Here are 73 books that 14 fans have personally recommended if you like
14.
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I’m a historian, and while I have a great deal of experience producing straight ‘nonfiction’ work, the idea of reading something ‘non-fictional;’ within a fictional world has always excited me because it allows many opportunities to talk about us while framing it as them. They also play into what I call the ‘Rutger Hauer Effect,’ where his character in Blade Runner mentions the wonderous things he’s seen in passing. I want to see those things too! Fictional nonfiction books provide a fantastic opportunity to tease the readers with things that their author knows and has seen but exist just beyond the reach of our own imaginations.
This is an absolute classic of the genre. Brooks draws in various ‘accounts’ of a recent zombie outbreak and structures them as if the broad details are common knowledge to his in-universe audience.
This approach means the real-world reader is always discovering new details and nuggets of information in a way that really whets the appetite while increasing the sense of horror at the way events unfolded in a world that isn’t quite our own.
It began with rumours from China about another pandemic. Then the cases started to multiply and what had looked like the stirrings of a criminal underclass, even the beginning of a revolution, soon revealed itself to be much, much worse.
Faced with a future of mindless man-eating horror, humanity was forced to accept the logic of world government and face events that tested our sanity and our sense of reality. Based on extensive interviews with survivors and key players in the ten-year fight against the horde, World War Z brings the finest traditions of journalism to bear on what is…
I love to see complicated characters rising to the occasion. People in real life generally have a lot going on just handling the day-to-day, and they aren’t waiting around for adventure, romance, or mystery to find them. It feels very human to me to see characters struggling with more mundane things like social situations, worrying about their appearance, or holding down a job, rather than only focusing on the plot arc, and that’s the type of character I also focus on as a writer. My latest protagonist, Simon, definitely has enough problems without a missing-person case to solve, so he may be what got me thinking of this topic.
Something that really drew me into this book is how slippery the sense of danger is: Is journalist Scott McGrath only risking further legal trouble with Stanislas Cordova if he continues to research the suicide of the mysterious director’s daughter, or is he up against something far more evil?
After his last encounter with Cordova destroyed his career, reputation, and marriage, Scott McGrath should be worrying about other things… but he can’t help himself. I was also intrigued by his shifting motivations: Is he driven by a need to know the truth, seeking revenge, fascinated by the story, or trying to protect himself and his loved ones?
Many scenes felt like optical illusions where I could see entirely different truths depending on what perspective I looked at them from.
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR • Cosmopolitan • Kirkus Reviews • BookPage
A page-turning thriller for readers of Stephen King, Gillian Flynn, and Stieg Larsson, Night Film tells the haunting story of a journalist who becomes obsessed with the mysterious death of a troubled prodigy—the daughter of an iconic, reclusive filmmaker.
On a damp October night, beautiful young Ashley Cordova is found dead in an abandoned warehouse in lower Manhattan. Though her death is ruled a suicide, veteran investigative journalist Scott McGrath suspects otherwise. As he probes the strange circumstances…
I write horror, read horror, watch horror, and live horror. The last one may be a bit of an exaggeration. When I was 10 years old, I begged my parents to take me to the theater to see Friday the 13: The Final Chapter.Of course, they said no. When I was 14, and a horror rebel, I sneaked into a movie theater to watch Friday the 13: New Blood. Thank goodness when they said The Final Chapter, they didn’t mean it. It was around this age that I discovered Stephen King’s Salem’s Lot; that book changed my life for good. I can talk to you about horror books for hours and hours.
On the subject of horror classics, either reading or re-visiting The Strain is always a good idea. I find this fresh take on vampires terrifying. I read the first book in 3 days, and the entire trilogy in less than a month. When I was not reading I was thinking about the book. If you live in New York or close by, let me tell you, the vivid depiction of how the city would fall is as terrifying as the blood-sucking creatures responsible for it.
Because Del Toro is a filmmaker, he is a skillful narrator. The mental images he creates are as vivid as the nightmares I had for weeks. There is also an incredibly damaged main character, and as I said before, I am a sucker for those.
The high-concept thriller with a supernatural edge from the world-famous director, whose films include Pan's Labyrinth and Hellboy.
A plane lands at JFK and mysteriously 'goes dark', stopping in the middle of the runway for no apparent reason, all lights off, all doors sealed. The pilots cannot be raised.
When the hatch above the wing finally clicks open, it soon becomes clear that everyone on board is dead - although there is no sign of any trauma or struggle. Ephraim Goodweather and his team from the Center for Disease Control must work quickly to establish the cause of this strange…
I write horror, read horror, watch horror, and live horror. The last one may be a bit of an exaggeration. When I was 10 years old, I begged my parents to take me to the theater to see Friday the 13: The Final Chapter.Of course, they said no. When I was 14, and a horror rebel, I sneaked into a movie theater to watch Friday the 13: New Blood. Thank goodness when they said The Final Chapter, they didn’t mean it. It was around this age that I discovered Stephen King’s Salem’s Lot; that book changed my life for good. I can talk to you about horror books for hours and hours.
