I am an unextraordinary individual with an ordinary skill set including strengths and weaknesses. Yet, my life experiences have caused me to reach deep inside and find my own greatness to face seemingly impossible obstacles in my path. My writing reflects this hopeful overcoming and undaunted spirit. I have learned that heroes only exist because they must face daunting villains. Such villains can arise from other individuals, outside forces, life circumstances, and even from within ourselves. Yet, I have learned that villains are not a threat to destroy us, they are in fact the vehicles by which we become heroes in our own story. There are no heroes without villains.
I love this departure from the other books mentioned. These two completely separate groups of people whose lives intersect in a horrible tragedy illustrate the randomness and brutality of war.
Each group is sympathetic in their attempt to carve out a meaningful existence amidst the chaos and loss of all-out war. I find the experiences of occupants of the doomed German town juxtaposed with the character and daily courage of the members of the bomber squadron fascinating and compelling.
I find the author’s ability to bring us into the lives of each character and walk with them almost magical. This book changed my life and view of all wars.
The classic novel of the Second World War that relates in devastating detail the 24-hour story of an allied bombing raid.
Bomber is a novel of war. There are no victors, no vanquished. There are simply those who remain alive, and those who die.
Bomber follows the progress of an Allied air raid through a period of twenty-four hours in the summer of 1943. It portrays all the participants in a terrifying drama, both in the air and on the ground, in Britain and in Germany.
In its documentary style, it is unique. In its emotional power it is overwhelming.…
Who is Vera Kelly isn’t your typical 1960s Cold War spy novel.
Although Vera’s sexuality is unresolved and she’s had a rocky road to adulthood, the CIA recruits her. She goes to work as an undercover agent in Buenos Aires. Her day job is to infiltrate a campus Marxist group with ties to the KGB. At night, she transcribes wiretaps taken from the presidential palace. When her handler goes dark, Vera is caught in the middle of a coup.
Who is Vera Kelly takes us into the mindset of lovely Vera. She’s fresh, funny, quirky, and comes off as a (relatively) regular gal, albeit one who is scrambling to stay alive in South America.
New York City, 1962. Vera Kelly is struggling to make rent and blend into the underground gay scene in Greenwich Village. She's working night shifts at a radio station when her quick wits, sharp tongue, and technical skills get her noticed by a recruiter for the CIA.
Next thing she knows she's in Argentina, tasked with wiretapping a congressman and infiltrating a group of student activists in Buenos Aires. As Vera becomes more and more enmeshed with the young radicals, the fragile local government begins to split at the seams. When a betrayal leaves her stranded in the wake of…
This was my favourite of the Slow Horses book series. The character of Jackson Lamb is truly Falstaffian. There are reasons why Herron is considered to be the new master of spy-tainment. Although I love the tv series, Slow Horses, the books are so much better. A real treat.
'The best thriller writer in Britain today' Sunday Express
At Regent's Park, the Intelligence Service HQ, new First Desk Claude Whelan is learning the job the hard way.
Tasked with protecting a beleaguered Prime Minister, he's facing attack from all directions: from the showboating MP who orchestrated the Brexit vote, and now has his sights set on Number Ten; from the showboat's wife, a tabloid columnist, who's crucifying Whelan in print; and especially from his own deputy, Lady Di Taverner, who's alert for Claude's every stumble. Meanwhile, the country's being rocked by…
The World At War, the first and arguably best documentary about the Second World War, was on television when I was 14. It fuelled my interest in history, especially about the reasons for the rise of the Nazis. History has many lessons to teach–if we are willing to listen–and one of the great teachers is Germany between the wars. It was a time of extremes: economic crises, social unrest, much of which was caused by the Nazis, and a flourishing bohemian, liberal culture. This febrile environment in which characters struggle with their personal conflict makes for great story-telling potential.
As I read this riveting account, I felt like I was watching the events leading to the Munich Agreement of 1938. We all know the result of the agreement, but this book is much more than a historical account of what happened.
Harris tells the story through two friends who met at Oxford University in the 1920s. Now, one is an aide to British Prime Minister Neville Chamberlain, and the other a senior German Foreign Office official. They join forces to try to stop Chamberlain from signing the agreement.
I was impressed with the skillful way Harris revealed the story, which the exemplary writing is matched in detail and tension.
