Here are 100 books that All Other Nights fans have personally recommended if you like
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Iâve loved fiction that excites my mind and imagination since I was very young. I spent a lot of time in the library growing up, mostly reading horror and historical narratives. Later, I became interested in music, painting, film, philosophy, psychology, cognitive science, religion, and politics. Iâm not an expert in anythingâIâm too driven to make things to be a good scholarâbut these are the subject areas that inform what I write.
McCarthyâs second novel is an underappreciated masterpiece, one that combines the authorâs distinct style and notoriously difficult subject matter with a genuinely sublime vision of the world. Simultaneously a horror novel, a historical fiction, a Gnostic heresy, a cosmic joke, and act of spiritual seeking, I cannot recommend it enough.
By Cormac McCarthy, the author of the critically acclaimed Border Trilogy, Outer Dark is a novel at once mythic and starkly evocative, set in an unspecified place in Appalachia sometime around the turn of the century. A woman bears her brother's child, a boy; the brother leaves the baby in the woods and tells her he died of natural causes. Discovering her brother's lie, she sets forth alone to find her son. Both brother and sister wander separately through a countryside being scourged by three terrifying and elusive strangers, headlong toward an eerie, apocalyptic resolution.
My heart has been Southern for 35 years although I was raised in Boston and never knew the South until well into my adulthood. I loved it as soon as I saw it but I needed to learn it before I could call it home. These books and others helped shape me as a Southerner and as an author of historical Southern Jewish novels. Cormac McCarthy doesnât describe 19th-century North Carolina so much as immerse his voice and his reader in it. Dara Horn captures her era seamlessly. Steve Stern is so wedded to place he elevates it to mythic. I donât know if these five are much read anymore but they should be.
There is one very excellent reason to read this book: Itâs hilarious. Ms. King delivers her memoir of a 1950s-60s Southern childhood with searing, laugh-til-you-cry wit as she turns classic Southern tropes on their eccentric heads. Everything from the ubiquitous obsession with lineage (âWho are your people?â) to a motherâs nickname for a wayward child (âMama Triedâ) receives its due. Itâs a must-read if you want to understand Southern culture or if only to make acquaintance with Ms. Kingâs most famous one-liner, an admission of the indelible effects of Southern training even in failed ladies: âNo matter what sex I slept with, I never smoked on the street.â
Confessions of a Failed Southern Lady is Florence King's classic memoir of her upbringing in an eccentric Southern family, told with all the uproarious wit and gusto that has made her one of the most admired writers in the country. Florence may have been a disappointment to her Granny, whose dream of rearing a Perfect Southern Lady would never be quite fulfilled. But after all, as Florence reminds us, "no matter which sex I went to bed with, I never smoked on the street."
My heart has been Southern for 35 years although I was raised in Boston and never knew the South until well into my adulthood. I loved it as soon as I saw it but I needed to learn it before I could call it home. These books and others helped shape me as a Southerner and as an author of historical Southern Jewish novels. Cormac McCarthy doesnât describe 19th-century North Carolina so much as immerse his voice and his reader in it. Dara Horn captures her era seamlessly. Steve Stern is so wedded to place he elevates it to mythic. I donât know if these five are much read anymore but they should be.
As a fiction author who investigates the Southern Jewish Experience as it transects with the African American one, Iâve found the work of Eli Evans indispensible. This collection of essays highlights Evansâ Civil Rights Era bona fides, his work in the LBJ administration as speech writer, his trip with Henry Kissinger to the Middle East. But it is also a book at its most personal and insightful when it celebrates small-town Southern life and the Southern Jewâs place in it. In the title essay Christian neighbors, both Black and white, are at church or enjoying Sunday supper after church, which leaves the often isolated Jewish children with little to do. An experimental fishing trip with his father on one such Sunday warms the heart and brings a smile. Itâs worth the price of the book entire.
Truth told, folks still ask if Saul Crabtree sold his soul for the perfect voice. If he sold it to angels or devils. A Bristol newspaper once asked: âAre his love songs closer to heaven than dying?â Others wonder how he wrote a song so sad, everyone who heard itâŚ
My heart has been Southern for 35 years although I was raised in Boston and never knew the South until well into my adulthood. I loved it as soon as I saw it but I needed to learn it before I could call it home. These books and others helped shape me as a Southerner and as an author of historical Southern Jewish novels. Cormac McCarthy doesnât describe 19th-century North Carolina so much as immerse his voice and his reader in it. Dara Horn captures her era seamlessly. Steve Stern is so wedded to place he elevates it to mythic. I donât know if these five are much read anymore but they should be.
For my money, Stern is the Southâs premiere literary comic writer. In this one, he is a Southern Philip Roth with an I.B. Singer twist. A teenage boy discovers a frozen rabbi in the Kelvinator inside his parentâs Memphis basement. The rabbiâs been frozen for one hundred years. Bernie thaws him and what ensues covers a universe of incident: teenage hope and angst, Talmudic wisdom, kabbalistic film-flammery, the seduction of all of Memphis, from lowlifes to elite, by a rabbi (who can fly) selling himself as the font of all magic and knowledge. Stern obviously loves his Memphis and his Jews. At the same time he skewers them with the sleekest wit. Even Israel gets a gratuitous knock. It was the only thing I did not like in the book but it was fleeting, so I got over it. Such is the power of genius.
