Here are 100 books that Aristotle Detective fans have personally recommended if you like
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I love historical fiction because it’s the next best thing to the invention of time travel. Books can immerse you in a time and a place in a way that comics and movies can only gesture at. For books likeNever SleepI even make sure to cook the foods my characters are eating, to make sure the era is evoked for the readers in all five sense.I love fantasy and science fiction as the next person, but the idea of transporting people to times and placesthat actually happened, to the best of my skill as a dramatist and researcher, is a challenge I find irresistible as an author.
A direct inspiration on my book, this is a great espionage thriller set in Philadelphia about a disgraced Revolution-era spy who gets hired by Alexander Hamilton to help against his arch-enemy, Thomas Jefferson, and finds his path intersecting with a farmwife standing up against a frontier uprising.
Liss is a master of the historical form (and a friend, full disclosure!)
America, 1787. Ethan Saunders, once among General Washington’s most valued spies, is living in disgrace after an accusation of treason cost him his reputation. But an opportunity for redemption comes calling when Saunders’s old enemy, Alexander Hamilton, draws him into a struggle with bitter rival Thomas Jefferson over the creation of the Bank of the United States.
Meanwhile, on the western Pennsylvania frontier, Joan Maycott and her husband, a Revolutionary War veteran, hope for a better life and a chance for prosperity. But the Maycotts’ success on an isolated frontier attracts the brutal attention of men who threaten to destroy…
I love historical fiction because it’s the next best thing to the invention of time travel. Books can immerse you in a time and a place in a way that comics and movies can only gesture at. For books likeNever SleepI even make sure to cook the foods my characters are eating, to make sure the era is evoked for the readers in all five sense.I love fantasy and science fiction as the next person, but the idea of transporting people to times and placesthat actually happened, to the best of my skill as a dramatist and researcher, is a challenge I find irresistible as an author.
Right at the end of World War I, a shellshocked cop, a jazz trumpeter, and a Mafia doyenne find their paths cross with an ax murderer in Spanish flu-ravaged New Orleans in one of America’s first true serial killer cases.
A unique structure of interlocking POVs really made the narrative shine for me and straight up stole Rich’s structure for my book! Good writers copy, etc.
New Orleans, 1918. The birth of jazz, the Spanish flu, an axe murderer on the loose. The lives of a traumatized cop, a conflicted Mafia matriarch, and a brilliant trumpeter converge. In Nathaniel Rich's King Zeno, the Crescent City gets the rich, dark, sweeping novel it so deserves.
New Orleans, a century ago: a city determined to reshape its destiny and, with it, the nation's. Downtown, a new American music is born. In Storyville, prostitution is outlawed and the police retake the streets with maximum violence. In the Ninth Ward, laborers break ground on a gigantic canal that will split…
I love historical fiction because it’s the next best thing to the invention of time travel. Books can immerse you in a time and a place in a way that comics and movies can only gesture at. For books likeNever SleepI even make sure to cook the foods my characters are eating, to make sure the era is evoked for the readers in all five sense.I love fantasy and science fiction as the next person, but the idea of transporting people to times and placesthat actually happened, to the best of my skill as a dramatist and researcher, is a challenge I find irresistible as an author.
I read this book while working on an alternate reality graphic novel for Marvel Comics,X Men Noir,in which we had the Empire State Building as an active docking spot for airships (as intended).
Turns out the actual Great Depression-era construction of the ESB was even more harrowing and fascinating than in our book, as Kelly makes clear here.
A Novel of High-Stakes Romance and Betrayal, Set During the Race to Finish the World's Tallest Building
In Empire Rising, his extraordinary third book, Thomas Kelly tells a story of love and work, of intrigue and jealousy, with the narrative verve that led the Village Voice's reviewer to dub him "Dostoevsky with a hard hat and lead pipe." As the novel opens, it is 1930-the Depression-and ground has just been broken for the Empire State Building. One of the thousands of men erecting the building high above the city is Michael Briody, an Irish immigrant torn between his desire to…
I love historical fiction because it’s the next best thing to the invention of time travel. Books can immerse you in a time and a place in a way that comics and movies can only gesture at. For books likeNever SleepI even make sure to cook the foods my characters are eating, to make sure the era is evoked for the readers in all five sense.I love fantasy and science fiction as the next person, but the idea of transporting people to times and placesthat actually happened, to the best of my skill as a dramatist and researcher, is a challenge I find irresistible as an author.
This is cheating a little bit because it’s about a modern-day American boy who gets whisked back to Shakespeare’s time and befriends the playwright as a young man.
Our young actor has to figure out why he’s been sent back to this time and escape before a terrible plague wipes out much of London. I bought this book at the Globe Theatre gift shop (!) on an overseas trip on the basis of Susan Cooper’s name alone.
She wrote The Dark Is Rising Seriesand this is a thrilling modern classic by her.
I lay very still, with all my senses telling me that I had gone mad. The plague? Nobody's had the plague for centuries . . .
