91 books like Category Five

I’m a British science editor and author of a string of books on the scientific, medical, and social implications of advances in genetics research. I trained as a geneticist but found more personal satisfaction wielding a pen rather than a pipette. I’m especially drawn to science stories that have medical implications for the public and a strong narrative thread. Prior to writing Editing Humanity, I covered the race for the BRCA1 breast cancer gene (Breakthrough), the Human Genome Project (Cracking the Genome), and the rise of personal genomics (The $1,000 Genome). I’m currently writing a biography of sickle cell disease, arguably the most famous genetic mutation in human history.

I’m a lifelong science fiction fan, and that genre has proved to be a potent gateway to others: espionage thrillers, fantasy horror, category romance, and more. “Spy-fi” in particular has always fascinated me, since it often deals with the intersection (sometimes collision) of new technologies with age-old human needs and wants. And spies operate in the margins and gray areas of society, basically committing crimes while still claiming to be in the service of a greater good. Sometimes HOW and WHY we do things is just as important as WHAT we’re doing.

Inspired by my dad–a fan of Hammond Innes, Alistair MacLean, and the like–and two older brothers, I discovered Desmond Bagley as a teenager. My passion for his style of action-adventure has never dwindled. As the crime thriller genre appears to move relentlessly in the direction of dark, gritty, serial-killer territory, I can’t help but wonder if there isn’t something to be said for the now less-fashionable escapist worlds these writers created. Thanks to HarperCollins, I was given the chance to work on Bagley’s last posthumous novel, Domino Island, and my own original books inevitably followed.

Three people changed my life: my grandfather, a self-taught naturalist, the cardiac surgeon I worked for to put myself through college, and a nuclear engineer I worked for at Los Alamos National Labs. Summering on an island in northern Ontario I was immersed in a world with minimal human impact. As an exploration geologist, I traveled the world and saw first-hand the impact humankind is having on our world. My books focus on man’s threats and dangers to our world—be they environmental, medical or the threat of weapons of mass destruction.

Like most children growing up with fairy tales and Bible instruction, I believed in miracles and magic. But it was the death of my father at age eight, then having his spirit return to my childhood bedroom to comfort and reassure me, that planted in me a core belief in dimensions beyond material reality. Other influences, including living as a neurodiverse woman and raising a neurodiverse son, working as a science journalist, and reading quantum physics, helped me re-embrace the liminal as part of my adult worldview. The most interesting novels to me often carry subtle messages and bring awareness to underrepresented people and issues, and many do this using magic and the fantastic.

I am a lover of ghosts, historical murders, and all things spooky. I am also the author of eight YA novels, including two YA horror novels, Small Town Monsters and Hatchet Girls. Being half Puerto Rican, I try to lend my culture to my characters. Historically, the horror genre has been dominated by white male authors. And while I love their work, Stephen King is a master, I'm excited that women and POC writers are finally getting their stories told. What scares women is often very different from what scares men, same with people of color, and by releasing more diverse stories, like mine, we add ways to frighten new fans.

Since the publication of my first book in 1988, my emphasis has always been on history as “story.” That is, the stories of men and women in past centuries with whom we share a common humanity but who faced challenges very different from our own. My goal is to bring their stories to as wide an audience as possible. Whether they describe Newfoundland fisherman in the 17th-century North Atlantic, expatriate Irish men and women in 18th-century Bordeaux, or colonial New Yorkers defying British authority on the eve of the American Revolution, the common theme is the impact of trade and the sea on the lives of ordinary people.

I romantically believe that the sea runs in my blood. On the Norwegian side of my family, my grandfather was a boat builder, and my uncle a whaler. I’m a surfer, and I’ve worked in whale and dolphins conservation for many years. So I’m drawn to the ocean and – as work and family duties keep me inland more than I’d like – when unable to get in or on the water, I get my fix with salty tales; some of which I read and some of which I write. The books on this list are all classics, in my view; they all speak to the enigma of the ocean; an ever-changing scape, full of alien life. I hope you enjoy them, and also Girl. Boy. Sea.

Primarily I’m a wife and mother, who loves holidays and writing about our experiences: from the many family holidays in a static caravan 90 minutes’ drive from our hometown in Scotland to the wonderful opportunities we’ve had to travel the world since, including through my work as a lecturer (when the family came too for a holiday while I worked!) or with friends. I like reading other authors’ personal experiences especially when I’m drawn into feeling I’m with the author during the travels, experiencing what’s not always included in travel guidebooks: the not-so-good as well as the good, the challenging as well as the amazing.

I chose to study creative nonfiction during my MFA program so I could learn what makes great memoirs work, but I first fell in love with the genre as a teenager, when I picked up Angela’s Ashes off my mom’s bedside table. I’m grateful for the way memoir gives me a window into the lives of people of other races, religions, abilities, experiences, and even other centuries. While my book The Place We Make isn’t only a memoir—it’s a blend of memoir and historical biography—it was my desire to both understand the view through my research subject’s eyes, and analyze how I was seeing the world myself, that drove me to write it.