Here are 100 books that This Mortal Coil fans have personally recommended if you like
This Mortal Coil.
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I’m an award-winning playwright and screenwriter. My work has been widely staged in London, across the UK, and internationally. I’ve had the honor of receiving the Royal Society of Literature Award and the Michael Grandage Futures Bursary Award, and I was also nominated for Political Play of the Year. Before I began writing, I worked as an anthropologist. Happy Death Club is my first nonfiction book.
I've been a huge fan of mortician Caitlin Doughty for years, and this nonfiction book (which sees Doughty traveling from Japan to Colorado to Indonesia, looking at different things people do with the bodies of their deceased loved ones and how it helps them cope with loss) made me laugh like no other death book, and it taught me a lot, too.
I was especially intrigued by the chapter on human composting: the idea that it's possible to let a body decompose naturally in the earth, so it turns to compost. When my father died I had him buried in a compostable coffin made of banana tree, without any preservatives, and I like the idea of his body feeding flowers and bugs and becoming part of the harmonious web of life.
Fascinated by our pervasive fear of dead bodies, mortician Caitlin Doughty embarks on a global expedition to discover how other cultures care for the dead. From Zoroastrian sky burials to wish-granting Bolivian skulls, she investigates the world's funerary customs and expands our sense of what it means to treat the dead with dignity. Her account questions the rituals of the American funeral industry-especially chemical embalming-and suggests that the most effective traditions are those that allow mourners to personally attend to the body of the deceased. Exquisitely illustrated by artist Landis Blair, From Here to Eternity is an adventure into the…
In December 2000, my much-loved Grandma died. Her funeral was a standard 20-minute slot at the local crematorium, led by someone who didn’t know her. How I didn’t walk out, I’ll never know–but the experience certainly lit a fire under my work as an academic historian, which has burned ever since. As a historian, I’m passionate about what the past can teach us about how to die well: what makes for a good funeral, and for whom? How have our answers to these questions changed–or maybe not–over the decades and centuries?
Such an elegantly written exploration of landscapes of the afterlife, where people in the past believed that souls went to after death, and how those beliefs then shaped funeral customs.
The author evinces an excellent grasp of human nature, especially when discussing the Reformation and how people often clung tenaciously to old beliefs and customs, which helped them make sense of human mortality and loss.
Roaming across the country and over several centuries, this book is packed with quirky, charming examples of how people maintain relationships with their dead.
'This is a wonderful book: curious and insightful' Ian Mortimer, author of The Time Traveller's Guide to Medieval England
We know what happens to the body when we die, but what happens to the soul? The answer may remain a great unknown, but the question has shaped centuries of tradition, folklore and religious belief.
In this vivid history of the macabre, Carl Watkins goes in search of the ancient customs, local characters and compelling tales that illuminate how people over the years have come to terms with our ultimate fate. The result is an enthralling journey into Britain's past, from…
In December 2000, my much-loved Grandma died. Her funeral was a standard 20-minute slot at the local crematorium, led by someone who didn’t know her. How I didn’t walk out, I’ll never know–but the experience certainly lit a fire under my work as an academic historian, which has burned ever since. As a historian, I’m passionate about what the past can teach us about how to die well: what makes for a good funeral, and for whom? How have our answers to these questions changed–or maybe not–over the decades and centuries?
This classic study of the 1832 Anatomy Act is a great combination of scholarly history writing and a call for social justice.
It recounts how the Act solved the problem of corpses being stolen for medical research–by instead appropriating the bodies of poor people who had died in the workhouses. Abuses are still happening: Richardson links the Anatomy Act to the 1990s Alder Hey scandal.
This book reminds me how important it is to keep institutions that deal with the dead accountable–and to know our rights when the time comes.
In the early nineteenth century, body snatching was rife because the only corpses available for medical study were those of hanged murderers. With the Anatomy Act of 1832, however, the bodies of those who died destitute in workhouses were appropriated for dissection. At a time when such a procedure was regarded with fear and revulsion, the Anatomy Act effectively rendered dissection a punishment for poverty. Providing both historical and contemporary insights, Death, Dissection, and the Destitute opens rich new prospects in history and history of science. The new afterword draws important parallels between social and medical history and contemporary concerns…
In December 2000, my much-loved Grandma died. Her funeral was a standard 20-minute slot at the local crematorium, led by someone who didn’t know her. How I didn’t walk out, I’ll never know–but the experience certainly lit a fire under my work as an academic historian, which has burned ever since. As a historian, I’m passionate about what the past can teach us about how to die well: what makes for a good funeral, and for whom? How have our answers to these questions changed–or maybe not–over the decades and centuries?
