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I am a recovered (not “recovering”) addict and writer. These days I write historical fiction because I enjoy an escape from present-day reality, and research is fun. But I started writing as a way to make sense of my chaotic world and in hopes of healing myself. Something was broken inside me, and I didn’t know how to fix it. So I wrote about the shadowy realms of my life and kept on writing until somehow I was able to let go of the past and create a different life, one which would not land me upside down in a ditch with my neck broken and my tires spinning.
I read this book sitting on the balcony of a condo at the beach. I got a sunburn because I couldn’t put it down.
Cheryl’s trek along the PCT is weirdly harrowing and heart-warming as she meets creeps, clowns, and kindred folk. But what makes the book so compelling for me is how Cheryl delves into her need for this test of her resolve, which is to figure out what went wrong with her life after her mother’s death and how to fix it.
I was with her every step of the way and felt as if I, too, had conquered the PCT and overcome my misbegotten past. The honesty of her self-examination nailed this book to my heart.
#1 NEW YORK TIMES BESTSELLER • A powerful, blazingly honest memoir: the story of an eleven-hundred-mile solo hike that broke down a young woman reeling from catastrophe—and built her back up again.
At twenty-two, Cheryl Strayed thought she had lost everything. In the wake of her mother’s death, her family scattered and her own marriage was soon destroyed. Four years later, with nothing more to lose, she made the most impulsive decision of her life. With no experience or training, driven only by blind will, she would hike more than a thousand miles of the Pacific Crest Trail from the…
I’ve been fascinated by the transformational power of travel ever since my husband and I unexpectedly signed a lease to an apartment on the Italian Riviera instead of divorce papers. The power of that year abroad saved our marriage, united our family of four in a sacred way, and introduced us to the many cultures of Europe. I learned the crucial difference between taking a trip and embarking on a journey. Capturing a travel experience on the page for those who can’t journey to a destination themselves is a joy and a privilege I don’t take lightly. Publishing this memoir allowed me to pivot in my career to a full-time writer and writing coach/editor.
I remember seeing this book for the first time on my mother’s bedside table.
As a mother of six children (five boys and a girl—me), I strongly suspect she dreamed of escape from time to time. A mother now myself, I understand feelings of overwhelm.
When I read this book back in the late ‘90s I saw a woman brave enough to step into her dreams and create a beautiful and sensuous life. It was bold, and it allowed me to dream of a bigger life. It made me curious if I could ever do such a thing.
Read the story of how she and her husband transformed an old villa as well as their lives!
Discover the New York Times bestseller that inspired the film. The perfect read for anyone seeking an escape to the Italian countryside.
When Frances Mayes - poet, gourmet cook and travel writer - buys an abandoned villa in Tuscany, she has no idea of the scale of the project she is embarking on.
In this enchanting memoir she takes the reader on a journey to restore a crumbling villa and build a new life in the Italian countryside, navigating hilarious cultural misunderstandings, legal frustrations and the challenges of renovating a house that seems determined to remain a ruin.
I’ve been fascinated by the transformational power of travel ever since my husband and I unexpectedly signed a lease to an apartment on the Italian Riviera instead of divorce papers. The power of that year abroad saved our marriage, united our family of four in a sacred way, and introduced us to the many cultures of Europe. I learned the crucial difference between taking a trip and embarking on a journey. Capturing a travel experience on the page for those who can’t journey to a destination themselves is a joy and a privilege I don’t take lightly. Publishing this memoir allowed me to pivot in my career to a full-time writer and writing coach/editor.
There have been only a handful of books that I have been unable to put down.
This memoir is one of them. In 2008, Amanda Lindhout began her career as a reporter by traveling to Somalia. On her fourth day, she and another journalist were abducted and held for ransom.
She recounts her harrowing experience in captivity (460 days) in vivid, and heart-wrenching detail. When she is most desperate, she travels in her mind to A House in the Sky enabling her to block out her dire circumstances and let in a ray of hope.
BREAKING NEWS: Amanda Lindhout’s lead kidnapper, Ali Omar Ader, has been caught.
Amanda Lindhout wrote about her fifteen month abduction in Somalia in A House in the Sky. It is the New York Times bestselling memoir of a woman whose curiosity led her to the world’s most remote places and then into captivity: “Exquisitely told…A young woman’s harrowing coming-of-age story and an extraordinary narrative of forgiveness and spiritual triumph” (The New York Times Book Review).
As a child, Amanda Lindhout escaped a violent household by paging through issues of National Geographic and imagining herself visiting its exotic locales. At the…
I’ve been fascinated by the transformational power of travel ever since my husband and I unexpectedly signed a lease to an apartment on the Italian Riviera instead of divorce papers. The power of that year abroad saved our marriage, united our family of four in a sacred way, and introduced us to the many cultures of Europe. I learned the crucial difference between taking a trip and embarking on a journey. Capturing a travel experience on the page for those who can’t journey to a destination themselves is a joy and a privilege I don’t take lightly. Publishing this memoir allowed me to pivot in my career to a full-time writer and writing coach/editor.
