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I read Pride and Prejudice for the first time when I was ten years old, and I loved the book so much that I reread it a few months later. In my teenage years and early twenties, I thought that I was like Elizabeth Bennet—she’s witty and opinionated, goes her own way, and loves to read books and play the pianoforte. As I grew older, I realized that in many ways I'm more like Mary Bennet (social situations can be difficult!). Jane Austen always offers me new insights into my life, and her stories have become a sort of mythology, providing fertile ground from which writers and filmmakers have created their own works.
Jane Austen wrote and revised most of her novels in a cottage lent to her by her brother in Chawton, England. This book is a fictional account of a group of individuals in post-World War II Chawton who are all lost—or have experienced great loss. They band together in an attempt to save Jane Austen’s home from destruction. I loved getting to experience the story from each of the character’s perspectives, and the author’s prose is delightful. This novel is a testament to how people from all walks of life have been changed by Jane Austen, and how reading Jane Austen can save us.
'A wonderful book, a wonderful read' Karen Joy Fowler, bestselling author of The Jane Austen Book Club
Only a few months after the end of the Second World War, a new battle is beginning in the little village of Chawton. Once the final home of Jane Austen, the Chawton estate is dwindling, and the last piece of Austen's heritage is at risk of being sold to the highest bidder...
Drawn together by their love of her novels, eight very different people - from a local farmer to a glamorous film star - must unite to attempt something…
Before fan fiction was popular, I would often daydream about the lives of my favorite book characters. Did Jane Eyre gain more confidence from her inheritance? Did Ponyboy find a way to survive his tragic childhood? Decades later, I gravitate toward retellings, often picking them up simply because I like the source material. Still, when I started working on this list, I realized what a daunting task I’d set myself. There are so many! And I haven’t even read two recently lauded titles: Barbara Kingsolver’s Demon Copperhead and Percival Everett’s James. So hat in my hand, I present these favorites ranging from serious to light-hearted.
Jane Eyre but she’s a serial killer? That’s a must-read book for me. And this one lives up to its creative premise. Like her namesake, this Jane lives in Victorian England, but she takes a decidedly more direct approach to dealing with her oppressors.
As the body count rises, so do her qualms. I enjoyed the parallels of this romp to the original, including the inevitable love story, and appreciated the unexpected twists and turns. With many retellings, it’s easy to guess how the plot will unfold—not so with this dagger of a book.
'Reader, I murdered him.' JANE STEELE is a brilliant Gothic retelling of JANE EYRE from Edgar-nominated Lyndsay Faye, for fans of LONGBOURN and PRIDE AND PREJUDICE AND ZOMBIES.'I loved it' - Elly Griffiths
** JANE STEELE HAS BEEN NOMINATED FOR AN EDGAR AWARD FOR BEST NOVEL 2017 **
Like the heroine of the novel she adores, Jane Steele suffers cruelly at the hands of her aunt and schoolmaster. And like Jane Eyre, they call her wicked - but in her case, she fears the accusation is true. When she flees, she leaves behind the corpses of her tormentors. A fugitive…
I read Pride and Prejudice for the first time when I was ten years old, and I loved the book so much that I reread it a few months later. In my teenage years and early twenties, I thought that I was like Elizabeth Bennet—she’s witty and opinionated, goes her own way, and loves to read books and play the pianoforte. As I grew older, I realized that in many ways I'm more like Mary Bennet (social situations can be difficult!). Jane Austen always offers me new insights into my life, and her stories have become a sort of mythology, providing fertile ground from which writers and filmmakers have created their own works.
This is a brilliant book that you will want to read in print—not digitally—because, for every single page of Jane Austen’s classic novel, there is an accompanying page of annotations. This is a great book if you want to dive deeper into Pride and Prejudice. The annotations include pictures of carriages and locations in the novel; historical details that helped me understand property laws, relationships, and societal expectations; definitions and connotations of how words were used in Austen’s time, and much more. It’s written in a very readable style, and you can either read it from start to finish or skip around to your favorite passages.
