Here are 100 books that Two Boys Kissing fans have personally recommended if you like
Two Boys Kissing.
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I’ve always been fascinated by stories of myth, magic, and ancient cultures. I grew up devouring everything I could get my hands on, but it seemed like voices were missing in so many myths and legends. Persephone isn’t even the main character in her own myth. Aphrodite, Helen, and countless other women were painted with the same depthless brush. I wanted to know their stories, and as I grew older, I realized I wanted to tell them. The authors of the books in this list are kindred spirits. Countless hours of research and reading went into these stories, and their love for the subject shines through the text.
Ever since reading this book, I *can’t* think of the original version of the Iliad without referencing his haunting retelling from Patroclus’ perspective. Miller did such an incredible job putting me in the story and making the characters so real that I actively missed them when I put the book down.
It doesn’t hurt that it has some of the most beautiful poetic language I’ve encountered in story form. Helen is more of a background character playing her classic role, but I was still fascinated because Miller plays on the demigod aspect of both Helen and Achilles in a way that makes them steal any scene they’re in. There’s a quiet power to them that transcends the page.
**OVER 1.5 MILLION COPIES SOLD** **A 10th ANNIVERSARY SPECIAL EDITION, FEATURING A NEW FOREWORD BY THE AUTHOR**
WINNER OF THE ORANGE WOMEN'S PRIZE FOR FICTION THE INTERNATIONAL SENSATION A SUNDAY TIMES AND NEW YORK TIMES BESTSELLER
'Captivating' DONNA TARTT 'I loved it' J K ROWLING 'Ravishingly vivid' EMMA DONOGHUE
Greece in the age of heroes. Patroclus, an awkward young prince, has been exiled to the court of King Peleus and his perfect son Achilles. Despite their differences, Achilles befriends the shamed prince, and as they grow into young men skilled in the arts of war and medicine, their bond blossoms…
I’ve always been a big fan of sci-fi and fantasy, especially anything involving superheroes or D&D-style adventure. For the longest time, I had to find queer representation through subtle glances and creative readings of characters. I loved these stories for the sci-fi and fantasy elements, but it was frustrating that every love story that came up was straight. It didn’t feel possible for queer love to be a part of a plot, and even when there was a queer character it had a “very special episode” vibe to it. Finally, queer characters are becoming part of the story, and it doesn’t have to be a “big deal.”
I love a soft sci-fi and Adam Silvera knows how to deliver.
What makes his world different from ours is a technology that can let people know the day they are going to die, on that day, so they have a chance to say goodbye. It provides such potential for deep introspection (for his readers as much as his characters) and heartbreak.
From the author of the INTERNATIONAL NO. 1 BESTSELLER THEY BOTH DIE AT THE END comes an explosive examination of grief, mental illness, and the devastating consequences of refusing to let go of the past.
Please note that covers may vary.
You're still alive in alternate universes, Theo, but I live in the real world where this morning you're having an open casket funeral. I know you're out there, listening. And you should know I'm really pissed because you swore you would never die and yet here we are. It hurts even more because this isn't the first promise you've…
I have always been a lover of love stories, yet it can be difficult to find “love stories” that aren’t put into other boxes or aren’t genre romances. My debut is also a family drama that spans sixty years of the twentieth century, but it’s a love story at its core. It’s sometimes classified as a romance because it’s a love story set on a beach. Still, it doesn’t quite fit into typical romance frameworks, which have characters meet and pulled apart before finally ending up back together. My book, instead, explores the reality of loving someone over decades and building a life together.
This is one of those books I am in awe of. Deeply immersive, I had to be pried away from this story once I began. The writing is spectacular and an absolute masterclass on writing chemistry between characters and writing young love.
This book falls on nearly any top-five list of mine. It is truly stunning and heartbreaking in turn. (Sorry, this isn’t a very light list, is it??) But to me, what makes love stories powerful is all the ways that love can be lost, the truth that love can be fleeting, impossible to hold onto forever, even if you have spent a lifetime with the one you love, at some point we all have to say goodbye. This is what makes love so beautiful.
Now a Major Motion Picture from Director Luca Guadagnino, Starring Armie Hammer and Timothee Chalamet, and Written by James Ivory
WINNER BEST ADAPTED SCREENPLAY ACADEMY AWARD Nominated for Four Oscars
A New York Times Bestseller A USA Today Bestseller A Los Angeles Times Bestseller A Vulture Book Club Pick
An Instant Classic and One of the Great Love Stories of Our Time
Andre Aciman's Call Me by Your Name is the story of a sudden and powerful romance that blossoms between an adolescent boy and a summer guest at his parents' cliffside mansion on the Italian Riviera. Each is unprepared…
I have known that I was gay since I was in second grade and kissed a boy on the playground. But that wasn’t the only way that I knew. Coaches, bullies, religion, and family warned me by namecalling, violence, and intimidation. It wasn’t until I was in college that I heard homosexuality portrayed in a positive light. Thank you, Walt Whitman. Then I saw The Adventures of Priscilla, Queen of the Dessert, and knew that I had to go on my own adventure in search of my gay tribe. Novels can be a tribe. I hope the books on my list give you a place to find acceptance and love.
