Here are 100 books that Blood Work fans have personally recommended if you like
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My mother got cancer when I was seven and died when I was in college. So, I began to consider death and the afterlife from a very young age. I don’t know if ghosts are real, but I know that people are haunted. I explore this idea—that haunted houses are really settings for haunted humans—as well as the ambiguity between ghosts and mental descents in my own teaching and writing. I love haunted house novels because they’re wonderful vehicles for this sort of exploration and because they’re so much fun to read! I hope you enjoy these books as much as I do!
I believe that the best haunted house books are ones in which it’s the characters who are haunted. In this bookby Daphne du Maurier, I’m not sure if the house is haunted by the specter of Rebecca, but I know the narrator certainly is.
I love how the author creates an atmosphere filled with dread as the new wife imagines her predecessor, tries to live up to her reputation, and finally learns who she really was.
* 'The greatest psychological thriller of all time' ERIN KELLY * 'One of the most influential novels of the twentieth century' SARAH WATERS * 'It's the book every writer wishes they'd written' CLARE MACKINTOSH
'Last night I dreamt I went to Manderley again . . .'
Working as a lady's companion, our heroine's outlook is bleak until, on a trip to the south of France, she meets a handsome widower whose proposal takes her by surprise. She accepts but, whisked from glamorous Monte Carlo to brooding Manderley, the new Mrs de Winter finds Max a changed man. And the memory…
I love to read a good story, but I also get the greatest satisfaction from writing one, or several. I believe good fiction can say what factual books cannot, and done right, they can offer differing perspectives to any accepted norm. The trick is to let the characters speak, regardless of whether I agree with what they say, or not. The secret to good presentation is to offer the reader the choice to think about what has been said, consider and delve deeper, or not and pass by.
This book introduces a very good series and was responsible for encouraging my love of science fantasy – some of which I write. While I have tried to keep away from more famous authors, this one got through because it really is that good.
As with all good science fantasy, it has various levels, some of the deepest making one think, or you can just go with the flow and enjoy the yarn. That is something I also strive to do with readers, well, I try to.
The first book of the trilogy "Memory, Sorrow and Thorn" tells the story of Simon, a kitchen boy and sorceror's apprentice, who must find the solution to the riddle of the long-lost swords of power, in order to combat the evil of the undead Sithi Ruler, the Storm King.
My new thriller centers around a small, mysterious cult and their shocking demise. For years, I’ve read true crime books on the subject, and I wanted to infuse the reality and truth of real-life events into my fictional novel. In a similar vein, these books represent a range of thrillers inspired by true events, ranging from cults to serial killers to teenage criminals. I hope you find these books as gripping and haunting as I do.
I’m fascinated by the in-depth character development and details in this book. The film is a classic, but I think the book is even better. Many people think of Hannibal Lecter as the obvious villain of Silence of the Lambs, forgetting that Clarice and the FBI were seeking his guidance to find “Buffalo Bill,” a fictional serial killer attacking women.
Buffalo Bill is an amalgamation of real serial killers, including Ted Bundy, Ed Gein, and Gary Heidnik. By cherry-picking the methods and traits of real killers, I think Harris created a truly terrifying villain. I find the characters, and especially the villain, to be rooted in reality, making them stick in your mind long after the last page.
As part of the search for a serial murderer nicknames "Buffalo Bill," FBI trainee Clarice Starling is given an assignment. She must visit a man confined to a high-security facility for the criminally insane and interview him.
That man, Dr. Hannibal Lecter, is a former psychiatrist with unusual tastes and an intense curiosity about the darker corners of the mind. His intimate understanding of the killer and of Clarice herself form the core of Thomas Harris' The Silence of the Lambs--an unforgettable classic of suspense fiction.
I have been writing for many years, and my main preference is political thrillers with criminal overtones. I first became interested in politics when I worked at several political conferences in the 60’s and 70’s. I have been involved in several criminal cases, including my own, and within my family, I have a nephew in the police force. For many years I have had the opportunity to mix with the upper tiers of society as well as the criminal classes and this has given me great insight into creating my characters and plots.
