Here are 100 books that On the Farm fans have personally recommended if you like
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When I was a practicing journalist, I preferred getting my stories from the back road—“off the beaten path,” as is said. What I’m drawn to is the way a story is told, and since my game is journalism, I like the true ones. My father was a pretty good storyteller. My brother-in-law is wicked good. I hang with my jaw open, waiting on his next word. It’s like being able to tell a good joke. Few can do it. When it comes to True Crime, forget the blood and body count. Anyone can lay out the facts. It takes master storytelling to deliver us to the army of small truths that brought forth the crime—and the humanity that dissolved along the way.
I’ve read In Cold Blood at least twice, but I think three times is the actual count. The first time, I was in my early twenties, not yet a writer, and I remember being gobsmacked—love that word—by a single sentence.
I remember reading the sentence again. And again. It was a marvel to me how alive it was, and how it told me all I needed to know about a place to understand that place. Nothing happens here; move on, it said—“Like waters of the river, like the motorists on the highway, and like the yellow trains streaking down the Santa Fe tracks, drama in the shape of exceptional happenings had never stopped there.”
The chilling true crime 'non-fiction novel' that made Truman Capote's name, In Cold Blood is a seminal work of modern prose, a remarkable synthesis of journalistic skill and powerfully evocative narrative published in Penguin Modern Classics.
Controversial and compelling, In Cold Blood reconstructs the murder in 1959 of a Kansas farmer, his wife and both their children. Truman Capote's comprehensive study of the killings and subsequent investigation explores the circumstances surrounding this terrible crime and the effect it had on those involved. At the centre of his study are the amoral young killers Perry Smith and Dick Hickcock, who, vividly…
I’m a crime historian and storyteller. I study old crimes, particularly those of scientific interest, and present my findings in public presentations. Sometimes I write about them-
in the NY Times, Smithsonian, Lancet, Ellery Queen. I’ve researched in autopsy suites, crumbling archives, and crime labs. I was the founder and moderator of the annual Forensic Forum at Stony Brook University. I’ve consulted on criminal matters for PBS, BBC, and commercial stations.
I am fascinated by ancient crime because so much great literature derives from it - the sadly dysfunctional Oedipus family, the fraternal dispute between Cain and Abel- the unhappy Borden family of Fall River. All grist for my mill.
The Blooding recounts a gripping true tale of murders in the picturesque English countryside-but aside from its haunting atmosphere, it is a detailed account of the beginning of DNA as a crime-solving technique. We have come a long way since the mid-1980s, and we can get much more information from newer DNA methods, but the detailed explanation of exactly how this worked as a revolutionary method is invaluable. Reading this book puts the reader at the very beginning of a revolution.
Fifteen-year-old Lynda Mann's savagely raped and strangled body is found along a shady footpath near the English village of Narborough. Though a massive 150-man dragnet is launched, the case remains unsolved. Three years later the killer strikes again, raping and strangling teenager Dawn Ashforth only a stone's throw from where Lynda was so brutally murdered. But it will take four years, a scientific breakthrough, the largest manhunt in British crime annals, and the blooding of more than four thousand men before the real killer is found.
When I was a kid growing up in Vancouver my parents had a collection of books arranged on shelves around the living room. The only one I remember taking down and actually reading was an early history of the city. I recalled being impressed by the simple fact that someone had thought my hometown was interesting enough to write about, not something that was self-evident to a cocky teenager. Many years later, some two dozen books of my own under my belt, I decided maybe I’d earned the right to take a crack at the city myself.
Janet Smith was a young Scottish housemaid who was murdered in the home of her well-to-do employer in 1924. Never solved, the murder is one of the most celebrated crimes in Vancouver history, featuring political corruption, racial animosity, sex, drugs, and jazz. The book is a wonderful evocation of life in the city in the 1920s when it was emerging from world war and recession and finding its feet as a cosmopolitan community with pretensions to economic leadership. This is one of the first books I ever read about Vancouver history and it remains a favourite.
Literary Nonfiction. New Edition as part City of Vancouver's Legacy Book Project, with foreword by historian Daniel Francis. WHO KILLED JANEY SMITH? examines one of the most infamous and still unsolved murder cases in Canadian history: the 1924 murder of twenty-two-year-old Scottish nursemaid Janet Smith. Originally published in 1984, and out of print for over a decade, this tale of intrigue, racism, privilege, and corruption in high places is a true-crime recreation that reads like a complex thriller.