Product Description This first-ever fully annotated edition of one of the most beloved novels in the world is a sheer delight for Jane Austen fans. Here is the complete text of Pride and Prejudice with more than 2,300 annotations on facing pages, including: Explanations of historical context Rules of etiquette, class differences, the position of women, legal and economic realities, leisure activities, and more. Citations from Austen’s life, letters, and other writings Parallels between the novel and Austen’s experience are revealed, along with writings that illuminate her beliefs and opinions. Definitions and clarifications Archaic words, words still in use whose…
I read Pride and Prejudice for the first time when I was ten years old, and I loved the book so much that I reread it a few months later. In my teenage years and early twenties, I thought that I was like Elizabeth Bennet—she’s witty and opinionated, goes her own way, and loves to read books and play the pianoforte. As I grew older, I realized that in many ways I'm more like Mary Bennet (social situations can be difficult!). Jane Austen always offers me new insights into my life, and her stories have become a sort of mythology, providing fertile ground from which writers and filmmakers have created their own works.
Not only do I love Jane Austen, but I’ve always been a huge fan of both young adult novels and science fiction. This book combines all three interests! This retelling of Persuasionis set in a futuristic science fiction world in which class systems are alive and well and technology is being suppressed. I loved the second-chance romance between Elliot and Kai and the inventive use of the setting to create societal commentary.
It's been several generations since a genetic experiment gone wrong caused the Reduction, decimating humanity and giving rise to a Luddite nobility who outlawed most technology.
Elliot North has always known her place in this world. Four years ago Elliot refused to run away with her childhood sweetheart, the servant Kai, choosing duty to her family's estate over love. Since then the world has changed: a new class of Post-Reductionists is jumpstarting the wheel of progress, and Elliot's estate is foundering, forcing her to rent land to the mysterious Cloud Fleet, a group of shipbuilders that includes renowned explorer Captain…
I read Pride and Prejudice for the first time when I was ten years old, and I loved the book so much that I reread it a few months later. In my teenage years and early twenties, I thought that I was like Elizabeth Bennet—she’s witty and opinionated, goes her own way, and loves to read books and play the pianoforte. As I grew older, I realized that in many ways I'm more like Mary Bennet (social situations can be difficult!). Jane Austen always offers me new insights into my life, and her stories have become a sort of mythology, providing fertile ground from which writers and filmmakers have created their own works.
This is the published script for a play that I desperately want to see if it’s ever performed near me. Pride and Prejudice* (*sort of) retells Pride and Prejudicefrom the perspective of the servants, who don costumes to act out the scenes of the story, sing karaoke to modern music, and provide hilarious and sometimes ruthless commentary on the characters, their relationship, and what it all means. While sometimes irreverent, the play manages to be both parody and homage to this great novel.
'Love's irrelevant - we're talking about marriage.'
This unique take on Jane Austen's beloved novel is an adaptation like no other, drawing on over two hundred years of romantic pop history, and featuring six young women with a story to tell.
You might have seen them before, emptying the chamber pots and sweeping ash from the grate; the overlooked and the undervalued making sure those above stairs find their happy ending.
Of course, these women have always been running the show - after all, 'You can't have a whirlwind romance without clean bedding' - but now the servants are also…
Before fan fiction was popular, I would often daydream about the lives of my favorite book characters. Did Jane Eyre gain more confidence from her inheritance? Did Ponyboy find a way to survive his tragic childhood? Decades later, I gravitate toward retellings, often picking them up simply because I like the source material. Still, when I started working on this list, I realized what a daunting task I’d set myself. There are so many! And I haven’t even read two recently lauded titles: Barbara Kingsolver’s Demon Copperhead and Percival Everett’s James. So hat in my hand, I present these favorites ranging from serious to light-hearted.
This book is the first retelling that I remember reading, so in some ways, it’s the standard by which I judge all others. Jane Smiley’s Pulitzer-Prize-winning novel imagines King Lear in a contemporary setting with an aging farmer signing over his land to his three daughters.
What I find most remarkable about this project is how Smiley captures the original play's melancholic spirit. There’s a sense of longing for a different past and sequence of events that might have prevented all this familial heartache.
This powerful twentieth-century reimagining of Shakespeare's King Lear centers on a wealthy Iowa farmer who decides to divide his farm among his three daughters. When the youngest objects, she is cut out of his will, which sets in motion a chain of events that brings dark truths to light. Ambitiously conceived and stunningly written, A Thousand Acres spins the most fundamental themes of truth, justice, love, and pride into a universally acclaimed masterpiece.
I love reading adaptations of classics which complicate the original texts in interesting ways, I have just written one myself, The Middle Daughter. Transcultural adaptations, particularly remind us that we are all members of one human family, dealing with the same kind of problems across time and space and cultures. In these times of deepening polarization, it's important to see that there's more that unites us than not.