Award-winning novelist Steve Stern's exhilarating epic recounts the story of how a nineteenth-century rabbi from a small Polish town ends up in a basement freezer in a suburban Memphis home at the end of the twentieth century. What happens when an impressionable teenage boy inadvertently thaws out the ancient man and brings him back to life is nothing short of miraculous.
I grew up in a confusing, chaotic household, and magic was always an escape for me. Books were my place to dream about other worlds and bigger choices. Stories of forgotten, invisible, or odd people who found their way to each other, found courage and talents they didnât know they had, and then banded together to fight some larger foe even though they were scared. Was it possible that dragons and witches and gnomes were real and very clever at hiding in plain sight? What if I had hidden talents and courage and could draw on them with others just like me?
This one has no magic, but I threw it in because the setup is so close to reality with such a big twist that, for me, it fits.
The world changes completely for a family, and so suddenly, itâs as if they were transported somewhere else. The story left me thinking for a long time about identity and what happens when it is stripped away and we have to get up, rebuild, and survive anyway. Can we be kind? Will we still be honest? Are we brave? Can there still be any kind of joy?
'Tense, claustrophobic, and all too imaginable' Diane Chamberlain, author of The Last House on the Street
'A gripping, full-throttle page-turner' Miranda Cowley Heller, author of The Paper Palace
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An adrenaline-fuelled story of lives upended and privilege lost in a swiftly changing world.
Daphne Larsen-Hall has every reason to believe that her life as an artist in a luxury Miami house with her surgeon husband, Brantley, and their family, will carry on forever.
But Luna - the world's first Category 6 hurricane - changes everything. With Brantley missing in the aftermath of the massive storm, Daphne and their children findâŚ
I am a therapist, and I work with people from all walks of life and with all manner of suffering. I am drawn to memoirs because I consider it the real self-help genre of literature. Like good therapy, a good memoir will make sense of a story: how it happened, why it happened, how it affected the person, and what they did (do) to face it, and thrive in spite of it. As a writer, I take pride in bringing that same quality to my work. I have been asked many times, âHow can you bear to reveal all that stuff about yourself, especially when itâs unflattering?â The answer is always âIsnât that the part that matters? Isnât that the part where the growth occurred? Isnât that what makes the story worth telling?â
At sixteen years old, Darin Strauss had just received his first driverâs license and was on his first unsupervised drive, when a classmate, on a bicycle, swerved in front of his car. She was killed instantly. There was never a question of actual culpability: bystanders described the girl on the bike as literally driving in front of his vehicle, as though intentionally (a theory corroborated by suicidal thoughts recorded in her last diary entry the night before the accident). But this did not alleviate the trauma of killing someone, and the anguish and guilt that Darin Strauss carried forward for many, many years into his adult life, and probably always will. âHalf a Lifeâ refers to how he lived thereafter; halfway in his own existence, and the other half in constant preoccupation with the girl whose life was no more. This book will fill you with such empathy and compassionâŚ
In this powerful, unforgettable memoir, acclaimed novelist Darin Strauss examines the far-reaching consequences of the tragic moment that has shadowed his whole life. In his last month of high school, he was behind the wheel of his dad's Oldsmobile, driving with friends, heading off to play mini-golf. Then: a classmate swerved in front of his car. The collision resulted in her death. With piercing insight and stark prose, Darin Strauss leads us on a deeply personal, immediate, and emotional journeyâgraduating high school, going away to college, starting his writing career, falling in love with his future wife, becoming a father.âŚ
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan. The US government has agreed to provide Taiwan with a weapons system so advanced, it can disrupt the balance of power in the region. But what pilot would be crazy enough to run theâŚ
A lover of suspense thrillers and all things horror, my first introduction to romance novels was during book club. I love a good Rom-Com but as a reader, I used to shy away from erotica or meet-cute alpha male novels. Now I devour romance novels but they need very specific things. Strong heroines and suspense...and yes, great love scenes. Sparking my passion for the romance-suspense mash-up, I took a personal story and turned it into a suspense-driven romance full of angst. With 2 published novels, I continue to read and write romance thrillers hoping to change the stigma of romance as âfluffâ and âsmutâ and show the strength in love.
This book⌠Wow! I read it in one night. No joke. Could not put it down. Colleen Hoover has hit the mark with many #1 selling novels, but this particular novel was a favorite for me. Not many YA romances are this thrilling but Hooverâs writing and story building have a way of drawing you in. The flashback memories give you snapshots of why Sky Davis never feels anything for a guy, without giving away the BIG reveal. When she meets Dean Holder, her attraction to him is jarring because sheâs used to feeling nothing. The reason why sheâs drawn to him was such a thrill ride of suspense, drama, pain, and real love. If youâve never read a Colleen Hoover novel, start with this book.
From the #1 New York Times bestselling author of It Ends With Us comes the beginning of Sky and Dean's passionate love story - where well-kept secrets threaten to open wounds of a dark past.
