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I’ve always loved satire. In college, I wrote and performed comedy sketches as part of a two-man team, and most of my work features at least some comic elements. For example, my novel The Whale: A Love Story is a serious historical novel about the relationship between Herman Melville and Nathaniel Hawthorne that also offers moments of comedy to honor Melville's comic spirit (Moby-Dick, while ultimately tragic, is a very funny book). The most serious subjects usually contain elements of the absurd, and the books I love find humor in even the gravest situations.
A tale of labor unrest in the hardscrabble frontier of northwestern America sounds anything but fun or funny, but Walter explores the lives of miners, railroad workers, and Vaudeville performers with surprising verve and a glint of humor on nearly every page.
Set mostly in and around Spokane in the years between the mid-19th and early 20th centuries, this sweeping, satisfying story follows a pair of working-class brothers as they confront corrupt lawmen, scheming actresses, and violent union-busters.
'A beautiful, lyric hymn to the power of social unrest in American history...funny and harrowing, sweet and violent, innocent and experienced; it walks a dozen tightropes' Anthony Doerr, author of All the Light We Cannot See _____________________________________________
1909. Spokane, Washington.
The Dolan brothers are living by their wits, jumping freight trains and lining up for work at crooked job agencies. While sixteen-year-old Rye yearns for a steady job and a home, his dashing older brother Gig dreams of a better world, fighting alongside other union men for fair pay and decent treatment.
Was it the environmental movement, which burgeoned as I was growing up? Or remnants of Sunday School teachings? For whatever reason, I deeply believe that I have a responsibility to give back to the world more than I take. There are many ways to give back, as my characters Miranda and Russ explore in my novel I Meant to Tell You. In my nonfiction, I’ve investigated the healthcare and financial industries, and also suggested steps we can take in our everyday lives as consumers, parents, and investors. When I’m not writing, I’m organizing environmental clean-ups, collecting supplies for refugees, and phoning public officials.
Alice Mattison, the author, must have been reading my mind! This piercing novel echoes some of my conflicted feelings about the Sixties and social activism in general, even as it also probes the strains of long-term marriage and friendship. As college students, Olive, Helen, and Val took different routes during the Sixties antiwar protests. Now, when a magazine commissions Olive to write an essay about Val’s long-ago novel, she must confront the repercussions of those friendships and the decisions the three women made. Helen chose violent protest; Olive chose a PhD; Val chose to appropriate Helen’s life in her fiction. Olive’s rethinking raises a question that’s important for us today: How far should an ethical person go for a just cause?
Decades ago in Brooklyn, three girls demonstrated against the Vietnam War, and each followed a distinct path into adulthood. Helen became a violent revolutionary. Val wrote a controversial book, essentially a novelization of Helen’s all-too-short but vibrant life. And Olive became an editor and writer, now comfortably settled with her husband, Griff, in New Haven. When Olive is asked to write an essay about Val’s book, doing so brings back to the forefront Olive and Griff’s tangled histories and their complicated reflections on that tumultuous time in their young lives.Conscience, the dazzling new novel from award-winning author Alice Mattison, paints…
Was it the environmental movement, which burgeoned as I was growing up? Or remnants of Sunday School teachings? For whatever reason, I deeply believe that I have a responsibility to give back to the world more than I take. There are many ways to give back, as my characters Miranda and Russ explore in my novel I Meant to Tell You. In my nonfiction, I’ve investigated the healthcare and financial industries, and also suggested steps we can take in our everyday lives as consumers, parents, and investors. When I’m not writing, I’m organizing environmental clean-ups, collecting supplies for refugees, and phoning public officials.
This novel took me into a community that I rarely read about in fiction, to show the human impact of a controversial industry—in this case, GMO agriculture and Idaho potato farmers. From my research for two of my nonfiction books, I started with some understanding of the complex debate, and I appreciate that All Over Creationbranches into more subplots beyond simply Big Agriculture versus family farms. In fact, I liked Will, the well-meaning local farmer who sincerely believes that GMO potatoes will save his ailing farm, far more than Yumi, the main character, a single mom who long ago fled potato country. She seems too caught up in her resentments against her father and hometown, to care about anyone but herself.
A warm and witty saga about agribusiness, environmental activism, and community-from the celebrated author of The Book of Form and Emptiness and A Tale for the Time Being
Yumi Fuller hasn't set foot in her hometown of Liberty Falls, Idaho-heart of the potato-farming industry-since she ran away at age fifteen. Twenty-five years later, the prodigal daughter returns to confront her dying parents, her best friend, and her conflicted past, and finds herself caught up in an altogether new drama. The post-millennial farming community has been invaded by Agribusiness forces at war with a posse of activists, the Seeds of Resistance,…
When Miranda’s fiancé, Russ, is being vetted for his dream job in the U.S. attorney’s office, the couple joke that Miranda’s parents’ history as antiwar activists in the Sixties might jeopardize Russ’s security clearance. In fact, the real threat emerges when Russ’s future employer discovers that Miranda was arrested for…
Was it the environmental movement, which burgeoned as I was growing up? Or remnants of Sunday School teachings? For whatever reason, I deeply believe that I have a responsibility to give back to the world more than I take. There are many ways to give back, as my characters Miranda and Russ explore in my novel I Meant to Tell You. In my nonfiction, I’ve investigated the healthcare and financial industries, and also suggested steps we can take in our everyday lives as consumers, parents, and investors. When I’m not writing, I’m organizing environmental clean-ups, collecting supplies for refugees, and phoning public officials.
