photos capture humanity at its most desperate, most determined, and they walloped me. Such ruin and poverty, and lives upended. But those faces of Lange’s were what helped me find my characters. I hope that the story of the Bell family transports you to a time and place like none other in American history. These five selections will give you further insight into what life what like.
Henderson was a homesteader and teacher in the Oklahoma panhandle and this collection of her writing creates a compelling first-hand portrait of the Dust Bowl. Impeccably detailed about rural farm life, from the days of prosperity to the bare-bones existence necessitated by hardship, Henderson is a thoughtful, ponderous guide. “Out here we thought the depths of the depression had been fathomed some time ago when the sheriff subtracted from the very personal possessions of one our neighbors a set of false teeth that he had been unable to pay for.”
In May 1936 Secretary of Agriculture Henry A. Wallace wrote to Caroline Henderson to praise her contributions to American ""understanding of some of our farm problems."" His comments reflected the national attention aroused by Henderson's articles, which had been published in Atlantic Monthly since 1931. Even today, Henderson's articles are frequently cited for her vivid descriptions of the dust storms that ravaged the Plains.
Caroline Henderson was a Mount Holyoke graduate who moved to Oklahoma's panhandle to homestead and teach in 1907. This collection of Henderson's letters and articles published from 1908 to1966 presents an intimate portrait of a woman's…
Monuments and memorials pepper our public landscape. Many walk right by them, uncurious about who or what’s being honored. I can’t. I’m a historian. I’m driven to learn the substance of the American past, but I also want to know how history itself is constructed, not just by professionals but by common people. I’m fascinated by how “public memory” is interpreted and advanced through monuments. I often love the artistry of these memorial features, but they’re not mere decoration; they mutely speak, saying simple things meant to be conclusive. But as times change previous conclusions can unravel. I’ve long been intrigued by this phenomenon, writing and teaching about it for thirty years.
The Unfinished Bombingwas eerily prescient when first published in 2001 and remains uncannily relevant today.
Linenthal set the standard in his analysis of public tragedy, its impact on an American community and the larger nation, and its memorialization.
In April 1995, a white homegrown right-wing terrorist bombed the Alfred P. Murrah Federal Building in Oklahoma City, killing 168 men, women, and children. Linenthal’s story of the massive crime, outpourings of grief, and the efforts to memorialize the dead and prevent future cataclysms is gripping and personal yet academically astute.
The Oklahoma City National Memorial & Museum that rose from the rubble is among the most culturally and aesthetically successful monuments in the history of American public memory. Though seemingly eclipsed by the catastrophic events of September 11, 2001, this story of rupture and recovery, so well told by the author, continues to be critical and instructive.
On April 19, 1995 the bombing of the Alfred P. Murrah Federal Building in Oklahoma City shook the nation, destroying our complacent sense of safety and sending a community into a tailspin of shock, grief, and bewilderment. Almost as difficult as the bombing itself has been the aftermath, its legacy for Oklahoma City and for the nation, and the struggle to recover from this unprecedented attack. In The Unfinished Bombing, Edward T. Linenthal explores the many ways Oklahomans and other Americans have tried to grapple with this catastrophe. Working with exclusive access to materials gathered by the Oklahoma City National…
