Here are 91 books that Crackpots fans have personally recommended if you like
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I want to tackle the profound challenges some new mothers face. Who’s read a funny book about postpartum depression? Probably no one! My novel fills the gap. I suffered from postpartum in silence, afraid of the stigma it might bring. I hope this relatable story normalizes postpartum, sparks conversations, and drives change. I also wanted to write something with a Latina in the starring role. People of Latino descent suffer from many hurtful and inaccurate stereotypes. Increasing positively portrayed Latinos in fiction is personal for me. I’m exceedingly proud of my Latino roots and hope it comes through in my writing.
Bernadette can be difficult to like, but that's partly why I love her character. She's unapologetically authentic with sharp edges and a serious dislike of Seattle. Rather than grimace at her put-downs of my hometown, I laughed because she included inside jokes only Seattlites would understand, and there was a granule of truth in all of it.
I'm intensely interested in the challenges and rewards of motherhood. Portraying it as something emotionally draining and frustrating, utterly consuming and ultimately wonderful, Maria Semple captured what many of us experience using Bernadette as her medium.
A misanthropic matriarch leaves her eccentric family in crisis when she mysteriously disappears in this "whip-smart and divinely funny" novel that inspired the movie starring Cate Blanchett (New York Times).
Bernadette Fox is notorious. To her Microsoft-guru husband, she's a fearlessly opinionated partner; to fellow private-school mothers in Seattle, she's a disgrace; to design mavens, she's a revolutionary architect; and to 15-year-old Bee, she is her best friend and, simply, Mom.
Then Bernadette vanishes. It all began when Bee aced her report card and claimed her promised reward: a family trip to Antarctica. But Bernadette's intensifying allergy to Seattle --…
I have always been a romantic at heart, although it took time for me to realize and act on this as I was conditioned from an early age to be scholarly and rational (life-allowing). One of my favorite silent films as a teenager was a love story that focuses on a forbidden relationship between a British girl and a Chinese man at the turn of the twentieth century, called Broken Blossoms; it left an indelible impression. Eventually, I myself became involved in a life-changing romantic relationship with a Chinese man. I now love exploring the vicissitudes of the human heart at the crossroads of cultural differences in my writing.
This book is indeed a “creation of comic genius,” as Nick Hornby blurbed. The movie didn’t do anything for me; I found Renée Zellweger quite blah, and Hugh Grant was playing the British cad as usual. However, the book was so funny I had a hard time putting it down.
Basically, it is about Bridget, a British “Everywoman” who falls into the clutches of her slimy boss, Daniel, while on a quest for the traditional Holy Grail of womanhood—true love. One of the things I most enjoyed about this chick-lit classic was the rather graphic booze-and-smoking sessions, as well as the eccentric minor characters, especially Bridget’s mother. My mother is also a maverick and very much a free spirit, so this really resonated with me.
A dazzlingly urban satire on modern relationships? An ironic, tragic insight into the demise of the nuclear family? Or the confused ramblings of a pissed thirty-something?
As Bridget documents her struggles through the social minefield of her thirties and tries to weigh up the eternal question (Daniel Cleaver or Mark Darcy?), she turns for support to four indispensable friends: Shazzer, Jude, Tom and a bottle of chardonnay.
Welcome to Bridget's first diary: mercilessly funny, endlessly touching and utterly addictive.
Helen Fielding's first Bridget Jones novel, Bridget Jones's Diary, sparked a phenomenon that has seen…
I have been writing fiction since an early age, and I naturally create central female characters that I hope are warm, funny, and in some way flawed. Modules of my university degree dealt with psychology and sociology, and I automatically studied other people to inspire elements of my character. Lee Child is quoted as saying readers remember characters more than the plot, so when compiling my list, I recalled five female leads that have made me laugh, cringe, and relate to in equal measure. I hope you enjoy them as much as I do!
I’ve never read a book as quickly as I read this one. Our eponymous lead character is quirky and odd, but the story is written with so much empathy, depth, and humor that I was rooting for her from the start.
I loved how the relationship between Eleanor and Raymond plays out and avoids the predictable ‘boy meets girl’ ending. It doesn’t surprise me that the book is ‘in development’ as a movie, as the story plays out like a film when you read it. Definitely read this one first before you see the film! (It probably won’t take long as I couldn’t put this book down.)
"Beautifully written and incredibly funny, Eleanor Oliphant Is Completely Fine is about the importance of friendship and human connection. I fell in love with Eleanor, an eccentric and regimented loner whose life beautifully unfolds after a chance encounter with a stranger; I think you will fall in love, too!" -Reese Witherspoon
No one's ever told Eleanor that life should be better than fine.
Meet Eleanor Oliphant: She struggles with appropriate social skills and tends to say exactly what she's thinking. Nothing is missing in her carefully timetabled life of…
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
I fell in love with quirky, funny, female protagonists early in my reading life, starting with Ramona Quimby and her unique way of seeing the world. As a kid, I always felt different, you know? I was sensitive, shy, and observant, and I delighted in finding characters in books who also bucked up against what I thought of as typical. As a writer, I love writing interesting, unconventional women, and I love using humor to elevate my characters’ voices. I think humor is one of the best ways to establish voice and also, paradoxically, to navigate tragedy. I hope to write many more quirky, funny female characters in future books.
