Here are 100 books that The Undertaking fans have personally recommended if you like
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I’ve been in the funeral profession my entire professional career, and my family has deep roots in the profession too. My great-great-great grandfather was a cabinet maker, or “tradesman undertaker” in rural Milford, Delaware prior to the Civil War. In addition to being a funeral director and embalmer, I’m a certified post-mortem reconstructionist and cremationist, and the president of the Delaware State Funeral Directors Association. I’ve written five books on the subject of the funeral profession and am an associate editor for Southern Calls, “The Journal of the Funeral Profession.”
You might recognize Caleb Wilde from his prolific social media presence. And while Wilde’s funeral home is only about an hour from mine, that has nothing to do with the recommendation. What appealed to me about Confessions is Wilde’s naked honesty about the pervasiveness of death that many of us who work in the profession feel. Confessions is introspective, and at times funny, but my main takeaway is Wilde’s attempt to foster a more death-positive attitude with his text. Sure death is sad, and at times tragic, but there are life lessons to be learned and it doesn’t have to be a taboo subject in our culture.
"I tremble to say there's good in death, because I've looked in the eyes of the grieving mother and I've seen the heartbreak of the stricken widow, but I've also seen something more in death, something good. Death's hands aren't all bony and cold."-from Confessions of a Funeral Director
We are a people who deeply fear death. While humans are biologically wired to evade death for as long as possible, we have become too adept at hiding from it, vilifying it, and-when it can be avoided no longer-letting the professionals take over.
Sixth-generation funeral director Caleb Wilde understands this reticence…
I’ve been in the funeral profession my entire professional career, and my family has deep roots in the profession too. My great-great-great grandfather was a cabinet maker, or “tradesman undertaker” in rural Milford, Delaware prior to the Civil War. In addition to being a funeral director and embalmer, I’m a certified post-mortem reconstructionist and cremationist, and the president of the Delaware State Funeral Directors Association. I’ve written five books on the subject of the funeral profession and am an associate editor for Southern Calls, “The Journal of the Funeral Profession.”
I love history, and stumbled across this book while researching the history of battlefield recoveries. Soldier Dead is comprehensive without being tedious and Sledge organizes the material in “sections” (i.e., combat vs. non-combat recoveries) that work much better than a timeline approach, though he doesn’t skimp on the history. If you’re interested in the Tomb of the Unknown Soldier theSoldier Dead offers, in my opinion, a slightly different look at the subject including the story of the eventual identification of the Vietnam unknown soldier (later identified as Michael Blassie). This book is a great mix of military history, forensics, and mortuary procedures.
What happens to members of the United States Armed Forces after they die? Why do soldiers endanger their lives to recover the remains of their comrades? Why does the military spend enormous resources and risk further fatalities to recover the bodies of the fallen, even decades after the cessation of hostilities? Soldier Dead is the first book to fully address the complicated physical, social, religious, economic, and political issues concerning the remains of men and women who die while serving their country. In doing so, Michael Sledge reveals the meanings of the war dead for families, soldiers, and the nation…
I’ve been in the funeral profession my entire professional career, and my family has deep roots in the profession too. My great-great-great grandfather was a cabinet maker, or “tradesman undertaker” in rural Milford, Delaware prior to the Civil War. In addition to being a funeral director and embalmer, I’m a certified post-mortem reconstructionist and cremationist, and the president of the Delaware State Funeral Directors Association. I’ve written five books on the subject of the funeral profession and am an associate editor for Southern Calls, “The Journal of the Funeral Profession.”
As I said before, I love history, and Puckle’s book gives the reader a great look into the why of our funeral customs. As in: why do we send funeral flowers? (To which Puckle offers the glib answer, “the half sovereign he paid for it save him from the mental exercise of composing a suitable letter of condolence” before offering a serious explanation). Sure, the book was published almost a century ago, but that has no bearing on the contents. It’s an evergreen book and a highly recommended read for serious funereal scholars or those considering a career in funeral service.
Puckle's "Funeral Customs" is one of the more in-depth looks at death ever penned. Created in the early 20th century, it casts a rational and skeptical glance at the superstitions of burial practices and cremation alike, and lists in some detail the customs of death over time and changes to them during the black death and then-modernity among other eras. Not just a European work, it delves into Hinduism as well as Egyptian and Zoroastrian practices from antiquity.
