100 books like Twisted Lies

I recommend this book because it is a deep dive into trauma and how it can impact all of our lives. This book helps the reader understand the consequences of trauma and how to ultimately heal from the trauma. In my personal and professional opinion, everyone should read this book to better learn about themselves.

The key to growing and becoming better daily is to have self-awareness. This book helped me develop self-awareness about others and my clients as well. I have learned how to be more empathetic towards others by reading this book.

Devine does a wonderful job of validating our feelings and our needs as we grieve.

It is filled with many wonderful pieces of wisdom about grief. The most helpful insight she offered me was the distinction she drew between the healthy pain of grief versus the unnecessary and unhelpful suffering that so often accompanies grief.

She provides practical advice on how to be kind to ourselves as we grieve. We can’t “fix” our grief and loss, but we can be kind to ourselves on this difficult journey.

I found the novel The Sand Dancer a compelling mystery. I felt sorry for Carrie, the main character, who lost her parents when she was two years old. As I read about Carrie’s troubling life, bouncing from one foster family to another until she turned eighteen, I wanted her to find some answers to her past to have that closure and move on with her future. The suspense in this story is quite a page-turner. She showed that she was a strong woman and quick thinker.

I really like how Essential Art Therapy Exercises focuses on creativity through art, photography, and writing, helping people work through their traumas, anxieties, or concerns. The creative projects in this book are so entertaining that it’s easy to forget there is more to therapy than just sharing the artwork. I enjoyed doing some of the paintings and drawings, and also trying one of the collage projects.

As an historian, I enjoyed Vanessa Winn’s portrayal of Colonial Victoria in The Chief Factor’s Daughter. Hudson Bay Chief Factor, John Work, protects all his daughters with many restrictions on their lives causing his eldest daughter, Margaret, to fear that at age 23 she will never find a suitor and is destined to remain a spinster forever. The author shows a fascinating side of society in 1858 where although Margaret and her sisters belong to the upper class in the fur-trading community, they are also the victims of snobbery and racism because their mother is Metis. Winn’s sequel Trappings continues with the story of Kate Work, another daughter, and both books are a good read for those who love family history.

In one of the finest pieces of world literature, Robert Bringhurst recounts stories of the Haida mythtellers. The isles of Haida Gwaii are 160 km into the Pacific, drenched in rain, mist, and wind. Here was one of the world's richest traditions of story, place, and nature, where myths thought themselves into people. We have the extraordinary sagas of Raven Travelling, Goose Food, and the Qquana Cycle, some individual oral sagas more than 5,000 lines long. “Wealth has big eyes,” said one storyteller. Raven is the trickster of the North, is ingenious, ever-watchful from high spruce and red cedar. “Bring us good luck,” people called out. Says one, “He always fools everybody, so he gets by easy.” Yet many of the Haida people died on contact with colonial invaders, and the coastal villages and rows of totem house poles stand abandoned.

Jen Sookfong has written a debut novel that held my attention throughout. She describes three generations of a Chinese-Canadian family in Vancouver beginning in 1913 when Chan Seid Quan emigrates to Vancouver at the age of 17. Years later after his death at age 94, his grand-daughter, Samantha, is forced to leave Montreal in order to take care of her mother in Vancouver. She feels resentment until she begins to delve into her family’s past and discovers alienation and hardship. Author Sookfong is an expert on immigration and the fate of many Chinese people. This is a beautiful tale of family conflicts set in Vancouver’s Chinatown.

Coupled with Celia’s Song which extends this family saga, this story painted a picture for me about Indigenous history and the interconnected issues on the coast such as the environment, colonization, justice, and transformation. Maracle’s prose reads like poetry, and yet what I found most remarkable was the storytelling. She effortlessly twines together past and present, human and non-human worlds, breaking many rules of Western narrative tradition. Rarely do you run across a book where equal attention is paid to both form and theme. This one does, and it encouraged me to reflect on literary conventions deeply embedded into my subconscious and then ask myself why and, most importantly, how we tell stories.

A mule-drawn wagon train moves precariously along a narrow road carved out of a steep rock wall—this book lives up to the promise of its cover. The book jacket blurb entices lovers of history like me: “British Columbia is regularly described in superlatives both positive and negative—the most spectacular scenery, the strangest political campaigns, the mildest winters, the most rain, the most aggressive resource developers, the biggest peace and environmental movements, the closest Canadian ties to Japan and China, and the richest native culture.” The author, Jean Barman, is one of my mentors and an inspiration to everyone who is interested in British Columbia history.

I loved this book for the beauty of the prose and for Harold Rhenisch’s inimitable voice, his language, his wit, his eye for detail. Rhenisch has published many books of poetry and non-fiction about the BC Interior, and it’s difficult to choose just one. I liked this, a study of the apple and the rose, of pruning trees, of BC Interior orcharding, of a unique lifestyle and culture, and of life and living. Rhenisch is one of the best Canadian writers and should be more well-known.