55 books like 1666

Russia is once again in the headlines, sparking a geopolitical contest between her and the West.

The period immediately following the Second World War can be viewed as a romantic era, marked by new hope for peace and the rebuilding of the world. The establishment of the UN aimed to resolve power struggles at the negotiating table rather than on the battlefield. 

These elements are all found in this novel, which delves into the past to shed light on Russia's psyche and how it might shape the future. It effectively connects the past with the near future. House arrest is common in oppressive regimes across the developing world.

What intrigued me was that the protagonist was placed under hotel arrest and restricted, punished for a crime he didn't commit. It was a captivating read, especially given the ongoing conflict between Russia and Ukraine, which will undoubtedly have far-reaching consequences for… show more.

The dragons are only a small part of this very popular book, but it is very memorable. The challenge that Harry (and others) must complete is very creative. The dragons in this story are closer to beasts than sentient creatures, and it forces the character and reader to realize that the dragons must be defeated with intelligence, not brute force. Although this is quite different from many stories, including mine, I can appreciate the difference and the value it brings to the trial Harry is trying to complete.

I love Jane Austen’s novels – the fine detail with which she paints characters based on everyday life, as she described it in a letter to her nephew James Edward Austen-Leigh: “… the little bit (two inches wide) of ivory on which I work with so fine a brush, as produces little effect after much labour...” Sadly, Austen died at age 41, in the prime of her life, and the peak of her writing skills. Her last novel was unfinished. Most biographers surmise that she died of Addison’s disease – an autoimmune disease in which the immune system attacks the patient’s adrenal glands, slowly sapping their energy for lack of the stress hormone cortisol. Ironically, the illness can be brought on or exacerbated by chronic stress, which certainly towards the end of her life Jane Austen experienced in spades.

When her father died, Jane Austen, being a woman, did not… show more.

Not crime although there are crimes in it. The narrative structure of the quartet was a major influence on structuring my trilogy. The first three present different versions of the same events and characters in Alexandria, Egypt before and during the Second World War. In Book 1, a self-absorbed, pretentious narrator, Darley, presents an account of an intense love affair. In book 2, Balthazar shows how ignorant he was about what was really going on about him. Mountolive widens the political context and shows both earlier narrators were looking through the wrong end of a telescope. Book 4 manages to tease out yet more solutions to mysteries thought resolved.

I was introduced to Brooks’ writing by a fellow journalist because I very much wanted to read a novel by a reporter turned fiction writer.

The writing and the plot of the 1666 plague in this book didn’t disappoint. It was like sinking into a time and place so different from my own, but at the same time so familiar because Brooks is what I call a surround-sound writer. She is able to totally immerse you in a foreign world.

This is the first part of S.D. Skyes’ medieval mystery series, following nobleman and investigator Oswald de Lacy. Sykes always creates an intriguing, compelling plot for each of the five de Lacy novels but it is the fourteenth-century setting that draws the reader in.

This is a land ravaged by the Black Death and the reader is not only entertained but informed by this powerful evocation of a society dealing with a disaster almost beyond comprehension.  

I enjoyed reading this book both as a historical artefact of the 17th century but also because Defoe’s plain, matter-of-fact style makes all the chaos, the shrieking, the death carts, families locked in their houses, health certificates, the delirium, the fear of coming too close, the paranoia, the panic and the madness that surrounds the narrator all the more disturbing.

He is a witness whose curiosity far outweighs his fear. But there’s also the Defoe-like sense of adventure when for instance a group of three escape London and shift for themselves in a countryside whose towns and villages are hostile to strangers. Instructive, disquieting, gripping, indelible.

This retained its curiosity value even on a second reading. A great little book.

I love Diana Norman’s historical novels and she inspires the way I write mine.

Her books are packed with historical atmosphere but they're never stodgy, the characters are full of life and there's always a dash of humour. This one, set in 17th-century London, is my favourite.

The heroine, Penitence Hurd, is a young Puritan girl who comes to London just as the Great Plague is about to strike, and finds herself - to her horror - living alongside the working girls in a brothel. She’s such an engaging character, stiff and prim at the beginning but as she bonds with the other women when they're shut in during the plague, she begins to change.

If I had to use one word to describe The Rats it would be brutal.

I say this not simply because of the savage depictions of gore and other intense imagery conjured by Herbert throughout, but also the blunt and grim depictions of working-class 1970s London.

This book is so much more than a tale of man-eating monsters. I found it to be a scathing critique of social decay and the prerequisite neglect that gives rise to such conditions. To be honest, I didn’t know what I was walking into and that is why it has stayed with me. Consider yourself warned. I wish I had been.

Through his jaundiced eyes we accompany our erstwhile hero into coffee shops, the arms of actresses, and experience the ebb and flow of London life. Later we watch as his beloved London undergoes the rigors of the plague of 1665 and then how he buries his beloved cheese in the wake of the Great Fire of London. A true classic.