At 640 pages, this exuberant saga takes an original approach toward the Sixties. The protagonist’s mother, Faye, got swept into the demonstrations at the 1968 Democratic Convention in Chicago almost by accident, because it was part of the student scene. That’s only one of about six plotlines in this book, which focuses on Faye’s abandonment of her son, Samuel, when he was a boy; her arrest for throwing gravel at a right-wing presidential candidate decades later; and the paths propelling the potential mother-son reunion. I was captivated by the energy, richness, and plot twists of this novel, which somehow manages to keep all its balls spinning. (PS: The political protests aren’t what they seem.)
Winner of the Art Seidenbaum Award for First Fiction A New York Times 2016 Notable Book Entertainment Weekly's #1 Book of the Year A Washington Post 2016 Notable Book A Slate Top Ten Book
NEW YORK TIMES BESTSELLER
“The Nix is a mother-son psychodrama with ghosts and politics, but it’s also a tragicomedy about anger and sanctimony in America. . . . Nathan Hill is a maestro.” —John Irving
From the suburban Midwest to New York City to the 1968 riots that rocked Chicago and beyond, The Nix explores—with sharp humor and a fierce tenderness—the resilience of love and home,…
I’m a sociologist who studies American family life. About 20 years ago, I began to see signs of the weakening of family life (such as more single-parent families) among high-school educated Americans. These are the people we often call the “working class.” It seemed likely that this weakening reflected the decline of factory jobs as globalization and automation have proceeded. So I decided to learn as much as I could about the rise and decline of working-class families. The books I am recommending help us to understand what happened in the past and what’s happening now.
While a lot of attention has been paid to the industrial decline in cities, the loss of jobs in industries such as mining has caused distress in rural areas. Recently, we have seen rises in drug abuse, overdose deaths, and suicides in rural America. Jennifer Silva did fieldwork in a rural Pennsylvania area that has experienced these shocks to its system, and she shows us the difficulties its residents are having.
A deep, multi-generational story of pain, place, and politics.
The economy has been brutal to American workers for several decades. The chance to give one's children a better life than one's own - the promise at the heart of the American Dream - is withering away. While onlookers assume those suffering in marginalized working-class communities will instinctively rise up, the 2016 election threw into sharp relief how little we know about how the working-class translate their grievances into politics.
In We're Still Here, Jennifer M. Silva tells a deep, multi-generational story of pain, place, and politics that will endure long…
When I was a kid on the farm in Saskatchewan, I had a handful of books to read and re-read and read yet again. No television, no radio—just books. Then we moved to the city and I discovered the bookmobile, but I could only take out three books at a time. Deciding was torture. From bookmobile to library to bookstore to e-reader. Life is good. With all that reading, I knew I had to write a novel. I finally did. One became seven. How on earth did that happen? Re-reding my books I realized that teens play significant roles in all my novels. I’m a retired teacher—go figure!
I liked this book so much, I read it twice. What made it so good? O’Dell’s mastery of creating “real” people. I cared about them. I wanted to be in the story with them such was the power of her writing—a captivating story with an unusual set of characters, their lives intersecting in unexpected ways. Spain, the US, bulls and bullfighters, an old lady, a couple of teen brothers, a dysfunctional family, love and hate, baseball…
When their hard-drinking, but loving, father dies in a car accident, teenage brothers Kyle and Klint Hayes face a bleak prospect: leaving their Pennsylvania hometown for an uncertain life in Arizona with the mother who ran out on them years ago. But in a strange twist of fate, their town’s matriarch, an eccentric, wealthy old woman whose family once owned the county coal mines, hears the boys’ story. Candace Jack doesn’t have an ounce of maternal instinct, yet for reasons she does not even understand herself, she is compelled to offer them a home.
This book is set in Montauk, under looming threat from a warming climate and overdevelopment. Now outsider Clancy, a thirty-six-year-old claims adjuster scarred by his orphan childhood, has inherited an unexpected legacy: the power to decide the fate of Montauk’s last parcel of undeveloped land. Everyone in town has a…
I love historical fiction because it’s the next best thing to the invention of time travel. Books can immerse you in a time and a place in a way that comics and movies can only gesture at. For books likeNever SleepI even make sure to cook the foods my characters are eating, to make sure the era is evoked for the readers in all five sense.I love fantasy and science fiction as the next person, but the idea of transporting people to times and placesthat actually happened, to the best of my skill as a dramatist and researcher, is a challenge I find irresistible as an author.
A direct inspiration on my book, this is a great espionage thriller set in Philadelphia about a disgraced Revolution-era spy who gets hired by Alexander Hamilton to help against his arch-enemy, Thomas Jefferson, and finds his path intersecting with a farmwife standing up against a frontier uprising.
