Here are 100 books that The Dark Heart of Italy fans have personally recommended if you like
The Dark Heart of Italy.
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Growing up I was fanatical about football - playing, watching, reading and talking about it. I was also a little obsessed with its numbers, and apparently liked to recalculate league tables and goal differences in my head as the results came in on the BBC vidiprinter. Fast forward to University in the 1980s - a time when studying football’s business aspects was not common - I wrote my dissertation on the ‘Capital structure of Scottish football’. A Scottish perspective has remained present in much of my work, and I hope it also allows a little more distance when reflecting on the success and challenges faced by football in England.
I came upon this title quite early in my academic career while working in an Accountancy and Finance Department and struggling to convince myself, and I suspect my then boss, that there was a lot of mileage in the business of sport as an area of research activity.
Wray Vamplew’s book – a systematic economic analysis of the emergence of mass spectator sports in the UK in the years leading up to the First World War based on primary financial and other records – played a major part in convincing me, at least, that there was indeed a future as well as a past in this type of study!
If you want to understand where many of football’s current developments arose from, this is a great place to begin.
Based on a vast range of club and association records, Pay Up and Play the Game, first published in 1988, presents a systematic economic analysis of the emergence of mass spectator sport during the years prior to World War I. It explores the tensions behind an increasingly commercialised activity that was nonetheless suffused with 'gentlemanly' values at many levels, and highlights the retreat of the latter as working-class consumption and participation became predominant, symbolised most dramatically by the celebrated victory of proletarian Blackburn Olympic over the Old Etonians in the FA Cup final of 1883. Wray Vamplew examines the linkages…
Growing up I was fanatical about football - playing, watching, reading and talking about it. I was also a little obsessed with its numbers, and apparently liked to recalculate league tables and goal differences in my head as the results came in on the BBC vidiprinter. Fast forward to University in the 1980s - a time when studying football’s business aspects was not common - I wrote my dissertation on the ‘Capital structure of Scottish football’. A Scottish perspective has remained present in much of my work, and I hope it also allows a little more distance when reflecting on the success and challenges faced by football in England.
David Conn’s book was first released in 1997, just a few years after the inception of the English Premier League.
It was the first critical evaluation of the new business of football, in which he sought to understand what was being lost as the game was transformed into a branch of the entertainment industry, while at the same time accepting the many unarguable benefits that were accompanying that transformation.
Its quality and importance are evidenced by the fact that it has been republished at least five times.
It remains essential reading for anyone who wants to understand more about the opaque world of football finance, governance, and ownership.
In eight years English football has been transformed. In 1989 clubs were banned from Europe and the Hillsborough disaster exposed football's crumbling grounds. Today football is cleaned up and is also big business. Since the Taylor report forced English clubs to spend #600 million rebuilding their grounds, and since Sky and the BBC put #1 billion into the game, serious businessmen have arrived in football, and have mostly been welcomed because of the money they were "investing" into the "long-term health of the game". This book examines the transformation and asks is it still a game or a business?
Growing up I was fanatical about football - playing, watching, reading and talking about it. I was also a little obsessed with its numbers, and apparently liked to recalculate league tables and goal differences in my head as the results came in on the BBC vidiprinter. Fast forward to University in the 1980s - a time when studying football’s business aspects was not common - I wrote my dissertation on the ‘Capital structure of Scottish football’. A Scottish perspective has remained present in much of my work, and I hope it also allows a little more distance when reflecting on the success and challenges faced by football in England.
This novel gets to the heart of football’s importance to communities, in this case a small Scottish industrial town beset by poverty and unemployment in the 1950s.
In this comic novel Jenkins writes simply but evocatively about football, about its emotion, and its beauty.
But perhaps more importantly, his writing focuses on the town’s people and their relationships, with each other and with the town’s Junior football team as they dream of winning the Scottish Junior Cup.
While it would be unwise to overly romanticize how football was in the past, at the same time looking back does make you question whether everything about the modern game should be interpreted as progress.
Within the severe and depressed slums of Drumsagart, rife with unemployment and discontent, the members of Thistle cling to their game as an escape. And when they actually start winning, a momentum grows up in the community around them, as they come to represent ambition and hope. The Holy Grail of football, the Scottish Junior Cup, glitters at the end of a string of matches and suddenly the entire town of Drumsagart is depending on it...
Growing up I was fanatical about football - playing, watching, reading and talking about it. I was also a little obsessed with its numbers, and apparently liked to recalculate league tables and goal differences in my head as the results came in on the BBC vidiprinter. Fast forward to University in the 1980s - a time when studying football’s business aspects was not common - I wrote my dissertation on the ‘Capital structure of Scottish football’. A Scottish perspective has remained present in much of my work, and I hope it also allows a little more distance when reflecting on the success and challenges faced by football in England.
