Here are 100 books that Dancing in the Streets fans have personally recommended if you like
Dancing in the Streets.
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I am fortunate not to have witnessed any major riots myself; the worst I’ve endured was a 1993 street fight in Moscow between parading Communists and the police, with bricks on one side and clubs and water cannon on the other. But even a relatively gentle protest march that draws a police response can be an astonishing spectacle, transforming a familiar, modern city into a medieval battlefield of massed crowds confronting armored men on horseback. And I am fascinated by the place of crowd actions in democratic societies. The right to assemble is embedded in our constitution, but there’s a fine line between public expression and mob rule.
Whatever rhetoric leaders deploy, they depend on others—usually teenagers and young men—who will fight for the joy of it. “Violence is one of the most intensely lived experiences,” writes Buford. “For those capable of giving themselves over to it, is one of the most intense pleasures.” He reaches this conclusion after years of observing the largely apolitical English football hooligans who follow their favorite teams around Europe, plundering and brawling as they go. The crime is brutal and pointless, but, Buford explains, the thugs thrill to the mayhem, the naughtiness, and the sound of broken glass.
The author of this book has spent most of his spare time "among the thugs", the hooligans whose violence scars the face of English football. He has written a work of investigative journalism and a meditation on the violence that lies just beneath the surface of English life.
James M. Jasper has written a number of books and articles on politics and social movements since the 1980s, trying to get inside them to see what participants feel and think. In recent years he has examined the many emotions, good and bad, involved in political engagement. He summarizes what he has learned in this short book, The Emotions of Protest, taking the reader step by step through the emotions that generate actions, to those that link us to groups, down to the emotional and moral impacts of social movements. The book is hopeful and inspiring but at the same time also clear-eyed about the limitations of protest politics.
Internal dynamics, especially decisionmaking, often become more important to protest groups than the impact they are having on the outside world. Through vivid cases in twentieth-century America, Polletta relates the internal and the external, showing that groups decide what to do and who they are -- strategy and identity -- at the same time. She is especially good on the Student Nonviolent Coordinating Committee of the early 1960s.
Freedom Is an Endless Meeting offers vivid portraits of American experiments in participatory democracy throughout the twentieth century. Drawing on meticulous research and more than one hundred interviews with activists, Francesca Polletta challenges the conventional wisdom that participatory democracy is worthy in purpose but unworkable in practice. Instead, she shows that social movements have often used bottom-up decision making as a powerful tool for political change.
Polletta traces the history of democracy in early labor struggles and pre-World War II pacifism, in the civil rights, new left, and women's liberation movements of the sixties and seventies, and in today's faith-based…
James M. Jasper has written a number of books and articles on politics and social movements since the 1980s, trying to get inside them to see what participants feel and think. In recent years he has examined the many emotions, good and bad, involved in political engagement. He summarizes what he has learned in this short book, The Emotions of Protest, taking the reader step by step through the emotions that generate actions, to those that link us to groups, down to the emotional and moral impacts of social movements. The book is hopeful and inspiring but at the same time also clear-eyed about the limitations of protest politics.
Meetings are one of the main activities of social movements, and plenty of misunderstandings occur based on the way people talk due to different backgrounds. This amusing book focuses on the effects of social class, which both activists and scholars have tended to forget about in recent years. If nothing else, it will give you something to think about during your next meeting.
Many activists worry about the same few problems in their groups: low turnout, inactive members, conflicting views on racism, overtalking, and offensive violations of group norms. But in searching for solutions to these predictable and intractable troubles, progressive social movement groups overlook class culture differences. Missing Class looks through a class lens and discovers that members with different class life experiences tend to approach these problems differently. Using this class lens enables readers to envision new solutions, solutions that draw on the strengths of all class cultures to form the basis of stronger cross-class and multiracial movements.
James M. Jasper has written a number of books and articles on politics and social movements since the 1980s, trying to get inside them to see what participants feel and think. In recent years he has examined the many emotions, good and bad, involved in political engagement. He summarizes what he has learned in this short book, The Emotions of Protest, taking the reader step by step through the emotions that generate actions, to those that link us to groups, down to the emotional and moral impacts of social movements. The book is hopeful and inspiring but at the same time also clear-eyed about the limitations of protest politics.
Although a little older, this remains in my view the best book on the civil rights movement of the late 1950s and early 1960s, the heroic period of Dr. King and the student sit-ins. Born and raised in rural Mississippi during that time, Morris tells a rich story of the influence of religion: the songs, prayers, and scriptural references, but also the material resources such as churches to meet in, networks of preachers to spread information, and the conduit for funds to flow from more affluent Black communities to those battling on the frontline during the bloody fight for civil rights.
