Here are 45 books that The Children of Men fans have personally recommended if you like
The Children of Men.
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Travel and writing are my two great passions. Since I was a child, I escaped reality by escaping into my own mind. I had relied on my stories of the warrior queens ever since I learned about them as a child. It was only a few years ago, when I lived in Geneva, that I had a memory flash at me of the statue of Queen Lakshmi Bai of Jhansi on a rearing horse with a curved sword held in one hand. I knew then that it was time to tell a story—my own story and that of my favorite warrior queens.
Having read this book when I was 22, it helped shape my fear of the danger of complacent societies. Simply but powerfully written, its first-person narrative creates a sense of claustrophobia, a glimpse into the isolating and dehumanizing life of a handmaid.
Through Offred, the traumas she experiences, and the people she interacts with the whole world of Gilead springs to scary life. While reading the book, it struck me that nothing was totally made up. Every incident in the book was derived from history. These things had already happened, and they could happen again. It showed me that victory is not always heroic and impressive. Sometimes, victory can be just surviving oppression.
** THE SUNDAY TIMES NO. 1 BESTSELLER ** **A BBC BETWEEN COVERS BIG JUBILEE READ**
Go back to where it all began with the dystopian novel behind the award-winning TV series.
'As relevant today as it was when Atwood wrote it' Guardian
I believe in the resistance as I believe there can be no light without shadow; or rather, no shadow unless there is also light.
Offred is a Handmaid in The Republic of Gilead, a religious totalitarian state in what was formerly known as the United States. She is placed in the household of The Commander, Fred Waterford -…
I'm fascinated by these books about coming of age because they all share elements of my own experience. While I was growing up, I was told by my parents that my life on board our boat Wavewalker was ‘privileged’ and that I was lucky not to live a ‘boring’ life like other children. It took me a long time to question this view, and even longer to find an escape. As an adult looking back, I now know that many of the things I was told by my parents were not true. That experience of growing up and discovering that what you have been told is not right is deeply disturbing, while also being liberating.
I love Kazuo Ishiguro’s work and this is my favourite book of his.
Never Let Me Go is the fictional story of a childhood that initially seems acceptable, despite the early indications that something strange is going on. As the story proceeds, however, it becomes clear that this is a horrific world, one in which children are being grown for their organs.
But the power of the story for me is not the revelation itself but the way in which it is revealed, layer by layer, as the characters become older and more knowing. That experience of becoming aware that all is not right with your world, and then trying to come to terms with that, is something I can resonate with.
One of the most acclaimed novels of the 21st Century, from the Nobel Prize-winning author
Shortlisted for the Man Booker Prize
Kazuo Ishiguro imagines the lives of a group of students growing up in a darkly skewed version of contemporary England. Narrated by Kathy, now thirty-one, Never Let Me Go dramatises her attempts to come to terms with her childhood at the seemingly idyllic Hailsham School and with the fate that has always awaited her and her closest friends in the wider world. A story of love, friendship and memory, Never Let Me Go is charged throughout with a sense…
I am the author of 5 (nearly 6) science-fantasy novels in my Sun Eater series, as well as the author of 2 novellas and nearly two dozen short stories, as well as an 8-year veteran of the publishing industry. For 7 of those years, I worked as an editor for Baen Books, a nearly 40-year-old publisher of science fiction and fantasy. On top of all that, I am a lifelong sci-fi and fantasy fan, and something of an amateur historian of the field.
Folks daunted at the prospect of jumping in to a longer series will be delighted to know that this is just a standalone novel. In fact, it was the only novel Walter M. Miller, Jr. wrote in his lifetime. There is a posthumously published sequel to this novel, but it was completed by another writer and is generally considered the lesser work, and at any rate, Canticle stands on its own. This is a post-apocalyptic novel, set after a nuclear war in the 1960s wiped out civilization. It takes place over the course of centuries, and follows a small Roman Catholic monastery in the American southwest as they struggle to preserve documents from before the bombs destroyed everything—scientific knowledge, mostly, knowledge the poor monks can’t even begin to understand.
This is one of the most beautifully written novels in the genre’s history, and one that—though I’ve only read it two…
In the depths of the Utah desert, long after the Flame Deluge has scoured the earth clean, a monk of the Order of Saint Leibowitz has made a miraculous discovery: holy relics from the life of the great saint himself, including the blessed blueprint, the sacred shopping list, and the hallowed shrine of the Fallout Shelter.