Would you rather know a truth that makes you feel hopeless, or keep believing the lies?
Beloved and bestselling author Colleen Hoover returns with the spellbinding story of two young people with devastating pasts who embark on a passionate, intriguing journey to discover the lessons of life, love, trust - and above all, the healing power that only truth can bring.
I have written two short story collections and am working on a third. I have been passionate about short stories for as long as I have been a reader, and continue to find the form extraordinary. Alice Munro famously defined a short story as a house you can step inside rather than a journey you undertake. I feel that a short story is a respectful invitation to the reader to visit briefly and enjoy a small interlude on the way to wherever they are going.
A lower-middle-class girl grows up in provincial England, and we follow her from early childhood through middle age. Thatâs it. She has a few relationships, a few kids, and some friendships. She fights with her mother, she works, and she thinks about her life, but only in passing because sheâs busy living.
The kind of book thatâs not supposed to work, except it does. It was technically marketed as a novel but exists on the disputed border between connected short story collections and novels. Each section can be read by itself and is a world unto itself. This book is full of moments that express how strange it is to have consciousness, how we are caught, suddenly, in the midst of ourselves, unable to believe we are here.
An indelible story of one womanâs life, revealed in a series of beautifully sculpted episodes that illuminate an era, moving from the 1960s to today, from one of Britainâs leading literary lightsâTessa Hadley.
âClever Girl isâŚwhat could be called a âsensibilityâ novelâa story that doesnât overreach, about a character who feels real, told in prose that isnât ornate yet is startlingly exact. The effect is a fine and well-chosen pileup of experiences that gather meaning and power.ââMeg Wolitzer, New York Times Book Review
Clever Girl is a powerful exploration of family relationships and class in modern life, witnessed through theâŚ
Iâve loved short stories since I was a young girl introduced to Edgar Allen Poe. Thereâs something especially exciting about a complete story in few words, and once I had to balance work, children, and personal relationships, stories became all the more cherished for short takes. I especially like tales about and by women, relating to our real challenges, and I review them often so other busy women discover better writers and interesting tales. There is nothing like a short story any time of day, especially in the evening, to soothe the soul.
Each one of these stories is a mini-novel, which are the sort of stories I love. Black never leaves you hanging, like some writers do, and you will feel like youâre right in there watching the story unfold. The writing has been called pitch-perfect and I agree. Every word is right, every moment fits and every character is trying to make sense of the world as we all do, every day. She deftly explores the emotional DNA passed from generations before and what that means for each of our lives going forward. So you get a great tale well told. and a lot to think about at the same time. Exactly what I love to read and what smart modern women are drawn to.
FINALIST FOR THE FRANK OâCONNOR SHORT STORY AWARD
NOW WITH AN ADDITIONAL STORY.
Heralding the arrival of a stunning new voice in American fiction, If I Loved You, I Would Tell You This takes readers into the minds and hearts of people navigating the unsettling transitions that life presents to us all: A father struggles to forge an independent identity as his blind daughter prepares for college. A mother comes to terms with her adult daughterâs infidelity. An artist mourns the end of a romance while painting the portrait of a dying man. Brilliant, hopeful, and fearlessly honest, If IâŚ
Who was the man who would become Caesar's lieutenant, Brutus' rival, Cleopatra's lover, and Octavian's enemy?
When his stepfather is executed for his involvement in the Catilinarian conspiracy, Mark Antony and his family are disgraced. His adolescence is marked by scandal and mischief, his love affairs are fleeting, and yet,âŚ
Photography has been a passion throughout my life. I remember so clearly my first experience of the dark room: the dim red light, the chemical smell of the developing solution, and a ghost-like image gradually coming into focus. In my novel I Stopped Time I wanted to pay tribute to the pioneers of photography, but would I be able to bring that same depth of clarity to the written word? It was an incredibly proud moment when one reviewer wrote, "This book voiced everything Iâve held inside of me as a photographer."
What the author does brilliantly is to depict the random nature of artistic success. Twenty years ago, on the morning after a dinner party, struggling photographer, Rebecca Winter, acted on a whim. She photographed the scene that confronted her when she entered the kitchen. The Still Life with Bread Crumbs of the bookâs title captured the publicâs imagination and went on to win a major award, making Rebecca an unwitting womenâs champion.
Fast forward to the present day. We see Rebecca as a 60-year-old divorcee. Now that offers of work have dried up and seeing no other solution to her financial predicament, she exchanges her New York apartment for a cabin in the back of beyond.
Exploring the woods surrounding the cabin, Rebecca stumbles across a series of mysterious white crosses with accompanying pieces of memorabilia: a small trophy, the plaster cast of a handprint. Thinking of the objects onlyâŚ
A superb love story from Anna Quindlen, the #1 New York Times bestselling author of Rise and Shine, Blessings, and A Short Guide to a Happy Life
Still Life with Bread Crumbs begins with an imagined gunshot and ends with a new tin roof. Between the two is a wry and knowing portrait of Rebecca Winter, a photographer whose work made her an unlikely heroine for many women. Her career is now descendent, her bank balance shaky, and she has fled the city for the middle of nowhere. There she discovers, in a tree stand withâŚ