Anvil Press is pleased to be reissuing this title as part of the City of Vancouver's Legacy Book Project. This new edition…
I’ve been fascinated by true murder cases ever since I started reading about them when I was sixteen years old. They draw on all your senses and emotions: your curiosity about the psychology behind the killer’s actions and your horror and sympathy for the victims, their families, and the families of the killers because they suffer too. As a writer I am particularly drawn to apparent miscarriages of justice and I think there must be a secret detective hidden deep in my soul because I love to delve and investigate these. I wrote my first book after retiring from my long career in Social Services and Mental Health Services.
In the early 1970s true crime writer Ann Rule discovered that the close friend she had been working with for several years was in fact the serial killer Ted Bundy. As a caring person she must have been completely shocked and horrified, but she would know at some level deep inside her that as a true crime writer she had been given a unique gift: the opportunity to write about a terrible crime from a very personal perspective. I was given the same “gift” when in 2014 I found an account of a murder that my grandma told me about many years ago, and I uncovered a miscarriage of justice. This led to me writing my first book and the rest as they say “is history”—I started a whole new career as a true crime writer.
In 1971, while working the late-shift at a Seattle crisis clinic, true-crime writer Ann Rule struck up a friendship with a sensitive, charismatic young coworker: Ted Bundy. Three years later, eight young women disappeared in seven months, and Rule began tracking a brutal mass murderer. But she had no idea that the "Ted" the police were seeking was the same Ted who had become her close friend and confidant. As she put the evidence together, a terrifying picture emerged of the man she thought she knew-his magnetic power, his bleak compulsion, his double life, and, most of all, his string…
I've loved writing since childhood when I lived in an 18th-century farmhouse in England that I was convinced was haunted. I'm now passionate about the history of British Columbia where I live today, and have written over twenty non-fiction historical books, true crime books, historical columns, and numerous articles for magazines and newspapers. My own forthcoming fictional trilogy, The McBride Chronicles, tells the story of a fictional family from the beginnings of British Columbia until present day so I can truly say I love all fiction set in our beautiful province by BC writers. I'm delighted that we have so many talented fiction writers in the province including the ones I recommend.
Jen Sookfong has written a debut novel that held my attention throughout. She describes three generations of a Chinese-Canadian family in Vancouver beginning in 1913 when Chan Seid Quan emigrates to Vancouver at the age of 17. Years later after his death at age 94, his grand-daughter, Samantha, is forced to leave Montreal in order to take care of her mother in Vancouver. She feels resentment until she begins to delve into her family’s past and discovers alienation and hardship. Author Sookfong is an expert on immigration and the fate of many Chinese people. This is a beautiful tale of family conflicts set in Vancouver’s Chinatown.
In the tradition of Amy Tan and Jhumpa Lahiri, a moving portrait of three generations of family living in Vancouver's Chinatown
From Knopf Canada's New Face of Fiction program--launching grounds for Yann Martel's Life of Pi and Ann-Marie MacDonald's Fall on Your Knees--comes this powerfully evocative novel.
At age eighteen, Seid Quan is the first in the Chan family to emigrate from China to Vancover in 1913. Paving the way for a wife and son, he is profoundly lonely, even as he joins the Chinatown community.
Weaving in and out of the past and the present, The End of East…
When I was a kid growing up in Vancouver my parents had a collection of books arranged on shelves around the living room. The only one I remember taking down and actually reading was an early history of the city. I recalled being impressed by the simple fact that someone had thought my hometown was interesting enough to write about, not something that was self-evident to a cocky teenager. Many years later, some two dozen books of my own under my belt, I decided maybe I’d earned the right to take a crack at the city myself.
This unusual book is a tour through the working-class city in the middle of the last century. This is a portrait of Vancouver when working people occupied the waterfront, instead of glittering condo towers. Knight imagines taking a trip on the old No.20 streetcar that once ran the length of the city’s eastside waterfront, painting an evocative portrait of the mills, docks, flophouses, and beer parlours that occupied the strip. Then he turns the book over to a series of personal reminiscences from men and women who called the neighbourhood home. Vancouver prides itself today on being a world-class destination for the global super-rich. This is where it came from.
In Along the No. 20 Line, Rolf Knight takes the reader on a tour through working class East Vancouver of a century ago.
Knight's "through line" is literally a line: the old No. 20 Streetcar Line that ran between downtown Vancouver and the present day neighbourhood of the Pacific National Exhibition. From 1892 to 1949, when it was shut down and replaced by the No. 20 Granville / Victoria Drive bus, the No. 20 line took thousands of Vancouverites back and forth from their East Van homes to their jobs along the waterfront, on the docks, in mills, factories and…
Why Vancouver? Yes, it's my hometown, but I've lived in other places for about 20 years of my life, and I'm anything but a thoughtless booster. Vancouver is a beautiful city, but it's a conflicted one between dreamers of its potential greatness, people wanting a laid-back West Coast lifestyle, and those for whom it's the end of the poverty road with the mildest climate in Canada. Thinking about it, painting it, and writing about it—it's an itch I have to scratch.