I read this play in high school, and then later, a university theatre group performed it at our school. It was one of the first plays I ever watched.
It’s a Yoruba (Nigerian) adaptation of Sophocles’ Oedipus Rex (and was in fact my introduction to Oedipus Rex) with Yoruba gods replacing the Greek ones, and like Oedipus Rex is a powerful commentary on how inescapable fate is.
In this play, the theme of Sopocles' "Oedipus Rex" is skillfully transplanted to African soil. King Odewale's progress towards knowledge of the murder and incest that must be expiated before his kingdom can be restored to ealth is unfolded with a dramatic intensity heightened by the richness of the play's Nigerian setting. It had its first performance in Nigeria at the Ife Festival of the Arts in 1968, has since been staged with great success in other West African countries, and was awarded the first prize in the African Arts/Arts d'Afrique playwriting contest in 1969.
I love reading adaptations of classics which complicate the original texts in interesting ways, I have just written one myself, The Middle Daughter. Transcultural adaptations, particularly remind us that we are all members of one human family, dealing with the same kind of problems across time and space and cultures. In these times of deepening polarization, it's important to see that there's more that unites us than not.
This is a bold exploration of racism, jealousy, revenge, class, and friendship.
Set in an elementary school in the US in the 1970s, this is a bold re-imagination of Shakespeare’s Othello. Although the characters are children, Chevalier doesn’t devolve into simplistic language and emotions.
She handles heavy themes with a deftness of hand that makes this a compulsively readable, if sometimes uncomfortable book.
'O felt her presence behind him like a fire at his back.'
Arriving at his fourth school in six years, diplomat's son Osei Kokote knows he needs an ally if he is to survive his first day - so he's lucky to hit it off with Dee, the most popular girl in school. But one student can't stand to witness this budding relationship: Ian decides to destroy the friendship between the black boy and the golden girl. By the end of the day, the school and its key players - teachers and pupils alike - will never be the same…
As an immigrant in the United States, I have been fascinated by the dynamics between races and cultures—both in the country and globally. As I travel extensively (63 countries so far), I experience some of the biases firsthand—sometimes in the unlikeliest places. I have come to realize that despite the difference in the color of our skin—and the clothes we wear—we are more alike than different.
I loved the book because of my deep interest in its theme: the radicalization of Muslim youth in Europe. It’s a convincing account of a young Londoner getting drawn to ISIS, which upends a family already mired in tragedy.
The key characters shine in their own narrative, and their respective truths speak to me. I also loved that the writer gives us a snapshot of the lives of the ISIS recruits living in Syria.
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WINNER OF THE WOMEN'S PRIZE FOR FICTION
WINNER OF THE LONDON HELLENIC PRIZE
A BOOK OF THE YEAR IN THE GUARDIAN, OBSERVER, TELEGRAPH, NEW STATESMAN, EVENING STANDAND AND NEW YORK TIMES
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'The book for our times' - Judges of the Women's Prize
'Elegant and evocative ... A powerful exploration of the clash between society, family and faith in the modern world' - Guardian
'Builds to one of the most memorable final scenes I've read in a novel this century' - New York Times
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Isma is free. After years spent raising her twin siblings in the wake of…
I love reading adaptations of classics which complicate the original texts in interesting ways, I have just written one myself, The Middle Daughter. Transcultural adaptations, particularly remind us that we are all members of one human family, dealing with the same kind of problems across time and space and cultures. In these times of deepening polarization, it's important to see that there's more that unites us than not.
FROM THE BOOKER PRIZE-WINNING AUTHOR OF GIRL, WOMAN, OTHER
LONGLISTED FOR THE ORANGE PRIZE FOR FICTION 2009 WINNER OF THE ORANGE YOUTH PANEL AWARD 2009 FINALIST FOR THE HURSTON WRIGHT LEGACY AWARD 2010
'A phenomenal book. It is so ingenious and so novel. Think The Handmaid's Tale meets Noughts and Crosses with a bit of Jonathan Swift and Lewis Carroll thrown in. This should be thought of as a feminist classic.' Women's Prize for Fiction Podcast
Welcome to a world turned upside down. One minute, Doris, from England, is playing hide-and-seek with her sisters in the fields behind their cottage.…