A “valuable, eye-opening work” (The Boston Globe) about the civil rights struggles of the 1950s and 1960s.
On December 1, 1955, in Montgomery, Alabama, Mrs. Rosa Parks, weary after a long day at work, refused to give up her bus seat to a white man…and ignited the explosion that was the civil rights movement in America. In this powerful saga, Morris tells the complete story behind the ten years that transformed America, tracing the essential role of the black community organizations that was the real power behind the civil rights movement. Drawing on interviews with more than fifty key leaders,…
For the last seven years, I’ve worked with art and artists, particularly those who prioritize spaces like nightclubs as spaces of expression. Museums and nightclubs have both helped me bring my fullest self to fruition, from my queer experiences to my immigrant experiences. I believe something magical resides within those spaces that connect friends, family, and music, and it remains difficult to put a finger on, but you recognize it when you see it. These books are just a taste of a way to better understand that experience of collectivity—across love, friendship, and art—and I hope you enjoy them as much as I have!
I have always felt that parties sometimes feel more than parties, that there is something unruly and magical in a group of people coming together. Ehrenreich’s book gave me a longer view of the history and potential of what she calls “collective joy”—its political, social, and spiritual power.
Ehrenreich is a kind and accessible writer and covers a broad range of topics and geographies in the history of “parties.”
In Dancing in the Streets Ehrenreich uncovers the origins of communal celebration in human biology and culture. She discovers that the same elements come up in every human culture throughout history: a love of masking, carnival, music-making and dance. Although sixteenth-century Europeans began to view mass festivities as foreign and 'savage', Ehrenreich shows that they were indigenous to the West, from the ancient Greek's worship of Dionysus to the medieval practices of Christianity as a 'danced religion'. Exhilarating in its scholarly range, humane, witty and impassioned, Dancing in the Streets will generate debate and soul-searching.
For longer than I can remember I have been fascinated by ancient civilizations, earth mysteries, cave art, magic, mythology, and shamanism. As an author, my research and writing continues to be inspired by these interests. I specialise in the ethnography of sacred landscapes and rituals; and more generally in esotericism, consciousness, and healing. My non-fiction is published by Inner Traditions and Scarlet Imprint; literary prose and poetry by Corbel Stone Press and Paralibrum. My essays on energy healing have appeared in the peer-reviewed Paranthropology Journal and the Journal of Exceptional Experiences and Psychology as well as on my academia.edu page.
For those wishing to dig a little deeper into the topic, Marvin Meyer’s The Ancient Mysteries is a key sourcebook for both the serious researcher and the curious amateur alike. For each of the major mystery cults of antiquity - the Rites of Eleusis, those of Isis and Osiris, Dionysus, Mithras, and others - Meyer has collected every pertinent classical reference to provide ready access to contemporary sources relevant to understanding each of the cults.
Zeus and the other gods of shining Olympus were in reality divine only by popular consent. Over the course of time Olympian luster diminished in favor of religious experiences more immediate to the concerns of people living in an increasingly cosmopolitan ancient world. These experiences were provided by the mysteries, religions that flourished particularly during the Hellenistic period and were secretly practiced by groups of adherents who decided, through personal choice, to be initiated into the profound realities of one deity or another. Unlike the official state religions, in which people were expected to make an outward show of allegiance…
For longer than I can remember I have been fascinated by ancient civilizations, earth mysteries, cave art, magic, mythology, and shamanism. As an author, my research and writing continues to be inspired by these interests. I specialise in the ethnography of sacred landscapes and rituals; and more generally in esotericism, consciousness, and healing. My non-fiction is published by Inner Traditions and Scarlet Imprint; literary prose and poetry by Corbel Stone Press and Paralibrum. My essays on energy healing have appeared in the peer-reviewed Paranthropology Journal and the Journal of Exceptional Experiences and Psychology as well as on my academia.edu page.
This is without doubt the most accessible, enjoyable, lavishly illustrated, and informative guide to the mystery cults of antiquity that you will ever find. Its author, Hugh Bowden, is a renowned expert on the history and archaeology of mystery cults. That said, he has managed to combine a highly readable text with informative diagrams and images of the cult sites, cult objects, inscriptions, and wall paintings. This book provides the perfect introduction to the major cults, how they were organised and what they stood for.
This is the first book to describe and explain all of the ancient world's major mystery cults - one of the most intriguing but least understood aspects of Greek and Roman religion. In the nocturnal "Mysteries at Eleusis", participants dramatically re-enacted the story of Demeter's loss and recovery of her daughter Persephone; in the Bacchic cult, bands of women ran wild in the Greek countryside to honor Dionysus; and, in the mysteries of Mithras, men came to understand the nature of the universe and their place within it through frightening initiation ceremonies and astrological teachings. These cults were an important…
The sixty books I’ve written wander in and out of existential thought, as that breakthrough thinking, where man was told to take personal responsibility for his life and stop looking up or elsewhere for purpose and meaning, has informed everything I do and write about. Over the years, I’ve been a family therapist, a creativity coach, an existential wellness coach, and an advocate for critical psychology and critical psychiatry, points of view that dispute the current pseudo-medical “mental disorder” paradigm.
