Here are 100 books that Too Much and Not the Mood fans have personally recommended if you like
Too Much and Not the Mood.
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I’ve always been fascinated by stories of myth, magic, and ancient cultures. I grew up devouring everything I could get my hands on, but it seemed like voices were missing in so many myths and legends. Persephone isn’t even the main character in her own myth. Aphrodite, Helen, and countless other women were painted with the same depthless brush. I wanted to know their stories, and as I grew older, I realized I wanted to tell them. The authors of the books in this list are kindred spirits. Countless hours of research and reading went into these stories, and their love for the subject shines through the text.
Ever since reading this book, I *can’t* think of the original version of the Iliad without referencing his haunting retelling from Patroclus’ perspective. Miller did such an incredible job putting me in the story and making the characters so real that I actively missed them when I put the book down.
It doesn’t hurt that it has some of the most beautiful poetic language I’ve encountered in story form. Helen is more of a background character playing her classic role, but I was still fascinated because Miller plays on the demigod aspect of both Helen and Achilles in a way that makes them steal any scene they’re in. There’s a quiet power to them that transcends the page.
**OVER 1.5 MILLION COPIES SOLD** **A 10th ANNIVERSARY SPECIAL EDITION, FEATURING A NEW FOREWORD BY THE AUTHOR**
WINNER OF THE ORANGE WOMEN'S PRIZE FOR FICTION THE INTERNATIONAL SENSATION A SUNDAY TIMES AND NEW YORK TIMES BESTSELLER
'Captivating' DONNA TARTT 'I loved it' J K ROWLING 'Ravishingly vivid' EMMA DONOGHUE
Greece in the age of heroes. Patroclus, an awkward young prince, has been exiled to the court of King Peleus and his perfect son Achilles. Despite their differences, Achilles befriends the shamed prince, and as they grow into young men skilled in the arts of war and medicine, their bond blossoms…
For the last seven years, I’ve worked with art and artists, particularly those who prioritize spaces like nightclubs as spaces of expression. Museums and nightclubs have both helped me bring my fullest self to fruition, from my queer experiences to my immigrant experiences. I believe something magical resides within those spaces that connect friends, family, and music, and it remains difficult to put a finger on, but you recognize it when you see it. These books are just a taste of a way to better understand that experience of collectivity—across love, friendship, and art—and I hope you enjoy them as much as I have!
I have always felt that parties sometimes feel more than parties, that there is something unruly and magical in a group of people coming together. Ehrenreich’s book gave me a longer view of the history and potential of what she calls “collective joy”—its political, social, and spiritual power.
Ehrenreich is a kind and accessible writer and covers a broad range of topics and geographies in the history of “parties.”
In Dancing in the Streets Ehrenreich uncovers the origins of communal celebration in human biology and culture. She discovers that the same elements come up in every human culture throughout history: a love of masking, carnival, music-making and dance. Although sixteenth-century Europeans began to view mass festivities as foreign and 'savage', Ehrenreich shows that they were indigenous to the West, from the ancient Greek's worship of Dionysus to the medieval practices of Christianity as a 'danced religion'. Exhilarating in its scholarly range, humane, witty and impassioned, Dancing in the Streets will generate debate and soul-searching.
For the last seven years, I’ve worked with art and artists, particularly those who prioritize spaces like nightclubs as spaces of expression. Museums and nightclubs have both helped me bring my fullest self to fruition, from my queer experiences to my immigrant experiences. I believe something magical resides within those spaces that connect friends, family, and music, and it remains difficult to put a finger on, but you recognize it when you see it. These books are just a taste of a way to better understand that experience of collectivity—across love, friendship, and art—and I hope you enjoy them as much as I have!
I loved Hewitt’s writing style; it’s lush and intimate and deeply personal, and overall a heartwrenching queer memoir about loving someone who doesn’t want to love themselves anymore.
Trained as a poet, Hewitt has a knack for turning very mundane personal experiences into luminous scenes infused with spirituality.
A luminous memoir from the prize-winning poet - a story of love, heartbreak and coming of age, and a tender exploration of queer identity.
'Beautiful' Colm Toibin 'Rapturous' New York Times 'Extraordinary' Observer 'Stunning' Sunday Times
When Sean meets Elias, the two fall headlong into a love story. But as Elias struggles with severe depression, the couple comes face to face with crisis.
