Here are 100 books that Critical Thinking and Popular Culture fans have personally recommended if you like
Critical Thinking and Popular Culture.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
Of all my university courses, the one that had the greatest impact on me was called "Informal Logic." Accurate, but misleadingly dry and academic. One of the assignments in that course—and the one I remember most, of all my university assignments—was to prepare a "Crapbook": a collection of ten bits of crap—ads, arguments, whatever—that were full of crap (essentially, incorrect reasoning/logical fallacies). I loved it. So when, twenty years later, I was hired by a small university to teach Critical Thinking …
Most people are led through life by their feelings. Feelings are fine, they enrich our lives, but as the sole guide for making decisions, they fall short. Ruggiero, a huge name in critical thinking, starts from this point, the point of being led by our feelings. And that alone makes this a very good guide to critical thinking.
This succinct, interdisciplinary introduction to critical thinking successfully dares students to question their own assumptions and to enlarge their thinking through the analysis of the most common problems associated with everyday reasoning. The text offers a unique and effective organization: Part I explains the fundamental concepts; Part II describes the most common barriers to critical thinking; Part III offers strategies for overcoming those barriers.
Of all my university courses, the one that had the greatest impact on me was called "Informal Logic." Accurate, but misleadingly dry and academic. One of the assignments in that course—and the one I remember most, of all my university assignments—was to prepare a "Crapbook": a collection of ten bits of crap—ads, arguments, whatever—that were full of crap (essentially, incorrect reasoning/logical fallacies). I loved it. So when, twenty years later, I was hired by a small university to teach Critical Thinking …
There are many critical thinking/informal logic books that focus exclusively (or mainly) on fallacies, and although that's not all there is to critical thinking, and although it encourages an adversarial approach ("Let me tell you what mistakes you're making"), it is good to have at least one such book on hand. I like Engel's book because of its classification system (fallacies of ambiguity, fallacies of presumption, fallacies of relevance), because of its clarity, and because of its many illustrations and exercises.
Providing a concise introduction to informal logic, With Good Reason offers comprehensive coverage of informal fallacies along with an abundance of engaging examples of both well-conceived and faulty arguments, helping you gain proficiency in identifing, correcting, and avoiding common errors in argumentation.
Of all my university courses, the one that had the greatest impact on me was called "Informal Logic." Accurate, but misleadingly dry and academic. One of the assignments in that course—and the one I remember most, of all my university assignments—was to prepare a "Crapbook": a collection of ten bits of crap—ads, arguments, whatever—that were full of crap (essentially, incorrect reasoning/logical fallacies). I loved it. So when, twenty years later, I was hired by a small university to teach Critical Thinking …
What can I say? Logic and Mr. Limbaugh is a crapbook (see my introduction) dedicated exclusively to Rush Limbaugh. Although dated (1995), this little book is extremely engaging, entertaining, and enlightening. And applicable to all the other Rush Limbaughs out there, past, present, and future. (Might there be a Logic and Mr. Trump manuscript-in-progress?)
Logic and Mr. Limbaugh is both an entertaining introduction to the elements of logic and a serious critique of the practical logic of a major conservative propagandist. Professor Perkins takes 50 examples of logical reasoning from Rush's statements, identifies the logical arguments, and points out fallacies.
Of all my university courses, the one that had the greatest impact on me was called "Informal Logic." Accurate, but misleadingly dry and academic. One of the assignments in that course—and the one I remember most, of all my university assignments—was to prepare a "Crapbook": a collection of ten bits of crap—ads, arguments, whatever—that were full of crap (essentially, incorrect reasoning/logical fallacies). I loved it. So when, twenty years later, I was hired by a small university to teach Critical Thinking …
I initially thought McElroy's title referred to the counterargument to 'the reasonable man' standard in legal reasoning—the view that, given the sexism in our society, what is reasonable for a man to think is not the same as what is reasonable for a woman to think (classic example: it's reasonable for a woman to think that a man who is following her may have assault in mind; a man who is similarly followed might reasonably think the man wants to ask for directions). However, re-reading the preface, I see that she is responding to, and rejecting, the view that women are unreasonable. Excellent! Not only is this book a good guide to critical thinking, it has the added value of being "framed for women" (Joan Kennedy Taylor).
