Here are 42 books that Chirologia fans have personally recommended if you like
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I am a life-long admirer of Abe Lincoln, and never more so than today when American democracy is again under severe threat. Yet, like so many other admirers of Lincoln, I am puzzled why it took him so long to end slavery: it was not until January 1, 1963, nearly two years after he became president, that Lincoln issued the Emancipation Proclamation, which freed only those slaves within the Confederacy. Moreover, it wasn’t until the end of the Civil War that Lincoln was able to enforce emancipation in the South, and it wasn’t until the passage of the 13th Amendment at the end of 1865 that all slavery was ended.
I loved this book because it is the most original, detailed, elegantly written, and argued examination of Lincoln’s famous Gettysburg address, by common acclamation, one of the greatest and most powerful political speeches in world history.
In this Pulitzer Prize book, Wills argues that at Gettysburg, Lincoln “came to change the world, to effect an intellectual revolution”—and succeeded in doing so. “No other words,” Wills writes, could have successfully brought about both “a revolution in thought” and “a revolution in style.” Wills concludes that the address “wove a spell that has not, yet, been broken,” as Lincoln “called up a new nation out of the blood and trauma.”
The power of words has rarely been given a more compelling demonstration than in the Gettysburg Address. Lincoln was asked to memorialize the gruesome battle. Instead, he gave the whole nation "a new birth of freedom" in the space of a mere 272 words. His entire life and previous training, and his deep political experience went into this, his revolutionary masterpiece.
By examining both the address and Lincoln in their historical moment and cultural frame, Wills breathes new life into words we thought we knew, and reveals much about a president so mythologized but often misunderstood. Wills shows how Lincoln…
I’m a journalist and critic who fell in love with the ancient art of rhetoric through Shakespeare, Chaucer… and Barack Obama. It was when I watched Obama’s consciously and artfully classical oratory as he campaigned for the 2008 election that my undergraduate interest in tricolons, epistrophe, aposiopesis and all that jazz surged back to the front of my mind. I went on to write a 2011 book arguing that not only is this neglected area of study fascinating, but it is the most important tool imaginable to understand politics, language, and human nature itself. Where there is language, there is rhetoric.
Aristotle is the OG: the first person to think seriously about how persuading other people with words might be a craft that can be practised, learned, and taught.
He was the first to identify the three ways you convince someone – ethos (the speaker’s connection with the audience), pathos (emotion), and logos (the argument itself) – and did so two and a half thousand years ago. I find that just thrilling.
One of the seminal works of Western philosophy, Aristotle's Rhetoric vastly influenced all subsequent thought on the subject — philosophical, political, and literary. Focusing on the use of language as both a vehicle and a tool to shape persuasive argument, Aristotle delineates with remarkable insight both practical and aesthetic elements and their proper combination in an effective presentation, oral or written. He also emphasizes the role of language in achieving precision and clarity of thought. The ancients regarded rhetoric as the crowning intellectual discipline — the synthesis of logical principles and other knowledge attained from years of schooling. Modern readers…
I’m a journalist and critic who fell in love with the ancient art of rhetoric through Shakespeare, Chaucer… and Barack Obama. It was when I watched Obama’s consciously and artfully classical oratory as he campaigned for the 2008 election that my undergraduate interest in tricolons, epistrophe, aposiopesis and all that jazz surged back to the front of my mind. I went on to write a 2011 book arguing that not only is this neglected area of study fascinating, but it is the most important tool imaginable to understand politics, language, and human nature itself. Where there is language, there is rhetoric.
Don’t be put off by the dry-sounding title. This book is the authoritative A-Z reference on the “flowers of rhetoric”: all the “figures” and “tropes”, or twists and turns of language that make it beautiful, memorable – and persuasive.
But it’s more than just a geek-heaven cabinet of curiosities: it’s full of history and philosophy, of wisdom and humour. I know of no other scholarly reference book that brings more joy and amusement.
With a unique combination of alphabetical and descriptive lists, "A Handlist of Rhetorical Terms" provides in one convenient, accessible volume all the rhetorical terms - mostly Greek and Latin - that students of Western literature and rhetoric are likely to come across in their reading or will find useful in their writing. The Second Edition of this widely used work offers new features that will make it even more useful: a completely revised alphabetical listing that defines nearly 1,000 terms used by scholars of formal rhetoric from classical Greece to the present day; a revised system of cross-references between terms;…
I’m a journalist and critic who fell in love with the ancient art of rhetoric through Shakespeare, Chaucer… and Barack Obama. It was when I watched Obama’s consciously and artfully classical oratory as he campaigned for the 2008 election that my undergraduate interest in tricolons, epistrophe, aposiopesis and all that jazz surged back to the front of my mind. I went on to write a 2011 book arguing that not only is this neglected area of study fascinating, but it is the most important tool imaginable to understand politics, language, and human nature itself. Where there is language, there is rhetoric.
