Here are 90 books that Confessions of a Funeral Director fans have personally recommended if you like
Confessions of a Funeral Director.
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I’ve been in the funeral profession my entire professional career, and my family has deep roots in the profession too. My great-great-great grandfather was a cabinet maker, or “tradesman undertaker” in rural Milford, Delaware prior to the Civil War. In addition to being a funeral director and embalmer, I’m a certified post-mortem reconstructionist and cremationist, and the president of the Delaware State Funeral Directors Association. I’ve written five books on the subject of the funeral profession and am an associate editor for Southern Calls, “The Journal of the Funeral Profession.”
Thomas Lynch does a masterful job in The Undertaking offering a behind-the-scenes look at the funeral profession. Using beautiful, lyrical prose to present a topic (i.e., death) that is often ugly and hard to stomach, and rears its head at the most inopportune times, Lynch offers an unflinching look at what he calls the dismal trade. His deep connection with death and dying translates to the reader not only feeling connected with the subject matter, but empowering the reader to connect with the next death event in their life. Take it from me, someone in the profession, this book is as authentic as they come. A must-read.
"Every year I bury a couple hundred of my townspeople." So opens this singular and wise testimony. Like all poets, inspired by death, Thomas Lynch is, unlike others, also hired to bury the dead or to cremate them and to tend to their families in a small Michigan town where he serves as the funeral director.
In the conduct of these duties he has kept his eyes open, his ear tuned to the indispensable vernaculars of love and grief. In these twelve pieces his is the voice of both witness and functionary. Here, Lynch, poet to the dying, names the…
I’ve been in the funeral profession my entire professional career, and my family has deep roots in the profession too. My great-great-great grandfather was a cabinet maker, or “tradesman undertaker” in rural Milford, Delaware prior to the Civil War. In addition to being a funeral director and embalmer, I’m a certified post-mortem reconstructionist and cremationist, and the president of the Delaware State Funeral Directors Association. I’ve written five books on the subject of the funeral profession and am an associate editor for Southern Calls, “The Journal of the Funeral Profession.”
I love history, and stumbled across this book while researching the history of battlefield recoveries. Soldier Dead is comprehensive without being tedious and Sledge organizes the material in “sections” (i.e., combat vs. non-combat recoveries) that work much better than a timeline approach, though he doesn’t skimp on the history. If you’re interested in the Tomb of the Unknown Soldier theSoldier Dead offers, in my opinion, a slightly different look at the subject including the story of the eventual identification of the Vietnam unknown soldier (later identified as Michael Blassie). This book is a great mix of military history, forensics, and mortuary procedures.
What happens to members of the United States Armed Forces after they die? Why do soldiers endanger their lives to recover the remains of their comrades? Why does the military spend enormous resources and risk further fatalities to recover the bodies of the fallen, even decades after the cessation of hostilities? Soldier Dead is the first book to fully address the complicated physical, social, religious, economic, and political issues concerning the remains of men and women who die while serving their country. In doing so, Michael Sledge reveals the meanings of the war dead for families, soldiers, and the nation…
I’ve been in the funeral profession my entire professional career, and my family has deep roots in the profession too. My great-great-great grandfather was a cabinet maker, or “tradesman undertaker” in rural Milford, Delaware prior to the Civil War. In addition to being a funeral director and embalmer, I’m a certified post-mortem reconstructionist and cremationist, and the president of the Delaware State Funeral Directors Association. I’ve written five books on the subject of the funeral profession and am an associate editor for Southern Calls, “The Journal of the Funeral Profession.”
As I said before, I love history, and Puckle’s book gives the reader a great look into the why of our funeral customs. As in: why do we send funeral flowers? (To which Puckle offers the glib answer, “the half sovereign he paid for it save him from the mental exercise of composing a suitable letter of condolence” before offering a serious explanation). Sure, the book was published almost a century ago, but that has no bearing on the contents. It’s an evergreen book and a highly recommended read for serious funereal scholars or those considering a career in funeral service.
Puckle's "Funeral Customs" is one of the more in-depth looks at death ever penned. Created in the early 20th century, it casts a rational and skeptical glance at the superstitions of burial practices and cremation alike, and lists in some detail the customs of death over time and changes to them during the black death and then-modernity among other eras. Not just a European work, it delves into Hinduism as well as Egyptian and Zoroastrian practices from antiquity.