A crash course in how the city's evolution has been shaped by its buildings old and new, their architects and developers, and touching on the campaigns to make the city "world class" while others try to hang on to its historic areas. Presented in an engaging tour format with excellent colour photos.
This new edition of the classic urban guidebook brings the city’s architectural story up to date.
Harold Kalman and Robin Ward, long-time chroniclers of Vancouver, offer an authoritative and highly readable book about Vancouver’s most interesting places and explain how, why and by whom the city’s urban environment was created.
Containing more than four hundred entries, ten self-guided tours highlight significant buildings from all eras in the city and its metro region, and feature new projects that transform the skyline more radically than ever before. The tours―organized by neighbourhood and planned variously for walking, cycling, car and transit―reveal Vancouver in…
I've loved writing since childhood when I lived in an 18th-century farmhouse in England that I was convinced was haunted. I'm now passionate about the history of British Columbia where I live today, and have written over twenty non-fiction historical books, true crime books, historical columns, and numerous articles for magazines and newspapers. My own forthcoming fictional trilogy, The McBride Chronicles, tells the story of a fictional family from the beginnings of British Columbia until present day so I can truly say I love all fiction set in our beautiful province by BC writers. I'm delighted that we have so many talented fiction writers in the province including the ones I recommend.
Kate Pullinger has written a powerful portrayal of a man at various stages of his life from childhood to old age. She has created a character, Arthur Lunn, who will move you to tears as he travels through life with memories that haunt him and demons he cannot dispel. Much of the story is set in the wilderness of British Columbia where the green forest gives him strength and hope. This story will preoccupy you as young Art journeys from innocent childhood during the depression years, to an old man of eighty living on the streets of Vancouver.
When I was a kid growing up in Vancouver my parents had a collection of books arranged on shelves around the living room. The only one I remember taking down and actually reading was an early history of the city. I recalled being impressed by the simple fact that someone had thought my hometown was interesting enough to write about, not something that was self-evident to a cocky teenager. Many years later, some two dozen books of my own under my belt, I decided maybe I’d earned the right to take a crack at the city myself.
The secret of the title refers to the fact that Vancouver’s most famous landmark, Stanley Park, was home to many Indigenous people before they were dispossessed and removed from the park following the creation of the city. Jean Barman is one of British Columbia’s leading historians and she combines her skill as a researcher with many hours of conversation with descendants of the original families to write a path-breaking book. Reading it was a watershed moment in my own understanding of the city.
Finalist for 2006 BC Book Prize - Roderick Haig-Brown Regional Prize
Shortlisted for George Ryga Award for Social Awareness in B.C. Writing and Publishing
Each year, over eight million people visit Stanley Park, a 400-hectare (1000-acre) haven of beauty that offers a backdrop of majestic cedars and firs and an environment teeming with wildlife just steps from the sidewalks and skyscrapers of Vancouver. But few visitors stop to contemplate the secret past of British Columbia's most popular tourist destination.
Officially opened in 1888, Stanley Park was born alongside the city of Vancouver, so it is easy to assume that the…
When I was a kid growing up in Vancouver my parents had a collection of books arranged on shelves around the living room. The only one I remember taking down and actually reading was an early history of the city. I recalled being impressed by the simple fact that someone had thought my hometown was interesting enough to write about, not something that was self-evident to a cocky teenager. Many years later, some two dozen books of my own under my belt, I decided maybe I’d earned the right to take a crack at the city myself.
Stanley Park occupies such a giant place in the city’s imagination. Most Vancouverites well remember the devastating windstorm that blew through the city in 2006 – it tore down several trees in my own neighbourhood and scared me witless – leveling great swathes of the park. Historian Sean Kheraj uses the storm as a jumping-off point to reflect on the park’s history and its complicated relationship with the citizens of the city.
In early December 2006, a powerful windstorm ripped through Vancouver's Stanley Park. The storm transformed the city's most treasured landmark into a tangle of splintered trees and shattered a decades-old vision of the park as timeless virgin wilderness. In Inventing Stanley Park, Sean Kheraj traces how the tension between popular expectations of idealized nature and the volatility of complex ecosystems helped transform the landscape of one of the world's most famous urban parks. This beautifully illustrated book not only depicts the natural and cultural forces that shaped the park's landscape, it also examines the roots of our complex relationship with…