Sufiism predates Islam and contains some of the most interesting thinking from the ancient world to stand alongside the ancient Greeks and Romans. All three traditions, the Greek, the Roman, and the Sufi, did a tremendous job of deconstructing humbug and turning a clear eye on the truth.
Teaching tales from the Sufi tradition have been passed down to us, but we no longer know where they came from—for instance, did you know that the famous tale of the blind men and the elephant is a Sufi teaching tale? Idries Shah has gathered together a wonderful collection of these teaching tales with names like The Man Who Was Aware of Death, The Man with the Inexplicable Life, and Wisdom for Sale. If you married the teaching tale, the fairy tale, and existential thought, this is what you would get. I love these tales!
Dervish tales are more than fable, legend, or folklore. For centuries dervish masters have instructed their disciples by means of these teaching stories, which are said to increase perception and knowledge and provide a better understanding of man and the world. In wit, construction, and piquancy, they compare with the finest tales of any culture. Idries Shah spent many years traveling through three continents to collect and compare oral versions of these remarkable stories. This anthology, presented in the dervish manner, contains stories drawn from the repertories of dervish masters over a period of more than a thousand years.
The first memoir I ever read—Road Song by Natalie Kusz—pierced me in ways I did not know were possible. Kusz had written, in this elegantly crafted book, of an Alaskan childhood, a life-changing accident, early motherhood, and family love. She had written, I mean to say, of transcending truths. I have spent much of my life ever since deconstructing the ways in which true stories get told, and writing them myself. I’ve taught memoir to five-year-olds, Ivy League students, master’s level writers, and retirees. I co-founded Juncture Workshops, write a monthly newsletter on the form, and today create blank books into which other writers might begin to tell their stories.
“In an earlier life,” Miller writes, “I was a baker, in a bakery on a cobblestoned street.” It takes Miller just one single paragraph to tell this whole tale—how she proofed yeast, how she scraped her spoon, how she made loaves for children: “It was my only kindness.” In every successive chapter—most all of them short, many of them formally inventive—Miller deconstructs her life and soul—the roots of her unease, the startling incidents of loss, her learning to sleep, and her learning to live with the person she becomes. Miller is a stellar choreographer, knowing just where to place which expertly fashioned scene and knowing, always, what to leave out.
How many lives do we create in one lifetime? In her latest collection of innovative, shape-shifting essays, Brenda Miller evolves through childhood, adolescence, and young adulthood to enter the wry maturity of middle age. Whether traveling from synagogue to sweat lodge, from the Arizona desert to a communal hot springs in California, she navigates the expectations placed on young girls and women at every turn. She finds guidance in her four major creeds (Judaism, Home Improvement, the Grateful Dead, and Rescue Dogs), while charting a course toward an authentic life. Each stage demands its own form, its own story, sometimes…
Stuart Coupe is an Australian music journalist, author, band manager, promoter, publicist, and music label founder. He's best known for his work as a rock writer with Roadrunner, RAM (Rock Australia Magazine), The Sun Herald, and Dolly magazine; the music labels, GREEN Records and Laughing Outlaw; and the author of books including The Promoters, Gudinski, Paul Kelly and Roadies. Coupe is a former manager of the Australian bands the Hoodoo Gurus and Paul Kelly and is currently a presenter on Sydney radio stations 2SER and FBi Radio. He's also known for his writing as a reviewer of crime fiction for the Sydney Morning Herald and for founding the Australian crime fiction magazine, Mean Streets.
The subtitle tells you all you really need to know. Kreutzmann was a founding member of the Grateful Dead and there for the whole long, strange trip and – to date – the only band member to pen an insider’s account of exactly what it’s like to be a member of The Grateful Dead. He tells a good story and if the Grateful Dead loom as large in your life as they do mine – well, just image a memoir written by Ringo Starr or Charlie Watts. Drummers sit there doing their stuff – and they see everything.
The Grateful Dead are perhaps the most legendary American rock band of all time. For thirty years, beginning in the hippie scene of San Francisco in 1965, they were a musical institution, the original jam band that broke new ground in so many ways. Bill Kreutzmann, one of their founding members and drummer for every one of their over 2,300 concerts, has written an unflinching and wild account of playing in the greatest improvisational band of all time. Everything a rock music fan would expect is here, but what sets this apart is Bill's incredible life of adventure that was…
