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I’ve written and script edited in a lot of different genres, from factual drama to sitcom, children’s TV to fantasy. I’ve always loved spy stories, and I’ve always wanted to write one. Recently, at the University of East Anglia I studied for an MA in Crime Fiction, and that’s where I finally got the chance to study espionage and write a spy novel myself. I hope you enjoy my selection of books if you haven’t already read them. Or even if you have. They’re all so good that I feel like re-reading them right now.
A gem of a book and another one that I read again and again. It’s not just the wonderful writing and the moody atmosphere; I love the way that le Carré explores the moral ambiguity in spying during this early part of the Cold War.
I read an interview in which le Carré talked about the pleasure of secrecy and enjoying the feeling that you know something that others don’t. I get that "I’ve got a secret" idea and I’ve used that thought in my own work. Le Carré was also a spy.
From the New York Times bestselling author of Tinker, Tailor, Soldier, Spy; Our Kind of Traitor; and The Night Manager, now a television series starring Tom Hiddleston.
The 50th-anniversary edition of the bestselling novel that launched John le Carre's career worldwide
In the shadow of the newly erected Berlin Wall, Alec Leamas watches as his last agent is shot dead by East German sentries. For Leamas, the head of Berlin Station, the Cold War is over. As he faces the prospect of retirement or worse-a desk job-Control offers him a unique opportunity for revenge. Assuming the guise of an embittered…
I grew up in London, and while I was born sometime after WWII, its devastation was still clear in my bombed suburb and in the stories from my family. My father and his brother served in the Royal Air Force, and an Austrian aunt had managed to escape the rest of her family's fate in Auschwitz. I've had five nonfiction books published when I decided to write a biography of my uncle David Lloyd, an RAF Spitfire pilot killed in 1942. Sadly, little information was available from his military records. All I had was a photograph of him in his plane, looking young and confident. I went on to write nine books set during WWII, and five during WWI.
Nowhere is the phrase "stranger than fiction" more appropriate than in describing Agent Zigzag. Charming British conman Eddie Chapman turned himself into one of the best double agents his country ever produced. But for whom was he really working? None of his handlers seemed to be sure. His squirming loyalties allowed him to keep a family and a mistress, to remain alive despite interrogation by both sides, and earn an Iron Cross from Germany's Abwehr and a pardon from MI5 for blowing up a British factory. I was astonished by this tale, and left wondering if Chapman, in the end, just worked for Chapman.
From the bestselling author of Operation Mincemeat, now a major film
SHORTLISTED FOR THE COSTA BIOGRAPHY AWARD
'Engrossing as any thriller' Daily Telegraph
'Superb. Meticulously researched, splendidly told, immensely entertaining' John le Carre
'This is the most amazing book, full of fascinating and hair-raising true life adventures ... It would be impossible to recommend it too highly' Mail on Sunday
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One December night in 1942, a Nazi parachutist landed in a Cambridgeshire field. His mission: to sabotage the British war effort.
His name was Eddie Chapman, but he would shortly become MI5's Agent Zigzag. Dashing and suave, courageous and…
I’m passionate about spying. It was an absolute privilege for me to have been able to spend my life in the shadows, so to speak. I was undercover my entire career doing espionage and covert action operations for our country and the CIA. I discovered very early on that I had a particular fascination for the arcane and Byzantine subspecialty of counterintelligence. It’s hard to describe the exhilaration I felt when we nabbed an American traitor and brought him or her to justice. It doesn’t get any better than that.
No book I know of does a better job of illustrating the “art” of counterintelligence than Colonel Herrington’s account of two major counterintelligence cases he oversaw: Clyde Lee Conrad and James Hall, two spies who definitely needed catching. I am in awe of the professionalism, creativity, and doggedness shown by Stu and his team of CI specialists in these lengthy and complex investigations. Every tool of good counterintelligence is on display here, especially analysis, surveillance, and double agentry.
As director of the elite Foreign Counterintelligence Activity, author Stuart Herrington was the U.S. Army's top counterintelligence officer. In this thrilling and informative account he details one of the most damaging and delicate cases of espionage ever committed against the United States. Between 1972 and 1988, thousands of highly classified documents were sold to the Soviet Union and her Warsaw pact surrogates. They were secrets so sensitive that had war broken out in Central Europe, our ability to defend our NATO allies would have been seriously compromised. It was up to Herrington and his team to root out the elusive…
I’m passionate about spying. It was an absolute privilege for me to have been able to spend my life in the shadows, so to speak. I was undercover my entire career doing espionage and covert action operations for our country and the CIA. I discovered very early on that I had a particular fascination for the arcane and Byzantine subspecialty of counterintelligence. It’s hard to describe the exhilaration I felt when we nabbed an American traitor and brought him or her to justice. It doesn’t get any better than that.
