100 books like When and Where I Enter

Everyone should read this book right now which features hurricanes and flooding in Florida. The flood scene in this book still stays with me, years after I read it. The waters are not just terrifying, but contain horrors such as a rabid dog clinging to a piece of debris.

That scene still keeps me up at night, and I think about it often now with all the flooding in the south. It’s not just the water, it’s what’s in the water. 

This book is both a fascinating vision of a tumultuous world and a deep dive into the mind of a troubled and compelling protagonist.

The character work in this book is incredibly impressive, with the long arc of the protagonist’s development drawn in convincing and gripping detail that left me feeling like I had known this person for years through all their triumphs, tragedies, and mistakes, which is to say nothing of its creative and plausible magic, its socio-political commentary, and its meditation on family and grief. Rightfully recognized as a modern classic, it is a book all fans of fantasy should read.

I consider Standing Soldiers, Kneeling Slaves one of the best books on how Confederate monuments came to dominate nineteenth-century public spaces – most notably in my hometown of Richmond, Virginia - and what they tell us about post-Civil War history.

It is a compelling narrative of how white Southern society purposefully chiseled racism and white superiority into their post-war commemorative landscape, and used these memorials to both re-define the public’s memory of the Civil War and to cement the white-black hierarchy established during slavery. 

Savage’s analysis of the Confederate monuments looks at all the political, historical, cultural, and artistic factors that enabled the creation of Richmond’s racialized landscape. This approach helped me understand the importance of context when examining nineteenth-century public art through a twenty-first-century lens. 

This pathbreaking work is the first in-depth biography of Terrell (1863-1954). It challenges common stereotypes about Black women and identifies common ground among women who struggle to balance work and family. Mary Church, born during the Civil War, had two white grandfathers, who impregnated enslaved women and then allowed their offspring to marry. After Emancipation, Molly’s father became a wealthy Memphis land developer, which allowed her to attend Oberlin, earn a master’s degree, and travel in Europe. She married a graduate of Harvard and Howard Law, whom Theodore Roosevelt named the first Black justice of the peace in Washington, DC. She did not allow her distrust of Susan B. Anthony to derail her fight for Black voting rights, before and after the Nineteenth Amendment passed. A founder and the first president of the National Association of Colored Women in 1896, Terrell used her lace and pearls and Republican connections… show more.

Editor Jane Hirschfield writes that she is interested in “women who could not be held back from their chosen paths or spiritual practice.” And so am I. This collection includes writings by intrepid women over centuries and landscapes, representing an array of spiritual traditions stretching back to the beginning of recorded time. The canon of spiritual writings that have come down to us across cultures rarely includes the words of women. Hirschfield has taken steps to correct this omission. From the first entry – c. 2300 BCE – through a joyful poem of liberation from one of the earliest female Buddhist followers to Hildegard of Bingen and Emily Dickenson, Sor Juana Ines de la Cruz, Owl Woman, and Penny Jessye. And beyond. Women across cultures, religious traditions, and centuries have inner lives that provoke them to write, sing and shout.

The current United States Poet Laureate. She is an artist and not just of words. Harjo plays a mean saxophone. And writes poetry to send the soul soaring. Reminding me of the sky, the soil, the roots. My roots. “Do you know how to make a peaceful road through human memory?” Harjo’s Muscogee roots have their beginnings in the soil that nurtured some of my Georgia-born ancestors. What can I say? I feel the words.

Courage brings Bella to apply to financier J.P. Morgan to assemble his marvelous library of rare books. Concealing her identity as black, she stars in a world of art critics and high finance, giving up her identity in pursuit of her dream. I loved and wondered at this brave woman.

We all know of Sarah and Angelina Grimké, sisters who, before the Civil War, left their South Carolina home and became well-known abolitionists in the North.

But the family also included their brother Henry, a brutal, slave-holding man, his three children by Nancy Weston, an enslaved woman in his household, and their descendants. Two brothers became part of the post-Civil War Black elite and one descendant, Angelina Weld Grimké, made a name for herself as a poet during the Harlem Renaissance.

In addition to reexamining the legacy of Sarah and Angelina, author Kerri Greenidge reminds readers how families were formed under the sword of slavery and that recovery from its wounds is incomplete, even today. 

This is the biography of the author’s grandmother, Adella Hunt Logan (1863-1915), a teacher at Tuskegee.  W.E.B. DuBois, who challenged Booker T. Washington’s vocational vision for Black Americans, gave her the title princess. Like Terrell, Logan could “pass” for white, but rarely did: to travel safely north and to have kidney surgery in a white hospital. Unlike Terrell, she was the product of her mother’s and grandmother’s longstanding, consensual relationships with slaveholders. Logan’s life was confined by racism, sexism, marriage, and motherhood, yet she urged reluctant Black women to pursue suffrage, lobbied for equal pay, and espoused reproductive rights, before her tragic death. She was the only Black lifetime member of the National American Woman’s Suffrage Association and the only member enrolled from Alabama. The author incorporates public records, family archives, stories handed down, and African myths to choreograph this compelling tour de force.    

In researching Mary Edmonia Lewis, the nineteenth-century African-American sculptor I highlight in my book, I needed to understand Lewis as a person and as an artist.

Buick’s book explores Lewis’s art within the context of her life experiences and her passions, as well as how race and gender influenced her work. Although Lewis was our first African American and Native American sculptor, throughout her life Lewis was dismissed, praised, misunderstood, and eventually forgotten. Child of Fire gives voice to not only Lewis’ accomplishments, but explains the importance of her work to the canon of American art.