The individual at the heart of this book, the legendary football manager, Brian Clough, had no shortage of either.
However, what is extraordinary about this book is that it introduces the reader to an entirely different version of Clough than the one we are most familiar with from the media.
It is a remarkable and scarcely credible story, one which is moving, and which highlights the kindness of the man, his family, and of many of the then players and employees of Nottingham Forest.
It also reminds us just how distant football, its clubs, and its star players and managers, have become from their people in recent decades.
Shortlisted for the William Hill Sports Book of the Year Award 2022
Craig Bromfield was just 13 years old when Brian Clough, on a whim, took him and his older brother Aaron in.
They came from Southwick, a depressed area of Sunderland, where they lived with their abusive stepfather, and from where they longed to escape. After initially meeting Clough while out begging for money, Clough later invited the brothers to stay at his house. From there a relationship formed which would see Craig living with the Cloughs for nine years, where he was a first-hand witness to the many…
I am a writer, teacher, and researcher who has always been interested in my own emotions and those of others. But I decided to write about the emotions of the past only after I became a historian of the Middle Ages. My discoveries began with the early medieval period. Now I enjoy looking at the full sweep of Western history. I have come to realize that at no time did we all share the same feelings nor evaluate them the same way. Instead, we live and have always lived in “emotional communities” with others who share our feelings—and alongside still others who do not. I hope my booklist will pique your interest in this new and exciting field.
To the many approaches of modern historians—the emotional standards of the Stearnses, the emotional regimes of Reddy, the emotional communities of my own work—Mark Seymour here adds an important dimension, a study of the places and media in which emotions are expressed, from the courtroom to the love letter. He shows not only how emotions aroused by one venue may mean different things to different people, but also how the clash of such emotions may help modify and mold new forms of emotional expression and create new objects of emotional focus.
Based on the records of a murder trial that transfixed all of Italy in the late 1870s, this study makes use of a dramatic court case to develop a new paradigm for the history of emotions - the 'emotional arena'. Set in the decade following Italian unification, the context was one of notable cultural variety. An as-yet unexplored aspect of this was that the experience and expression of emotions were as variable as the regions making up the new nation. Through a close examination of the spaces in which daily lives, loves, and deaths unfolded - from marital homes to…
When I started researching the history of early modern public execution, I read a few eyewitness accounts in which people behaved so strangely that I realised I understood nothing about the realities of this once-common historical practice. By reading the books on this list, I quickly discovered that the ceremony of capital punishment was a performance in which the entire community participated, filled with rituals and behaviours that had enormous emotional and spiritual significance for everyone involved, not just the ‘poor sinner’ on the scaffold. I also discovered that music and singing were crucial parts of the performance, with ballads being sung about the event for years afterwards.
It’s not often I’m moved to tears by an academic book, but this book did it for me by putting me in the shoes of a Florentine patrician trying to comfort his friend the night before his execution. The main historical source of the book is an extraordinary ‘how-to’ manual: the one used by the ‘comforting confraternities’ of 16th-century Bologna, men who volunteered to spiritually prepare condemned criminals for their final moments on earth and, in so doing, hopefully increase their chances of salvation. The book explains the various methods and tools that the comforter could use, including prayers, songs, and pictures, and reveals the complex rituals of execution that began long before the prisoner’s arrival at the scaffold. A moving account of the realities of historical capital punishment.
In Renaissance Italy a good execution was both public and peaceful―at least in the eyes of authorities. In a feature unique to Italy, the people who prepared a condemned man or woman spiritually and psychologically for execution were not priests or friars, but laymen. This volume includes some of the songs, stories, poems, and images that they used, together with first-person accounts and ballads describing particular executions. Leading scholars expand on these accounts explaining aspects of the theater, psychology, and politics of execution.
The main text is a manual, translated in English for the first time, on how to comfort…
The books I recommend have stayed with me years after I read them. I’ve always been fascinated by my Jewish heritage and the rich traditions of my forebearers. I’ve incorporated some of that heritage in my own work as an author. Most recently, I published a historical novel about the Jewish Ghetto in Rome, which took me down a rabbit hole of research into Jewish literature. I revisited books I’d loved for decades and discovered new books I loved.
I was captivated by this epic tale of Grazia dei Rossi, secretary to the powerful wife of the Pope’s physician and the daughter of a powerful banker.
The book gave me a fascinating peek into Jewish life in Renaissance Italy as Grazia struggles between the temptations of Christian life and the pull of her Jewish heritage.
A sweeping saga of intrigue and romance set during the Italian Renaissance and told through the eyes of Grazia dei Rossi, a young Jewish woman torn between duty and forbidden romance, who wins our hearts with her recorded secrets of love.