Wrestling with this, Sean Hewitt delves deep into his own history, enlisting the ghosts of queer figures and poets before him. From a nineteenth-century cemetery in Liverpool to the pine forests of Gothenburg, Hewitt plumbs the darkness…
For the last seven years, I’ve worked with art and artists, particularly those who prioritize spaces like nightclubs as spaces of expression. Museums and nightclubs have both helped me bring my fullest self to fruition, from my queer experiences to my immigrant experiences. I believe something magical resides within those spaces that connect friends, family, and music, and it remains difficult to put a finger on, but you recognize it when you see it. These books are just a taste of a way to better understand that experience of collectivity—across love, friendship, and art—and I hope you enjoy them as much as I have!
I was genuinely surprised and challenged by this inventive book by Cathy Park Hong that follows a mysterious translator into a dystopic new world.
Written in a pygin that combines over ten different languages, this poetry collection is deeply weird but oddly moving, despite its formal inventiveness, and connects politics to poetry in a novel and haunting way.
Named one of the Los Angeles Times's Best Science Fiction Books in 2007, Dance Dance Revolution is a genre-bending tour de force told from the perspective of the Guide, a former dissident and tour guide of an imagined desert city.
I think about the positive identity development of Native youth all the time and not just because I am an educator and author. I love my Ojibwe language and culture, but I want to turn Native fiction on its head. We have so many stories about trauma and tragedy with characters who lament the culture that they were always denied. I want to show how vibrant and alive our culture still is. I want gripping stories where none of the Native characters are drug addicts, rapists, abused, or abusing others. I want to demonstrate the magnificence of our elders, the humor of our people, and the power of forgiveness and reconciliation.
I loved this book because it grapples with some of the really tough topics that our people have to face.
The characters were relatable and dynamic. I think America and Canada need a wake-up call and an effort to reconcile with their historical treatment of Native people, especially with regard to residential boarding schools. People can only handle calls to justice when they relate to those who were treated unjustly.
In spite of the heavy topics, this book does that really well.
Named a "Best Novel of the Decade" by Literary Hub
Saul Indian Horse is a child when his family retreats into the woods. Among the lakes and the cedars, they attempt to reconnect with half-forgotten traditions and hide from the authorities who have been kidnapping Ojibway youth. But when winter approaches, Saul loses everything: his brother, his parents, his beloved grandmother—and then his home itself.
Alone in the world and placed in a horrific boarding school, Saul is surrounded by violence and cruelty. At the urging of a priest, he finds a tentative salvation in hockey. Rising at dawn to…
I’ve been intrigued by the Hindu goddess traditions since I first read Is the Goddess a Feminist as an undergraduate student. After reading this book, I changed my course of study and life, writing my Ph.D. dissertation and my first few books on Indian goddess traditions. Now, I continue to share my passion for Indian goddesses as a professor of Religious Studies at the University of Arizona.
This book is a riveting exploration of the major goddess festival in India, Navaratri, and a follow-up volume of the popular Nine Nights of the Goddess.
I love this book because it dives into the regional diversity of the festival, taking me on a journey into the many ways that the goddess is celebrated throughout India and into the lives of her devotees. What I find so mesmerizing about Nine Nights of Power is the balance between breadth and depth that gives me a flavor of the diversity of the traditions with deep dives into the individual case studies.
The autumnal Navaratri festival—also called Durga Puja, Dassehra, or Dasain—is the most important Hindu festival in South Asia and wherever Hindus settle. A nine-night-long celebration in honor of the goddess Durga, it ends on the tenth day with a celebration called "the victorious tenth" (vijayadasami). The rituals that take place in domestic, royal, and public spaces are closely connected with one's station in life and dependent on social status, economic class, caste, and gender issues. Exploring different aspects of the festival as celebrated in diverse regions of South Asia and in the South Asian diaspora, this book addresses the following…
I’ve always been fascinated by Chinese culture. My great uncle owned an import-export shop in 1920s Montreal and many of the things in his shop decorated my family home. An aunt who worked in Toronto’s Chinatown took me to see a Chinese opera performance and this began my journey to understand Chinese thought and culture first with an MA in Chinese poetry and then with a Ph.D. in East Asian Studies. After I learned that Sun Yatsen had visited Manitoba, where I had moved for work, my attention turned to Chinese nationalism. More than 15 years later, my research and work on KMT culture continues.
