I was raised in a family of seven girls—no boys—with a tough but loving mother. I’ve been around strong women all my life. As a teenager I got tired of reading about smart, capable heroines who, by the end of the story, are oppressed and defeated. I get it: women have been stomped on. And I appreciate authors in past centuries who acknowledge that fact. But now I want to see women win; it’s as simple as that. This is what I like to read about and what I like to write about. The battles are never easy, but hey, that’s half the fun.
Unable to walk since childhood, Mathilde Donnay never lets her limitations get in her way. She is on the search for her fiancé who was reported killed in the Great War, but whom she believes might still be alive. Mathilde is feisty, caring, strategic, and driven—all things I’d like to be.
In 1919, Mathilde Donnay, a young wheelchair-bound woman in France, begins a quest to find out if her fianc , supposedly killed in the line of duty two years earlier, might still be alive. Reprint. 50,000 first printing. (A Warner Bros. Independent Pictures film, releasing Fall 2004, directed by Jean-Pierre Jeunet, starring Audrey Tautou & Jodie Fo
Ursula Todd is born in 1910 — and then dies and is reborn over and over again. Ursula does not wholly understand that she’s had past lives, and yet she is able in later lives to conquer the boy who once raped her, the husband who abused her, and she even aims a gun at Hitler in the hopes of avoiding World War II and saving her younger brother. It made me think I could heal past wounds even if I didn’t get the chance to live through a difficult experience again.
What if you could live again and again, until you got it right?
On a cold and snowy night in 1910, Ursula Todd is born to an English banker and his wife. She dies before she can draw her first breath. On that same cold and snowy night, Ursula Todd is born, lets out a lusty wail, and embarks upon a life that will be, to say the least, unusual. For as she grows, she also dies, repeatedly, in a variety of ways, while the young century marches on towards its second cataclysmic world war.
Speaking of World War II, Kate Rees is an expert marksman hired by the British government in 1940 for a very particular mission: to assassinate Hitler during his brief visit to occupied France.
Kate navigates her way out of Paris after the mission fails (no spoiler there!); she’s a creative and sly mouse who won’t let the cat (a German officer on her trail) catch up to her. I felt like I was seeing Paris in a new way as Kate raced through little-known nooks and neighborhoods. A fast-paced and twisty thriller!
In June of 1940, when Paris fell to the Nazis, Hitler spent a total of three hours in the City of Light—abruptly leaving, never to return. To this day, no one knows why.
Kate Rees, a young American markswoman, has been recruited by British intelligence to drop into Paris with a dangerous assignment: assassinate the Führer. Wrecked by grief after a Luftwaffe bombing killed her husband and infant daughter, she is armed with a rifle, a vendetta, and a fierce resolve. But other than rushed and rudimentary instruction, she has no formal spy training. Thrust into the red-hot center of…
Why do I think Sarah, the orphaned housemaid to the Bennet family (of Pride and Prejudice fame) is a kick-ass heroine? Because despite never being given a surname, she’s smart and observant, she’s not afraid of having a mixed-race relationship (unusual in 1813), and she leaves the safety (I won’t say comfort) of her job at Longbourn to find and help a man in trouble. I loved re-reading Pride and Prejudice from a maid’s point of view. Lots of dress washing and chamberpot emptying, and snarky remarks about class differences.
THE SUNDAY TIMES TOP TEN BESTSELLER A RICHARD AND JUDY BOOKCLUB PICK 'Utterly engrossing' Guardian
It is wash-day for the housemaids at Longbourn House, and Sarah's hands are chapped and raw. Domestic life below stairs, ruled with a tender heart and an iron will by Mrs Hill the housekeeper, is about to be disturbed by the arrival of a new footman, bearing secrets and the scent of the sea.
What readers are saying:
'A novel to be savoured' 'Highly recommended' 'Very enjoyable exploration of the background to Pride and Prejudice'
Tall, plain, and fearless Lidie marries Thomas Newton before heading out to the Kansas Territory in 1850. She’s thrilled to be having an adventure, although Kansas turns out to be more rough and violent than she imagined. Lidie is skilled with horses and guns, which turns out to be a good thing, and she can also dress to look like a man—also helpful. I had never read about the troubles in Kansas before the American Civil War and I was astonished at how dramatic and prophetic it was. Lidie needed every bit of her strength and cunning to survive.
Lidie joins the pioneering Westward migration into America's heartland. It is harsher, more violent and more disorientating then Lidie could ever have imagined. They find themselves on a faultline - forces crash against each other, soon to erupt into the he American Civil War.
It is 1865, the American Civil War has just ended, and 18-year old Vita Tenney is determined to pursue her lifelong dream of becoming a country doctor like her father. But when her father tells her she must get married instead, Vita explores every means of escape - and finds one in the person of war veteran Jacob Culhane. Damaged by what he's seen in battle and with all his family gone, Jacob is seeking investors for a fledgling business. Then he meets Vita - and together they hatch a plan that should satisfy both their desires.
From the winner of the North American Book Award for Best Historical Fiction comes this compelling new novel of female perseverance. Set in the aftermath of the Civil War, The Physician's Daughter is the engrossing story of two people trying to make their way in a world that is struggling to escape its past.
My book is fantastical historical fiction about two characters who're wrestling with the monstrosity of their grief.
It takes you into London high society, where Ambrose tries to forget about how much he misses Bennett and how much he dreads becoming as cold as their Grandfather. It takes you to the family's country manor house, where Mattie isolates and old ghosts start to come out of the woodwork.
It's a story about loss and depression; it's a story about friends who don't let you walk through the valley of death alone.
Ambrose Bancroft returns to London society with his younger sister, hoping they'll leave ghosts of memory behind. They have only each other left. While Ambrose attempts to draw Mattie out, dragging her to balls and threatening to seek suitors for her, his sister recoils from his meddling. Finally, when Ambrose compels her to attend art class before she's ready, Mattie paints something horrific enough to banish them from society in public disgrace.
At Linwood Manor, Mattie and Ambrose aren't as alone as they think. Taking advantage of Mattie's desperate need to find freedom, a vanishing room lures Ambrose's sister into…
