Here are 96 books that When They Go Low, We Go High fans have personally recommended if you like
When They Go Low, We Go High.
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I am a life-long admirer of Abe Lincoln, and never more so than today when American democracy is again under severe threat. Yet, like so many other admirers of Lincoln, I am puzzled why it took him so long to end slavery: it was not until January 1, 1963, nearly two years after he became president, that Lincoln issued the Emancipation Proclamation, which freed only those slaves within the Confederacy. Moreover, it wasn’t until the end of the Civil War that Lincoln was able to enforce emancipation in the South, and it wasn’t until the passage of the 13th Amendment at the end of 1865 that all slavery was ended.
I loved this book because it is the most original, detailed, elegantly written, and argued examination of Lincoln’s famous Gettysburg address, by common acclamation, one of the greatest and most powerful political speeches in world history.
In this Pulitzer Prize book, Wills argues that at Gettysburg, Lincoln “came to change the world, to effect an intellectual revolution”—and succeeded in doing so. “No other words,” Wills writes, could have successfully brought about both “a revolution in thought” and “a revolution in style.” Wills concludes that the address “wove a spell that has not, yet, been broken,” as Lincoln “called up a new nation out of the blood and trauma.”
The power of words has rarely been given a more compelling demonstration than in the Gettysburg Address. Lincoln was asked to memorialize the gruesome battle. Instead, he gave the whole nation "a new birth of freedom" in the space of a mere 272 words. His entire life and previous training, and his deep political experience went into this, his revolutionary masterpiece.
By examining both the address and Lincoln in their historical moment and cultural frame, Wills breathes new life into words we thought we knew, and reveals much about a president so mythologized but often misunderstood. Wills shows how Lincoln…
I’m a journalist and critic who fell in love with the ancient art of rhetoric through Shakespeare, Chaucer… and Barack Obama. It was when I watched Obama’s consciously and artfully classical oratory as he campaigned for the 2008 election that my undergraduate interest in tricolons, epistrophe, aposiopesis and all that jazz surged back to the front of my mind. I went on to write a 2011 book arguing that not only is this neglected area of study fascinating, but it is the most important tool imaginable to understand politics, language, and human nature itself. Where there is language, there is rhetoric.
Aristotle is the OG: the first person to think seriously about how persuading other people with words might be a craft that can be practised, learned, and taught.
He was the first to identify the three ways you convince someone – ethos (the speaker’s connection with the audience), pathos (emotion), and logos (the argument itself) – and did so two and a half thousand years ago. I find that just thrilling.
One of the seminal works of Western philosophy, Aristotle's Rhetoric vastly influenced all subsequent thought on the subject — philosophical, political, and literary. Focusing on the use of language as both a vehicle and a tool to shape persuasive argument, Aristotle delineates with remarkable insight both practical and aesthetic elements and their proper combination in an effective presentation, oral or written. He also emphasizes the role of language in achieving precision and clarity of thought. The ancients regarded rhetoric as the crowning intellectual discipline — the synthesis of logical principles and other knowledge attained from years of schooling. Modern readers…
I’m a journalist and critic who fell in love with the ancient art of rhetoric through Shakespeare, Chaucer… and Barack Obama. It was when I watched Obama’s consciously and artfully classical oratory as he campaigned for the 2008 election that my undergraduate interest in tricolons, epistrophe, aposiopesis and all that jazz surged back to the front of my mind. I went on to write a 2011 book arguing that not only is this neglected area of study fascinating, but it is the most important tool imaginable to understand politics, language, and human nature itself. Where there is language, there is rhetoric.
Don’t be put off by the dry-sounding title. This book is the authoritative A-Z reference on the “flowers of rhetoric”: all the “figures” and “tropes”, or twists and turns of language that make it beautiful, memorable – and persuasive.
But it’s more than just a geek-heaven cabinet of curiosities: it’s full of history and philosophy, of wisdom and humour. I know of no other scholarly reference book that brings more joy and amusement.
With a unique combination of alphabetical and descriptive lists, "A Handlist of Rhetorical Terms" provides in one convenient, accessible volume all the rhetorical terms - mostly Greek and Latin - that students of Western literature and rhetoric are likely to come across in their reading or will find useful in their writing. The Second Edition of this widely used work offers new features that will make it even more useful: a completely revised alphabetical listing that defines nearly 1,000 terms used by scholars of formal rhetoric from classical Greece to the present day; a revised system of cross-references between terms;…
I’m a journalist and critic who fell in love with the ancient art of rhetoric through Shakespeare, Chaucer… and Barack Obama. It was when I watched Obama’s consciously and artfully classical oratory as he campaigned for the 2008 election that my undergraduate interest in tricolons, epistrophe, aposiopesis and all that jazz surged back to the front of my mind. I went on to write a 2011 book arguing that not only is this neglected area of study fascinating, but it is the most important tool imaginable to understand politics, language, and human nature itself. Where there is language, there is rhetoric.