I write about Asia, where I have spent a chunk of my life. My non-fiction reporting has centered on Beijing's territorial ambitions, including its ongoing takeover of the South China Sea, which in a sense was prefigured by the plot of my novel Performance Anomalies. The main character, Cono 7Q, has been pecking at my brain for many years, abetted by my brushes with spooks in the underbelly of Central Asia and China. I use a pen name so my travel in certain countries can be less encumbered.
This novel is set in Kazakhstan, with which I have a longstanding love-hate relationship. But that's not the reason I praise the book. In 2014 The Guardian asked the espionage novelist Charles Cumming, "Has modern technology killed spy thrillers?" Oliver Harris shows us the answer is No. Deep fake videos, manipulated social media, conjured digital backstories, intentionally corrupted data sets, geotracking, wifi tricks, hacked networks-- they're all here in spades, part of the new tradecraft. They don't overwhelm the story, they feed it. Russian militias are positioning to take a bite out of snow-coated Kazakhstan-- our friends in Ukraine will be uncomfortably familiar with at least one part of this tale.
“An absorbing, superbly written novel likely to stand as one of the best spy novels of the year.” —Kirkus, starred review
Elliot Kane reflects the dark side of MI6. He is the instrument of an agency that puts two years and more than £100K into training recruits to steal cars, hack bank accounts, strip weapons, and employ everything from blackmail to improvised explosives in service of Crown and Country. After fifteen years overseas embroiled in events that never make the news, Kane is a ghost in his own life, assuming and shedding personalities with…
I quit my job in 1994 to write. Fiction. It took me a while to find my niche, but what I realized is that I wanted to write political thrillers that were about more than how to stop the bad guys from killing the good guys by killing them first. There is another way. Starting with Priority One, and continuing to what is currently my tenth novel in the series, I imagine an American foreign policy that promotes the building of a more peaceful world through a combination of economic justice and humanitarianism, applied practically and pragmatically. It’s my dream for my fiction, as well as the real world.
As I set about the task of writing political thrillers, I read many gifted novelists in this genre. I found that the plots often revolved around shoot-‘em-ups and egregiously evil militant groups. Barry Eisler is an exception. He is a superb writer who casts a talented and likeable character into a career as an assassin. John Rain chooses this life because his actions deter greater acts of violence. And isn’t that the choice many of us face in the modern world? Isn’t going to war about saving lives by killing the bad guys? In my books, I try to be sensitive to the issue that peace does not come easy in a violent world, and sometimes the trade-offs to secure peace are not at all pleasant.
Previously published as Hard Rain and Blood from BloodAll John Rain wants is to get out of the killing business. But with his discretion, his reliability, and his unique talent for death by "natural causes," no one is willing to let him just retire. So when an old nemesis from the Japanese national police force comes to him with a new job-eliminate Murakami, a killer even more fearsome than Rain himself-Rain knows he can't refuse.Aided by an achingly desirable half Brazilian, half Japanese exotic dancer he knows he shouldn't trust, Rain pursues his quarry through underground no-holds-barred fight clubs, mobbed-up…
I am an academic in rebellion. I have interviewed hundreds of urban leaders and professionals in nine divided urban areas throughout the world. I have written much on this subject, replete with footnotes and sophisticated writing. I am weary of writing more about this important topic—how people do or do not get along in urban settings—from an academic distance. I find the scholarly posture sterilized and insufficiently provocative. I entered into the fictional genre in order to reach a broader audience. I think that fictional futurist writing has the unique ability to portray extraordinary new worlds while at the same time addressing fundamental issues that we face now.
What could be more fun than Gods getting involved in city planning? Spy story wrapped inside a grand and mysterious history of once-supreme Gods now dormant (or not). Memorable characters. Don’t mess with the giant grunt Sigrud. Divine power with 6 Gods (light bearer, judge, warrior, seed-sower, trickster, and builder). Imagine holding a committee meeting with this group. Magical portals that enable back-and-forth between current gritty and past majestic city. A thought-provoking conclusion that speaks to worldwide conflict in real life today.
'Robert Jackson Bennett deserves a huge audience' - Brent Weeks, New York Times bestselling author of The Black Prism
In the city of stairs, nothing is as it seems.
You've got to be careful when you're chasing a murderer through Bulikov, for the world is not as it should be in that city. When the gods were destroyed and all worship of them banned by the Polis, reality folded; now stairs lead to nowhere, alleyways have become portals to the past, and criminals disappear into thin air.
The murder of Dr Efrem Pangyui, the Polis diplomat researching the Continent's past,…
I am a professor of history who specializes in the United States and the Cold War. A large part of my job involves choosing books that are informative, but that the students will actually want to read. That means I often select novels, memoirs, and works of history that have compelling figures or an entertaining narrative. After more than twenty years of teaching, I’ve assigned many different books in my classes. These are the ones that my students enjoyed the most.