From the memento mori to funeral feasts, its pages are filled with interesting folklore, astonishing history, and more than a few bits…
I’ve been in the funeral profession my entire professional career, and my family has deep roots in the profession too. My great-great-great grandfather was a cabinet maker, or “tradesman undertaker” in rural Milford, Delaware prior to the Civil War. In addition to being a funeral director and embalmer, I’m a certified post-mortem reconstructionist and cremationist, and the president of the Delaware State Funeral Directors Association. I’ve written five books on the subject of the funeral profession and am an associate editor for Southern Calls, “The Journal of the Funeral Profession.”
During the course of my work week, I get a lot of people telling me they currently are interested in the funeral profession, or if they are of retirement age, they were interested in their younger days. Which begs the question: how do you get started in the profession? Society-girl Meyer simply went in and asked for a job at an East-side funeral home after planning her own father’s funeral. The book details how she helped plan some amazing send-offs for the Big Apple’s rich and famous, and I think is a great how-to for “rolling your sleeves up and giving something a try.” I read somewhere that the experience motivated her to attend mortuary school. Fun read.
I knew I wanted to be a writer of fiction when I was 10 years old, being raised by my father. He thoughtfully gave me a typewriter, and plenty of other encouragement too. As a youngster, I couldn’t read enough about what youngsters read about: animals, sports, cowboys, child detectives. Soon, I came to love books that probed human conflict through characters who reached deeply into my soul. Not simplistic “good versus evil” driven principally by plot, but gut-pulling interpersonal struggle coming to life (and sometimes death) in characters facing moral and legal dilemma, and facing it with wit, humor, and human frailty.
I read it in high school, again in college, and still again (twice) as an adult, once aloud to my 3 young daughters over 3 weeks at bedtime. For me, it is the most powerful, frontier-themed American novel out there.
I love a novel that educates me and tells me things I am surprised I didn’t know because I should have, in beautifully constructed sentences.
The dialogue carries its characters so naturally that it is as if you are speaking with them yourself at your main room table in your 18th-century frontier home in Pennsylvania.
A beautifully illustrated edition of a novel that has enthralled young American readers for generations. It is the story of John Cameron Butler-captured as a small child in a raid on the Pennsylvania frontier by the Indian tribe Lenni-Lenape. Adopted by the great warrior Cuyloga and renamed True Son, he has spent 11 years living and thinking of himself as fully Indian. But when the tribe signs a treaty that requires them to return their white captives, 15-year-old True Son is returned against his will to the family he had long forgotten, and to a life that he no longer…
I grew up in western Pennsylvania where my dad loved history and always tried to stop at any battlefield or historic sign that happened to be within his field of vision. My mom was a passionate researcher of our family ancestry and I spent our childhood looking in cemeteries for specific names and gravestones. When I was ten years old, we joined a living history reenactment group that portrayed everyday life in the 1750s, and I was immediately hooked. I began researching about our group known as “Captain William Trent’s Company” and after almost thirty years of living and breathing summer weekends at 18th Century historic sites, the pages of Pittsburgh’s Lost Outpost: Captain Trent’s Fort came to life. I picked these five books because I want future readers to be transported like I was when I first read them.
This book is unique because it shows the reader how you can walk in the footsteps and travel like those trekking across Pennsylvania in the early 18th Century where there were no interstates or turnpikes, but instead, indigenous paths that influenced the roadways we know today. It also gave me a visual where I could experience firsthand what a traveler saw when he or she walked this route.
Since its original publication in 1965, Indian Paths of Pennsylvania has remained the standard volume for charting the foot trails forged and followed in Pennsylvania by Native Americans, documenting an era of interaction between Indians and European settlers in the 17th and 18th centuries. With the advent of European settlement, the Indian trails that laced the wilderness were so well-situated that there was little reason to forsake them until the age of the automobile. The trails that traverse the mountains “kept the level” so well that they remain an engineering curiosity. Equally as remarkable are the complexity of the system…
I became a historian of the American Revolution back in the early 1970s and have been working on that subject ever since. Most of my writings pivot on national politics, the origins of the Constitution, and James Madison. But explaining why the Revolution occurred and why it took the course it did remain subjects that still fascinate me.
The story of how the Continental Army suffered bitterly through the winter of 1777-78 at Valley Forge has been the subject of many books and the inspiration for many a patriotic myth. In this well-researched history, Bodle dispels many of those myths and carefully explains why the army had to stay so close to Philadelphia, when normally it would have moved further to the interior of Pennsylvania and sent many of its troops home for the winter. He provides a sophisticated account of the relationship between military needs and civilian politics, one that broadens our understanding of the Revolution.
