Here are 100 books that West with Giraffes fans have personally recommended if you like
West with Giraffes.
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I am a historian of visual culture, and my work explores the ways images can shape and challenge dominant ideas about other species. The ways we choose to represent certain animals (or not) can have important consequences, both in terms of environmental issues but also in terms of the wellbeing of individual animals. Digging deeper into these histories can make us aware that the categories we like to put animals in can shift and change depending on the time period and place. As we confront increasingly urgent climate and environmental issues, understanding these dynamics will be even more important than ever.
I found this to be a hard list to put together because there are so many excellent books on animal history--on any given day I could have presented a completely different list. However, this was the one book that absolutely had to be on my list. Hilda Kean’s Animal Rights was the book that started me on this journey. I first encountered this book when I was a grad student, and it has shaped my thinking on animal history in many important ways over the years. Animals and concerns for their welfare have always been important to me in my personal life, but I hadn’t thought about incorporating human-animal histories into my scholarship until I read this book. It was a real game-changer for me. This is a very good introduction to some of the shifts in thinking that took place regarding relationships between humans and nonhuman animals in Britain…
In the early twenty-first century animals are news. Parliamentary debates, protests against fox hunting and television programmes like Animal Hospital all focus on the way in which we treat animals and on what that says about our own humanity. As vegetarianism becomes ever more popular, and animal experimentation more controversial, it is time to trace the background to contemporary debates and to situate them in a broader historical context. Hilda Kean looks at the cultural and social role of animals from 1800 to the present at the way in which visual images and myths captured the popular imagination and encouraged…
I am a historian of visual culture, and my work explores the ways images can shape and challenge dominant ideas about other species. The ways we choose to represent certain animals (or not) can have important consequences, both in terms of environmental issues but also in terms of the wellbeing of individual animals. Digging deeper into these histories can make us aware that the categories we like to put animals in can shift and change depending on the time period and place. As we confront increasingly urgent climate and environmental issues, understanding these dynamics will be even more important than ever.
This book is full of engaging and thoughtful essays focusing on the ways that human-animal histories have shaped so many aspects of life in Canada. From the horses on the streets of Montreal in the 19th century to more recent exploration of captive animals in Vancouver, this book presents an important range of topics that ask the reader to think differently about the histories, spaces, and species they may think they know. I also really appreciate that the University of Calgary Press has published an open access version of this book.
Animal Metropolis brings a Canadian perspective to the growing field of animal history, ranging across species and cities, from the beavers who engineered Stanley Park to the carthorses who shaped the city of Montreal. Some essays consider animals as spectacle: orca captivity in Vancouver, polar bear tourism in Churchill, Manitoba, fish on display in the Dominion Fisheries Museum, and the racialized memory of Jumbo the elephant in St. Thomas, Ontario. Others examine the bodily intimacies of shared urban spaces: the regulation of rabid dogs in Banff, the maternal politics of pure milk in Hamilton and the circulation of tetanus bacilli…
I am a historian of visual culture, and my work explores the ways images can shape and challenge dominant ideas about other species. The ways we choose to represent certain animals (or not) can have important consequences, both in terms of environmental issues but also in terms of the wellbeing of individual animals. Digging deeper into these histories can make us aware that the categories we like to put animals in can shift and change depending on the time period and place. As we confront increasingly urgent climate and environmental issues, understanding these dynamics will be even more important than ever.
This book is such an excellent and innovative example of an interdisciplinary approach to animal history. Susan Nance blends current scientific thinking about the welfare, agency, and cognition of elephants with a detailed and highly engaging look at the role of these animals in circus history. This is a wonderful model of how to write animal history, an endeavor that isn’t always that straightforward because archival records tend to focus on human lives, deaths, and achievements.
Consider the career of an enduring if controversial icon of American entertainment: the genial circus elephant. In "Entertaining Elephants" Susan Nance examines elephant behavior - drawing on the scientific literature of animal cognition, learning, and communications - to offer a study of elephants as actors (rather than objects) in American circus entertainment between 1800 and 1940. By developing a deeper understanding of animal behavior, Nance asserts, we can more fully explain the common history of all species. "Entertaining Elephants" is the first account that uses research on animal welfare, health, and cognition to interpret the historical record, examining how both…
I am a historian of visual culture, and my work explores the ways images can shape and challenge dominant ideas about other species. The ways we choose to represent certain animals (or not) can have important consequences, both in terms of environmental issues but also in terms of the wellbeing of individual animals. Digging deeper into these histories can make us aware that the categories we like to put animals in can shift and change depending on the time period and place. As we confront increasingly urgent climate and environmental issues, understanding these dynamics will be even more important than ever.