Nathan Field, a talented young actor, arrives at the newly rebuilt Globe Theatre in London to play Puck in A Midsummer Night's Dream. As rehearsals begin, eerie echoes of the past begin to haunt Nat, and he falls sick with a mysterious sickness.
When he wakes, Nat finds himself in 1599, an actor at the original Globe - and his co-star is none other than the King of Shadows himself: William Shakespeare.
My Democracybook was the summation of my views to that date (2018) on the strengths and weaknesses of democracy as a political system, in both its ancient and its modern forms. I’d been an activist and advocate of democracy since my undergraduate days (at Oxford, in the late 1960s – interesting times!). As I was writing the book the world of democracy suddenly took unexpected, and to me undesirable turns, not least in the United States and my own U.K. An entire issue of an English-language Italian political-philosophy journal was devoted to the book in 2019, and in 2021 a Companionto the reception of Athenian democracy in subsequent epochs was dedicated to me.
I have collaborated with Bettany over many years—in her scholarly documentary filmmaking, including programmes on Socrates of Athens (469-399). Socrates never wrote or published in written form a word of his philosophy, yet through his immediate and succeeding disciples (above all Plato and Aristotle) has been hugely influential. But was he a democrat, as his fellow Athenians understood that term? In 399 a jury of 501 of his peers, chosen randomly by lot, delivered their resounding—negative—verdict, and condemned him to death by hemlock poison for being undemocratically irreligious and for teaching his pupils undemocratic values. Plato violently disagreed, and the debate over Socrates has continued ever since. Since it can be made to appear that he was convicted by an illiberal jury on grounds of his use of (democratic) freedom of speech, his condemnation has often been used as a stick to beat the ‘tyranny of…
We think the way we do because Socrates thought the way he did; in his unwavering commitment to truth and in the example of his own life, he set the standard for all subsequent Western philosophy. And yet, for twenty-five centuries, he has remained an enigma: a man who left no written legacy and about whom everything we know is hearsay, gleaned from the writings of Plato, Xenophon and Aristophanes. Now Bettany Hughes gives us an unprecedented, brilliantly vivid portrait of Socrates and of his homeland, Athens in its Golden Age.
His life spanned “seventy of the busiest, most wonderful…
I became enthralled by the ancient world when as a child I first saw those sand and sandals movies back in the sixties, Ben Hur and Spartacus especially. I began learning Latin aged nine and Greek aged twelve. I started a Ph.D., abandoned it, went to drama school, became a schoolteacher, worked as a professional gardener, became a schoolteacher again, eventually finished my Ph.D., and was lucky to get a job at Colgate University. Over time I realised that what really fascinated me about history was trying to insert myself imaginatively into the ancient world, so I began to ask questions about what it was like to be disabled, to be a refugee, to be a child, and so on.
It’s impossible to enter the mindset of the ancient Greeks without understanding that democracy runs deeply in their cultural bloodstream. There are numerous books on the subject – I did a course called Athenian Democracy: An Experiment for the Ages for The Great Courses – but Cartledge’s book, as the title suggests, offers a biography from its beginnings down to the present day. It also provides a nuanced exploration of the connection between Greek politics and society. Democracy: A Life depicts democracy not as a theoretical model but at work, and, in the challenges it faces today, a work in progress. Get A Life!
Democracy is either aspired to as a goal or cherished as a birthright by billions of people throughout the world today - and has been been for over a century. But what does it mean? And how has its meaning changed since it was first coined in ancient Greece?
Democracy: A Life is a biography of the concept, looking at its many different manifestations and showing how it has changed over its long life, from ancient times right through to the present. For instance, how did the 'people power' of the Athenians emerge in the first place? Once it had…
I was only thirteen when I first travelled to Greece and began to learn the ancient Greek language at school. That double impression of a vibrant, living country and its people, and the extraordinary fact that there they still speak a language that was first written down more than 3000 years ago, set me upon a lifetime of studying and teaching, and inspired me to communicate my love of Greece and Greeks to others. I’ve written several books, all of them Greek-themed in one way or another. These are some of the books that have accompanied me along the way – and new ones that may inspire you too.
Athens is where I lived as a student in the 1970s, and I’ve loved the place ever since! People who visit Greece often miss out on the capital or find the modern city ugly and noisy. But this book explains the magic effect that Athens has exercised on natives and visitors for at least two thousand years – all the way from the legendary wisdom of Solon the lawgiver to the gritty problems of a decade of enforced austerity (only recently overcome), and of a new multi-culturalism that comes with mass migration across Europe’s front line into Greece.
A sweeping narrative history of Athens, telling the three-thousand-year story of the birthplace of Western civilization.
Even on the most smog-bound of days, the rocky outcrop on which the Acropolis stands is visible above the sprawling roof-scape of the Greek capital. Athens presents one of the most recognizable and symbolically potent panoramas of any of the world's cities: the pillars and pediments of the Parthenon – the temple dedicated to Athena, goddess of wisdom, that crowns the Acropolis – dominate a city whose name is synonymous for many with civilization itself.
