Here are 87 books that Vita Nostra fans have personally recommended if you like
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I have always been obsessed with the idea of other worlds I can’t sense but can somehow contrive to glimpse, whether with a magic amulet or some fabulous technology. As a kid growing up in the woods and devouring fantasy novels and biology texts alike, I couldn’t decide between science or writing as a way of exploring the unknown, and ultimately, I ended up doing both: becoming a writer specializing in marine and coastal environments, one of the many places in our world where the deeper we look at the senses of the creatures living there, the more we realize just how limited our own perceptions are.
I will always find an excuse to read a classic literary tome about an unreliable narrator by the British seashore, partly because I know I’m in for a gut-punch of a landscape description. Even better when it’s garnished with a few—not too many, just enough—of those ultra-evocative lines that stop you in your tracks and make you go, “That’s exactly what that’s like!” But that’s not even the best part of this five-course meal of a book.
The story becomes increasingly surreal and disturbing. At each stage, Murdoch’s descriptions of the ocean landscape shift and change with the narrative, so the water increasingly looms in the background like a living character, apparently impersonal and even more deliciously horrible for it.
Winner of the prestigious Booker Prize-a tale of the strange obsessions that haunt a playwright as he composes his memoirs
Charles Arrowby, leading light of England's theatrical set, retires from glittering London to an isolated home by the sea. He plans to write a memoir about his great love affair with Clement Makin, his mentor, both professionally and personally, and amuse himself with Lizzie, an actress he has strung along for many years. None of his plans work out, and his memoir evolves into a riveting chronicle of the strange events and unexpected visitors-some real, some spectral-that disrupt his world…
I have always been obsessed with the idea of other worlds I can’t sense but can somehow contrive to glimpse, whether with a magic amulet or some fabulous technology. As a kid growing up in the woods and devouring fantasy novels and biology texts alike, I couldn’t decide between science or writing as a way of exploring the unknown, and ultimately, I ended up doing both: becoming a writer specializing in marine and coastal environments, one of the many places in our world where the deeper we look at the senses of the creatures living there, the more we realize just how limited our own perceptions are.
This book is claustrophobic, unflinching, and horrifying, so I can’t watch videos from seafloor subs, drones, or observatories. I’m used to sci-fi that takes place in the cold black isolation of a spaceship, but here we have the cold black isolation of the seabed, which triggers all the thalassophobia. Add the meticulous routines of a crew surviving in a place where humans shouldn’t be and, above all, the awful psychological pull of the void, and you get deliciously potent nightmare fuel.
But maybe more than that, I love that Watts is one of those authors, like Richard Morgan, who creates spec-fic characters with questionable morality, who can and do alarm the reader. Everyone I know who’s ever read this book has never forgotten it, shudders when I mention it and knows who Lenie Clark is.
So when civilization needs someone to run generating stations three kilometres below the surface of the Pacific, it seeks out a special sort of person for its Rifters program. It recruits those whose histories have pre-adapted them to dangerous environments, people so used to broken bodies and chronic stress that life on the edge of an undersea volcano would actually be a step up. Nobody worries too much about job satisfaction; if you haven't spent a lifetime learning the futility of fighting back, you wouldn't be a rifter in the first place. It's a small price to keep the lights…
I have always been obsessed with the idea of other worlds I can’t sense but can somehow contrive to glimpse, whether with a magic amulet or some fabulous technology. As a kid growing up in the woods and devouring fantasy novels and biology texts alike, I couldn’t decide between science or writing as a way of exploring the unknown, and ultimately, I ended up doing both: becoming a writer specializing in marine and coastal environments, one of the many places in our world where the deeper we look at the senses of the creatures living there, the more we realize just how limited our own perceptions are.
It has been years, and I cannot stop thinking about the visual this book left me with: a young woman sleeping in a makeshift plastic bubble under the sea's surface, tethered to a walkway across the Indian Ocean. I love when a speculative fiction book dives deep into exactly how a futuristic technology looks, feels, smells, integrates into life, and doesn’t just fill a plot point—which is probably why I was left with such a vivid image of this tent-bubble-habitat-material.
I am also an avid camper and know what it’s like to trust techy material in inhospitable circumstances. Take that feeling of trying to sleep while rain pours on a tent you hope is as waterproof as advertised. Now multiply it by 100 and add a violently undulating walkway across the Indian Ocean, and you get why I love this book.
One day Meena gets out of bed covered in blood, with mysterious snakebites on her chest. Her worst fears have been realised: someone is after her and she must flee India at once. As she plots her escape, she learns of The Trail, an energy-harvesting bridge spanning the Arabian Sea that has become a refuge for itinerant vagabonds and loners on the run. This is her salvation.
Slipping out in the cover of night, with a knapsack full of supplies including a pozit GPS system, a scroll reader, and a sealable waterproof pod, Meena sets off for Ethiopia, the place…
I have always been obsessed with the idea of other worlds I can’t sense but can somehow contrive to glimpse, whether with a magic amulet or some fabulous technology. As a kid growing up in the woods and devouring fantasy novels and biology texts alike, I couldn’t decide between science or writing as a way of exploring the unknown, and ultimately, I ended up doing both: becoming a writer specializing in marine and coastal environments, one of the many places in our world where the deeper we look at the senses of the creatures living there, the more we realize just how limited our own perceptions are.