Three friends, each on the brink of a quarter-life crisis, make a pact to quit their high-pressure New York City media jobs and leave behind their friends, boyfriends, and everything familiar to embark on a year-long backpacking adventure around the world.
From the first chapter when they were invited to dance with the Maasai in Kenya, I was swept along with them for an unforgettable journey!
“A triumphant journey about losing yourself, finding yourself and coming home again. Hitch yourself to their ride: you’ll embark on a transformative journey of your own.” — Allison Winn Scotch, New York Times bestselling author of The One That I Want and Time of My Life
Three friends, each on the brink of a quarter-life crisis, make a pact to quit their high pressure New York City media jobs and leave behind their friends, boyfriends, and everything familiar to embark on a year-long backpacking adventure around the world in The Lost Girls.
With their thirtieth birthdays looming, Jen, Holly, and…
I grew up in New Orleans around Cajun French and Italians. My father spoke Cajun French, English, and Sicilian. I grew up thinking his Sicilian was Italian mixed with Cajun French. We considered ourselves Italian, never aware that my grandparents, paternal and maternal, emigrated from Sicily and were born just after Sicily became part of Italy (1861). Knowing nothing of Sicily, including the Sicilian spelling of my own surname and my father’s Sicilian first name, I used the computer to contact distant relatives in Sicily, discover records online, and eventually visited Sicily to find actual documents. My research led to my passion and my first book, After Laughing Comes Crying.
This is a three-volume anthology of Italian American writers recalling family dinners, holidays, funerals, weddings, Italian customs, and Italian relatives. These volumes depict Italians in their everyday life far removed from any mafioso dramas. Reading these stories helps Italians verify the meanings and pronunciations of Italian words and gestures, those things called “Italian” used long ago but since forgotten with the passing of our elders.
This collection of short stories, published by "Idea Press" is aimed at presenting the richness of styles and creativity of Italian American writers. It consists of two sections for a total of twenty-three short stories, eight of them nonfiction and fifteen of them fiction, and eighteen authors. The writers chosen by the editor to be included in this anthology are from a wide range of professional backgrounds, but ultimately most of them are published authors with an extensive experience on their curricula, as the reader may infer from their biographies.Altogether, the stories that appear in this anthology explore different topics,…
When I was 12, I was given The Book of Questionsby Neruda Pablo. “Tell me, is the rose naked or is that her only dress?” It was the perfect book for me, with an abundance of questions. As I got older, the questions turned more serious: what are these forces restricting women to a narrow strip of being? To a slim wedge of psychological existence? How did the definition of female pare down to only a fistful of traits—nurturing, accommodating, object of desire, etc.? I’ve found solace in books, with fully dimensional female characters who refuse society’s common assumptions. It’s these females I try to create in my work.
I’d recommend any one of the novels by Elena Ferrante, a writer who depicts with nuance and complexity her female characters’ psychology, as it’s impacted by the forces of society, family, motherhood, wifedom, work, economics, and politics. The Days of Abandonmentis one of her earlier novels about a woman whose husband leaves her for a younger woman after 15 years of marriage. A common story, unfortunately, but what isn’t common is the brutally honest depiction of rage, sorrow, depression, loss of self, and the slow evolution of a new life and a new self.
From the New York Times–bestselling author of My Brilliant Friend, this novel of a deserted wife’s descent into despair―and rage―is “a masterpiece” (The Philadelphia Inquirer).
The Days of Abandonment is the gripping story of an Italian woman’s experiences after being suddenly left by her husband after fifteen years of marriage. With two young children to care for, Olga finds it more and more difficult to do the things she used to: keep a spotless house, cook meals with creativity and passion, refrain from using obscenities. After running into her husband with his much-younger new lover in public, she cannot even…
Growing up I was fanatical about football - playing, watching, reading and talking about it. I was also a little obsessed with its numbers, and apparently liked to recalculate league tables and goal differences in my head as the results came in on the BBC vidiprinter. Fast forward to University in the 1980s - a time when studying football’s business aspects was not common - I wrote my dissertation on the ‘Capital structure of Scottish football’. A Scottish perspective has remained present in much of my work, and I hope it also allows a little more distance when reflecting on the success and challenges faced by football in England.
I was fortunate to be on sabbatical in Italy in 2005, not long after thesalva calcio (save football) decree was passed by Silvio Berlusconi, then Italian Prime Minister and owner of AC Milan.
The legislation was essentially a form of legalised creative accounting which sought to legitimize clubs’ poor financial positions and performance by inflating player asset values on balance sheets.
Jones’ book is not just about football.
But within a fascinating critique of Berlusconi’s Italy, there is brilliant insight into calcio in all its forms – the beauty and joy of what happens on the field, the poetic and intelligent language with which frequently it is discussed in stadiums, cafes, and TV stations, its cultural significance, and, of course, its myriad of political, financial and governance scandals. Andiamo.
An essential guide to the strange, sometimes sinister culture of contemporary Italy.