This is one of several excellent books that explores how nonhuman animals shaped cities (see also Andrew Robichaud’s Animal City, Frederick L. Brown’s The City is More Than Human, Dawn Day Biehler’s Pests in the City, and Hannah Velten’s Beastly London, for example). Cities are multispecies spaces and they have always been so, even as the history of a given city shifts and changes. When we walk through a city like Dublin today we may not immediately think about the many, many nonhuman animals who used to roam the same streets and pathways we walk on today. And yet, as Juliana Adelman explores in this book, there are hints and traces of this animal history if we know where to look.
Civilised by beasts tells the story of nineteenth-century Dublin through human-animal relationships. It offers a unique perspective on ordinary life in the Irish metropolis during a century of significant change and reform. At its heart is the argument that the exploitation of animals formed a key component of urban change, from municipal reform to class formation to the expansion of public health and policing. It uses a social history approach but draws on a range of new and underused sources, including archives of the humane society and the zoological society, popular songs, visual ephemera and diaries. The book moves chronologically…
Reading with your kid can be a delight, but it’s tough to find a book that both grown-up and child think is hysterical. I mean, I tried reading Catch-22 to my three-year-old, but for some reason the incisive social commentary just didn’t resonate with her. My kids and I both let out genuine chuckles and guffaws while reading all of these books—an experience that I treasured. These books are all giggly, snickery proof that you don’t have to dumb things down to appeal to a wide age range—a goal that I aim for myself in the children’s books and TV shows that I write.
This book (along with the entire Haggis-on-Whey series) is one of the most remarkably twisted works of literature I know of.
On first glance, it seems to be a dry, conventional grade-school picture book about, yes, giraffes. And yet, as one reads through its content, at some point one will be struck by the realization: none of this is true!
Did giraffes really first come to Earth on a conveyor belt from Neptune? Are the legs of giraffes actually “filled with various types of fruit juice”? No! As far as I’m aware!
I waited until my kids could read on their own before giving them this book. In each case they spent a while reading through it with confused expressions, unable to reconcile the seemingly authoritative text with plain common sense…until they realized that the entire book is one giant prank and burst out laughing.
For many years the scientific and educational communities have wondered and worried about the possibility that semi-sane scholar-pretenders would find the means to publish a series of reference books aimed at children but filled with ludicrous misinformation. These books would be distributed through respectable channels and would inevitably find their ways into the hands and households of well-meaning families, who would go to them for facts but instead find bizarre untruths. The books would look normal enough, but would read as if written by people who have eaten too many lead-based paint chips. Giraffes? Giraffes! is the first in a…
I’m a semi-retired music teacher and grandmother of two. When my kids were little, we would devour books like they were delicious candy, reading our favourites over and over again. I still love reading out loud, using various inflections, accents, and voices for the different characters. I’ve read hundreds of children’s books and the ones I enjoy most have a great message, are fun to read out loud, and also make me laugh. And they must have beautiful, colourful illustrations! My first book is a spoken word piece from my WCMA-nominated CD, Too Much Work To Do. It’s been asking me to dream it into a book for years!
I loved this sweet, funny, feel-good book with its unusual, intelligent characters. Sophia is a very determined girl (with a wonderful Afro ponytail) who won’t stop pursuing her One True Desire—to have a giraffe! Her father (businessman), her mother (lawyer), her uncle (politician), and her grandmother (who is very strict), all have excellent reasons for saying no to all of her arguments, including the fact that she uses too many words. (Teaching her 3 new words along the way.) Despite compelling slideshows, graphs, pie charts, and foot rubs, she has no success, until…
The illustrations are delightful, colourful, and comical, bringing the characters to life, including the hard-won Giraffe. If you are a word lover like me, you will also love this book!
