Here are 100 books that Under The Volcano fans have personally recommended if you like
Under The Volcano.
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I’m a perfect of exemplar of an author whose party days are decidedly not over, but I’m doubtless at the age/stage where I’m bloody contemplating at least paring down my intakes plural. Not that I’m still at it like a Sophomore or anything but I’m hanging in there. I get a great, tingly buzz (you had to have seen this coming!) recommending great books to keen readers. I live in a library—essentially—and friends who visit for a beer or a spliff most often leave with a book I’ve given them. Now you lot are gonna ask me to lend you some scratch! Now you’ve gone and done it, John! Haha.
I like to recommend difficult books—everyone needs a challenge once in a while and the nihilist Huysmans kind of throws down a literary gauntlet here in that he’s sort of daring you to go with him to the abysses of the modern soul.
This book is indeed way more psychedelic than any 60’s Beat guy or girl ever penned or dreamed.
Right from an early age, I have always been interested in the fallibility of the human condition, being particularly conscious of my own faults. People who are too good to be true are of little interest, except that I want to know their faults or their secrets. I have found myself drawn to complex characters, those who have good and bad characteristics, and some of the novels and movies that I have enjoyed most feature such characters. In my career as a lawyer, I have met all kinds of people who have made bad decisions or suffered misfortune, and it has always been a pleasure trying to help them.
When I first read this book, I was somewhat mystified by what the fuss was all about. All I could see was a story of a group of dissolute and disillusioned expats living a pointless life of pettiness and drinking. However, as I separately learned more about Hemingway and his writing style, I was drawn back to the book, and on subsequent readings, I was able to discern more in the characters and the plot than was apparent in my first reading.
The protagonist Jake Barnes, impotent because his penis appears to have been shot off as a result of a wound in World War I, is further emotionally damaged, possibly with PTSD from his war experiences and with a cynicism and sadness that engage the reader’s attention.
Jake Barnes is a man whose war wound has made him unable to have sex—and the promiscuous divorcée Lady Brett Ashley. Jake is an expatriate American journalist living in Paris, while Brett is a twice-divorced Englishwoman with bobbed hair and numerous love affairs, and embodies the new sexual freedom of the 1920s. The novel is a roman à clef: the characters are based on real people in Hemingway's circle, and the action is based on real events, particularly Hemingway's life in Paris in the 1920s and a trip to Spain in 1925 for the Pamplona festival and fishing in the…
I grew up in the eighties, and that means I grew up watching movies such as Sixteen Candles, The Breakfast Club, Pretty in Pink, and Say Anything. Thirty years after watching those movies, some iconic scenes have stuck with me: the characters of The Breakfast Club sliding across the hallway to Simple Minds’ song “Don’t You Forget About Me,” John Cusack holding the boombox over his head while blaring Peter Gabriel’s “In Your Eyes,” and the Psychedelic Furs “Pretty in Pink” song playing on the soundtrack of a movie by the same name. The books in this list do a lot with those same ingredients of heartbreak, music, and hope that the characters who so often remind me of myself might find love.
The actor John Cusack brought me to this movie, and I read the book after the movie and loved it. One of the key differences between the movie and the book is that the movie is set in Chicago, and the book in North London. As someone who grew up in the ’80s, I started with Cusack as the nerdy sidekick in Sixteen Candles and became obsessed with his Lloyd Dobler character in Say Anything; you know, the guy who dressed in a trench coat and held a boom box over his head outside a girl’s window.
The narrator of this novel is a record shop owner in London named Rob, and he starts off with his desert island, all-time, top five most memorable breakups, in chronological order. When we’re in the record shop that Rob owns, the guys are always making lists: top 5 guitar solos, top 5…
"I've always loved Nick Hornby, and the way he writes characters and the way he thinks. It's funny and heartbreaking all at the same time."—Zoë Kravitz
From the bestselling author of Funny Girl, About a Boy, A Long Way Down and Dickens and Prince, a wise and hilarious novel about love, heartbreak, and rock and roll.
Rob is a pop music junkie who runs his own semi-failing record store. His girlfriend, Laura, has just left him for the guy upstairs, and Rob is both miserable and relieved. After all, could he have spent his life with someone who has a…
I’m a perfect of exemplar of an author whose party days are decidedly not over, but I’m doubtless at the age/stage where I’m bloody contemplating at least paring down my intakes plural. Not that I’m still at it like a Sophomore or anything but I’m hanging in there. I get a great, tingly buzz (you had to have seen this coming!) recommending great books to keen readers. I live in a library—essentially—and friends who visit for a beer or a spliff most often leave with a book I’ve given them. Now you lot are gonna ask me to lend you some scratch! Now you’ve gone and done it, John! Haha.