When Tobias Jones first travelled to Italy, he expected to discover the pastoral bliss described by centuries of foreign visitors and famous writers. Instead, he discovered a very different country, besieged by unfathomable terrorism and deep-seated paranoia, where crime is scarcely ever met with punishment.
Now, in this fascinating travelogue, Jones explores not just Italy's familiar delights (art, climate, cuisine), but the livelier and stranger sides of the bel paese: language, football, Catholicism, cinema, television and terrorism. Why, he wonders, do bombs still explode every time politics start…
I am a writer, teacher, and researcher who has always been interested in my own emotions and those of others. But I decided to write about the emotions of the past only after I became a historian of the Middle Ages. My discoveries began with the early medieval period. Now I enjoy looking at the full sweep of Western history. I have come to realize that at no time did we all share the same feelings nor evaluate them the same way. Instead, we live and have always lived in “emotional communities” with others who share our feelings—and alongside still others who do not. I hope my booklist will pique your interest in this new and exciting field.
To the many approaches of modern historians—the emotional standards of the Stearnses, the emotional regimes of Reddy, the emotional communities of my own work—Mark Seymour here adds an important dimension, a study of the places and media in which emotions are expressed, from the courtroom to the love letter. He shows not only how emotions aroused by one venue may mean different things to different people, but also how the clash of such emotions may help modify and mold new forms of emotional expression and create new objects of emotional focus.
Based on the records of a murder trial that transfixed all of Italy in the late 1870s, this study makes use of a dramatic court case to develop a new paradigm for the history of emotions - the 'emotional arena'. Set in the decade following Italian unification, the context was one of notable cultural variety. An as-yet unexplored aspect of this was that the experience and expression of emotions were as variable as the regions making up the new nation. Through a close examination of the spaces in which daily lives, loves, and deaths unfolded - from marital homes to…
I teach medieval and early modern European history at Dublin City University, with a particular interest in 16th-18th century Italian history. My own research focuses on the religious, legal, and popular culture of northern Italy, particularly Venice and the Veneto region. I became fascinated with Renaissance Italian history as an undergraduate at the College of William and Mary, and then went on to do a masters and a PhD at Northwestern University. I have taught at Northwestern, the College of William and Mary, the University of Warwick/Warwick in Venice, and the State University of New York at Cortland.
This book is a fantastic, broad overview of the Italian Renaissance (or rinascimento, the term Ruggiero prefers and which his subjects would have recognized). The Italian Rinascimento was a period, according to Ruggiero, of vibrant cities, social change, and cultural expression, in which intellectuals, politicians, and artists both looked back to an idealized classical past and forward to uncharted territory.
I love the way this book focuses on issues that preoccupied the people he studies and incorporates topics often absent from works on the Renaissance, including women, sexuality, economics, disease and death, and religion, among others. Even more important, perhaps, is that it is clear, accessible, and engaging, and demonstrates a wealth of knowledge developed over an illustrious career as a historian of early modern Italy.
This book offers a rich and exciting new way of thinking about the Italian Renaissance as both a historical period and a historical movement. Guido Ruggiero's work is based on archival research and new insights of social and cultural history and literary criticism, with a special emphasis on everyday culture, gender, violence and sexuality. The book offers a vibrant and relevant critical study of a period too long burdened by anachronistic and outdated ways of thinking about the past. Familiar, yet alien; pre-modern, but suggestively post-modern; attractive and troubling, this book returns the Italian Renaissance to center stage in our…
The Mediterranean is in my family’s history. My dad was a naval officer who worked in the sea in peace and war and took us to Malta when I was nine. I was entranced by the island’s history, by an evocative sensory world of sunlight, brilliant seas, and antiquity. I’ve been travelling in this sea ever since, including a spell living in Turkey, and delved deep into its past, its empires, and its maritime activity. I’m the author of three books on the subject: Constantinople: the Last Great Siege, Empires of the Sea, and Venice: City of Fortune.
Jan Morris, who writes as elegantly as anyone about Venice, conducts us on a historical cruise through its maritime empire – both a history and a travelogue. It’s a beguiling evocation of the Mediterranean that we all dream of. Venice at one time or another held Constantinople, Crete, Cyprus, the dotted islands of the Aegean and the coast of Dalmatia – an empire of forts, harbours, and naval bases, all badged with Venice’s corporate logo – the winged lion. In Morris’s hands it’s an invitation to sail immediately. Her book on Venice itself is excellent too.
For six centuries the Republic of Venice was a maritime empire, its sovereign power extending throughout much of the eastern Mediterranean - an empire of coasts, islands and isolated fortresses by which, as Wordsworth wrote, the mercantile Venetians 'held the gorgeous east in fee'.
Jan Morris reconstructs the whole of this glittering dominion in the form of a sea-voyage, travelling along the historic Venetian trade routes from Venice itself to Greece, Crete and Cyprus. It is a traveller's book, geographically arranged but wandering at will from the past to the present, evoking not only contemporary landscapes and sensations but also…
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