Here are 100 books that Emotional Arenas fans have personally recommended if you like
Emotional Arenas.
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I am a writer, teacher, and researcher who has always been interested in my own emotions and those of others. But I decided to write about the emotions of the past only after I became a historian of the Middle Ages. My discoveries began with the early medieval period. Now I enjoy looking at the full sweep of Western history. I have come to realize that at no time did we all share the same feelings nor evaluate them the same way. Instead, we live and have always lived in “emotional communities” with others who share our feelings—and alongside still others who do not. I hope my booklist will pique your interest in this new and exciting field.
Many historians before the Stearnses thought it would be good to study the emotions of the past, but this book on anger was the first to offer a rigorous and satisfying technique for doing so. By carefully researching the advice books offered to middle-class Americans in the nineteenth through twentieth centuries, the authors show how standards for emotional expression changed over time. Emotional standards are in fact key to understanding how different groups at different times evaluate their emotions, understand their uses, and feel their mental and physical impact.
In this groundbreaking social history, Carol and Peter Stearns trace the two hundred-year development of anger, beginning with premodern colonial America. Drawing on diaries and popular advice literature of key periods, Anger deals with the everyday experiences of the family and workplace in its examination of our attempts to control our domestic lives and lessen social tensions by harnessing emotion. Offering an entirely new approach to the study of emotion, the authors inaugurate a new field of study termed "emotionology," which distinguishes collective emotional standards from the experience of emotion itself.
I’m a historian of emotions, science, and medicine, with more than a decade of experience in meddling in other scientific affairs, especially in the worlds of psychology and neuroscience. I’m fascinated by human emotions in part, at least, because I feel we’re living in a crude emotional age. I’ve worked in five different countries since gaining my PhD in 2005. In that time I’ve written or edited 14 books of historical non-fiction, as well as dozens of articles and reviews. You can freely read my work inAeon or History Today. I live between Canada (my adopted country) and Finland, where I frequently lament the loss of my European citizenship.
This was my entry point to emotion research, as it is for many others. Reddy’s work is of seismic importance to me and for most of the people I know. It is largely responsible for making the field in which I now work, or at least for making other people take it seriously.
Up until this book came out, there was nothing that could compare in terms of its theoretical sophistication and its careful application. I go back to this book again and again, for support, clarity, and direction. It is, probably, the most thumbed thing I own.
In The Navigation of Feeling: A Framework for the History of Emotions, William M. Reddy offers a theory of emotions which both critiques and expands upon recent research in the fields of anthropology and psychology. Exploring the links between emotion and cognition, between culture and emotional expression, Reddy applies this theory of emotions to the processes of history. He demonstrates how emotions change over time, how emotions have a very important impact on the course of events, and how different social orders either facilitate or constrain emotional life. In an investigation of Revolutionary France, where sentimentalism in literature and philosophy…
I am a writer, teacher, and researcher who has always been interested in my own emotions and those of others. But I decided to write about the emotions of the past only after I became a historian of the Middle Ages. My discoveries began with the early medieval period. Now I enjoy looking at the full sweep of Western history. I have come to realize that at no time did we all share the same feelings nor evaluate them the same way. Instead, we live and have always lived in “emotional communities” with others who share our feelings—and alongside still others who do not. I hope my booklist will pique your interest in this new and exciting field.
Himself a brilliant historian of emotion, Jan Plamper here surveys the field as a whole. He notes some little-known predecessors to the Stearnses, and he devotes chapters to the contributions of anthropologists, the findings of psychologists, and modern historical approaches, methods, and theories. Always he “gets behind” the research to discover its underlying assumptions.This is a book packed with hard-won insights.
The history of emotions is one of the fastest growing fields in current historical debate, and this is the first book-length introduction to the field, synthesizing the current research, and offering direction for future study. The History of Emotions is organized around the debate between social constructivist and universalist theories of emotion that has shaped most emotions research in a variety of disciplines for more than a hundred years: social constructivists believe that emotions are largely learned and subject to historical change, while universalists insist on the timelessness and pan-culturalism of emotions. In historicizing and problematizing this binary, Jan Plamper…
I am a writer, teacher, and researcher who has always been interested in my own emotions and those of others. But I decided to write about the emotions of the past only after I became a historian of the Middle Ages. My discoveries began with the early medieval period. Now I enjoy looking at the full sweep of Western history. I have come to realize that at no time did we all share the same feelings nor evaluate them the same way. Instead, we live and have always lived in “emotional communities” with others who share our feelings—and alongside still others who do not. I hope my booklist will pique your interest in this new and exciting field.
