Here are 100 books that Bottle of Lies fans have personally recommended if you like
Bottle of Lies.
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I am a doctor who is lucky enough to have worked in many countries with many people. I wanted to do this ever since I read Albert Sweitzer’s biography when I was about thirteen. I enrolled in medicine as a single parent in my thirties, then built up experience in emergency departments, pediatrics, obstetrics, remote area locum work, and a year in a hospice before beginning my career overseas. Being a doctor was, at one and the same time, exhilarating and terrifying, heartbreaking and absolutely filled with joy. The more I was able to connect to my patients, the more I loved every moment of my work. I hope the books on this list will give that same gift to you.
I absolutely loved the simplicity and clarity of this approach.
It’s almost the opposite end of the spectrum to my first selection and a method that I found more and more common over the years of my career: checklists and flowcharts for the serious and frequent presentations in the Emergency Department, in the operating theatre, and at Triage. And Gawande was right: they did and do save lives.
More generally, I used this process all the time when I was training other staff in my posts with Doctors Without Borders. Preventing and avoiding problems with fail-safe systems is so much better than trying to solve them after they occur!
In his latest bestseller, Atul Gawande shows what the simple idea of the checklist reveals about the complexity of our lives and how we can deal with it.
The modern world has given us stupendous know-how. Yet avoidable failures continue to plague us in health care, government, the law, the financial industry—in almost every realm of organized activity. And the reason is simple: the volume and complexity of knowledge today has exceeded our ability as individuals to properly deliver it to people—consistently, correctly, safely. We train longer, specialize more, use ever-advancing technologies, and still we fail. Atul Gawande makes a…
As a child of a worker in the boot and shoe industry of the English Midlands, I have written for more than half a century about poverty in its many guises – from the want and misery of early industrialism in Britain to the modernised poverty of a form of affluence which mimics prosperity without providing either satisfaction or sufficiency. Writing about the landscapes of poverty in the 1980s, I went to India and Bangladesh, and saw there in patterns of urbanization familiar echoes of what we in Britain had experienced. It seems to me that poor people are always poor in the same way, although this may be hidden behind differences in culture, tradition, ethnicity, and faith.
This story of an orphan, brought up by an uncle and aunt and sent out to work as a house servant, moved me so much because, although written in the early years of the Independence struggle, nevertheless prefigures the fate of countless young Indians, little more than children who, beaten and mistreated, run away to the closest city and later, to the unforgiving metropolis of Mumbai or Delhi. His life of innocence destroyed and youth blighted, ends at the age of sixteen when he dies of TB. It is harrowing but uplifting.
Coolie portrays the picaresque adventures of Munoo, a young boy forced to leave his hill village to fend for himself and discover the world. His journey takes him far from home to towns and cities, to Bomboy and Simla, sweating as servant, factory-worker and rickshaw driver. It is a fight for survival that illuminates, with raw immediacy, the grim fate of the masses in pre-Partition India. Together with Untouchable, Coolie places Mulk Raj Anand among the twentieth century's finest Indian novelists writing in English.
I’m an archaeologist, which means that I’ve been lucky enough to travel to many places to dig and survey ancient remains. What I’ve realized in handling those dusty old objects is that all over the world, in both past and present, people are defined by their stuff: what they made, used, broke, and threw away. Most compelling are the things that people cherished despite being worn or flawed, just like we have objects in our house that are broken or old but that we keep anyway.
Miller’s work in village India – a world away from most of our experiences – focuses on the way that people make things to be bought and used, cherished and given, and broken and discarded, all with a feedback loop from producer to consumer and back again. Through his conversations with artisans, he reveals that when high-status people buy certain shapes, lower-status people start to want them also, until those shapes become too “common” and high-status folks begin to show their distinction through the patronage of a new design. The cycle is never-ending, and Miller’s memorable words are always in the back of my mind whenever I’m looking through ancient artifacts and thinking about how their forms and decorations changed over time.