This case makes me very angry. As a former CIA officer myself, I felt deeply the malignancy of this betrayal from within. I was riveted by Denson’s account of how Howard James Nicholson, a CIA clandestine service colleague, let his personal problems and amorality get the better of him. Selling out to the Russians was certainly not the right answer for him, nor was dragging his son into spying. Denson has written a compelling counterintelligence treatise.
The riveting true story of the father-and-son co-conspirators who sold US national secrets to Russia.
Jim Nicholson was the highest-ranking CIA officer ever convicted of espionage. A single father, respected mentor, and brilliant case officer, he was also a double agent selling thousands of state secrets to the Russians. However, it was from behind the bars of a federal prison that he conducted his greatest betrayal. Just 12 years after Jim's conviction, his youngest son, Nathan, was arrested for the same crime.
Through interviews, private letters, and access to Jim's personal journal, Pulitzer Prize finalist Bryan Denson pieces together a…
I’m a part-time professor of English and a full-time admirer of history, fairy tales, and people who fight oppression. I’ve loved stories my whole life, and I believe that the right words can have the power to change the world. That’s certainly an important message in my debut novel, The Story That Cannot Be Told, which is set during the Romanian Revolution of 1989. I primarily write historical fiction for middle grade readers, in large part because I love researching history, but my work also often includes folklore, fairy tales, or the supernatural—and of course, there’s always an adventure on the horizon.
Set in late 1800s Cuba, during their wars for independence from Spain and the first wave of reconcentration camps, this entry holds a special place on my list because it’s written in free verse. I believe poetry can capture emotion in a raw, powerful way that prose sometimes can’t, and Engle’s work serves as a perfect example of this. Through alternating perspectives, this book shows readers the horrors of war alongside the power of hope and compassion.
The Surrender Tree: Poems of Cuba's Struggle For Freedom / El árbol de la rendición: poemas de la lucha de cuba por su libertad is a lyrical, Newbery Honor-winning history in poems, and this bilingual edition has the Spanish and English text available in one book.
¿La Guerra Chiquita? ¿Cómo puede haber una guerra chiquita? ¿Acaso algunas muertes son más pequeñas que otras, dejan madres que lloran un poco menos?
It is 1896. Cuba has fought three wars for independence and still is not free. People have been rounded up in reconcentration camps with too little food and too much…
Van Gosse, Professor of History at Franklin & Marshall College, is the author ofWhere the Boys Are: Cuba, Cold War America, and the Making of a New Left, published in 1993 and still in print, a classic account of how "Yankees" engaged with the Cuban Revolution in its early years. Since then he has published widely on solidarity with Latin America and the New Left; for the past ten years he has also taught a popular course, "Cuba and the United States: The Closest of Strangers."
The Machado Era (1924-1933) and the build-up of U.S. tourism are key to Cuba’s later history, but I have always found that period hard to teach. Schwartz does an admirable job of documenting the close connections between business circles in both countries, and the process by which Cuba became a playground for wealthy Americans in the ‘Teens and Twenties, fueling both deep corruption and a powerful anti-imperialism.
Pleasure Island explores the tourism industry in Cuba between 1920 and 1960, as international travel ceased to be primarily a privilege of the wealthy, incorporating the world's growing middle class. Rosalie Schwartz examines tourists' changing ideas of leisure and recreation, as well as the response of a colonial-era Spanish city turned fleshpot and endless cabaret. The tourism industry mushroomed in and around Havana after 1920, as hundreds of thousands of North Americans transformed the city in collaboration with a local business and political elite. The Depression, exacerbated by a bloody revolution in 1933, plunged the tourism industry into a downward…
Over fifty years ago I joined the Peace Corps in El Salvador. I married a Salvadoran woman, and our child was born during our two-year stay on a backcountry farm in Chile. My interest in Latin America has never faded—and in my latest novel, The World Against Her Skin, which is based on my mother’s life, I give hera pair of years in the Peace Corps. But it is Cuba that remains the most fascinating of all the countries south of our border, and of course I had to write about the giant turn it took in 1959, and the men and women who spurred that revolution.
A portrait of the privileged American families living in Cuba just before the Revolution. Their concerns are the United Fruit Company and the sugarcane that surrounds them in Oriente Province, but they are soon to be thrown into tumult by Fidel Castro and his rebel soldiers, who have been building their revolution in the Sierra Maestra. This is a subtle and beautifully-written reminder of how an entire world can be turned upside down, something few in that community saw coming. In these tumultuous days, it sometimes makes me wonder about my own community.