All who are convinced that the Middle Ages was a barbaric period in which emotions were on the whole angry and violent will quickly change their mind as soon as they pick up this book. It shows that, far from being a stagnant interlude between the richly emotional worlds of classical antiquity and our own age, the period we call the Middle Ages was in constant emotional ferment, drawing above all on the implications of Christ’s passion and what it meant for human sensibilities.
What do we know of the emotional life of the Middle Ages? Though a long-neglected subject, a multitude of sources - spiritual and secular literature, iconography, chronicles, as well as theological and medical works - provide clues to the central role emotions played in medieval society.
In this work, historians Damien Boquet and Piroska Nagy delve into a rich variety of texts and images to reveal the many and nuanced experiences of emotion during the Middle Ages - from the demonstrative shame of a saint to a nobleman's fear of embarrassment, from the enthusiasm of a crusading band to the…
As an internationally respected discipline expert, I guide parents in how to get more compliance than defiance from their little ones. I coined the phrase “The Dance of Non-Compliance” between parent and child. In order to change the dance, the parent will usually have to change his/her dance step first. It is often impossible during the heat of the moment, to teach ‘the lesson’ to the child due to the agitated emotional state of both parent and child. A well-executed picture book, appropriately written and illustrated for young children's developmental thinking ability, can open the door for a meaningful discussion regarding their misbehavior and feelings.
This book shows that everyone has moods that can change each day, or within the same day...from silly to angry to sad, etc. The zany, touching verse and the fun mood-wheel that lets the children change a character’s facial expressions will help a parent and child identify and discuss both good and bad feelings and how to manage them. A wonderful book to start a discussion of revisiting misbehavior and deciding what s/he could do next time in a similar situation.
From the #1 New York Times bestselling team of Jamie Lee Curtis and Laura Cornell, authors of I’m Gonna Like Me and Where Do Balloons Go?, Today I Feel Silly helps children understand and appreciate their shifting moods.
Jamie Lee Curtis's zany and touching verse, paired with Laura Cornell's whimsical and original illustrations, helps kids explore, identify, and, even have fun with their ever-changing moods.
Silly, cranky, excited, or sad—everyone has moods that can change each day. And that’s okay! Follow the boisterous, bouncing protagonist as she explores her moods and how they change from day to day.
I write for a living. Have done it all my life—in daily newspapers, magazines, for TV news, as a law clerk to a NYS Supreme Court judge, and as a traditionally published author.
I’ve also been an avid reader of page-turning thrillers for decades. It’s why I write in that genre, and why I’ve become familiar with the jaw-dropping twist that turns a story on its head just when you think you know where it’s heading. It’s what I aimed for in my latest thriller, Fool Her Once.
It’s just a sheer delight when it’s done well—as it is in the five books I’ve chosen here.
I’ve read many thrillers in my genre touted for their mind-blowing twists, but which haveleft me disappointed. The Boys lives up to its hype. Totally.
Ethan is a husband who has an extreme fear of parenting. To help him overcome his fears, his wife Barb arranges for them to foster two brothers. Ethan takes to his parenting role so diligently that Barb has to take a breather from the marriage while Ethan takes the boys on a biking trip to Italy.
It is here—a little more than halfway through the novel—that the reader learns theshocking truth about the boys. Nothing prepared me for this twist. At all. Or, for the revelations and resolution that followed—all of which made the twist totally plausible and comprehensible.
"Hafner's taut and utterly delightful debut is a novel of multitudes.... What a wonder of storytelling." -Weike Wang, New York Times
New York Times Editors' Pick | Most Anticipated | GMA Summer Reads
A delicious summer read filled with humor and surprise for readers of Anne Tyler and Kevin Wilson.
When introverted Ethan Fawcett marries fun-loving Barb, so comfortable in the world, he has every reason to believe he will be delivered from a lifetime of solitude. She fills his world with a sense of adventure, expanding his horizons beyond his comfortable routine. To ease Ethan's fears of becoming a…
Often, historians choose their field or specialty, but sometimes, the field chooses the historian. Being a historian of southern Italy, the land of my ancestors reflects far more than a merely academic interest. As a personal pursuit, it isn’t just what I am but who I am. I write the kind of books that I wish had existed when I wrote my first peer-reviewed article in 1984. This has come to include everything from general histories to specialised studies to translations of medieval chronicles. Through the website Best of Sicily, online since 1999, my work has reached a readership of millions over the course of two decades.
Historical fiction, when well-researched, sometimes brings us uncommon insight into people and their times. This is one of those rare cases.
Very little has been written in English about Maria Carolina of Austria, Queen of Naples and Sicily (later the Two Sicilies) as the consort of Ferdinando I de Bourbon, except in dynastic histories such as those of Harold Acton.