Original and funny, Stop That Girl chronicles the coming-of-age of Ann Ransom, an offbeat heroine navigating her equally unconventional family life and upbringing. I loved discovering this character and equally loved the novel-in-stories structure of the book. Fast-paced and quirky, this book illuminated a manner of storytelling that I thought fit the coming-of-age genre really well.
From the start of Elizabeth McKenzie’s beguiling fiction debut, we are drawn into the offbeat worldview of sharp-eyed, intrepid Ann Ransom.Stop That Girl chronicles Ann’s colorful coming-of-age travails, from her childhood in a disjointed family through her tender adolescence and beyond. Along the way, she discovers the absurdities that lurk around every corner of a young woman’s life, by way of oafish neighbors, overzealous boyfriends, prurient vegetable salesmen, sour landlords, and an iconoclast grandmother, known even to her family as Dr. Frost. Keenly funny and highly original, Stop That Girl is a brilliant examination of the exigencies of love and…
As a Scottish born Australian writer I grew up reading tales from Celtic and Norse mythology and always wanted them to be fact. With a passion for history, including tales of lost civilizations, and with a deeply rooted love of story, I have spent decades exploring how myth and story intertwine. Where do our stories come from? I have fantasized for many hours about what it would be like if there was an older magical world beneath ours. My first novel, The Lost Soul, began when I asked myself one question: What if myth was true?
The first book in the trilogy, Key of Light, hooked me from the opening page and the rather sassy Malory Price who is driving in a storm to an intriguing dinner invitation and worrying about the bad day she’s just had. A thoroughly delightful woman, a born organizer, with a warrior streak a mile wide who sets off on a quest with her newfound friends to hunt for a mystical key with the power to lift the enchantment cast on three sleeping Celtic demi-goddesses.
I always love seeing how Nora Roberts crafts a boy meets girl story with a touch of Celtic fantasy. A fun read. A blend of myth, magic, and romance amid the backdrop of a hunt for a mystical key. Who could ask for more?
The pleasure of your company is desired for cocktails and conversation. 8pm, 4th September. Warrior's Peak. You are the Key. The lock awaits.
When Malory Price is issued with the above invitation she is naturally suspicious, especially as Warrior's Peak is a local mansion house straight out of a Hollywood horror movie. But with her overdraft at crisis limit and on the verge of losing her job at a local art gallery, she has little to lose by attending the event.
But Malory is about to get more than she bargained for. At Warrior's Peak she finds that she and…
I’ve been in the funeral profession my entire professional career, and my family has deep roots in the profession too. My great-great-great grandfather was a cabinet maker, or “tradesman undertaker” in rural Milford, Delaware prior to the Civil War. In addition to being a funeral director and embalmer, I’m a certified post-mortem reconstructionist and cremationist, and the president of the Delaware State Funeral Directors Association. I’ve written five books on the subject of the funeral profession and am an associate editor for Southern Calls, “The Journal of the Funeral Profession.”
You might recognize Caleb Wilde from his prolific social media presence. And while Wilde’s funeral home is only about an hour from mine, that has nothing to do with the recommendation. What appealed to me about Confessions is Wilde’s naked honesty about the pervasiveness of death that many of us who work in the profession feel. Confessions is introspective, and at times funny, but my main takeaway is Wilde’s attempt to foster a more death-positive attitude with his text. Sure death is sad, and at times tragic, but there are life lessons to be learned and it doesn’t have to be a taboo subject in our culture.
"I tremble to say there's good in death, because I've looked in the eyes of the grieving mother and I've seen the heartbreak of the stricken widow, but I've also seen something more in death, something good. Death's hands aren't all bony and cold."-from Confessions of a Funeral Director
We are a people who deeply fear death. While humans are biologically wired to evade death for as long as possible, we have become too adept at hiding from it, vilifying it, and-when it can be avoided no longer-letting the professionals take over.
Sixth-generation funeral director Caleb Wilde understands this reticence…
Truth told, folks still ask if Saul Crabtree sold his soul for the perfect voice. If he sold it to angels or devils. A Bristol newspaper once asked: “Are his love songs closer to heaven than dying?” Others wonder how he wrote a song so sad, everyone who heard it…
I’m a sociologist who studies American family life. About 20 years ago, I began to see signs of the weakening of family life (such as more single-parent families) among high-school educated Americans. These are the people we often call the “working class.” It seemed likely that this weakening reflected the decline of factory jobs as globalization and automation have proceeded. So I decided to learn as much as I could about the rise and decline of working-class families. The books I am recommending help us to understand what happened in the past and what’s happening now.
While a lot of attention has been paid to the industrial decline in cities, the loss of jobs in industries such as mining has caused distress in rural areas. Recently, we have seen rises in drug abuse, overdose deaths, and suicides in rural America. Jennifer Silva did fieldwork in a rural Pennsylvania area that has experienced these shocks to its system, and she shows us the difficulties its residents are having.