From the memento mori to funeral feasts, its pages are filled with interesting folklore, astonishing history, and more than a few bits…
I’ve been in the funeral profession my entire professional career, and my family has deep roots in the profession too. My great-great-great grandfather was a cabinet maker, or “tradesman undertaker” in rural Milford, Delaware prior to the Civil War. In addition to being a funeral director and embalmer, I’m a certified post-mortem reconstructionist and cremationist, and the president of the Delaware State Funeral Directors Association. I’ve written five books on the subject of the funeral profession and am an associate editor for Southern Calls, “The Journal of the Funeral Profession.”
During the course of my work week, I get a lot of people telling me they currently are interested in the funeral profession, or if they are of retirement age, they were interested in their younger days. Which begs the question: how do you get started in the profession? Society-girl Meyer simply went in and asked for a job at an East-side funeral home after planning her own father’s funeral. The book details how she helped plan some amazing send-offs for the Big Apple’s rich and famous, and I think is a great how-to for “rolling your sleeves up and giving something a try.” I read somewhere that the experience motivated her to attend mortuary school. Fun read.
I am an artist and writer drawn to the intersections of non-believe. My work explores the friction points non-believers encounter and illuminates a path forward informed by reason and empathy. My writing is evidence-based, with the skepticism that comes with being an atheist, but infused with warmth, clarity, and understanding. Grief can present friction for non-believers. I aim to support those navigating such losses by providing evidence-based guidance and compassion. I hope you find some valuable nuggets in this list of books.
This book is part science, part memoir. The author shares how she applied the research she has done around resilience as she grappled with grief when her child died.
When we are grieving without the false promises of an afterlife, learning how to support ourselves as we put one foot in front of another and continue to move forward can take everything we have. By exploring concepts of resilience and well-being, Dr. Hone provides practical tools to help us cope a bit better.
The death of someone we hold dear may be inevitable; being paralysed by our grief is not. A growing body of research has revealed our capacity for resilient grieving, our innate ability to respond to traumatic loss by finding ways to grow - by becoming more engaged with our lives, and discovering new, profound meaning.
Author and resilience/well-being expert Lucy Hone, a pioneer in fusing positive psychology and bereavement research, was faced with her own inescapable sorrow when, in 2014, her 12-year-old daughter was killed in a car accident. By following the strategies of resilient grieving, she found a proactive…
When I sold the manuscript that became The Way Back from Broken, my editor asked why I wrote it. I said, “I wrote a book about the two things I’m an expert in: grief and canoeing.” It took me ten years to find my own way back from being broken after the death of my daughter. Along that difficult and heartbreaking trail, I came to loathe people who said things like “Time heals all wounds” or “It was meant to be.” I craved those brave few who spoke and wrote with deep authenticity about how grief and loss force us to reconsider everything we’ve ever known about the world.
This award-winning, middle grade novel begins with Willa Jo and her little sister refusing to come down off their Aunt Patty’s roof. Drawn to get as close to the sky as possible, they stay up, wrestling with the recent death of their sibling. I read this book shortly after my baby died, and it gets everything right about the confusion, the magical thinking, the incomprehensible behavior of those who don’t know grief, and especially, the inability to understand a world that has, in an instant, been so dramatically altered.
A Southern charmer for fans of Newbery Honor book Three Times Lucky by Sheila Turnage
Audrey Couloumbis's masterful debut novel brings to mind Karen Hesse, Katherine Paterson, and Betsy Byars's The Summer of the Swans—it is a story you will never forget.
Willa Jo and Little Sister are up on the roof at Aunt Patty’s house. Willa Jo went up to watch the sunrise, and Little Sister followed, like she always does. But by mid-morning, they are still up on that roof, and soon it’s clear it wasn’t just the sunrise that brought them there.
I’m a novelist with a PhD in Literature from NYU. My background is Modern British, and I’ve always been drawn to literary stylists. But, over the years, I’ve developed a passion for reading and writing novels that deal with themes of betrayal either within families or between close friends. I’m drawn to domestic suspense in which the characters’ psychological growth isn’t secondary to the plot.
This book by Celeste Ng is one of my favorite novels. It’s a beautifully told literary mystery that examines the lives of the five members of the Lee family. Ng masterfully writes from several points of view while unraveling the narrative that led to the death of the oldest Lee daughter by drowning. Was it suicide, or was she killed?
The story weaves in and out of the past, presenting each character’s aching need to belong and be accepted by those they love. There are no villains, but there are flawed parents who push their children to be reflections of their own desires and are driven to fit into a society that rejects them on the basis of either race or gender.