In the absence of a major biography, I recommend this book as a worthy introduction, tracing the queen’s steps and considering her actions as the power behind the throne.
As Marie Antoinette took her last breath as Queen of France in Paris, another formidable monarch-Antoinette's dearly beloved sister, Charlotte-was hundreds of miles away, in Naples, fighting desperately to secure her release from the revolutionaries who would take her life. Little did Charlotte know, however, that her sister's execution would change the course of history-and bring about the end of her own empire.
"You are the queen. You are the queen that Antoinette wanted to be."
Austria 1767: Maria Carolina Charlotte-tenth daughter and one of sixteen children of Empress Maria Theresa of Austria-knows her position as a Habsburg archduchess will…
Very little has been written in English about Sicilian women. Most of the studies written in English about the women of southern Italy are the work of foreigners who discovered our region in adulthood. While some non-Italian colleagues have produced fine work, my books reflect the perspective of a scholar who, being Sicilian, has been familiar with the region and its people all her life. This is seen in my knowledge of the Sicilian language, from which I've translated texts, and even the medieval cuisine mentioned in my books. Viva la Sicilia!
This is a different story about a different kind of woman. And no, it's not about the Mafia; that's only a peripheral theme.
The typical novels written in English about Sicily by women are built around themes like a foreign girl going to Italy to find love. This one breaks that mould into a thousand pieces, dealing with familial history and tradition in the context of Sicilian and American society. It actually held my interest.
Leigh Esposito's complex story eclipses most of what came before.
I am an historian and archaeologist of the Roman world, who has lectured on the subject around the world. This summer I am moving from a position in London to one in Los Angeles. One of the attractions of Roman history is that it is a vast subject spanning three continents and more than a thousand years. There is always something new to discover and a great international community of researchers working together to do just that. It is a huge privilege to be part of that community and to try and communicate some its work to the widest audience possible.
Migration is the great theme of the twenty-first century. Our experience has set historians on a quest to see how new the mass movement of peoples really is. Isayev’s book is one of the first full-length studies of migration in Roman times.
It is enormously wide-ranging, bringing together the evidence of archaeology and of Roman comedy and history with the insights of geographers and sociologists. We see populations transplanted against their will, enslaved prisoners, hostages, and refugees, but also settlers and traders trying to make their fortune, and explorers and travelling scholars. Best of all we explore the ways that Romans thought about this, sometimes encountering chillingly familiar hostility but more often positive views of new arrivals. Romans often thought of themselves as a city of immigrants, and saw their willingness to accept newcomers as one reason for their success. Isayev does a wonderful job of opening up this new…
Migration, Mobility and Place in Ancient Italy challenges prevailing conceptions of a natural tie to the land and a demographically settled world. It argues that much human mobility in the last millennium BC was ongoing and cyclical. In particular, outside the military context 'the foreigner in our midst' was not regarded as a problem. Boundaries of status rather than of geopolitics were those difficult to cross. The book discusses the stories of individuals and migrant groups, traders, refugees, expulsions, the founding and demolition of sites, and the political processes that could both encourage and discourage the transfer of people from…
The first story I ever wrote was set among warehouse pickers and stockers; the second, a bridge maintenance crew; the third and fifth, office workers, and the sixth, cops on the beat. I’m fascinated by the drama of work. For most people the workplace is a highly structured environment—you can’t wear what you want, you can’t say what you want, you can’t avoid that guy who drives you nuts. Who-You-Really-Are and Who-You-Are-At-Work are not always in harmony, and the tension between those two identities is richly revelatory. I live and write in Moscow, Idaho, and have taught creative writing at the University of Idaho, Stanford University, and the Iowa Writer’s Workshop.
During Italy’s post-WWII economic boom of the ‘50s, in an anonymous northern Italian city, an unskilled laborer named Marcovaldo struggles to support his wife and five children (or seven, or four—the number changes). In twenty tightly-plotted tales, we observe him stealing a trout, stealing a rabbit, getting lost in the fog, shoveling sidewalks, trying to fall asleep, trying to stay warm in the winter. Each “adventure” complicates absurdly, and some are more dire than others. Though on the brink of poverty, Marcovaldo hangs on, strives and fails, and strives anew, never losing his naive sense that things will turn out fine. The best comic writing is always tinged with the tragic, making you laugh and making you feel, and Calvino is a master.
Marcovaldo is an enchanting collection of twenty stories that are both melancholy and funny, farce and fantasy. Calvino charts the struggles of an Italian peasant to reconcile country habits with urban life, combining comical disasters with a surrealistic view of city life through the eyes of an outsider. As always with Calvino, nothing is quite as it seems.