Full disclosure, Rick is my friend, but he is also a great world builder and storyteller. The Seventh Age trilogy is as funny and entertaining as it is terrifying. Rick creates a rich world full of monsters and gods fighting for world domination in the shadows of our unaware society. One of my favorite things about this book is Mike, the main character. No, he is not a damaged mess, he is a true unlikely hero in the best possible way. Mike’s journey is fascinating and the obstacles he faces are monumental. In my humble opinion, the book reads like a video game, each chapter is a new level, and each level has higher stakes than the last.
The Rational World Is No Match For What Lies Beyond DeathObsessed with discovering evidence of the afterlife, Mike Auburn has come closer than anyone to piercing the veil of death often at the risk of his own life.
However, his efforts have not gone unnoticed by organizations in our world and those that seek to enter it from the other side.
One such organization led by a shadowy figure known as “O’Neil” works to desperately prepare Chicago for the coming Ragnarök where the rational world that is known will face coming darkness with Mike in the middle of the war…
I’ve always been fascinated by science fiction and by Biblical Scripture. That may seem dichotomous to some, but not to me. I have a passion for science and for Scripture because both bring understanding about our world from the microcosm to the macrocosm. My writings are a mixture of science and mystery with a science fiction feel and a Christian perspective. I like stories that show how truth arises even from the dark, confusing, and ambiguity of life to help one discover something about God they may not have considered before, and at the same time enjoy a fun, fast-paced, and exciting journey as they read.
When I read this book, I felt our world was on the brink of such a scenario. The bravery and fortitude of the main character was inspiring, and I hoped I could be so brave in the moment when it really matters. Granted, if I had the money this character did, it may make some choices easier to pull off. But still, he had a lot at stake to consider when push came to shove. Hopefully, at such critical times I hope we all can have faith in what truly matters.
From Tim LaHaye, co-author of the renowned Left Behind series, and Craig Parshall comes an epic story ripped from the headlines of world events and filtered through Scriptural prophecy.
Joshua Jordan, former US spy-plane hero now turned weapons designer, has come up with a devastatingly effective new missile defense system-the Return to Sender laser weapon. But global forces are mounting against America, and corrupt White House and Capitol Hill leaders are willing to do anything to stop the nation's impending economic catastrophe-including selling-out Joshua and his weapon.
With help from a group of powerfully connected Christian leaders known as the…
My imagination has always been captivated and fired up by reading traditional myths and fairy tales, as well science fiction. Growing up in the ’80s, I was particularly steeped in cinematic masterpieces such as Bladerunner and The Road Warrior, but I also loved reading classic sci-fi, as well as British literature, particularly the Brontes and Jane Austen. I enjoy and write speculative fiction because I believe it offers some of the best, creative ways to explore the timeless, universal truths underlying the human experience. Whether that exploration happens in subtle scenes of interpersonal interactions, or in the epic events woven in threads of dark and light across the tapestry of history, it’s all valuable and relevant.
I was really drawn into James’ dark but believable premise, concerning a depopulated Earth, and the resulting instability and hopelessness of such a societal crisis. The dreariness of her depiction of a childless world is sobering and timely. The plot is not complex, but is very absorbing and fast-paced. The fact that the novel ends on a note of hope and second chances is one of the things I especially liked about it, and makes it well worth an occasional re-read.
Told with P. D. James's trademark suspense, insightful characterization, and riveting storytelling, The Children of Men is a story of a world with no children and no future. The human race has become infertile, and the last generation to be born is now adult. Civilization itself is crumbling as suicide and despair become commonplace. Oxford historian Theodore Faron, apathetic toward a future without a future, spends most of his time reminiscing. Then he is approached by Julian, a bright, attractive woman who wants him to help get her an audience with his cousin, the powerful Warden of England. She and…
I’ve been a soldier, designer, educator, farmer, and remain a philosopher and writer. I defy the classification of being either practical or theoretic. I have worked on environmental issues for over thirty years, including urban, post-conflict, and climate change projects in Australia, the Americas, Asia, and Europe. I have written over twenty books on design, cities, conflict, and politics. I am driven to understand the complexity of the world in which I live and, thereafter, act based on the knowledge gained–my book list reflects this passion for knowledge, and my life evidences a commitment to act.
In what I do and how I feel, I cannot avoid confronting the times we all live, called the “end times.” What they name is the end of an epoch of total planetary domination by Homo sapiens.
A moment of nemesis has arrived. What has been discovered, if unevenly, is that our collective world-making has revealed itself to be an unmaking. The history and the future of climate change, literally and metaphorically, stand for this moment.