I love reading a thriller with a complex plot that has me trying to figure out who did what, where and when, and what or who may be connected in the main or subplot.
This was one of those books I had to read twice, not because I didn’t “get it” but because I admired the way Chandler weaved his characters around, like the actors in a Whitehall farce play. This is a book I kept turning back a few pages to keep up with the who, where, and when. Fantastic read.
Raymond Chandler's first three novels, published here in one volume, established his reputation as an unsurpassed master of hard-boiled detective fiction.
The Big Sleep, Chandler's first novel, introduces Philip Marlowe, a private detective inhabiting the seamy side of Los Angeles in the 1930s, as he takes on a case involving a paralysed California millionaire, two psychotic daughters, blackmail and murder.
In Farewell, My Lovely, Marlowe deals with the gambling circuit, a murder he stumbles upon, and three very beautiful but potentially deadly women.
In The High Window, Marlowe searches the California underworld for a priceless gold coin and finds himself…
Like most people I know, I have always been fascinated with serial killers, and more importantly why they do what they do. What makes one man murder multiple victims while another with a similar upbringing sells white goods and wouldn’t attract a traffic ticket. In my books, I am as interested in showing my readers why a killer kills, as I am in the hunt to catch him. My goal is to not so much get the reader to ‘like’ the antagonist but to understand, and dare I say even feel sorry for him. We are all products of our environment and upbringing, yet some of us murder others for fun.
Henning Mankell (RIP) was the master of the ‘troubled detective’ Kurt Wallander, who is trying to find a murderer while his own life is in tatters. This hunt for a serial killer who scalps his victims, is a rich tapestry of character development, police procedure, and a deeply disturbed killer. This is one of the finest stories of the dark Scandinavian crime thriller genre, and spawned a major TV series starring Kenneth Branagh.
Midsummer approaches, and Inspector Kurt Wallander prepares for a holiday with the new woman in his life, hopeful that his wayward daughter and his ageing father will cope without him.
But his restful summer plans are thrown into disarray when a teenage girl commits suicide before his eyes, and a former minister of justice is butchered in the first of a series of apparently motiveless murders. Wallander's desperate hunt for the girl's identity and his furious pursuit of a killer who scalps his victims will throw him and those he loves most into mortal danger.
I love to read a good story, but I also get the greatest satisfaction from writing one, or several. I believe good fiction can say what factual books cannot, and done right, they can offer differing perspectives to any accepted norm. The trick is to let the characters speak, regardless of whether I agree with what they say, or not. The secret to good presentation is to offer the reader the choice to think about what has been said, consider and delve deeper, or not and pass by.
Silent Fear is a stunning mystery novel, scary because it is set in an institute for the blind during a lockdown. There is a serial killer on the loose and no inmates have the ability to see their persecutor. Yes, this one gets right inside your mind and I felt privileged to read it.
Scotland Yard detective Valerie Crowther is assigned to investigate the murder of a student at a university for the Deaf in London, England. The murder investigation coincides with a deadly flu virus outbreak, resulting in the university being quarantined from the outside world.
When more Deaf students are murdered, it becomes clear there is a serial killer operating within the sealed-off university. A chilling cat-and-mouse game evolves as the unknown killer targets Valerie and the virus claims more lives.
A stunning, claustrophobic, "whodunit" murder mystery, Silent Fear (A novel inspired by true crimes) is…
I love to read a good story, but I also get the greatest satisfaction from writing one, or several. I believe good fiction can say what factual books cannot, and done right, they can offer differing perspectives to any accepted norm. The trick is to let the characters speak, regardless of whether I agree with what they say, or not. The secret to good presentation is to offer the reader the choice to think about what has been said, consider and delve deeper, or not and pass by.
This historical fiction is one of three novels set in London, the one featured is contemporary, and set upon the streets walked by Jack the Ripper. What I found compelling was the detailed presentation of the lives of ordinary, working-class women, that was gritty and most believable in presentation. The characters came alive and the story flowed; some working girls vanished, who would be next? This is not a story about Jack. It is a story about those nearby and affected by the beast.