The acclaimed debut novel by the author of Little Fires Everywhere and Our Missing Hearts
"A taut tale of ever deepening and quickening suspense." -O, the Oprah Magazine
"Explosive . . . Both a propulsive mystery and a profound examination of a mixed-race family." -Entertainment Weekly
"Lydia is dead. But they don't know this yet." So begins this exquisite novel about a Chinese American family living in 1970s small-town Ohio. Lydia is the favorite child of Marilyn and James Lee, and her parents are determined that she will fulfill the dreams they were unable to pursue. But when Lydia's body…
I love middle-grade books (for eight to twelve-year-olds), which is why I write in that genre. My Summer of L.U.C.K. trilogy is sprinkled with magical adventures, but each one has real-life kids struggling with real-life problems and finding real-world solutions. I believe that books whose characters experience magical elements along with themes of friendship, perseverance, and self-acceptance will help them learn, as I did when I was a young reader, that whatever troubles they're experiencing, other kids have those troubles too, that they're not alone, and that help is possible.
I’m a sucker for books about restored faith, particularly one with a Victorian house on the cover (see The Diamond in the Window below). That’s what caught my eye about Jess Redman’s beautifully written book, but the main character, a kid named Wunder, really drew me in and kept me reading.
I loved following Wunder’s journey as his faith in miracles falters after the death of his newborn sister. What touched me the most was how his connection with a woman–maybe a witch–who resides in the crumbling Victorian house helps reawaken his belief in everyday magic. This is one of my top favorite magical middle grade books of all time.
In the tradition of heartwrenching and hopeful middle grade novels such as Bridge to Terabithia comes Jess Redman's stunning debut about a young boy who must regain his faith in miracles after a tragedy changes his world.
Eleven-year-old Wunder Ellis is a miracologist. In a journal he calls The Miraculous, he records stories of the inexplicable and the extraordinary. And he believes every single one. But then his newborn sister dies, at only eight days old. If that can happen, then miracles can’t exist. So Wunder gets rid of The Miraculous. He stops…
I am an Australian author and an avid reader. Although I love reading books set in other countries, I particularly enjoy stories that take place in Australia, as I can really identify with them. I especially relate to those set in the Australian outback or small rural towns, as for several years I lived in remote indigenous communities in the Northern Territory. I understand how in small towns it is very difficult to keep secrets, as everybody knows everyone else’s business, and I now realise this is becoming an underlying theme in my writing. I have a Master of Arts in Creative Writing from the University of Tasmania.
Metal Fish, Falling Snow is a terrific Australian road trip story, with a gorgeous cover. After Dylan’s mother suddenly dies, her mother’s boyfriend Pat drives her across the country to join her absent father’s family. During the trip, while experiencing the wilds of outback Australia first hand, Dylan gets to know Pat better. The novel deals with grief and evolving relationships, and is a very satisfying read.
When her mother dies, Dylan struggles to find her identity. An outback road-trip with her mum’s grieving boyfriend sees an unlikely bond develop. But it won’t last…
Dylan dreams of sailing across the ocean to France with her mother. Paris, Dylan imagines, is a place where her black skin won’t make her stand out, a place where she might feel she belongs.
When she loses her mother in a freak accident, Dylan finds herself on a very different journey: a road trip across the Australian outback in the care of her mother’s grieving boyfriend, Pat. As they pass through remote…
When people ask me what makes me fall in love with a book, good characters will always be my first answer. And by good, I don’t mean perfect individuals who make no mistakes. I mean characters who make me feel something, whether it’s rage or hope or longing or disgust. As an author, I like filling my stories with messy, desperate characters who aren’t afraid to show emotion. And as an introverted flight attendant, I spend a lot of time observing people and I’m often fascinated by what I discover. The best stories—like people—have layers and depth to their characters. I like finding out what’s underneath.
I was first captivated by the stunning cover, but stayed because I love stories about groups of friends and the emotions and connections that bind them for better or worse. Deep in Providenceshowcases this beautifully through the lenses of Miliani, Inez, and Natalie, three girls whose lives are shattered when their friend Jasmine is killed by a drunk driver. The girls turn to Filipino spells and folklore in an attempt to bring Jasmine back from the dead. Desperation and yearning bleed through these pages, and by the end, I was sobbing. This book is a beautiful exploration of grief, told in the tenderest way.
"Haunting, intimate, and beautifully told: a magical debut novel from a writer to watch.” —Emily M. Danforth, national bestselling and award-winning author of The Miseducation of Cameron Post
A spellbinding young adult fantasy debut following three best friends who turn to magic when they're haunted by a friend's death...and perhaps her spirit, combining the atmospheric thrills of The Hazel Wood with the nuanced realism of Erika L. Sanchez.
For best friends Miliani, Inez, Natalie and Jasmine, Providence, Rhode Island has a magic of its own. From the bodegas and late-night food trucks on Broad Street to The Hill that watches…