I wrote my first thriller at age 8 about a girl who ran away and joined the circus. For later works, I, a pediatric physician, did opt to follow my English teachers’ guidance to write about what you know, including science, medicine, psychology, journalism, and my twin home countries of America and Greece. As YS Pascal, I wrote the Zygan Emprise Trilogy, which blended ancient Greek history, mythology, and literature. As Linda Reid, I co-authored the award-winning Sammy Greene thriller series with Dr. Deborah Shlian and was eager to fly investigative reporter Sammy and her ex-cop friend Gus Pappajohn to the shores of modern Athens to solve an ancient and modern mystery.
As an author of mystery-thrillers, including the Sherlock Holmes Pastiche, “Elementary, My Dear Spock” as well as a longtime fan of Agatha Christie, I was drawn to the appeal of an ancient Greek “detective”, Heracles Pontor investigating murders in Plato’s Athens. And, Somoza does not disappoint, inviting us to share Pontor’s journey down a rabbit hole that grows ever more intriguing and dangerous page by page. Somoza welcomes us with a beautifully translated murder mystery that soon envelopes us in a fascinating exploration of Plato, reality, and, as reflected in the original Spanish title, the Cave of Ideas.
THE ATHENIAN MURDERS is a brilliant, very entertaining and absolutely original literary mystery, revolving round two intertwined riddles. In classical Athens, one of the pupils of Plato's Academy is found dead. His idealistic teacher suspects that this wasn't an accident and asks Herakles, known as the 'Decipherer of Enigmas', to investigate the death and ultimately a dark, irrational and subversive cult. The second plot unfolds in parallel through the footnotes of the translator of the text. As he proceeds with his work, he becomes increasingly convinced that the original author has hidden a second meaning, which can be brought to…
I have studied revolutions for over forty years, trying to understand how people fought for liberty and democracy--but also to understand how things so often went wrong! I have worked at universities in the US, the UK, Japan, Germany, Russia, and Hong Kong, gaining a global view of how societies change. I have learned that everywhere people have to struggle for their rights. Whether in ancient Greece or in modern Cambodia, the resulting revolutionary drama unfolds sometimes with wonderful results, but sometimes with tragedy. No events better display the very best and worst that we can accomplish. I’ve chosen the books on this list to convey the power of revolutions, their grand successes and tragic failures.
All through my school years, I heard that democracy began in Athens, in ancient Greece. But I never understood how that could have happened. To me, constitutions and democracy began with the American and French Revolutions. It turns out that Athenian democracy too began with a revolution! And it was a situation very similar to our own origins: A democratic revolution in a slave-owning society! And at a time when a “national” identity was just being formed out of local and regional ones. This is a book of essays, and you don’t have to read them all. But Josiah Ober is the foremost modern expert on Athenian society and the origins of its democracy, and his essays on that topic in this book are the best accounts we have.
He clearly presents a world that is thousands of years away from us and very strange, but shows how they confronted…
Where did "democracy" come from, and what was its original form and meaning? Here Josiah Ober shows that this "power of the people" crystallized in a revolutionary uprising by the ordinary citizens of Athens in 508-507 B.C. He then examines the consequences of the development of direct democracy for upper-and lower-class citizens, for dissident Athenian intellectuals, and for those who were denied citizenship under the new regime (women, slaves, resident foreigners), as well as for the general development of Greek history. When the citizens suddenly took power into their own hands, they changed the cultural and social landscape of Greece,…
I became passionate about ancient Greece as a teenager when I studied the ancient languages and history at school. I was also lapping up ancient Greece on film—back then the so-so Burton-Taylor Cleopatra really impressed. I got enthused by historical novels too, Mary Renault’s especially. My first visit to Greece as a university student hooked me on modern Greece as well. Since then, I’ve become a professional academic specialising in ancient Greece and have been lucky enough to develop a lifelong relationship with modern as well as ancient Greeks. I lived in Greece for six years in my twenties, and have gone back repeatedly ever since. I’ve published widely on Greece’s ancient history and archaeology.
This is the daddy of travel books about Greece, penned by a Greek from western Turkey who toured the sights during the pax Romana (2nd century AD).
Catching ancient Greece before it fell into ruin, he enthusiastically wrote up the buildings and artworks and the local history of places both famous and obscure. My own copy, decidedly battered, has been a companion of my academic career since my twenties.
You can still follow Pausanias on certain archaeological sites, like Delphi or Olympia. On others it’s fascinating, after visiting them, to turn to this ancient guide to read how he described the same places when they were intact.
Peter Levi’s translation is highly readable and well equipped, but not overladen, with footnotes.
Written in the second century AD by a Greek traveller for a predominantly Roman audience, Pausanias' Guide to Greece is an extraordinarily literate and well-informed guidebook. A study of buildings, traditions and myth, it describes with precision and eloquence the glory of classical Greece shortly before its ultimate decline in the third century. This volume, the first of two, concerns the five provinces of central Greece, with an account of cities including Athens, Corinth and Thebes and a compelling depiction of the Oracle at Delphi. Along the way, Pausanias recounts Greek legends that are unknown from any other source and…
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