As a parent, a former educator, and a children’s museum administrator, my passions have always centered around children and encouraging them to believe in themselves. I wrote my book to empower my own grandchildren with a growth mindset, which, in simple terms, means to believe in our own abilities, accept challenges, learn from our mistakes, and persevere. It is the belief that our abilities and talents are malleable as opposed to the view that we are either good at something or we are not. Adapting a growth mindset has been valuable in my own life, as well – it’s not just for kids. Please take a look at these books to give yourself and the kids in your life a healthy new perspective.
Giraffes Can't Dance has stayed with me since my first reading. The enchanting rhythm and rhyme, along with the truth and silliness of Gerald’s experiences, are universal - every child and adult can relate to his disappointment. Learning to keep going and embrace his own strengths is a valuable gift that we all need to learn.
Gerald was a tall giraffe whose neck was long and slim, But his knees were awfully bandy and his legs were rather thin . . .
Gerald the giraffe longs to go to the great Jungle Dance, but how can he join in when he doesn't know how to tango or two-step? Everyone knows that giraffes can't dance . . . or can they?
A funny, touching and triumphant story about being yourself and finding your own tune, with joyful illustrations from Guy Parker Rees. This chunky board book edition is perfect for little hands.
I'm a world-class underwater explorer, writer, photographer, speaker,
and filmmaker. A pioneer of technical rebreather diving, I have led expeditions
into icebergs in Antarctica, volcanic lava tubes, and submerged caves
worldwide. As a child, these fanciful places were just a part of my wildest
dreams. The Aquanaut tells the story of how I turned my imaginative journeys
into reality and became a celebrated underwater explorer.
When Anne Innis Dagg was a little girl, she longed to study giraffes in
Africa. Many obstacles including gender discrimination stood in her way, so she
hide her female identity to get a job and then traveled to Africa on her own.
Anne fulfilled her dream and became the world's leading scientific expert on
giraffes, inspiring the next generation of women scientists to pursue their
dreams.
When Anne Innis Dagg saw her first giraffe in a zoo she was entranced. So much so that a love for giraffes shaped her whole life. She decided at a young age that she would one day travel from her home in Canada to study giraffes in their natural environment in Africa.
After overcoming obstacles based on her gender, Anne succeeded in fulfilling her dream in 1956 and became the world's leading scientific expert on giraffes.
In The Girl Who Loved Giraffes, Kathy Stinson and Francois Thisdale have created a beautiful picture book that captures the dramatic story of Anne's…
When I was in middle school, I’d spend much of my time in class daydreaming. Imagining myself in, say, a debate with someone I disagree with and going through a litany of scenarios where I’d try to convince that other person to change their mind. It’s a lot of fun. (My teachers would likely disagree.) When I grew older, I did more of that on my daily walks, and then about 11 years ago, I decided to start writing about creative ways to teach someone something they’re vehemently opposed to or just ambivalent about. I’ve published four books since then on this topic.
I understand better by sketching things on paper. I couldn’t get abstract ideas first go, I had to draw them out. Someone on the Internet recommended that I get ahold of this book, and I’m glad I did.
It’s an encyclopedia of facts, but all explained using relative magnitudes. So instead of telling me a giraffe is this tall, I get to see it relative to a horse. I love that way of teaching.
I am obsessed with personal development, having attended seminars to walk across hot coals and jump from crazy heights to test my limits, and I have read hundreds of books and watched hundreds of videos on self-improvement. But sometimes the best lessons come in fiction, and kid’s books do this so wonderfully. And they are a lot quicker to read and absorb! They also teach with humour, rhythm, and joy, and can change a child’s life simply by letting them escape into a world of laughter and joy, expanding their imaginations, and letting them absorb the lessons, sometimes without even realising it.
The great thing about picture books is they can give these incredible, and sometimes incredibly simple, messages about life. Celeste the Giraffe Loves to Laugh is a story about Celeste, who doesn’t know where she fits in, she feels like all the other animals are cooler than her. So she sets out to be like them in order to be “better”. But that leads to one disaster after another, with Matt Cosgrove’s hilarious illustrations adding to the action as Celeste uses all sorts of random items for her costumes.
In the end, Celeste finds her own special gift, the thing that makes her at least as cool as all the other animals!
Celeste was a friendly, happy little giraffe. She had a kind heart and she made others laugh. But Celeste sometimes worried that she wasn't enough. It seemed like other animals did much cooler stuff. Join Celeste the Giraffe on her hilarious journey as she finds out what it is that makes her unique.