Tin Man weaves the beauty and meaning of Van Gogh’s oeuvre into a background for a story that is written like poetry. Time is a main character who is sometimes kind, but mostly cruel. Separation, loss, and longing are themes that all people can relate to but when seen through the perspective of a character who identifies as LGBTQ+ it heightens and clarifies those human experiences in a way that draws a reader from any background deeper into an exploration of what the passing of time means and the consequences of ignoring the herald of each minute that ticks by.
The beautiful and heartbreaking new novel from Sarah Winman, author of the international bestseller WHEN GOD WAS A RABBIT.
'Her best novel to date' Observer 'An exquisitely crafted tale of love and loss' Guardian 'A marvel' Sunday Express 'Astoundingly beautiful' Matt Haig
It begins with a painting won in a raffle: fifteen sunflowers, hung on the wall by a woman who believes that men and boys are capable of beautiful things.
And then there are two boys, Ellis and Michael, who are inseparable. And the boys become men, and then Annie walks into…
I came of age in Oklahoma as a gay youth in the late 1970s and early 1980s, keeping myself hidden out of safety and shame. Once I was old enough to leave my small-minded town and be myself, I crashed headlong into the oncoming AIDS epidemic. It set me on a path to understanding the world and my place in it as a homosexual. I turned to reading about the lives and histories of those who came before me, to learn about their deaths and survivals in what could be an ugly, brutal world. These works continue to draw me, haunt me, and inspire me to share my story through my writing.
I’ve always thought of this book as a gay “bodice-ripper,” though a bit on the darker side. And it’s the darkness that haunts me still some two decades after first reading it.
The love story, if one can call it that, verges on and then outright plunges into brutal obsession between the two main male characters, and even though I knew I shouldn’t, I rooted for them.
Beyond the intensity of the relationship between the main characters, the writing, steeped in the history of the English Revolution, is wonderful–strong and brutal and raw and visceral. I’ve returned to this novel repeatedly over the years, and its impact never lessens. Truly a marvel of a novel.
Transplant Othello to the tumult of a country in social and political flux and en route to regicide -- England in the 1640s -- and render him uncertain about his sexuality, and you have the makings of Jacob Cullen, one of the most commanding characters in contemporary writing. As the book opens, Jacob is an educated, vigorous and dauntingly strong manservant in a Royalist household, who has begun to imbibe god-fearing revolutionary pamphlets. He is on the brink of marriage to his virginal sweetheart, but is unsure of his emotional needs, and in possession of a boiling point he reaches…
As a writer, I’ve found that learning about other writers and their processes helps me. Over the years, I’ve devoured the memoirs and letters of writers like Madeleine L’Engle, Audre Lorde, and Zora Neal Hurston. In 2006, when I started a writing program for young people in my city, I brought these writers’ words to use as writing prompts. When I researched my book, Mightier Than the Sword, I read dozens of anthologies to find people who used writing to make a difference in their fields—science, art, politics, music, and sports. I will always be grateful for those anthologies—because they broadened my knowledge and introduced me to so many interesting people.
This book features 70 stories of women and nonbinary people who are making a difference in the world. I was delighted by the vast array of people covered in the book, which begins with a foreword by Canadian pop duo Tegan and Sara. Teens will be excited to find leaders from every part of society profiled in the book: performers, politicians, professors, and more. I could start name dropping, but I won’t—because it’s much more fun for you to dig into the book and be surprised by how many really famous people are working hard to change the world.
An inspiring and radical celebration of 70 women, girls, and nonbinary people who have changed—and are still changing—the world, from the Civil Rights Movement and Stonewall riots through Black Lives Matter and beyond.
With a radical and inclusive approach to history, Modern HERstory profiles and celebrates seventy women and nonbinary champions of progressive social change in a bold, colorful, illustrated format for all ages. Despite making huge contributions to the liberation movements of the last century and today, all of these trailblazers come from backgrounds and communities that are traditionally overlooked and under-celebrated: not just women, but people of color,…
I became interested in Andrew Jackson as an undergraduate student who worked at his Nashville plantation, The Hermitage. Nearly thirty years later, I am still fascinated by Old Hickory. We wouldn’t be friends, and I wouldn’t vote for him, but I consider him essential to understanding the United States’ development between his ascension as a national hero during the War of 1812 and his death in 1845. That we still argue about Jackson’s role as a symbol both of patriotism and of genocide speaks to his enduring significance to the national conversation about what the United States has represented and continues to represent.
A number of books explain the world in which Jackson came to national recognition, but Howe’s provides a decidedly critical view of Old Hickory and his politics. He is clearly sympathetic to the Whigs, opponents of Jackson and his Democratic party; nevertheless, Howe’s book is a good starting point for a broader perspective on Jacksonian America.