This 1644 book is one of the most charmingly mad documents in the history of rhetoric.
Bulwer thought (rightly) that rhetoric wasn’t just about words: body-language matters, too. So he attempted to catalogue the meaning of hand gestures, which he believed were a universal language, and to explain how best they might be used in oratory.
You discover, if you read Bulwer, that we’ve been blowing kisses and flipping the bird since the seventeenth century; and that clapping your hands as you talk is “a gesture too plebeian and theatrically light for the hands of any prudent rhetorician”. Better yet, the book Is abundantly illustrated with woodcuts.
It’s a tragedy that Bulwer died before producing the planned sequel, Cephalelogia…Cephalenomia, on gestures of the head.
Bulwer’s Chirologia… Chironomia is an extremely rare work. Only thirty-one copies have been located, and they are of dubious legibility of the printed text.
This first modern edition—the first in three centuries—is based on the first printing as sold by Richard Whitaker in 1644. Spelling and punctuation have been modernized, but changes in punctuation and syntax have been conservative. Translations for Greek and Latin passages have been provided, either in the text or notes. And copious notes have been furnished to clarify and dilate all textual obscurities and alterations.
The editors aims, therefore, have been, first, to provide a clear…
I must be something of a specialist on the impact of conventional and guerrilla warfare on the civilian population. Truth is, leaving school, I never intended to have anything to do with war beyond the books I enjoyed reading. On leaving the military in my 30s I employed the only skills I had and managed organisations and mostly news teams operating in conflict zones all over the world. I matured into a crisis manager, responding and consulting to crisis situations such as kidnap & ransoms, and evacuations from conflict zones. Most of the characters in my books are real, good and bad, taken from the vast theatre of my own experiences.
Henry Goulding was commander of the WW2 Special Boat Service. There is a dark, incomplete story here. The real drama is hidden between the lines and yet to be proven. Henry Goulding was a friend of Churchill, accomplished spy, fiercely patriotic, yet he did something out of character when he hid a briefcase packed with top-secret documents in his attic. He was summoned to a hospital in Scotland, despite being fit and healthy, escaped after a scuffle, telephoned his wife, was returned to the hospital where he died shortly after, apparently of natural causes. His medical records have never been released. I was contacted by his granddaughter, who years later found the briefcase, and asked if I might write a more detailed book tackling the mystery behind his death, a book begun by Sir Paddy Ashdown who died before completing a chapter.
Denise Kiernan is a multiple New York Timesbestselling author of narrative nonfiction books including The Girls Of Atomic City, The Last Castle, and We Gather Together. With more than 25 years of experience writing newspaper and magazine articles, books, and more, Kiernan also travels the country speaking at schools, universities, corporations, and more about her work and about the writing process. She created and hosts the series CRAFT: Authors in Conversation, during which she dives into the psyches, habits, and hopes of writers from all walks. For the series, she has interviewed bestselling authors, award-winning journalists, television writers, and Academy Award winnersabout how they do what they do, and what writing means to them.
For anyone who has ever struggled with or merely wanted to hone their abilities to craft a compelling story structure, Franklin’s book is a gem. Examples taken from Franklin’s own Pulitzer Prize-winning work adds an instructive clarity that allows the reader to step inside the decision-making process that went into some of his most lauded work. Any writer—fiction, nonfiction, academic—can use this book to up their storytelling game.
The new "nonfiction" the adaptation of storytelling techniques to journalistic articles in the manner of Truman Capote, Tom Wolfe, and John McPhee is an innovative genre that has been awarded virtually every Pulitzer Prize for literary journalism since 1979. And now Jon Franklin, himself a two-time Pulitzer Prize winner and undisputed master of the great American nonfiction short story, shares the secrets of his success. Franklin shows how to make factual pieces come alive by applying the literary techniques of complication/resolution, flashback, foreshadowing, and pace. He illustrates his points with a close analysis and annotation of two of his most…
I’ve been working with words for over 25 years, as a writer and editor in publishing houses, design studios, and now as a freelance. I help everyone from big brands and small businesses through to academics and consultants get their ideas out of their heads and on to the page. I was an original co-founder of ProCopywriters, the UK alliance for commercial writers. I’ve written and self-published four books, the most recent of which is How to Write Clearly. The books I’ve chosen all helped me to write as clearly as I can—not least when writing about writing itself. I hope they help you too!
I bought this when I saw it recommended online by a famous writer—and I’m very glad I did.