This book is a summer creamsicle of a book, melting down your fist as you devour it. It’s the sun beating down in parking lots as you run toward the water, sand crunching under your flip-flops. If you took Joan Didion’s descriptions of SoCal and crossed them with Anne-Marie MacDonald’s deft descriptions of mother/daughter pathos, then sprinkled it with 70’s childhood nostalgia, you’d get this daydream of a book.
Oh, yeah, and it’s also about a deadbeat parent who may or may not be an ocean deity. I accidentally grabbed this off the library shelf one day and loved it so much that I bought it. I take every opportunity to recommend it. It’s a beach read in the best, literal sense of the term.
“Beautifully evokes scenes of two girls adrift in the . . . bohemian beach culture . . . a breathtaking, fiercely feminine take on American magical realism.” —Interview Magazine
Set in Long Beach, California, beginning in the 1970s, The Salt God’s Daughter follows Ruthie and her older sister Dolly as they struggle for survival in a place governed by an enchanted ocean and exotic folklore. Guided by a mother ruled by magical, elaborately-told stories of the full moons, which she draws from The Old Farmer’s Almanac, the two girls are often homeless, often on their own, fiercely protective of each…
As an avid reader since childhood, I’ve always hunted for books that deliver the most epic emotional experiences. Stories that you can’t put down even when your eyelids ache for sleep or the page is blurred with tears. The ones where fiction becomes reality and the room around you disappears with every page. Cupid’s Compass was inspired by these all-consuming novels and I expect my future works will follow the same mission: to evoke laughter, tears, and the ever-expansive qualities of humanity.
I’ve never thrown a book across the room harder than this one. While book one of The Dark Artifices had a fabulous cliffhanger, nothing could ever compare to the utter devastation book two, Lord Of Shadows, managed.
I would recommend this Young Adult series to people who love a blend of action and romance in contemporary-fantasy, value modern representation such as trans characters and autism awareness, and readers who like to have their hearts tortured in the cruelest of ways.
Sunny Los Angeles can be a dark place indeed in Cassandra Clare's Lord of Shadows, the sequel to the #1 New York Times and USA TODAY bestselling Lady Midnight. Lord of Shadows is a Shadowhunters novel.
Emma Carstairs has finally avenged her parents. She thought she'd be at peace. But she is anything but calm. Torn between her desire for her parabatai Julian and her desire to protect him from the brutal consequences of parabatai relationships, she has begun dating his brother, Mark. But Mark has spent the past five years trapped in Faerie; can he ever truly be a…
I am a licensed marriage and family therapist, and I also have my Ph.D. in somatic psychotherapy. In my clinical practice, I noticed how many smart, kind women were trapped in trauma bonds. So, I researched the topic and decided to write a book to help women understand the complex psychological process of trauma bonds and how to recover from coercive control and abuse. Also, my ex-husband is the "Wolf of Wall Street", so I have personal experience of a trauma bond as well.
I loved this book by Dr. Carnes because he presents an in-depth study of toxic relationships, why they form, who is most susceptible, and how they become so powerful.
The book kept my interest with how Dr. Carnes gave a clear explanation of the bond that compels people to tolerate the intolerable.
I also respected how the author provides practical steps to identify compulsive attachment patterns and ultimately to change or end them for good.
For seventeen years The Betrayal Bond has been the primary source for therapists and patients wrestling the effects of emotional pain and harm caused by exploitation from someone they trusted.
Divorce, litigation, incest and child abuse, domestic violence, kidnapping, professional exploitation and religious abuse are all areas of trauma bonding. These are situations and relationships of incredible intensity or importance lend themselves more easily to an exploitation of trust or power.
In The Betrayal Bond, Dr. Carnes presents an in-depth study of these relationships; why they form, who is most susceptible, and…
I’m a poet, novelist, and Senior Lecturer in Creative Writing at Teesside University in the UK. I like to write and read about particularly gender power dynamics, and how those come to play in domestic situations. I love lyrical novels and books that explore characters’ interiority, and I’m interested in how, generally speaking, ‘toxic’ and ‘abusive’ relationships have become synonymous – even though they are quite different. These novels helped me write my own, and I hope you’ll enjoy reading them as much as I did!
When I Hit You is a shattering and visceral account of a woman’s short-lived but harrowing abusive marriage, her family’s determination that she stay in that marriage, and her family’s way of understanding her ordeal once she has escaped.
Kandasamy writes with brutal detail of the husband’s total control of the narrator, who tries again and again to understand her experiences – and escape from them – through her writing. It is a powerful novel about resilience, courage, and determination, which, despite its subject matter, avoids sensationalism.