The aim of Artefacts as Categories is to ask what we can learn about a society from the variability of the objects it produces. Dr Miller presents a comprehensive analysis of the pottery produced in a single village in central India, drawing together and analysing a whole range of aspects - technology, function, design, symbolism and ideology - that are usually studied separately. Using the concepts of 'pragmatics', 'framing' and 'ideology', the author points to the insufficiency of many ethnographic accounts of symbolism and underlines the need to consider both the social positioning of the interpreter and the context of…
Suspense thrillers were staple “reading food” in my college and young adult days, and my love for them continues. I always craved thrillers that are based on WWII, the Cold War, and secret scientific advances and that offered fresh historical perspectives and dared to challenge popular narratives while delighting the readers with dexterously woven fictional tales. And then, most importantly, it is the feeling the author has conducted genuine, painstaking research bringing out captivating, reasoned nuggets of history that I find most satisfying.
Can a memoir be a thriller? I say this one is. It is truly an amazing and inspiring account of an immigrant’s tenacious, fearless journey to success, from humble beginnings in a small town in India to earning a PhD in the US and becoming a multimillionaire entrepreneur.
While not exactly a historical thriller, The Blue Suitcase took me on a roller coaster ride full of fascinating cultural insights and nuances and the serendipities that shaped Thanedar’s journey.
Anurag Anand is a keen observer of humankind. He believes that the diversity of human emotions, motivations, and actions offer him a rich palette of tones to paint his stories with. He is the author of thirteen books across genres like self-help, historical fiction, crime thrillers, and contemporary fiction. Anurag’s works have been lauded for their realism, simplicity, and sharp characterization by readers across the spectrum. Of course, he is an avid reader and likes to remain abreast with the developments in the Indian writing space. He is a familiar face (and voice) in literature festivals, television debates and other related forums across the country.
If God was a Banker is Ravi Subramanian’s debut book and my personal favorite among all his works. The story centers around a multinational bank in India and an array of exciting characters that make up its management cadre. A heady mix of aspirations, passions, jealousy, and alliances result in the characters pushing boundaries of convention and sometimes even legality. The twists and turns that consequently emerge make the book a gripping page-turner.
In If God Was A Banker, the story revolves around two management graduates in the rat race for success. Sundeep is ambitious and selfish, which leads him to achieve his goals through unscrupulous means. Swami is the exact opposite as he sticks to his morals and ethics to ensure success in his career. Swami's ideal and ethics keeps him behind Sundeep in terms of performance at the New York International Bank where they both work. Sundeep's rapid rise up the corporate ladder and his popularity with colleagues disguises his real motives and cunning mind. The story also has a main…
I have had an affinity for nature since my childhood, but I did not train as an ecologist. An increasing concern about the environment, and the people more adversely affected by ecological degradation, made me switch careers early. I have worked on issues around conservation, land and forest rights of indigenous communities, and on the importance of nature in cities. Today I am an educator with a responsibility to communicate not only about environmental issues, but why it is a priority for communities in India. I am proud to be a part of the community of women writers on the environment in India whose voices and experiences need to be heard.
This is a small book. But in its own way, it is rich and detailed when it comes to how profoundly it draws out the relationship between the forest and the Kadars, an indigenous community residing in South India. The authors visiting the forest are researchers from the city, but here in the forest their teachers are the Kadars whose very name means “people of the forest.” With a touch of humour the book, wonderfully illustrated, is an ode to the traditional ecological knowledge, powers of observation, and story-telling skills of the Kadars. The simple activity of walking on a forest path with the Kadars is a revelation of the wealth of knowledge they possess and their relationship with the plants, animals, and even spirits. This is knowledge no ecological textbook can provide, but this knowledge is immeasurable in its value.
This is the story of a Kadar elder who takes a young urban visitor through the tangled woods that make up his ancient home. The book captures an urban nature lover's experience of learning from a forestdweller - and is beautifully illustrated to bring alive the dark richness of an lndian tropical forest.
I graduated early from the University of Michigan - Ann Arbor to come back to my home country and work in Indian politics. Since then I’ve worked with a Member of Parliament, handled campaign design in states across India, and headed data analytics for India’s largest political party. This experience gave me an inside view of how politics operates and how elections are actually won. The fact that this was at a time when Indian politics was going through massive changes with micro-targeting, digital technologies and disinformation gaining ground made the experience even more unique. Based on this experience, my books detail how power is gained, (mis)used, and lost.