The Oxford History of the United States is by far the most respected multi-volume history of our nation. In this prize-winning, critically acclaimed addition to the series, historian Daniel Walker Howe illuminates the period from the battle of New Orleans to the end of the Mexican-American War, an era when the United States expanded to the Pacific and won control over the richest part of the North American continent. Howe's panoramic narrative portrays revolutionary improvements in transportation and communications that accelerated the extension of the American empire. Railroads, canals, newspapers, and the telegraph dramatically lowered travel times and spurred the…
Alex Counts founded Grameen Foundation and became its President and CEO in 1997. A Cornell University graduate, Counts’s commitment to poverty eradication deepened as a Fulbright scholar in Bangladesh, where he trained under Professor Muhammad Yunus, the founder and managing director of Grameen Bank, and co-recipient of the 2006 Nobel Peace Prize. Since its modest beginnings, Grameen Foundation has grown to become a leading international humanitarian organization. Today he is an independent consultant to mission-driven organizations, a prolific writer, and an adjunct faculty member at the University of Maryland who loves to teach nonprofit leadership and related subjects.
This short book hits the nail on the head over and over about what social entrepreneurship is, what it isn’t, why it matters, and how it differs from other approaches to causing social change. I have given it to countless people over the years, especially those seeking their own place in the “do good” ecosystem. On virtually every page, I found multiple insights about the realities of leading social change that I found not only true but also extremely helpful to me as I reflected on my own journey and its highs and lows as well as its more mundane elements and its many absurdities.
In development circles, there is now widespread consensus that social entrepreneurs represent a far better mechanism to respond to needs than we have ever had before-a decentralized and emergent force that remains our best hope for solutions that can keep pace with our problems and create a more peaceful world. David Bornstein's previous book on social entrepreneurship, How to Change the World, was hailed by Nicholas Kristof in The New York Times as "a bible in the field" and published in more than twenty countries. Now, Bornstein shifts the focus from the profiles of successful social innovators in that book-and…
As Iago says in Shakespeare’s Othello, “I am nothing if not critical,” and regardless of what he meant, it applies to me - my intelligence works best at scrutinizing things for their significance. I studied science, worked in the financial sector, read fiction, watched cinema, and developed a sense of the interconnectedness of things. If the connections existed, I thought, there could be no one way of approaching anything; all intellectual paths were valid and the only criterion of value was that it must be intelligent. My book tries to stick to this since a writer may hold any opinions, but he or she must show intelligence.
My adult life can be characterized as a quest to make sense of the larger ecosystem around me, chiefly society, politics, and culture, within a single framework since knowledge is power; knowing and relating is what makes me strong.
I was stunned by the connections that Wallerstein makes across so many disciplines, and how his book empowered me in interactions with the culturally educated and politically knowledgeable.
In World-Systems Analysis, Immanuel Wallerstein provides a concise and accessible introduction to the comprehensive approach that he pioneered thirty years ago to understanding the history and development of the modern world. Since Wallerstein first developed world-systems analysis, it has become a widely utilized methodology within the historical social sciences and a common point of reference in discussions of globalization. Now, for the first time in one volume, Wallerstein offers a succinct summary of world-systems analysis and a clear outline of the modern world-system, describing the structures of knowledge upon which it is based, its mechanisms, and its future.
During my 37 years of teaching philosophy to undergraduate students, most of whom had no prior exposure to it, my purpose was to promote self-examination of the sort practiced and encouraged by Socrates. Such self-examination is upsetting, unsettling. It leads one to insights and realizations one would prefer not to have. But by undermining one’s assumptions, these insights break one open to a whole universe of which one had been oblivious. Breakdowns make possible breakthroughs. My students didn’t realize that, just as I was trying to provoke this kind of spiritual transformation in them, their questions, criticisms, challenges, and insights provoked it in me.
Because Lear is a philosopher and a psychoanalyst, his book has a more academic flavor than the others on my list. But because he’s a philosopher and psychoanalyst attentive to lived experience, his book draws us into the devastating loss suffered by the Crow Nation, and especially by Plenty Coups, their last great chief, when their culture was stripped from them. This was, of course, an irreparable trauma from which it was impossible to recover. But instead of trying to retrieve what was unrecoverable, Plenty Coups turned to the unknowable, unprecedented future with the “radical hope” that it could be charged with transcendent meaning for his people. Perhaps the spiritual life, especially in these crisis-ridden days, consists in learning how to practice such hope.
Shortly before he died, Plenty Coups, the last great Chief of the Crow Nation, told his story-up to a certain point. "When the buffalo went away the hearts of my people fell to the ground," he said, "and they could not lift them up again. After this nothing happened." It is precisely this point-that of a people faced with the end of their way of life-that prompts the philosophical and ethical inquiry pursued in Radical Hope. In Jonathan Lear's view, Plenty Coups's story raises a profound ethical question that transcends his time and challenges us all: how should one face…