The title is apposite, since this is less of an all-encompassing writing guide, more of a toolbox of 55 practical ideas to help you write better. Some are about the basics, while others are ways to give your text a compelling structure or a touch of extra polish. Away from the actual hands-on craft, Clark also recommends 11 useful habits to help you become a better writer.
Buy it, keep it on your shelf, and dip in whenever you need a new direction or a dose of inspiration.
Tools Not Rules' says Roy Peter Clark, vice president and senior scholar at the Poynter Institute, the esteemed school for journalists and teachers of journalists. Clark believes that everyone can write well with the help of a handful of useful tools that he has developed over decades of writing and teaching. If you google 'Roy Peter Clark, Writing Tools', you'll get an astonishing 1.25 million hits. That's because journalists everywhere rely on his tips to help them write well every day - in fact he fields emails from around the world from grateful writers.
As a person who reads solely for pleasure regardless of research, I make it a mission while writing to read books I actually enjoy on topics I wanna learn more about. I chose the books on this list because I’m also a person who reads multiple books at once in various genres, it keeps me honest; aware of holes and discrepancies in my own work and pushes me towards some semblance of completion. All the writers on this list do multiple things at once and I admire their skill and risk in coupling creativity with clarity.
Sometimes I need a book that will inspire me not to continue writing, but to start; kinda like when I binge watch YouTube book talks—that’s the feeling this book brings over me—inspired. It’s a book that helps me write anything because I’m a person who struggles with—yet craves the ability to— strip a piece as bare as possible. Strip a story of its fluff and dissect its roots. I need to know what to save for later, and Gornick expressing the difference between situation and story is something I always go back to in order to help declutter my work.
A guide to the art of personal writing, by the author of Fierce Attachments and The End of the Novel of Love
All narrative writing must pull from the raw material of life a tale that will shape experience, transform event, deliver a bit of wisdom. In a story or a novel the "I" who tells this tale can be, and often is, an unreliable narrator but in nonfiction the reader must always be persuaded that the narrator is speaking truth.
How does one pull from one's own boring, agitated self the truth-speaker who will tell the story a personal…
I taught writing and copywriting at Columbus College of Art & Design in Ohio for thirty-seven years (retiring as an ancient-but-somehow-still-living fossil in 2014). I taught all our majors, but most of my copywriting students were advertising and design majors. During those decades I wrote nonfiction for newspapers and magazines and copy as a freelancer for ad agencies and design studios. My copywriting book emerged from my experiences in and out of the classroom. I hope I’ve given good advice on advertising: how to think about it and how to write it. But you’ll be the judge.
We’re writers before we’re anything else, and over the years I’ve learned from many how-to-write books. I’ll give two recommendations here: One: William Zinsser’s On Writing Well. Justifiably a classic. I’ve gone back to it often and assigned it in writing classes. If you haven’t yet read it, you must. Two: anything by Gary Provost, someone you’ve probably never heard of, but whose books on writing, all of them, give pungent, smart advice on how to write anything better. Brevity, euphony, clarity, surprise, and lots of other elements combine to create prose worth reading. Provost shows us how.
The classic text on writing well, now refreshed and updated—an essential text for writers of all ages.
This is the one guide that anyone who writes—whether student, businessperson, or professional writer—should keep on his or her desk. Filled with professional tips and a wealth of instructive examples, 100 Ways to Improve Your Writing can help solve any writing problem.
In this compact, easy-to-use volume you'll find the eternal building blocks of good writing—from grammar and punctuation to topic sentences—as well as advice on challenges such as writer's block and creating a strong title. It is a must-have resource—perfect for reading…
Deirdre Nansen McCloskey is Distinguished Professor Emerita of Economics and of History, and Professor Emerita of English and of Communication, adjunct in classics and philosophy, at the University of Illinois at Chicago. Trained at Harvard in the 1960s as an economist, she has written twenty-four books and some four hundred academic and popular articles on economic history, rhetoric, philosophy, statistical theory, economic theory, feminism, queer studies, liberalism, ethics, and law.
Booth was a professor of English at the University of Chicago and a president of the Modern Language Association. Surprisingly, he wrote this elegant book showing that Cartesian doubt as the basis of science (or of anything else) is silly, not a dogma that anyone can actually live by. Like the other books here, he shows even science to have—or course—a “rhetoric,” that is, “the art of discovering good reasons, finding what really warrants assent because any reasonable person ought to be persuaded by what has been said.”
When should I change my mind? What can I believe and what must I doubt? In this new "philosophy of good reasons" Wayne C. Booth exposes five dogmas of modernism that have too often inhibited efforts to answer these questions. Modern dogmas teach that "you cannot reason about values" and that "the job of thought is to doubt whatever can be doubted," and they leave those who accept them crippled in their efforts to think and talk together about whatever concerns them most. They have willed upon us a "befouled rhetorical climate" in which people are driven to two self-destructive…