A deep, multi-generational story of pain, place, and politics.
The economy has been brutal to American workers for several decades. The chance to give one's children a better life than one's own - the promise at the heart of the American Dream - is withering away. While onlookers assume those suffering in marginalized working-class communities will instinctively rise up, the 2016 election threw into sharp relief how little we know about how the working-class translate their grievances into politics.
In We're Still Here, Jennifer M. Silva tells a deep, multi-generational story of pain, place, and politics that will endure long…
I’ve studied the art of fiction for many years and was fortunate to have great teachers along the way who knew how to analyze novels to help anyone interested in writing fiction to better see how they work. I also enjoy editing fiction written by other novelists, as this invariably leads to a better understanding of what is possible through the written word. I worked for many years as a bookseller and within the publishing industry. As a bookseller, I set a goal of reading at least one novel from every author in the classics section, and managed to do that.
The four Updike Rabbitnovels are written in the present tense, which is uncommon for fiction but done to help bring more immediacy to the action. This causes the novels to read more like screenplays than when written in the past tense. I chose to write my own book in the present tense as a new challenge after reading all four Rabbitnovels in succession. Updike was a master at getting into the interior lives of his characters, revealing their longings, typically not to be obtained. The character Rabbit is a wayward former high school basketball star who marries a childhood sweetheart and is gradually worn down over time by her mother and his own insouciance about everything. Rabbit is a sexist character and Updike wrote with truth about his many characters.
The first book in his award-winning 'Rabbit' series, John Updike's Rabbit, Run contains an afterword by the author in Penguin Modern Classics.
It's 1959 and Harry 'Rabbit' Angstrom, one time high school sports superstar, is going nowhere. At twenty-six he is trapped in a second-rate existence - stuck with a fragile, alcoholic wife, a house full of overflowing ashtrays and discarded glasses, a young son and a futile job. With no way to fix things, he resolves to flee from his family and his home in Pennsylvania, beginning a thousand-mile journey that he hopes will free him from his mediocre…
I became a historian of the American Revolution back in the early 1970s and have been working on that subject ever since. Most of my writings pivot on national politics, the origins of the Constitution, and James Madison. But explaining why the Revolution occurred and why it took the course it did remain subjects that still fascinate me.
We think of the American victories at Saratoga in 1777 and Yorktown in 1781 as the decisive battles of the war (and so, in a sense, they were). But in this Pulitzer Prize winner, Fischer makes a strong case that George Washington’s surprising victories at Trenton and Princeton were just as momentous, keeping “the Cause” alive at a moment when the Continental Army was on the verge of dissolution. Fischer provides a vivid account of the flow of battle and the key decisions that gave the Americans their advantage.
Six months after the Declaration of Independence, the American Revolution was all but lost. A powerful British force had routed the Americans at New York, occupied three colonies, and advanced within sight of Philadelphia.
Yet, as David Hackett Fischer recounts in this riveting history, George Washington-and many other Americans-refused to let the Revolution die. On Christmas night, as a howling nor'easter struck the Delaware Valley, he led his men across the river and attacked the exhausted Hessian garrison at Trenton, killing or capturing nearly a thousand men. A second battle of Trenton followed within days. The Americans held off a…
The Stark Beauty of Last Things
by
Céline Keating,
This book is set in Montauk, under looming threat from a warming climate and overdevelopment. Now outsider Clancy, a thirty-six-year-old claims adjuster scarred by his orphan childhood, has inherited an unexpected legacy: the power to decide the fate of Montauk’s last parcel of undeveloped land. Everyone in town has a…
I knew I wanted to be a writer of fiction when I was 10 years old, being raised by my father. He thoughtfully gave me a typewriter, and plenty of other encouragement too. As a youngster, I couldn’t read enough about what youngsters read about: animals, sports, cowboys, child detectives. Soon, I came to love books that probed human conflict through characters who reached deeply into my soul. Not simplistic “good versus evil” driven principally by plot, but gut-pulling interpersonal struggle coming to life (and sometimes death) in characters facing moral and legal dilemma, and facing it with wit, humor, and human frailty.
I read it in high school, again in college, and still again (twice) as an adult, once aloud to my 3 young daughters over 3 weeks at bedtime. For me, it is the most powerful, frontier-themed American novel out there.
I love a novel that educates me and tells me things I am surprised I didn’t know because I should have, in beautifully constructed sentences.
The dialogue carries its characters so naturally that it is as if you are speaking with them yourself at your main room table in your 18th-century frontier home in Pennsylvania.
A beautifully illustrated edition of a novel that has enthralled young American readers for generations. It is the story of John Cameron Butler-captured as a small child in a raid on the Pennsylvania frontier by the Indian tribe Lenni-Lenape. Adopted by the great warrior Cuyloga and renamed True Son, he has spent 11 years living and thinking of himself as fully Indian. But when the tribe signs a treaty that requires them to return their white captives, 15-year-old True Son is returned against his will to the family he had long forgotten, and to a life that he no longer…