SHORTLISTED FOR THE WOMEN'S PRIZE FOR FICTION 2018 LONGLISTED FOR THE DYLAN THOMAS PRIZE 2018 SHORTLISTED FOR THE JHALAK PRIZE 2018
Guardian's Best Books of 2017 Daily Telegraph's Best Books of 2017 Observer Best Books of 2017 Financial Times Best Books of 2017
"Meena Kandasamy's vivid, sharp and precise writing makes a triumph of When I Hit You: Or, a Portrait of the Writer as a Young Wife(Atlantic)"- Guardian
Seduced by politics, poetry and an enduring dream of building a better world together, the unnamed narrator falls in love with a university professor. Moving with him to a rain-washed coastal…
I've been studying people at work for over 40 years, starting as an undergraduate at Cornell’s School of Labor Relations. As a student, I got involved with the trade union movement in the US, and worked as an assembly-line worker and fruit picker on kibbutzim in Israel. These hands-on experiences made me want to understand and have an impact on the way people spend most of their working hours. I’ve collected survey data from literally thousands of workers in dozens of studies conducted around the world. I’ve published more articles in scholarly journals than I ever imagined possible. And while I’m still passionate about the study of work, I’ve yet to really understand it.
Aside from my research on rewards management, pro-social organizational behavior, and employee substance misuse, I’ve focused a lot of my attention on workplace incivility.
Bob Sutton’s book was one of the factors leading me to look at this topic. We’ve all encountered incivility at work and all know – at least implicitly – how it impacts us. Sutton’s book was one of the first to make sense – at least for me – of such behavior, not only by identify the “dirty dozen” (12 highly prevalent manifestations of workplace incivility), but also by detailing how damaging such behavior can be to individuals and the organizations employing them.
Aside from giving me insight into the prevalence and nature of employee MIS-management, this book was the start of a personal journey to discover some of the less obvious (but potentially more robust) implications of such problematic organizational behavior.
When the Harvard Business Review asked Robert Sutton for suggestions for its annual list of Breakthrough Ideas, he told them that the best business practice he knew of was 'the no asshole rule'. Sutton's piece became one of the most popular articles ever to appear in the HBR. Spurred on by the fear and despair that people expressed, the tricks they used to survive with dignity in asshole-infested places, the revenge stories that made him laugh out loud and the other small wins that they celebrated against mean-spirited people, Sutton was persuaded to write THE NO ASSHOLE RULE. He believes…
I’m a poet, novelist, and Senior Lecturer in Creative Writing at Teesside University in the UK. I like to write and read about particularly gender power dynamics, and how those come to play in domestic situations. I love lyrical novels and books that explore characters’ interiority, and I’m interested in how, generally speaking, ‘toxic’ and ‘abusive’ relationships have become synonymous – even though they are quite different. These novels helped me write my own, and I hope you’ll enjoy reading them as much as I did!
Sometimes the most toxic relationships are born out of an all-consuming desire to become friends (or more).
So is the case for the narrator of Second Place, M, who becomes obsessed with impressing an artist, L, who stays in her home during the COVID-19 pandemic. L is an awful guest, but M is cringe-worthy in her attempts to impress him, as she begins to reflect on her relationship with her daughter, her husband, and her own body.
The novel is indebted to the Mabel Dodge Luhan’s 1932 memoir Lorenzo in Taos, about DH Lawrence’s stay at her artists’ colony in New Mexico. Lawrence threatened to ‘destroy’ his hostess, as L threatens M in this novel. With every twist and turn, Second Place becomes more surreal, horrifying, and darkly humorous.
A haunting fable of art, family, and fate from the author of the Outline trilogy.
A woman invites a famous artist to use her guesthouse in the remote coastal landscape where she lives with her family. Powerfully drawn to his paintings, she believes his vision might penetrate the mystery at the center of her life. But as a long, dry summer sets in, his provocative presence itself becomes an enigma―and disrupts the calm of her secluded household.
Second Place, Rachel Cusk’s electrifying new novel, is a study of female fate and male privilege, the geometries of human relationships, and the…
Sonia Frontera is a divorce lawyer with a heart. She is the survivor of a toxic marriage who is now happily remarried. Sonia integrates the wisdom acquired through her personal journey, her professional experience and the lessons of the world’s leading transformational teachers and translates it into guidance that is insightful and practical. Through the years, Sonia has supported domestic violence survivors as an advocate, speaker, and empowerment trainer.
Divorce is a devastating experience, especially where ending a marriage is viewed as a separation, not only from your spouse, but from your church as well. In God, the Devil and Divorce, Linda M. Kurth shares her personal divorce journey in spite of the opposition of her community of faith to escape the pain of an abusive marriage. She emerges triumphantly as a trailblazer for Christian women enduring spousal abuse, offering hope and reassuring them that life goes on—and happily.
God, The Devil, and Divorce tells the story of a Christian woman's marriage and divorce recovery from her "crazymaking" spouse; and how she learned to trust God along the way.
How could Linda Moore Kurth's marriage that once seemed so right become so wrong? Put-downs, shaming, and distancing grow into habitual emotional abuse. Counseling provides glimmers of hope, only for that hope to fade. She is shocked when her latest Christian counselor tells her, "If you divorce, Satan wins."
Linda receives a dichotomy of reactions from other Christians for her ultimate decision to leave her marriage. Betrayal and heartache bring…