In a terrifying age of darkness and decay, these artifacts could be the keys to mankind's salvation. But as the mystery at the core of this groundbreaking novel unfolds, it is the search itself—for meaning, for truth, for love—that offers hope for humanity's rebirth…
I’ve always had a passion for story-telling, particularly when it involves a moral tale, or a strong moral theme. After a successful career in science and engineering, spanning more than three decades, I left the corporate world to make stringed instruments and to write fiction and non-fiction. I wrote my first novel, An Accident of Birth,after reading a scientific study showing a generation-on-generation decline in male fertility. My second novel is the space opera, Galactic Alliance: Betrayal,and I’ve written a non-fiction reference book Brass and Glass: Optical Instruments and Their Makers. I live in Kent, England with my wife, Margo, and our cat.
Published in the 1960s, this is the earliest book on my list, and the storytelling will keep you hooked. A biological attack on Britain renders most people infertile. Fertile women are kept in camps where they are forced to breed. When the minister of health discovers that his wife is fertile, he is faced with a dilemma. The story is about how his approach to this dilemma shows shows the character of the man, and how his wife hardens to her situation and finds her strength. The end comes with some unexpected twists.
When a foreign power puts a sterility drug in Britain's reservoirs, the result is all too predictable.
The birth-rate plummets and the country's future looks bleak. There is only one way to save the nation; all women with a natural immunity to the drug must be placed in special camps where they can be bred from like prize cattle.
They must be given special hormone treatment and artificial insemination so that they can produce triplets, quads, quins time after time until they die of exhaustion.
I’ve always had a passion for story-telling, particularly when it involves a moral tale, or a strong moral theme. After a successful career in science and engineering, spanning more than three decades, I left the corporate world to make stringed instruments and to write fiction and non-fiction. I wrote my first novel, An Accident of Birth,after reading a scientific study showing a generation-on-generation decline in male fertility. My second novel is the space opera, Galactic Alliance: Betrayal,and I’ve written a non-fiction reference book Brass and Glass: Optical Instruments and Their Makers. I live in Kent, England with my wife, Margo, and our cat.
In this tale, the world is in post-apocalyptic decline, and human fertility has collapsed to zero. A family set up a cloning facility, hoping to overcome the odds and produce a fertile population. The clones, once mature, have other ideas. They take over the facility and marginalise the non-clones. Only rarely is a fertile clone produced, and they are kept as ‘breeders’. As the story progresses, the desire of a naturally born individual for self-determination, and conflicting values between individual and clone, lead to a tension that cannot go unresolved. The storytelling cleverly slips between omniscient in the scenes with the clones, and third person in the scenes with the individual characters.
The Sumner family can read the signs: the droughts and floods, the blighted crops, the shortages, the rampant diseases and plagues, and, above all, the increasing sterility all point to one thing. Their isolated farm in the Appalachian Mountains gives them the ideal place to survive the coming breakdown, and their wealth and know-how gives them the means. Men and women must clone themselves for humanity to survive. But what then?
My imagination has always been captivated and fired up by reading traditional myths and fairy tales, as well science fiction. Growing up in the ’80s, I was particularly steeped in cinematic masterpieces such as Bladerunner and The Road Warrior, but I also loved reading classic sci-fi, as well as British literature, particularly the Brontes and Jane Austen. I enjoy and write speculative fiction because I believe it offers some of the best, creative ways to explore the timeless, universal truths underlying the human experience. Whether that exploration happens in subtle scenes of interpersonal interactions, or in the epic events woven in threads of dark and light across the tapestry of history, it’s all valuable and relevant.
I really loved Willis’ multilayered presentation of the narrator’s past and present. Masterfully, Willis creates a deceptively simple, haunting setting, where the common but painful event of the loss of a pet becomes a symbol for the banality of extinction itself—whether of a species or entire culture. Made me think about how, even though inevitable, loss never gets easier.
My imagination has always been captivated and fired up by reading traditional myths and fairy tales, as well science fiction. Growing up in the ’80s, I was particularly steeped in cinematic masterpieces such as Bladerunner and The Road Warrior, but I also loved reading classic sci-fi, as well as British literature, particularly the Brontes and Jane Austen. I enjoy and write speculative fiction because I believe it offers some of the best, creative ways to explore the timeless, universal truths underlying the human experience. Whether that exploration happens in subtle scenes of interpersonal interactions, or in the epic events woven in threads of dark and light across the tapestry of history, it’s all valuable and relevant.
This YA story deals with the threat of apocalyptic destruction, and shows how easily a vulnerable population can be manipulated by fear and uncertainty with only a few rumors. These themes are just as valid today as ever. I like the way DePrau’s protagonist, Nickie, is a relatable character caught in a frightening situation, but trying to make the best of it by forming bonds in her community, as they all face a terrifying future. The haunting sense of dread that permeates this simple novel has stayed with me for years.