The Brazilian anthropologists Deborah and Eduardo Viveiros de Castro powerfully capture not just the causes of this planetary crisis but, in my view, present ways of thinking and working toward affirmative futures.
The end of the world is a seemingly interminable topic D at least, of course, until it happens. Environmental catastrophe and planetary apocalypse are subjects of enduring fascination and, as ethnographic studies show, human cultures have approached them in very different ways. Indeed, in the face of the growing perception of the dire effects of global warming, some of these visions have been given a new lease on life. Information and analyses concerning the human causes and the catastrophic consequences of the planetary 'crisis' have been accumulating at an ever-increasing rate, mobilising popular opinion as well as academic reflection.
I have been fascinated by the zombie genre since I was a child. No other genre has influenced and inspired me as much. I am also a very critical consumer of zombie content, as I have great respect for the genre. I began writing my own stories to fill in gaps that I felt had not yet been addressed by previous works. Since the release of my first novel, I have enjoyed meeting with zombie genre fans, writers, crafters, and creators at horror cons, zombie cons, comic cons and have participated in many panels and podcasts. It is a subject that I will never grow tired of discussing. The zombie genre is truly undying.
Wastelands is an anthology of short stories, all obviously focused on the apocalypse, but not all including zombies. One memorable story was titled When Sysadmins Ruled the Earth by Cory Doctorow, which features the communications between tech geeks who are safely ensconced within blast-resistant data hosting centers when the apocalypse begins. Working in server hosting centers are equipped with their own power sources, air filtering systems, and an abundance of junk food vending machines, the author creates a scenario where truly the geeks shall inherit the earth.
The definitive anthology of the best post-apocalyptic literature of the last two decades. Featuring New York Times bestsellers Stephen King, George R.R. Martin and Orson Scott Card, edited by award-winning anthologist John Joseph Adams.
Prescient tales of Armageddon and its aftermath, by twenty-two of today's finest writers, including:
Paolo Bacigalupi Neal Barrett, Jr. Tobias S. Buckell Cory Doctorow David Grigg Dale Bailey Elizabeth Bear Richard Kadrey John Langan Jerry Oltion James Van Pelt
Together they reveal what it will mean to survive and remain human after the end of the world...
There are so many different ways of thinking and writing about history. I first noticed this while studying at university, when I saw just how different economic history looked from other kinds of history. I later learned that all kinds of historical writing are forms of literature, only they are rarely recognized as such. I am now a university professor and this is my area of expertise: the overlap between the philosophy of history and economics. The books on this list are great examples of unusual or ‘weird’ works on history that challenge some of our deepest assumptions about what history is and how best to think or write about it.
Baudrillard is by now famous for declaring the end or disappearance of pretty much everything. That includes ‘history,’ and it is in this book where he speaks most directly about this. But unlike others, he doesn’t say that we’ve reached the end of history. Instead, he suggests that we’ve banished the end by going beyond it. It is a terrifying thought, really, because it means we can only dream of the end, and that beneath this illusion is something endless, artificial, and inhuman.
The year 2000, the end of the millennium: is this anything other than a mirage, the illusion of an end, like so many other imaginary endpoints which have littered the path of history? In this remarkable book Jean Baurdrillard-France's leading theorist of postmodernity-argues that the notion of the end is part of the fantasy of a linear history. Today we are not approaching the end of history but moving into reverse, into a process of systematic obliteration. We are wiping out the entire twentieth century, effacing all signs of the cold War one by one, perhaps even the signs of…
I’m a writer by day and martial arts instructor by night, so when not spending time with my wife and kids, I love nothing more than to read, write, and fight. My favourite books are the ones filled with irreverent characters, who can smirk and joke at any grim situation, laughing the light of entertainment through the darkest of ordeals. These are the type of books I’m always drawn to, both in writing and in reading, where I can imagine taking any standout character and dropping them into a completely different book, then sitting back to watch the chaos they could make.
A Newman on the scene and, atrocious pun aside, Peter Newman redefines what it is for an author to have a fresh voice, especially since his lead character in The Vagrant speaks all of one word. And that’s one word per book if you go on to read the trilogy, which you will, because this novel is amazing.
What more can you ask for when it comes to dark humour and light entertainment than a man traversing a poisoned world – filled with tainted humans, half-breed demons, and twisted infernals – and his companions on this journey are none other than a belligerent goat and a new-born baby. None of them speak, yet all three pull you into their hearts and them into yours.
An eye opens. A book is read. A reader becomes a Newman fan.
Years have passed since humanity's destruction emerged from the Breach.
Friendless and alone he walks across a desolate, war-torn landscape.
As each day passes the world tumbles further into depravity, bent and twisted by the new order, corrupted by the Usurper, the enemy, and his infernal horde.
His purpose is to reach the Shining City, last bastion of the human race, and deliver the only weapon that may make a difference in the ongoing war.
What little hope remains is dying. Abandoned by its leader, The Seven, and its heroes, The…