Of the many dramatic episodes of the American Revolution, perhaps none is more steeped in legend than the Valley Forge winter. Paintings show Continentals huddled around campfires and Washington kneeling in the frozen woods, praying for his army's deliverance. To this day schoolchildren are taught that Valley Forge was the "turning point of the Revolution"-the event that transformed a ragged group of soldiers into a fighting army. But was Valley Forge really the "crucible of victory" it has come to represent in American history? Now, two hundred and twenty-five years later, Wayne Bodle has written…
I’ve always been intrigued by monsters. I grew up watching or reading anything that had a monster in it, much to the chagrin of my monster-hating mother. Over time, I grew bored with the same monsters in the same historical settings. It wasn’t until I discovered some of the books on this list that I found writers doing new, fun, and inventive things that reinvigorated my own love for them. I’m always going to be a monster junky, but I always hope to find authors that can bring these classic terrors into the modern world.
I was enamored with the main character from this book. Learning about the world and mythology with her made it way more enjoyable for me and put me right beside her for the ride. Every terror, struggle, victory, and loss were so much more poignant because I was so attached to Laura Caxton.
The villain is evil with a capital E, and I found myself hating them more with each exposure to them. Solid action and tension that kept me interested and hanging on.
The monster knelt in the mud, his balled fists punching at the ground, his head bowed. He started to get up and Arkeley shot him again. He'd had thirteen bullets to start with how many did he have left? All the official reports say they are dead-extinct since the late '80s, when a fed named Jameson Arkeley nailed the last vampire in a fight that nearly killed him. But the evidence proves otherwise. When a state trooper named Caxton calls the FBI looking for help in the middle of the night, it is Arkeley who gets the assignment - who…
When I was a kid on the farm in Saskatchewan, I had a handful of books to read and re-read and read yet again. No television, no radio—just books. Then we moved to the city and I discovered the bookmobile, but I could only take out three books at a time. Deciding was torture. From bookmobile to library to bookstore to e-reader. Life is good. With all that reading, I knew I had to write a novel. I finally did. One became seven. How on earth did that happen? Re-reding my books I realized that teens play significant roles in all my novels. I’m a retired teacher—go figure!
I liked this book so much, I read it twice. What made it so good? O’Dell’s mastery of creating “real” people. I cared about them. I wanted to be in the story with them such was the power of her writing—a captivating story with an unusual set of characters, their lives intersecting in unexpected ways. Spain, the US, bulls and bullfighters, an old lady, a couple of teen brothers, a dysfunctional family, love and hate, baseball…
When their hard-drinking, but loving, father dies in a car accident, teenage brothers Kyle and Klint Hayes face a bleak prospect: leaving their Pennsylvania hometown for an uncertain life in Arizona with the mother who ran out on them years ago. But in a strange twist of fate, their town’s matriarch, an eccentric, wealthy old woman whose family once owned the county coal mines, hears the boys’ story. Candace Jack doesn’t have an ounce of maternal instinct, yet for reasons she does not even understand herself, she is compelled to offer them a home.
I’m a sociologist who studies American family life. About 20 years ago, I began to see signs of the weakening of family life (such as more single-parent families) among high-school educated Americans. These are the people we often call the “working class.” It seemed likely that this weakening reflected the decline of factory jobs as globalization and automation have proceeded. So I decided to learn as much as I could about the rise and decline of working-class families. The books I am recommending help us to understand what happened in the past and what’s happening now.
While a lot of attention has been paid to the industrial decline in cities, the loss of jobs in industries such as mining has caused distress in rural areas. Recently, we have seen rises in drug abuse, overdose deaths, and suicides in rural America. Jennifer Silva did fieldwork in a rural Pennsylvania area that has experienced these shocks to its system, and she shows us the difficulties its residents are having.
A deep, multi-generational story of pain, place, and politics.
The economy has been brutal to American workers for several decades. The chance to give one's children a better life than one's own - the promise at the heart of the American Dream - is withering away. While onlookers assume those suffering in marginalized working-class communities will instinctively rise up, the 2016 election threw into sharp relief how little we know about how the working-class translate their grievances into politics.
In We're Still Here, Jennifer M. Silva tells a deep, multi-generational story of pain, place, and politics that will endure long…