Philip Collins was a speechwriter in Tony Blair’s New Labour government in the UK, and in this book he looks at 25 great speeches through history and picks them apart to show what they were trying to do and how they did it.
It’s very approachable, and full of insider knowledge, anecdotal nuggets, and a craftsman’s insight into speechwriting tricks – as well as mounting a firm and impassioned case for the importance of rhetoric to democracy itself. The jokes are good, too. “Barack Obama may be the best male speaker in living memory,” Collins writes, “and the second-best speaker in his own family.”
'For all those who believe in the politics of principle and hope this a wonderful reminder that they do not always lose. For all those who despair that politics can ever be inspiring again this is a must-read to shake you out of your misery' Paddy Ashdown
'By the people, for the people'
'I have the heart and stomach of a king'
'We shall never surrender'
The right words at the right time can shape history.
By analysing twenty-five of the greatest speeches ever given - delivered by iconic figures from Elizabeth I to…
I’ve been working with words for over 25 years, as a writer and editor in publishing houses, design studios, and now as a freelance. I help everyone from big brands and small businesses through to academics and consultants get their ideas out of their heads and on to the page. I was an original co-founder of ProCopywriters, the UK alliance for commercial writers. I’ve written and self-published four books, the most recent of which is How to Write Clearly. The books I’ve chosen all helped me to write as clearly as I can—not least when writing about writing itself. I hope they help you too!
I bought this when I saw it recommended online by a famous writer—and I’m very glad I did.
The title is apposite, since this is less of an all-encompassing writing guide, more of a toolbox of 55 practical ideas to help you write better. Some are about the basics, while others are ways to give your text a compelling structure or a touch of extra polish. Away from the actual hands-on craft, Clark also recommends 11 useful habits to help you become a better writer.
Buy it, keep it on your shelf, and dip in whenever you need a new direction or a dose of inspiration.
Tools Not Rules' says Roy Peter Clark, vice president and senior scholar at the Poynter Institute, the esteemed school for journalists and teachers of journalists. Clark believes that everyone can write well with the help of a handful of useful tools that he has developed over decades of writing and teaching. If you google 'Roy Peter Clark, Writing Tools', you'll get an astonishing 1.25 million hits. That's because journalists everywhere rely on his tips to help them write well every day - in fact he fields emails from around the world from grateful writers.
As a person who reads solely for pleasure regardless of research, I make it a mission while writing to read books I actually enjoy on topics I wanna learn more about. I chose the books on this list because I’m also a person who reads multiple books at once in various genres, it keeps me honest; aware of holes and discrepancies in my own work and pushes me towards some semblance of completion. All the writers on this list do multiple things at once and I admire their skill and risk in coupling creativity with clarity.
Sometimes I need a book that will inspire me not to continue writing, but to start; kinda like when I binge watch YouTube book talks—that’s the feeling this book brings over me—inspired. It’s a book that helps me write anything because I’m a person who struggles with—yet craves the ability to— strip a piece as bare as possible. Strip a story of its fluff and dissect its roots. I need to know what to save for later, and Gornick expressing the difference between situation and story is something I always go back to in order to help declutter my work.
A guide to the art of personal writing, by the author of Fierce Attachments and The End of the Novel of Love
All narrative writing must pull from the raw material of life a tale that will shape experience, transform event, deliver a bit of wisdom. In a story or a novel the "I" who tells this tale can be, and often is, an unreliable narrator but in nonfiction the reader must always be persuaded that the narrator is speaking truth.
How does one pull from one's own boring, agitated self the truth-speaker who will tell the story a personal…
Denise Kiernan is a multiple New York Timesbestselling author of narrative nonfiction books including The Girls Of Atomic City, The Last Castle, and We Gather Together. With more than 25 years of experience writing newspaper and magazine articles, books, and more, Kiernan also travels the country speaking at schools, universities, corporations, and more about her work and about the writing process. She created and hosts the series CRAFT: Authors in Conversation, during which she dives into the psyches, habits, and hopes of writers from all walks. For the series, she has interviewed bestselling authors, award-winning journalists, television writers, and Academy Award winnersabout how they do what they do, and what writing means to them.
