Fans pick 100 books like Migration, Mobility and Place in Ancient Italy

This book rewrites the story of how Roman imperialism got started. It is written by one of the best archaeologists in the field, and it shows. It is brilliantly illustrated, and it explains the world into which Rome emerged. Instead of the traditional story of virtuous Roman heroes and bold wars of conquest, it shows why other Italian peoples decided to join up with Rome. We get a sense of how other Italians saw things. And we understand how the ruling families, Roman and Italian alike, came together and built a state that would conquer the Mediterranean in all their interests. Revolutionary!

The monuments we see when we visit Rome were constructed under the emperors. But Rome was already a great metropolis before they began work, one that was architecturally unique and built on a scale to dwarf most ancient cities. What this book does is reconstruct the great building projects of the Republic, beginning with the original fourth-century walls of Rome and the first aqueducts. It asks (and answers) questions like: Where did they get the stone? Who provided the labour? How long did it take them? And what technologies did they use? This was a Rome built without marble, without concrete, and not a royal foundation, but one managed by generations of magistrates riding the wave of a slow economic boom. Completely fascinating.

Already when I was writing the first edition of Rome. An Empire’s Story it was clear that the subject was being transformed by scientific discoveries. Over the last decade, science-led projects have changed our notions of ancient Roman nutrition and health, of Romans’ impact on the environment, on the animals and plants they farmed, and also of their own vulnerability to plague and climate change. Scheidel, who is a world leader in this field, has gathered together historians using everything from human DNA and skeletal material to the remains of ancient seeds and animals to explain how the life sciences can unlock whole new areas of ancient history. This is a fast-moving field, and this short book gives a crash course on what has been done to date, and what might come next.

Many histories of Rome end in the second century that period in which Edward Gibbon judged “the condition of the human race was most happy and prosperous”. But there is a great deal of Roman history after that. Rome survived a great military crisis in the third century. The next generation of emperors based themselves near the frontiers to ward off future attacks. Machado’s extraordinary book tells the story of the City of Rome after the emperors had gone, returned into the hands of an aristocracy fascinated by its past but also committed to Roma Aeterna (Eternal Rome). Using statues and inscriptions and archaeology and a mass of little read ancient literature, Machado paints a vivid picture. Far from the new centres of power, the Roman aristocracy rebuilt, repaired, and steered the city through religious transformations, barbarian sacks, and beyond the fall of the western empire.

This is primarily a novel about the life of Saint Benedict. Several minor miracles occur through his acts of faith; he becomes convinced that he is to establish an alternative society in the form of a chain of monasteries – Citadels of God; he despises the rampant political intrigues and the lures of worldly success; and he has a significant influence on several important historical characters. Secondary plots somewhat distract from the main theme.

This book gave me very helpful insights into the political and religious life in the Roman Empire in the first half of the sixth century and paints a very impressive picture of the saint and his passion to serve God wholeheartedly.

A historical novel has to do more than just re-tell a part of history. The author has the duty to make history come alive for the reader, even if fictionalized. That means details about daily life and customs, not just buildings and battles. This book was enormously helpful in describing everyday Roman life. What the Romans were eating and wearing in Rome, they probably also ate (as near as they could) and wore in their colonies. Here I found everything from going to the barber to going to the circus.

An American journalist, expelled from Italy in 1925, traces roots, rise, and rule of Il Duce in this 1935 book, which is as vivid as its title.

Mussolini appears as a cheap showman, who, “acting the Hero,” revived ancient Roman pomp and spectacles. He was also aware of the power of mass media, especially the cinema, “posing before men and moviemen.”

One of the virtues of Seldes’ book are the extensive quotations, which unmask Mussolini and others in their own words. Fascist documents, quoted at length, include “The Fascist Decalogue” (note its VIII. Commandment!) and the “Fascist Catechism,” which must be read to be (dis)believed.

Seldes’ book has become valuable again in the current age of assorted domestic and foreign media- and image-obsessed demagogues, autocrats, and dictators.

I have always found ancient history fascinating. I couldn’t learn enough about ancient Rome and Greece during my teenage years. As an adult, one of my bucket list holidays is to visit the amazing ruins throughout Italy, including Mt Vesuvius. Through Harriet’s adventure, we experience ancient Rome in its glory days as if we were there. I found it fascinating to read and learn about the everyday life of an ancient Roman family with twists and turns of a thrilling adventure as Harriet is chased through ancient streets by Roman soldiers. It is great escapism into a place in the past where I wish I could travel to and immerse myself in an ancient society and civilization. 

Even though I may not be able to visit Italy anytime soon, I decided to go there in spirit.

This book was chosen because it contains a diverse range of literary talents from all walks of life in Italy (poets, musicians, teachers, scientists, and even politicians). Each short story was told in a lively Italian voice. This collection spoke to me about everything that is Italy: landscapes, passions, food, and the country's turbulent political life.

After diving into the first pages, I was immediately transported into the narratives, completely forgetting that I was reading a translation. I was captivated by the stories themselves, a testament to their masterful storytelling. This is a fascinating anthology for readers interested in learning more about Italian culture.

The story focuses on three women—Francesca, Allegra, and Sophia, three generations of the Ferrari family. They hope that a trip to Italy, to their roots, will restore their connections. But the ties of family run deep, especially troubled ones. Throughout the story, we see the ugly mistakes and misunderstandings of each of the characters—their dirty underwear on display—and how those mistaken beliefs and patterns have torn the fabric that holds the family together.

The characters are complex, human, flawed, and wonderful. You’ll pray for them, cheer for them, hope for them as they flounder, find their footing, and flounder some more. All in beautiful Italy. The descriptions, the locations, the food—everything is mouthwatering.

I dare you not to fall in love.