By the time I read this book, the Cold War was over, and fears about accidental nuclear war had faded, if not quite totally disappeared. Nevertheless, this one brought me back to my childhood, when movies like War Games and The Day After raised the specter of nuclear holocaust.
It is in the same genre: a technical glitch mistakenly sets in motion America’s nuclear defenses, which could lead to global nuclear war. I was not prepared for the ending (no spoiler!), but it was an effective way to show the dangers of using technology to control America’s nuclear arsenal.
From the New York Times–bestselling authors, this “chilling and engrossing” nuclear-showdown thriller packs “a multi-megaton wallop” (Chicago Tribune).
Originally published during the Cuban Missile Crisis, this suspenseful novel takes off as a group of American bombers—armed with a deadly payload of nuclear weapons—heads towards Moscow, their motives unknown. Suddenly, a nuclear apocalypse looms closer than it ever has, and the lives of millions depend on the high-stakes diplomacy of leaders on both sides of the divide.
The basis for the classic 1964 movie starring Henry Fonda, this two-million-copy bestseller is not only a terrifying thriller, but a fascinating social commentary…
I never planned to be a spy thriller writer. One day an editor suggested I write genre fiction. “Pick a genre you read just for fun,” he said. For me, that was spy novels. I had some background (military intelligence, journalist in Europe, Africa, etc.) and John Le Carré had shown that spy novels could be serious fiction. An encounter in the Amazon jungle sparked my first spy thriller, Hour of the Assassins. Then came Scorpion, Homeland, and the rest. What’s the attraction? Intelligence agents lie better than most because their lives depend on it. But if you dig hard enough, you get small truths. Big ones too.
Reading a novel by Alan Furst is like seeing Casablanca for the first time, if it were written by Hemingway. There’s that same evocative atmosphere of people smoking cigarettes, having affairs, making sophisticated remarks, while looming over them is the war. Furst mines a narrow niche. All of his books are set in Europe either during World War Two or in the Thirties, with the war threatening. The protagonist here is Colonel Mercier, military attaché at the French embassy in Warsaw. Mercier must navigate the salons and alleyways of Warsaw against all manner of spies and German agents. The book is also an exploration of love in a desperate time through Mercier’s affair with the beautiful Anna, a Polish lawyer. It’s very good. Furst is always good.
An Autumn evening in 1937. A German engineer arrives at the Warsaw railway station. Tonight, he will be with his Polish mistress; tomorrow, at a workers' bar in the city's factory district, he will meet with the military attache from the French embassy. Information will be exchanged for money. So begins The Spies of Warsaw, with war coming to Europe, and French and German operatives locked in a life-and-death struggle on the espionage battlefield. At the French embassy, the new military attache, Colonel Jean-Francois Mercier, a decorated hero of the 1914 war, is drawn in to a world of abduction,…
I guess my real interest in writing about the good and bad in crime and politics and the good and bad characters involved started with my first job as a junior in a local newspaper. The 60s was a time of great change. I was in the right place at the right time and got involved in reporting local government politics. I graduated later to cover Britain’s role within the EU in Brussels. I was fascinated, not so much by the politics but by the politicians and fellow news reporters involved. They inspired the creation of my fictional character, Pete West, a hardboiled political columnist.
This book moved me at a time when the Irish question was still an open sore. It has a great but simple plot centered around the peace process in Northern Ireland.
Ex CIA agent, Osbourne is involved after his father-in-law is sent to the UK as Ambassador. With three atrocities carried out by protestants and a plot to assassinate the ambassador, the clock starts ticking. Osbourne faces his old enemy, Russian KGB killer October.
It is obvious that de Silva did a lot of research on the Irish situation, and I found the story very exciting as well as thought-provoking.
A brilliantly tense what-if thriller about the sabotage of the Ulster peace process.
From the No.1 bestselling author of THE CELLIST
During the first uncertain years of the Northern Ireland peace process three simultaneous terrorist attacks in Belfast, Dublin and London shatter the hope that the bloodshed is finally over. The perpetrators are a new terror group called the Ulster Freedom Brigade. And they have one goal: to destroy the peace process.
Michael Osbourne, hero of THE MARK OF THE ASSASSIN, has quit the CIA, bitter and disillusioned. But when the President chooses his father-in-law to be the next American…