Szalay sort of exposes—in the most subtle of ironic ways—how men
delude themselves with respect to their intentions, their character,
their attitudes towards work and women, and all the concomitant notions
of competition contained therein.
He's got, it seems to me, a quite
Hobbesian worldview going—and that, to me, is refreshing! Of course
the writing is for the most part beautiful; but not too beautiful, not
too embellished. A bit plangent. A bit lapidary.
One thing I would say
is, reading him, I am sometimes tempted to cut the last sentence of his
chapters. He often ends with a note, as it were, that strikes me as
bathetic. I wonder if in some way he doesn't trust the reader.
Cutting
the last sentence: that's an old New Yorker magazine trick and I
think—even though this may sound presumptuous—his prose'd benefit…
Nine men. Each of them at a different stage of life, each of them away from home, and each of them striving - in the suburbs of Prague, beside a Belgian motorway, in a cheap Cypriot hotel - to understand just what it means to be alive, here and now.
Tracing an arc from the spring of youth to the winter of old age, All That Man Is brings these separate lives together to show us men as they are - ludicrous and inarticulate, shocking…
I have had a passion for anything vampire since I was a child. This started with films with Bela Lugosi, Nosferatu, and Christopher Lee as Dracula but soon I was into everything and anything to do with these enigmatic immortal beings. Their strength, their passion, their possession, their sense of style, it all hit a nerve. There was something inherently sexy as they stalked their victims as they pursued their eternal love. I paired this with my love of ancient history, mythology, and my pagan roots then wove all these different facets together. I hope you enjoy the writers on my list and hope you enjoy my humble contribution.
Terry was not only a master at reflecting true human nature and touch upon many current issues within his Discworld novels but also a true wordsmith. Thoroughly entertaining, filled with an array of wonderful characters but now also, just when I thought his books could not get any better, vampires. This book has one of my all-time favourites characters in it namely Granny Weatherwax, the best witch that ever lived. She and her fellow witches and a befuddled priest take on the bloodsuckers who threaten the peaceful town of Lancre but be aware you will find yourself laughing out loud while reading this or any other of the disc world novels and incurring worried glances from the strangers around you. A great series to chase away the blues.
A beautiful hardback edition of the classic Discworld novel
In this and indeed other lives there are givers and takers. It's safe to say that vampires are very much in the latter camp. They don't have much time for the givers of this world - except perhaps mealtimes - and even less for priests.
Mightily Oats has not picked a good time to be a priest.
Lancre's newest residents are a thoroughly modern, sophisticated vampire family. They've got style and fancy waistcoats. They're out of the casket and want a bite of the future. But they haven't met the neighbours…
I have always loved literature, especially for its daring use of language. That’s how I became interested in the weird and strange styles of the nineteenth century. For many scholars, the Victorian novel is the most realistic form of writing ever produced and the closest that the novel comes to cinema—so if you notice an author’s style, then something’s gone wrong because it disrupts the illusion of reality. But it doesn’t take much to realise that even the most realistic novels have styles that are highly distinct and that the Victorian period is full of other writers whose styles are bizarre, extreme, or fascinatingly eccentric.
Today, Thackeray is best remembered for Vanity Fair, but many of his fellow writers—including Anthony Trollope and later Virginia Woolf—thought Henry Esmond was his best book. The story itself can be hard to appreciate, delving into the intricacies of eighteenth-century politics. George Eliot called it “the most uncomfortable book you can imagine” because the hero ends up marrying his mother (figure).
The real charm of the book lies in its style, which is a painstaking pastiche of English in the age of Queen Anne. Thackeray insisted that the first edition be published using an eighteenth-century font to ensure the illusion was complete. Peppered with appearances by real historical figures (such as the poet Jonathan Swift), Henry Esmond set a new standard for the historical novel in English and paved the way for the parodies of later periods.
'What spectacle is more august than that of a great king in exile? Who is more worthy of respect than a brave man in misfortune?' When "Henry Esmond" appeared in 1852, noted writers and critics of the time acclaimed it as the best historical novel ever written. Set in the reign of Queen Anne, the story follows the troubled progress of a gentleman and an officer in Marlborough's army, as he painfully wrestles with an emotional allegiance to the old Tory-Catholic England until, disillusioned, he comes to terms of a kind with the Whiggish-Protestant future. This change also entails a…
My first editor informed me I was a mystery writer and my first mystery conference categorized me as a Southern humorous mystery writer. I didn’t intend to write Southern humorous mysteries but find the world-view of my characters and the world they live in quite comical and southern (my characters and I live in Georgia). I also abhor crime, so the dead bodies that keep appearing in my stories need to be dealt with lightly. I’m happy to be a Wall Street Journal bestselling and international award-winning author with eighteen books and counting in three series, Cherry Tucker Mysteries, Maizie Albright Star Detectives, and Finley Goodhart Crime Capers.