Liss is a master of the historical form (and a friend, full disclosure!)
America, 1787. Ethan Saunders, once among General Washington’s most valued spies, is living in disgrace after an accusation of treason cost him his reputation. But an opportunity for redemption comes calling when Saunders’s old enemy, Alexander Hamilton, draws him into a struggle with bitter rival Thomas Jefferson over the creation of the Bank of the United States.
Meanwhile, on the western Pennsylvania frontier, Joan Maycott and her husband, a Revolutionary War veteran, hope for a better life and a chance for prosperity. But the Maycotts’ success on an isolated frontier attracts the brutal attention of men who threaten to destroy…
I grew up in western Pennsylvania where my dad loved history and always tried to stop at any battlefield or historic sign that happened to be within his field of vision. My mom was a passionate researcher of our family ancestry and I spent our childhood looking in cemeteries for specific names and gravestones. When I was ten years old, we joined a living history reenactment group that portrayed everyday life in the 1750s, and I was immediately hooked. I began researching about our group known as “Captain William Trent’s Company” and after almost thirty years of living and breathing summer weekends at 18th Century historic sites, the pages of Pittsburgh’s Lost Outpost: Captain Trent’s Fort came to life. I picked these five books because I want future readers to be transported like I was when I first read them.
Every author, when writing nonfiction about a particular time period, always hopes that one day readers will read their book and will declare it the best book written on the subject. For me, Dr. Preston’s book was the “mic drop” about a certain disaster in the backwoods of western Pennsylvania in the summer of 1755 that changed the life of a young George Washington and history altogether. His vast research on the battle inspired me to uncover every detail as I began my own journey in writing my first nonfiction book.
On July 9, 1755, British regulars and American colonial troops under the command of General Edward Braddock, commander in chief of the British Army in North America, were attacked by French and Native American forces shortly after crossing the Monongahela River and while making their way to besiege Fort Duquesne in the Ohio Valley, a few miles from what is now Pittsburgh. The long line of red-coated troops struggled to maintain cohesion and discipline as Indian warriors quickly outflanked them and used the dense cover of the woods to masterful and lethal effect. Within hours, a powerful British army was…
I have a lifelong fascination with houses and the sway they hold over us. Coming from a family that moved pretty frequently, I’ve experienced the way a house can feel like a true home, or like an unwelcoming space. Unlike the characters in The Wonder State, I don’t break into places to explore (not even abandoned spaces!). But I always take notice of the homes and structures in every neighborhood and city I visit, wondering what the residents’ lives are like and how their houses affect them. I’m a novelist who focuses on the speculative, and all three of my novels feature weird houses in some capacity.
You are in the house and the house is in the woods. You are in the house and the house is in you.
If these words don’t send a tingle down your spine, or don’t make you suddenly aware of the house surrounding you, then we aren’t the same. Thomas’ feverish debut is the perfect example of “dark academia” done right.
Catherine House is not a home. It’s a mysterious school. Every student seems to have something odd hidden in the past. Students are encouraged to cultivate school spirit that goes well beyond the usual measures. They become one with Catherine House, submitting to cryptic experiments, cutting off contact with the outside world.
I love the way Thomas explores the ways an institution can exploit while pretending to protect.
“[A] delicious literary Gothic debut.” –THE NEW YORK TIMES BOOK REVIEW, EDITORS' CHOICE
“Moody and evocative as a fever dream, Catherine House is the sort of book that wraps itself around your brain, drawing you closer with each hypnotic step.” – THE WASHINGTON POST
A Most Anticipated Novel by Entertainment Weekly • New York magazine • Cosmopolitan • The Atlantic • Forbes • Good Housekeeping • Parade • Better Homes and Gardens • HuffPost • Buzzfeed • Newsweek • Harper’s Bazaar • Ms. Magazine • Woman's Day • PopSugar • and more!
A gothic-infused debut of literary suspense, set within…
I’ve always been intrigued by monsters. I grew up watching or reading anything that had a monster in it, much to the chagrin of my monster-hating mother. Over time, I grew bored with the same monsters in the same historical settings. It wasn’t until I discovered some of the books on this list that I found writers doing new, fun, and inventive things that reinvigorated my own love for them. I’m always going to be a monster junky, but I always hope to find authors that can bring these classic terrors into the modern world.
I was enamored with the main character from this book. Learning about the world and mythology with her made it way more enjoyable for me and put me right beside her for the ride. Every terror, struggle, victory, and loss were so much more poignant because I was so attached to Laura Caxton.
The villain is evil with a capital E, and I found myself hating them more with each exposure to them. Solid action and tension that kept me interested and hanging on.
The monster knelt in the mud, his balled fists punching at the ground, his head bowed. He started to get up and Arkeley shot him again. He'd had thirteen bullets to start with how many did he have left? All the official reports say they are dead-extinct since the late '80s, when a fed named Jameson Arkeley nailed the last vampire in a fight that nearly killed him. But the evidence proves otherwise. When a state trooper named Caxton calls the FBI looking for help in the middle of the night, it is Arkeley who gets the assignment - who…