A prequel to the modern-day classic The City of Ember. This highly acclaimed adventure series has captivated kids and teachers alike for almost fifteen years and has sold over 3.5 MILLION copies!
Nickie will grow up to be one of the first citizens of the city of Ember. But for now, she’s an eleven-year-old girl whose father was sent away on some mysterious government project.
So when the opportunity to move presents itself, Nickie seizes it. But her new town of Yonwood, North Carolina, isn’t what she’d anticipated. It’s a place full of suspicion and mistrust, where one person’s visions…
My imagination has always been captivated and fired up by reading traditional myths and fairy tales, as well science fiction. Growing up in the ’80s, I was particularly steeped in cinematic masterpieces such as Bladerunner and The Road Warrior, but I also loved reading classic sci-fi, as well as British literature, particularly the Brontes and Jane Austen. I enjoy and write speculative fiction because I believe it offers some of the best, creative ways to explore the timeless, universal truths underlying the human experience. Whether that exploration happens in subtle scenes of interpersonal interactions, or in the epic events woven in threads of dark and light across the tapestry of history, it’s all valuable and relevant.
Literally one of the most ‘apocalyptic’ stories ever penned, this unusual tale follows the main character of a priest as he navigates a hostile secular culture and investigates what might finally be the arrival of the long-predicted Antichrist. The story is prescient in its predictions about technology, as well as political and cultural trends. The un-ironic steampunk vibes (which would have been cutting edge at the time of writing), are a fun plus.
Benson's dystopic vision of a near future world in which religion has, by and large, been rejected or simply fallen by the wayside. The Catholic Church has retreated to Italy and Ireland, while the majority of the rest of the world is either Humanistic or Pantheistic. There is a 'one world' government, and euthanasia is widely available. The plot follows the tale of a priest, Percy Franklin, who becomes Pope Silvester III, and a mysterious man named Julian Felsenburgh, who is identical in looks to the priest and who becomes "Lord of the World".
There are so many different ways of thinking and writing about history. I first noticed this while studying at university, when I saw just how different economic history looked from other kinds of history. I later learned that all kinds of historical writing are forms of literature, only they are rarely recognized as such. I am now a university professor and this is my area of expertise: the overlap between the philosophy of history and economics. The books on this list are great examples of unusual or ‘weird’ works on history that challenge some of our deepest assumptions about what history is and how best to think or write about it.
Baudrillard is by now famous for declaring the end or disappearance of pretty much everything. That includes ‘history,’ and it is in this book where he speaks most directly about this. But unlike others, he doesn’t say that we’ve reached the end of history. Instead, he suggests that we’ve banished the end by going beyond it. It is a terrifying thought, really, because it means we can only dream of the end, and that beneath this illusion is something endless, artificial, and inhuman.
The year 2000, the end of the millennium: is this anything other than a mirage, the illusion of an end, like so many other imaginary endpoints which have littered the path of history? In this remarkable book Jean Baurdrillard-France's leading theorist of postmodernity-argues that the notion of the end is part of the fantasy of a linear history. Today we are not approaching the end of history but moving into reverse, into a process of systematic obliteration. We are wiping out the entire twentieth century, effacing all signs of the cold War one by one, perhaps even the signs of…
Like most people, I started to think about the end of the world during the COVID-19 pandemic. Instead of learning how to bake sourdough bread, I read stories and made art about the apocalypse. The true and catastrophic experiences of people throughout history interested me so much that the project turned into a book. My background in printmaking and illustration has formed my approach to visualizing narrative scenes using crisp black and white linocut prints. My current position as a studio art professor has given me practice in providing information concisely. I try to entertain as much as inform.
Prefer something a bit more visual as the world falls apart? Stanley Donwood fills a book with full-page black and white linocut illustrations, the same medium I use for my illustrations. Without relying on any text, Donwood is able to use classic sequential art techniques to move us through the continual destruction of a wild and devolving island habitat. You may recognize his work from his decades-long collaboration with Radiohead, but his distinct style of storytelling and art stands alone.
A wild seascape, a distant island, a full moon. Gradually the island grows nearer until we land on a primeval wilderness, rich in vegetation and huge, strange beasts. Time passes and man appears, with clubs, with spears, with crueler weapons still-and things do not go well for the wilderness. Civilization rises as towers of stone and metal and smoke choke the undergrowth and the creatures that once moved through it. This is not a happy story, and it will not have a happy ending.
Working in his distinctive, monochromatic linocut style, Stanley Donwood achieves with his art what words cannot…
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