Have you, as a woman, ever felt frustrated while engaged in a discussion on some important topic? Do you feel constrained when attempting to express your ideas and views to others? Do you find yourself at a loss for words? Have you been labeled "unreasonable" by the men in your life? Have you been told you are too emotional or that women just tend to be that way? Well, help is on the way!
Wendy McElroy has broken through the wall of sexual stereotyping to offer the perfect guide to help women recognize their mental power, learn to reason effectively,…
I am a storyteller and I conceived The Life of Crime as the ‘life story’ of a fascinating and truly diverse genre. I’ve always been intrigued by the ups and downs of literary lives, and the book explores the rollercoaster careers of writers from across the world. The chapter endnotes contain masses of trivia and information, as well as some original research, that I hope readers will find enjoyable as well as interesting. But The Life ofCrimeisn’t an academic text. It’s a love letter to a genre that I’ve adored for as long as I can remember.
During my twenties, I supplemented my understanding of crime writers past and present by studying the essays, bibliographies, and authors’ comments in this weighty tome. It’s a first-rate reference book, packed with information. Reilly was responsible for the first two editions and I was delighted to be asked to contribute essays myself to the third and fourth editions.
Twentieth-Century Crime Fiction aims to enhance understanding of one of the most popular forms of genre fiction by examining a wide variety of the detective and crime fiction produced in Britain and America during the twentieth century. It will be of interest to anyone who enjoys reading crime fiction but is specifically designed with the needs of students in mind. It introduces different theoretical approaches to crime fiction (e.g., formalist, historicist, psychoanalytic, postcolonial, feminist) and will be a useful supplement to a range of crime fiction courses, whether they focus on historical contexts, ideological shifts, the emergence of sub-genres, or…
I’ve been a full-time non-fiction author since 2012 and have over 170 titles to my name. My Yeti book is one of several children’s books I’ve been lucky enough to write for Penguin Random House. My other titles in this series include: the Donner Party, Nazca Lines, the Roswell Incident, the Kraken, and Crop Circles. I have written another children’s book on the Yeti called Hunting for Yetis, which is a first-person account that tracks the creatures around the world.
This is an excellent children’s book that explores the historical evidence behind the Yeti and Bigfoot. The book explains where legends about the creatures began, how they are reflected across countries and cultures, and how they are understood today.
Many people believe the Yeti and Bigfoot are related, so it makes sense to have them in the same book.
Big Foot and Yeti introduces you to two of the world's most popular legendary creatures. Learn where and why these legends began, how they are reflected in different cultures, and how they are understood today. Complete with well-researched, clearly written informational text, primary sources with accompanying questions, charts, graphs, diagrams, timelines, and maps, multiple prompts, and more. Aligned to Common Core Standards and correlated to state standards.Core Library is an imprint of Abdo Publishing, a division of ABDO.
William J. Buxton is Distinguished Professor Emeritus of Communication Studies and Senior Fellow, Centre for Sensory Studies, at Concordia University Montreal, Qc, Canada. He is also professeur associé au Département d’information et de communication de l’Université Laval, Québec City, Québec, Canada. He has edited and co-edited five books related to the life and works of the Canadian political economist and media theorist, Harold Adams Innis.
Largely recognized as McLuhan’s first major work, this book provides a trenchant analysis of 1940’s popular culture in the United States, with particular reference to print-media advertising. To this end, it consists of x chapters, each of which consists of an image culled from newspapers and magazines, accompanied by an insightful—and often ironic—text. Dismissed by some as lacking in direction and coherence, the book actually has a tightly woven narrative that sheds considerable light on the gender issues, technology, and power structures of the day.
