100 books like When and Where I Enter

This book scared the hell out of me when I was a teenager because its vivid descriptions stayed in my dreams yet it never stopped me from reading and loving the entire book.

It taught me a lot about following your intuition and/or gut feelings. Although it has been a long time since I read it, the main thing I remember is that your intuition is your protector, and listening to that inner voice helps a lot along the way.

This Hugo Award-winning novel has one of the most original stories I’ve read that revolves around a remarkable mother, Essun.

While Essun pretends to be ordinary, she is an orogene, a race of humans with the ability to significantly alter her environment. As a result, the orogenes are wretched exiles, feared by society and trapped in a governing system that seeks to control them.

I was immediately taken with Essun’s emotional journey as the story opens with the loss of her child. She wants to live a quiet life with her family but is pursued by officials who cannot allow her to go free.

The story really tapped into the most primal aspects of motherhood. Ultimately, it’s motherhood that strengthens Essun’s power as she unleashes it with devastating effectiveness. 

I consider Standing Soldiers, Kneeling Slaves one of the best books on how Confederate monuments came to dominate nineteenth-century public spaces – most notably in my hometown of Richmond, Virginia - and what they tell us about post-Civil War history.

It is a compelling narrative of how white Southern society purposefully chiseled racism and white superiority into their post-war commemorative landscape, and used these memorials to both re-define the public’s memory of the Civil War and to cement the white-black hierarchy established during slavery. 

Savage’s analysis of the Confederate monuments looks at all the political, historical, cultural, and artistic factors that enabled the creation of Richmond’s racialized landscape. This approach helped me understand the importance of context when examining nineteenth-century public art through a twenty-first-century lens. 

This pathbreaking work is the first in-depth biography of Terrell (1863-1954). It challenges common stereotypes about Black women and identifies common ground among women who struggle to balance work and family. Mary Church, born during the Civil War, had two white grandfathers, who impregnated enslaved women and then allowed their offspring to marry. After Emancipation, Molly’s father became a wealthy Memphis land developer, which allowed her to attend Oberlin, earn a master’s degree, and travel in Europe. She married a graduate of Harvard and Howard Law, whom Theodore Roosevelt named the first Black justice of the peace in Washington, DC. She did not allow her distrust of Susan B. Anthony to derail her fight for Black voting rights, before and after the Nineteenth Amendment passed. A founder and the first president of the National Association of Colored Women in 1896, Terrell used her lace and pearls and Republican connections… show more.

Editor Jane Hirschfield writes that she is interested in “women who could not be held back from their chosen paths or spiritual practice.” And so am I. This collection includes writings by intrepid women over centuries and landscapes, representing an array of spiritual traditions stretching back to the beginning of recorded time. The canon of spiritual writings that have come down to us across cultures rarely includes the words of women. Hirschfield has taken steps to correct this omission. From the first entry – c. 2300 BCE – through a joyful poem of liberation from one of the earliest female Buddhist followers to Hildegard of Bingen and Emily Dickenson, Sor Juana Ines de la Cruz, Owl Woman, and Penny Jessye. And beyond. Women across cultures, religious traditions, and centuries have inner lives that provoke them to write, sing and shout.

The current United States Poet Laureate. She is an artist and not just of words. Harjo plays a mean saxophone. And writes poetry to send the soul soaring. Reminding me of the sky, the soil, the roots. My roots. “Do you know how to make a peaceful road through human memory?” Harjo’s Muscogee roots have their beginnings in the soil that nurtured some of my Georgia-born ancestors. What can I say? I feel the words.

Based on the true story of Belle da Costa Greene, the Black American woman who was compelled to hide her identity and pass as white to work as J P Morgan’s personal librarian, this book contains everything I love about historical, biographical fiction and more.

It’s about a woman who defied convention and whose life story is fascinating, relevant, and inspiring. Belle is an intelligent, driven woman, who can hold her own in any company, and yet, to realize her ambitions and protect her family, she must conceal who she really is.

I thoroughly enjoyed learning about her, and the lengths she had to go to pursue the career she loved. It’s a stunning tribute to an exceptional woman in history.  

We all know of Sarah and Angelina Grimké, sisters who, before the Civil War, left their South Carolina home and became well-known abolitionists in the North.

But the family also included their brother Henry, a brutal, slave-holding man, his three children by Nancy Weston, an enslaved woman in his household, and their descendants. Two brothers became part of the post-Civil War Black elite and one descendant, Angelina Weld Grimké, made a name for herself as a poet during the Harlem Renaissance.

In addition to reexamining the legacy of Sarah and Angelina, author Kerri Greenidge reminds readers how families were formed under the sword of slavery and that recovery from its wounds is incomplete, even today. 

This is the biography of the author’s grandmother, Adella Hunt Logan (1863-1915), a teacher at Tuskegee.  W.E.B. DuBois, who challenged Booker T. Washington’s vocational vision for Black Americans, gave her the title princess. Like Terrell, Logan could “pass” for white, but rarely did: to travel safely north and to have kidney surgery in a white hospital. Unlike Terrell, she was the product of her mother’s and grandmother’s longstanding, consensual relationships with slaveholders. Logan’s life was confined by racism, sexism, marriage, and motherhood, yet she urged reluctant Black women to pursue suffrage, lobbied for equal pay, and espoused reproductive rights, before her tragic death. She was the only Black lifetime member of the National American Woman’s Suffrage Association and the only member enrolled from Alabama. The author incorporates public records, family archives, stories handed down, and African myths to choreograph this compelling tour de force.    

In researching Mary Edmonia Lewis, the nineteenth-century African-American sculptor I highlight in my book, I needed to understand Lewis as a person and as an artist.

Buick’s book explores Lewis’s art within the context of her life experiences and her passions, as well as how race and gender influenced her work. Although Lewis was our first African American and Native American sculptor, throughout her life Lewis was dismissed, praised, misunderstood, and eventually forgotten. Child of Fire gives voice to not only Lewis’ accomplishments, but explains the importance of her work to the canon of American art.