Southern Appalachia is as southern as the Cotton Belt, but the Smokies have a culture as unique as the bayou or the western reaches of Texas. Sharyn McCrumb has a wealth of historical knowledge when it comes to the Blue Ridge Appalachians, but she knows mountain folk's minds and motivations even more. McCrumb’s amateur sleuth Elizabeth MacPherson series’ is satirical and wry, full of wit and grit. Rock solid mysteries mired in history and loaded with character. I love them all, but the last is my favorite. The title alone makes me smile.
Bestselling author Sharyn McCrumb, internationally acclaimed for the "quiet fire"* of her Appalachian Ballad novels, clearly has a dark side--a wicked, sardonic wit that has prompted critics to compare her to Jane Austen and Jonathan Swift.
Readers and reviewers alike also have lauded Ms. McCrumb for her inspired chronicles of forensic anthropologist Elizabeth MacPherson. In her newest tale in the MacPherson saga, McCrumb examines society's fascination with beauty--and the deceptiveness of outer appearances. Elizabeth herself, hospitalized for depression over her missing husband, learns that insanity liberates one from polite hypocrisy, enabling a "crazy lady" to remark: "Anorexia is not a…
I have spent my life both in the classroom (as a university professor) and out of it as a passionate, committed reader, for whom books are as necessary as food and drink. My interest in poetry dates back to junior high school, when I was learning foreign languages (first French and Latin, and then, later, Italian, German, and ancient Greek) and realized that language is humankind’s most astonishing invention. I’ve been at it ever since. It used to be thought that a writer’s life was of little consequence to an understanding of his or her work. We now think otherwise. Thank goodness.
This is where it all started. The beginning of modern criticism.
Samuel Johnson was the first and greatest English literary critic, whose life and work were memorably recorded by his friend James Boswell.
Johnson himself, an exemplary, even obsessive, man of letters, wrote these 52 short biographies of figures, many still canonized today (John Milton, John Dryden, Jonathan Swift, William Congreve, but no women, alas) and he shows with sympathy and good sense how an understanding of a writer’s life helps us to understand his work as well.
Johnson was luminous. His prose is dazzling. He was a prodigious writer and thinker.
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
Like a caricature, satire lets you see reality better by exaggerating it. When satire is done right, every element, from the overall plot to the characters to paragraph-level details, is there to cast an exposing light on some part of our real world. They are books that exist on many levels, expose hubris and essential misunderstandings, and generally speak truth to power. They should leave the reader reassessing core assumptions about how the world works. I’ve written a best-selling nonfiction book about machine learning in the past, and I probably could have taken that approach again, but AI and American politics are both ripe for satire.
This book taught me that great satire spares no one. It’s not about one group in society or one ideology—it skewers all of them equally, one after another until we see the flaws in human nature that underlie all of them. You could say it’s a very pessimistic book, but I didn’t read it that way.
Seeing your shortcomings, individual or social, is the first step to overcoming them.
'Thus, gentle Reader, I have given thee a faithful History of my Travels for Sixteen Years, and above Seven Months; wherein I have not been so studious of Ornament as of Truth.'
In these words Gulliver represents himself as a reliable reporter of the fantastic adventures he has just set down; but how far can we rely on a narrator whose identity is elusive and whoses inventiveness is self-evident? Gulliver's Travels purports to be a travel book, and describes Gulliver's encounters with the inhabitants of four extraordinary places: Lilliput, Brobdingnag, Laputa, and the country of the Houyhnhnms. A consummately skilful…
I’ve been traveling since age seventeen when I boarded a plane and headed to Europe on my own. Over the next three years I lived in London, took weekend jaunts across the continent, and became completely bitten by the travel bug. Since then, I’ve traveled to more than 95 countries. I’ve lost and gained friends and lovers and made a radical career change so that I could afford my travel addiction. Like my readers, I am an ordinary person. Through travel I’ve learned courage and risk-taking and succeeded at things I didn’t know I could do. My goal in writing is to inspire others to take off and explore the world.
Shortly after it was first published, I picked this book up in the bookstore at Heathrow on my way home from a business trip. I spent the entire flight glued to it and laughing out loud.
This was Bryson’s first travel book and one that changed my perception of what travel writing could be. It is perceptive, irreverent, and focuses on the small, often quirky, details that make travel so interesting. I am now a huge fan of all of Bryson’s books, but this was the one that got me hooked.
In 1995, before leaving his much-loved home in North Yorkshire to move back to the States for a few years with his family, Bill Bryson insisted on taking one last trip around Britain, a sort of valedictory tour of the green and kindly island that had so long been his home. His aim was to take stock of the nation's public face and private parts (as it were), and to analyse what precisely it was he loved so much about a country that had produced Marmite; a military hero whose dying wish was to be kissed by a fellow named…