For anyone who has ever struggled with or merely wanted to hone their abilities to craft a compelling story structure, Franklin’s book is a gem. Examples taken from Franklin’s own Pulitzer Prize-winning work adds an instructive clarity that allows the reader to step inside the decision-making process that went into some of his most lauded work. Any writer—fiction, nonfiction, academic—can use this book to up their storytelling game.
The new "nonfiction" the adaptation of storytelling techniques to journalistic articles in the manner of Truman Capote, Tom Wolfe, and John McPhee is an innovative genre that has been awarded virtually every Pulitzer Prize for literary journalism since 1979. And now Jon Franklin, himself a two-time Pulitzer Prize winner and undisputed master of the great American nonfiction short story, shares the secrets of his success. Franklin shows how to make factual pieces come alive by applying the literary techniques of complication/resolution, flashback, foreshadowing, and pace. He illustrates his points with a close analysis and annotation of two of his most…
I taught writing and copywriting at Columbus College of Art & Design in Ohio for thirty-seven years (retiring as an ancient-but-somehow-still-living fossil in 2014). I taught all our majors, but most of my copywriting students were advertising and design majors. During those decades I wrote nonfiction for newspapers and magazines and copy as a freelancer for ad agencies and design studios. My copywriting book emerged from my experiences in and out of the classroom. I hope I’ve given good advice on advertising: how to think about it and how to write it. But you’ll be the judge.
We’re writers before we’re anything else, and over the years I’ve learned from many how-to-write books. I’ll give two recommendations here: One: William Zinsser’s On Writing Well. Justifiably a classic. I’ve gone back to it often and assigned it in writing classes. If you haven’t yet read it, you must. Two: anything by Gary Provost, someone you’ve probably never heard of, but whose books on writing, all of them, give pungent, smart advice on how to write anything better. Brevity, euphony, clarity, surprise, and lots of other elements combine to create prose worth reading. Provost shows us how.
The classic text on writing well, now refreshed and updated—an essential text for writers of all ages.
This is the one guide that anyone who writes—whether student, businessperson, or professional writer—should keep on his or her desk. Filled with professional tips and a wealth of instructive examples, 100 Ways to Improve Your Writing can help solve any writing problem.
In this compact, easy-to-use volume you'll find the eternal building blocks of good writing—from grammar and punctuation to topic sentences—as well as advice on challenges such as writer's block and creating a strong title. It is a must-have resource—perfect for reading…
I’m a university academic who writes and teaches on American popular culture. I’ve played video games all my life—I remember first playing Breakout and Boot Hill at the local arcade back in the late 1970s as a young child, and yes, I had an Atari VCS. Today, I write, teach, and exhibit work on the history of video games, especially how games depict and connect with the USA. I still play video games, probably too much, and my favorite console is the Sega Dreamcast.
Persuasive Games is about how games persuade you, of ideas, what to buy, how to vote, how to live and more. It is a brilliantly inventive title from an established Game Studies scholar with a knack for original thought. Bogost brings in all kinds of little-known games to highlight his themes, and for me, it is just one of those books that you come back to for ideas and inspiration.
An exploration of the way videogames mount arguments and make expressive statements about the world that analyzes their unique persuasive power in terms of their computational properties.
Videogames are an expressive medium, and a persuasive medium; they represent how real and imagined systems work, and they invite players to interact with those systems and form judgments about them. In this innovative analysis, Ian Bogost examines the way videogames mount arguments and influence players. Drawing on the 2,500-year history of rhetoric, the study of persuasive expression, Bogost analyzes rhetoric's unique function in software in general and videogames in particular. The field…
I am a graduate of Williams College and Princeton University and now a professor and former dean of arts and letters at the University of Notre Dame. As dean, I learned that too many of Notre Dame’s students were majoring in business. Invariably, when I asked them about their rationale, they would confess that their favorite courses were in the arts and sciences. They might have followed their passions, I thought, if they and their parents had a deeper sense of the value of a liberal arts education, so I wrote this book to answer their questions and give them justified confidence in the value of liberal arts courses.
I read this book when it came out in 1985, as I was polishing my first book. I recommended it to a senior colleague who had written several books and edited a leading journal. He took it with him to some beach on winter vacation as he was completing his next book. When he returned, he said he was so engrossed in the book that his wife got mad at him for not putting it down. He loved it as much as I did.
If you have mastered this book, your writing will improve dramatically, and you will not need another style manual for the rest of your life.
The essential guide for all writers. With over 700 examples of original and edited sentences, this book provides information about editing techniques, grammar, and usage for every writer from the student to the published author.