FROM THE MAN BOOKER PRIZE SHORTLISTED AUTHOR OF THE MARS ROOM
A NEW YORK TIMES BESTSELLER
FINALIST FOR THE NATIONAL BOOK AWARD IN FICTION
Fidel and Raul Castro are in the hills, descending only to burn sugarcane plantations and recruit rebels.
Rachel K is in Havana's Cabaret Tokio, entangled with a French agitator trying to escape his shameful past.
Everly and K.C. are growing up in the dying days of a crumbling US colony, about to discover the cruelty and violence that have created their childhood idyll.
When in the summer of 1991, I stood with the crowds at Moscow’s White House during the attempted coup against Gorbachev, I had the sense that I was living through and in a small, but not unimportant way, making history. I left Moscow fascinated by the questions of how big historical events shape individuals’ lives and how personal circumstances influence public action and commitments. My books explore how children experienced and made sense of the Russian Revolution; how survivors of the World War II blockade of Leningrad interacted with official state commemorations of the war; and how international communists explained and remembered their participation in the Spanish Civil War.
In 1968, Margaret Randall, an American radical fleeing political repression in Mexico, moved to Cuba with her children. She remained there until 1980. Her memoir of her years in Cuba provides insight into the lived experience of revolutionary change. She charts her everyday life and struggles and offers a compelling picture of the broader political and economic context. A pioneering feminist, oral historian, and photographer, Randall, with the permission of the Cuban government, interviewed women throughout the country about how the revolution shaped their lives. Acknowledging the revolution’s failures, blind spots, and shortcomings, she remains committed to changing the world.
In To Change the World, the legendary writer and poet Margaret Randall chronicles her decade in Cuba from 1969 to 1980. Both a highly personal memoir and an examination of the revolution's great achievements and painful mistakes, the book paints a portrait of the island during a difficult, dramatic, and exciting time.
Randall gives readers an inside look at her children's education, the process through which new law was enacted, the ins and outs of healthcare, employment, internationalism, culture, and ordinary people's lives. She explores issues of censorship and repression, describing how Cuban writers and artists faced them. She recounts…
The seventh child of a seventh son of a seventh son. Mother spoke of my sleeping nights and alert days…felt I was curious, observant. She was convinced I’d be the writer in the family. Named me Jerome after the librarian St. Jerome and Mark after Mark Twain, her favorite author as a child. Mother read to us daily, during high school time, a chapter a night. My brother Fred mailed me a word a week to look up. My freshman year in college I earned money writing compositions. And so it began. I sat on the floor and listened to the world war from Pearl Harbor to D-Day and Hiroshima.
Of my favorites it was The Old Man and the Sea that held me riveted from the first line.
I felt I was walking behind the boy and the old man, listening in and watching them. How the boy loved the old man was how I loved ole Charlie in my novel. Hemingway took the patience to describe the old man and the boy’s thoughts and caring—how a framed picture of the ole man’s wife was face down on a shelf because seeing her was hard on him.
The night excursion alone couldn’t have been written if Hemingway hadn’t experienced it himself—it would seem. When sharks returned, this time, from the deep—I jolted as I was shaken when that Mississippi steamboat struck Huck’s raft. I tell students this short story is the best read ever to learn writing details as an artist would capture them in oil.
This powerful and dignified story about a Cuban fisherman's struggle with a great fish has the universal appeal of a struggle between man and the elements, the hunter with the hunted. It earned Hemingway the Nobel prize and has been made into an acclaimed film. Age 13+
Van Gosse, Professor of History at Franklin & Marshall College, is the author ofWhere the Boys Are: Cuba, Cold War America, and the Making of a New Left, published in 1993 and still in print, a classic account of how "Yankees" engaged with the Cuban Revolution in its early years. Since then he has published widely on solidarity with Latin America and the New Left; for the past ten years he has also taught a popular course, "Cuba and the United States: The Closest of Strangers."
Utterly engrossing, this behind-the-scenes narrative over many decades demonstrates that the Cuban diplomats were almost always willing to move towards normalizing relations, but were repeatedly stymied by non-negotiable demands from the U.S. side. Besides that, it’s full of piquant details, involving the many non-official actors and secret meetings in New York, on the island, or in other countries. Diplomatic history rarely gets this exciting!
Challenging the conventional wisdom of perpetual hostility between the United States and Cuba--beyond invasions, covert operations, assassination plots using poison pens and exploding seashells, and a grinding economic embargo--this fascinating book chronicles a surprising, untold history of bilateral efforts toward rapprochement and reconciliation. Since 1959, conflict and aggression have dominated the story of U.S.-Cuban relations. Now, William M. LeoGrande and Peter Kornbluh present a new and increasingly more relevant account. From John F. Kennedy's offering of an olive branch to Fidel Castro after the missile crisis, to Henry Kissinger's top secret quest for normalization, to Barack Obama's promise of a…
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