Journey into Whitechapel, London, during 'Jack the Ripper's,' brutal reign of terror. When innocent Catherine Bell stumbles into the seedy world of Madame Davenport's brothel lodging-house she meets lothario Edward Cross, who feels his ambitious diary of the Whitechapel area's prostitutes will benefit favourably with her entry.
I love to read a good story, but I also get the greatest satisfaction from writing one, or several. I believe good fiction can say what factual books cannot, and done right, they can offer differing perspectives to any accepted norm. The trick is to let the characters speak, regardless of whether I agree with what they say, or not. The secret to good presentation is to offer the reader the choice to think about what has been said, consider and delve deeper, or not and pass by.
This guy writes great Westerns and detective novels, this book being an excellent place to begin. I’ve followed his works online and remain impressed with the characters he creates and the detail plus development of his works. But mostly, I can lose myself in his stories, grab a buzz of ‘feel-good,’ and forget about the outside world for a while.
I grew up in a bookish family. My mother, the Hollywood columnist Sheilah Graham, was the last love of F. Scott Fitzgerald and I grew up in the company of authors and editors. The books I loved as a child were the Hardy Boys, Treasure Island, Jules Verne—adventure stories with whopping good plots. My first book was published when I was 23, The Magic Garden of Stanley Sweetheart, a coming-of-age novel. From here I turned to mysteries because good suspense fiction keeps readers turning pages (or they won't get published.) That's what I like in a novel. I want a great story!
This is the first Maigret mystery by Georges Simenon who went on to write 75 novels featuring the French detective, Jules Maigret, who is a pipe-smoking commissaireof the Paris Brigade Crimminelle. These are wonderful books, especially if you love Paris (as I do). Simenon famously wrote many of these novels in 3 or 4 days, holed up in his Paris flat. I'm frankly envious, being a slow writer myself!
The first novel which appeared in Georges Simenon's famous Maigret series, in a gripping new translation by David Bellos.
Not that he looked like a cartoon policeman. He didn't have a moustache and he didn't wear heavy boots. His clothes were well cut and made of fairly light worsted. He shaved every day and looked after his hands. But his frame was proletarian. He was a big, bony man. His firm muscles filled out his jacket and quickly pulled all his trousers out of shape.
He had a way of imposing himself just by standing there. His assertive presence had…
I grew up in a bookish family. My mother, the Hollywood columnist Sheilah Graham, was the last love of F. Scott Fitzgerald and I grew up in the company of authors and editors. The books I loved as a child were the Hardy Boys, Treasure Island, Jules Verne—adventure stories with whopping good plots. My first book was published when I was 23, The Magic Garden of Stanley Sweetheart, a coming-of-age novel. From here I turned to mysteries because good suspense fiction keeps readers turning pages (or they won't get published.) That's what I like in a novel. I want a great story!
Let's go Swedish! Henning Mankell and Stieg Larson are the most famous Swedish mystery writers, but my favorite is Håkim Nesser who has written ten books featuring Inspector Van Veeteren, and quite a few other suspense novels as well. Van Veeteren is a subtle, quiet detective who observes life closely and ends up running an antique book store, from where he still solves the occasional crime. I'm not sure why the Scandinavian countries are producing such wonderful suspense authors. Perhaps it's the cold brooding weather, the snow! The introspection!
It’s a sweltering summer in Sweden and Chief Inspector Van Veeteren is long overdue for a holiday when a secretive and dubious religious sect comes under investigation. One of its members, a girl on the cusp of adolescence, is found dead in the forest near their holiday camp, brutally raped and strangled; the discovery of her body has been phoned in by an anonymous caller.
The members of the sect, the Pure Life, are led by Oscar Yellinek, a charismatic but unnervingly guarded messiah figure. In an act that mystifies and infuriates Van Veeteren and his associates, the members of…