Although elections are dependent on how people choose to cast their ballot in the voting booth, politics is much larger than just elections. Political power isn’t just retained by convincing citizens to vote for you, it is sometimes also retained by crushing opposition voices and concocting fake narratives. This book shows how political parties in India have used organs of the state, including the police, investigative bodies, and intelligence agencies to consolidate power. It was a heartbreaking read, but it offered key insights into understanding how political power is actually wielded in the world’s largest democracy.
I have had an affinity for nature since my childhood, but I did not train as an ecologist. An increasing concern about the environment, and the people more adversely affected by ecological degradation, made me switch careers early. I have worked on issues around conservation, land and forest rights of indigenous communities, and on the importance of nature in cities. Today I am an educator with a responsibility to communicate not only about environmental issues, but why it is a priority for communities in India. I am proud to be a part of the community of women writers on the environment in India whose voices and experiences need to be heard.
Who among us has not looked at our published academic paper and felt that tinge of sadness at so much left unsaid? This book is about all that is left unsaid—an entertaining account of the many stories behind the data collected for research that does not make it into our sanitised published papers. Traversing different parts of North India, two young women carrying out conservation research encounter not just nature but also opinionated men, corrupt officials, and a bureaucracy that worked at a frustrating snail’s pace. The accounts in the book are hilarious and relatable to anyone who has done field research, ecological or otherwise in India, where data collection is interspersed with memorable and amusing everyday conversations with a range of people. This is a book I would have loved to write myself. And I hope I still can someday, in my own way.
I’m from Mauritius, of Indian heritage, and proudly African. I remember reading my first chick-lit romance circa 2001, thinking Mauritius has everything—the drama, the over-the-top characters, love matches, exciting backdrops both physical & cultural—to create great rom-coms & uplifting fiction…but where were such stories? A decade later, I was helping other African authors showcase their feel-good books by creating an imprint dedicated to African romance with a US publisher. I’m an author who loves to write about her country & life experiences, and I have the perfect day job for a bookworm as an editor who specializes in editing romance stories for indie authors & publishers alike.
I’m a sucker for all things Royal! Give me a prince and/or princess looking for love in today’s world, and I’m sold. This one has a princess and a prince!
Imagine you’re a princess bidden to enter a marriage of convenience with a neighbouring land’s prince. Then, on your wedding day, you get into an accident, your new husband dies, and when you wake from a coma, you find you’ve now been legally married off to the new Crown Prince, aka your late husband’s younger brother. And he’s hot as sin itself!
This one is more on the steamy side, but don’t let it deter you. Amidst all the heat is a treasure trove of feels and warring emotions and a seismic journey of falling for the "wrong" person who now happens to be exactly the right one!
India Saene, Princess of Bagumi, must enter a marriage alliance to save her kingdom from an economic crisis. Tragedy strikes when her husband of a few hours is killed in an accident on the way to their honeymoon. She recovers from a coma two weeks later to discover she has been inherited by her husband's younger brother! Sheikh Omar El Dansuri has never wanted to be king, nor does he desire a wife. However, when his older brother dies, he not only becomes the future king of Sudar, but he also inherits his brother’s bride through an age-old tradition. Falling…
I am a journalist who has strayed into book writing with a particular interest in the history of post-independent and contemporary India. My interest in this subject developed as an offshoot of reporting on landmark changes during the period of economic liberalization in the 1990s. One of the astounding stories of this period was the rise of the technology industry and the outsourcing business. A deeper study of this took me back to the period of independence in 1947 and decades before it.
It is a book on the history of modern India but told from the perspective of an entrepreneur and a business leader – and one of the architects of the IT revolution. It tells the story of ideas that dotted India’s transition from the era of socialism to that of liberalization and globalization, while highlighting successes and failures. It projects new ideas – technological as well as creative policy options - for meeting some of the pressing challenges of poverty, health, education, and economic growth.
A visionary look at the evolution and future of India
In this momentous book, Nandan Nilekani traces the central ideas that shaped India's past and present and asks the key question of the future: How will India as a global power avoid the mistakes of earlier development models? As a co-founder of Infosys, a global leader in information technology, Nilekani has actively participated in the company's rise during the past twenty-seven years. In Imagining India, he uses his global experience and understanding to discuss the future of India and its role as a global citizen and emerging economic giant. Nilekani…