OURS is the first age in wruch many thousands of the best-trained individual minds have made it a full-time business to get inside the collective public mind. To get inside in order to manipulate, exploit, control is the object now. And to generate heat not light is the intention. To keep everybody in the helpless state engendered by prolonged mental rutting is the effect of many ads and much entertainment alike. Since so many minds are engaged in bringing about this condition of public helplessness, and since these programs of commercial education are so much more expensive and influential than…
Having lived in the countryside for more than two decades and fallen for its charms, I find myself fascinated by its heritage. Rural history is often overlooked for the grand stories of royalty, urban life, and warfare. For me, the archaeology and history that speaks of daily life, practical struggles, and the humanity of people–that’s what really switches me on. I constantly yearn to get inside the minds of our ancestors to try and understand how they saw the world. Whether that’s strange superstitions or ingenious inventions, it’s all part of what it means to be human.
In 2018, I visited one of the most unusual exhibitions I’d ever been to. Hosted by the Ashmolean Museum in Oxford, ‘Spellbound’ examined how magical thinking has been practiced over the centuries.
From mummified cats to lovers’ rings, the displays were dazzling. Every time I open the accompanying book, with its remarkable photographs and illustrations, I’m transported back to this extraordinary, baffling world.
Do you believe in magic? Even if you don't, you probably 'think magically' sometimes. We touch wood to stop bad things happening, or take a lucky object to a job interview or exam in an irrational attempt to influence the outcome. Spellbound: Magic, Ritual & Witchcraft was the first exhibition to examine how magical thinking has been practised over the centuries. With exquisitely engraved rings to bind a lover, enchanted animal hearts pierced with nails, mummified cats concealed in walls and many other intriguing objects, the exhibition catalogue shows that the use of magic is driven by our strongest emotions:…
I’ve always been fascinated by ancient Egypt – a remote era of history, but so well preserved! I love reading the old documents and finding out what they ate or why the worker Tilamentu was absent from the building site one day. (Turns out he had a fight with his wife). Pop culture likes to focus on the mummies, especially the cursed kind, and I couldn’t help wondering why. Where did those ideas come from? Did the Egyptians actually believe in curses? And what would someone like Tilamentu Q. Public think of it all? I hope you enjoy learning about it as much as I did!
The Victorians loved mummies and mummy stories... and before I read The Mummy’s Curse, I’d never heard of any of them! The nineteenth century’s obsession with Egypt and curses doesn’t get talked about much today. This book opened me up to a whole new world of stories, including some strange curse tales that never got quite as big as King Tut. (Which is a shame, because some of them are wonderfully creepy!)
In the winter of 1922-23 archaeologist Howard Carter and his wealthy patron George Herbert, the Fifth Earl of Carnarvon, sensationally opened the tomb of Tutenkhamen. Six weeks later Herbert, the sponsor of the expedition, died in Egypt. The popular press went wild with rumours of a curse on those who disturbed the Pharaoh's rest and for years followed every twist and turn of the fate of the men who had been involved in the historic discovery. Long dismissed by Egyptologists, the mummy's curse remains a part of popular supernatural belief. Roger Luckhurst explores why the myth has captured the British…
I am a historian of cities and the ways people shape them. Living in Berlin, both before and after the Wall came down, made me aware of how the shared experiences and memories of particular places give meaning to civic life. (And for a historian it was thrilling to find a place where history was taken very seriously.) Although I have since written broader studies—of cars and cities (Autophobia) and of earlier street life (The Streets of Europe)–it was the experience of living in Berlin while learning its history that enabled me to see the layers of meaning embedded in buildings and streets.
1980s Berlin is famous for two things: a wild counterculture and the sudden demise of the Wall. In recalling the outsize personalities he got to know on both sides of the Wall, Paul Hockenos brings the two strands of history as close together as can be done. The music and party scene, the communes and the squats, arose during this quiet lull in the Cold War, as political, musical, and sexual misfits found their niche in the dead zones along the Wall. Most of us living in Berlin in the 80s enjoyed the peace and quiet. This book shows what most of us were missing out on.
Berlin Calling is a gripping account of the 1989 'peaceful revolution' in East Germany that upended communism and the tumultuous years of artistic ferment, political improvisation, and pirate utopias that followed. It's the story of a newly undivided Berlin when protest and punk rock, bohemia and direct democracy, techno and free theatre were the order of the day. Berlin Calling is a unique account of how Berlin became hip, and of why it continues to attract creative types from the world over.