Grazia dei Rossi, private secretary to the world-renowned Isabella d’Este, is the daughter of an eminent Jewish banker, the wife of the pope’s Jewish physician, and the lover of a Christian prince. In a “secret book,” written as a legacy for her son, she records her struggles to choose between the seductions of the Christian world and a return…
I’ve been fascinated by the transformational power of travel ever since my husband and I unexpectedly signed a lease to an apartment on the Italian Riviera instead of divorce papers. The power of that year abroad saved our marriage, united our family of four in a sacred way, and introduced us to the many cultures of Europe. I learned the crucial difference between taking a trip and embarking on a journey. Capturing a travel experience on the page for those who can’t journey to a destination themselves is a joy and a privilege I don’t take lightly. Publishing this memoir allowed me to pivot in my career to a full-time writer and writing coach/editor.
This book helped me fall in love with travel memoir long before the thought of living in Italy ever crossed my mind.
Beppe Severgnini is laugh-out-loud funny. He and his wife move to Washington D.C. and must navigate and make sense of the American lifestyle. If you are looking for a few giggles, grab this one.
In the wry but affectionate tradition of Bill Bryson, Ciao, America! is a delightful look at America through the eyes of a fiercely funny guest — one of Italy’s favorite authors who spent a year in Washington, D.C.
When Beppe Severgnini and his wife rented a creaky house in Georgetown they were determined to see if they could adapt to a full four seasons in a country obsessed with ice cubes, air-conditioning, recliner chairs, and, of all things, after-dinner cappuccinos. From their first encounters with cryptic rental listings to their back-to-Europe yard sale twelve months later, Beppe explores this foreign…
Life is pretty dull without passion. Since early childhood I was attracted to Chinese philosophy, then to all the cultural aspects that reflect it. At the same time, I felt the blood in my veins drawing me to ancestral roots. Learning about other cultures helps us learn about our own. I’ve been driven by sympathy for the immigrant experience, the suffering, and sacrifices made for a better, peaceful life. What prepared me to write Wuxia America includes my academic studies, living and working in Asia, and involvement in martial arts. My inspiration for writing stems from a wish to encourage ways to improve human relations.
My grandparents were from southern Italy. Over the years, I had always wanted to learn about the area, its history, and culture. Even in the Italian language, there is a lack of any quality publications dealing with the south.
Finally, a book was published in 2005 filling this gap—Astarita’s book is praiseworthy for its in-depth coverage of south Italy. Rather than scavenging together hundreds of books and articles for information, there came this main reference work.
Written by Astarita, a professor at Georgetown University, it is a scholarly work. It doesn’t read like a novel, but the thoroughness brings out the character of the people and their contributions to Italian and world culture. I praise the author for bringing this important topic out of obscurity to world attention.
The history of southern Italy is entirely distinct from that of northern Italy, yet it has never been given its own due. In this authoritative and wholly engrossing history, distinguished scholar Tommaso Astarita "does a masterful job of correcting this error" (Mark Knoblauch, Booklist). From the Normans and Angevins, through Spanish and Bourbon rule, to the unification of Italy in 1860, Astarita rescues Sicily and the worlds south of Rome from the dustier folds of history and restores them to sparkling life. We are introduced to the colorful religious observances, the vibrant historical figures, the diverse population, the ancient ruins,…
I’m a poet, tarot muse, and artist whose childhood experiences with vivid night-time dreams and a handful of years on a commune in the cornfields ignited my passion for exploring inner imagery. I read voraciously from science fiction to fairytales to channelings. I discovered tarot in my twenties, using it to read for others, mend my broken heart, and get squared away enough to apply to graduate school for poetry in the heartland at the Iowa Writers’ Workshop. Ever since, tarot is my favorite mirror for self-reflection. Author of two poetry collections, I wrote a workbook to help others apply the tarot in joyful, healing ways through writing and art.
As a lover of fairytales, I love the premise of The Castle of Crossed Destinies and that tarot cards appear visually down the margins of the pages. Novelist Italo Calvino places us in two settings: a castle, and a tavern. Guests traveling through the woods arrive to discover they have lost their ability to speak so they use tarot cards to “show” their stories. The narrator translates those cards (reliably or unreliably—you decide). A tarot card grid appears for the stories in the Tavern of Crossed Destinies section of the book that lays out plot possibilities. I love the visual “chess” concept and that you can use tarot card layouts to plot tales, novels, or a series of poems.
A group of travellers chance to meet, first in a castle, then a tavern. Their powers of speech are magically taken from them and instead they have only tarot cards with which to tell their stories. What follows is an exquisite interlinking of narratives, and a fantastic, surreal and chaotic history of all human consciousness.