Racism is a dominant theme in my book and in historical work about Chinese Canadian history. Racist ideologies in the 1880s and 1890s drove the Chinese out of the United States and into urban and rural Canada. In Becoming Yellow, Keevak explains how the colour “yellow” developed to become a racial category used to describe people who were Chinese and to exclude them from the United States and Canada.
In their earliest encounters with Asia, Europeans almost uniformly characterized the people of China and Japan as white. This was a means of describing their wealth and sophistication, their willingness to trade with the West, and their presumed capacity to become Christianized. But by the end of the seventeenth century the category of whiteness was reserved for Europeans only. When and how did Asians become "yellow" in the Western imagination? Looking at the history of racial thinking, Becoming Yellow explores the notion of yellowness and shows that this label originated not in early travel texts or objective descriptions, but in…
I have always loved history and art. Combining the two makes perfect sense and provides the inspiration to keep writing. I can spend hours in a museum, just soaking up the magic in Impressionist paintings. I never get tired of researching the artists or their paintings, and I relish the unexpected discoveries.
I love the way there is a mystery within a mystery. A group of actors is staging a play for the benefit of the passengers on a transcontinental train trip across Canada. The protagonist, who is undercover and posing as a waiter, befriends the lead actor and takes a page out of Hamlet, using the play to pressure the villain into making a mistake and incriminating himself. Accurate details about working as a waiter lend a sense of ‘David versus Goliath’ to the storyline.
To the Jockey Club, the racing world would be a better place without Julius Apollo Filmer. An expert in corruption with a devastating line in witness intimidation - and proving to be a slippery character to put behind bars.
Baffled, they call in undercover security agent Tor Kelsey to keep an unflinching eye on Filmer and his associates. A mission that takes him from the finest of English racecourses to the wild Canadian interior - on a luxury transcontinental train journey to end them all.
On board, a troupe of actors are playing out a murder mystery for…
I am a Canadian who enjoys travelling and reading historical fiction from around the world. Having had the privilege of living in a variety of areas in Canada from coast to coast since childhood, I can recall listening to the stories of past generations and exploring the locations where some of these events took place. With a passion for Canada’s beauty and the history of its people, I like to research, explore, and incorporate these passions into my own stories.
During the colonial period, women from Europe were shipped to Canada to marry military men, explorers, and fur traders. This story is about the Filles du Roi, sent by King Louis XIV of France, to populate the new colony.
In reading this story, I was given a taste of what life must have been like for these women who left a more modern society to marry a complete stranger and live in the rough, cold wilderness of 1660s Canada. They had to be strong if they were to adapt and survive, which many did not.
Transporting readers from cosmopolitan seventeenth-century Paris to the Canadian frontier, this vibrant debut tells of the struggle to survive in a brutal time and place. Laure Beausejour has been taken from her destitute family and raised in an infamous orphanage to be trained as a lace maker. Striking and willful, she dreams of becoming a seamstress and catching the eye of a nobleman. But after complaining about her living conditions, she is sent to Canada as a fille du roi, expected to marry a French farmer there. Laure is shocked by the primitive state of the colony and the mingling…
I’m a Canadian author and I set my novels here. When I first attempted to write a book, I chose historical fiction because I thought it would be easier to get my characters into trouble—without cell phones and other modern conveniences to bail them out. I wasn’t wrong. However, the research involved with writing good historical fiction soon gave me a whole new appreciation for the genre and I was hooked. I find the WWII era far enough in the past to provide historical insight into humanity’s many weaknesses and strengths, yet near enough to make it relatable. I’ve been thrilled with the feedback on my faith-based stories.
Of all my choices, this book is the most like mine in that it involves a Japanese-Canadian family removed from their home in British Columbia and forced into an internment camp during WWII. Hayden and Chidori are in love. But after the attacks on Pearl Harbor, Chidori and her family are seen as the enemy. Longing more than anything to help them, Hayden joins the Royal Canadian Air Force believing it’s the swiftest way to bring the war to an end. Thoughts of Chidori are all that keep him alive. You’ll learn so much history as you absorb this story and cheer for its valiant characters.