If our traditions of death and burial are products of the past, then what might the future of funerals look like?
I keep going back to this book because it’s such a sympathetic, insightful exploration of how social media and AI are already radically transforming our relationships with our dead. Not only that, but the very nature of memory itself is also changing in interesting ways.
The book deftly articulates both the positives and the shadow sides of grieving in an increasingly digital world, all expressed with warmth, wit, and a great understanding of the complexities of human nature.
'As charming and touching as it is astute and insightful' Adam Alter, New York Times bestselling author of Irresistible and Drunk Tank Pink
'This a very useful book, even perhaps for people who have never been near a computer in their lives' Jake Kerridge, Sunday Telegraph
Seen any ghosts on your smartphone lately?
As we're compelled to capture, store and share more and more of our personal information, there's something we often forget. All that data doesn't just disappear when our physical bodies shuffle off this mortal coil. If the concept of remaining socially active after you're no longer breathing…
As a romance and rom-com writer, summer love stories are my favorite to read. We change during the summer months—our schedules are less rigorous, we get out and see the world, we can be a little reckless with our decisions because everything feels temporary, and we show the world a more relaxed side of ourselves. In cuffing season, we attach ourselves to another person to get through the cold months with a warm body by our side. Meanwhile, in summertime, we don’t feel burdened to get through it with another person. But the night swimming and salt air romance allows surprising love stories to ignite.
This book drenched me in the romance of a woman escaping her real life, and for most of the book, it made me want to fly to Positano and never return.
I loved how Serle uses magical realism to help Katy grieve the loss of her mother and explore how she feels about her own marriage. I was heartbroken and in awe throughout the book, and I’ve never seen a mother-daughter relationship explored so tenderly as Katy and Carol.
“Rebecca Serle is a maestro of love in all its forms.” —Gabrielle Zevin, New York Times bestselling author
The New York Times bestselling author of In Five Years returns with a powerful novel about the transformational love between mothers and daughters set on the breathtaking Amalfi Coast.
When Katy’s mother dies, she is left reeling. Carol wasn’t just Katy’s mom, but her best friend and first phone call. She had all the answers and now, when Katy needs her the most, she is gone. To make matters worse,…
As a teacher-librarian, I’m often asked for books on difficult topics, including death. When I was young, a close family member died and I struggled with grief. I didn’t know how to honor my loved one or how to begin healing from the loss. The books I’m sharing are books I wish I’d had as a child and books that I’m grateful to be able to hand to children and families when needed. If you’re an emotional person like I am, you may want tissues nearby when you read them. I hope they’re as helpful and therapeutic for you as they have been for me!
Asha visits India every summer, filling her yellow suitcase with gifts for Grandma. When Asha returns to California, Grandma fills the suitcase with gifts for Asha. This summer, though, Grandma is gone, and the house isn’t the same without her there. Grandma’s final gift for Asha’s yellow suitcase—a quilt made from her saris that she created before she died—brings comfort to both Asha and the reader.
This story allows readers to explore how a place feels without a special loved one there, and colorful illustrations bring brightness to this difficult subject. An author’s note shares that Sriram and her family also lost a grandparent and she used her family’s experiences as inspiration for this story in the hopes that it will bring comfort to others.
Asha travels with her parents from America to India to mourn her grandmother’s passing.
When they arrive at her grandmother's house, it's filled with strangers—and no Grandma. Asha’s grief and anger are compounded by the empty yellow suitcase usually reserved for gifts to and from Grandma, but when she discovers a gift left behind just for her, Asha realizes that the memory of her grandmother will live on inside her, no matter where she lives.
I love zombie movies. I am also an Egyptologist. The dead affect us in profound ways every day, even without being semi-animated corpses searching for brains. I have always been keenly interested in the relationships we have with our dead, be it Halloween, Día de los Muertos, or an urn on a mantle. The dead are with us and inform our lives. The same was true in ancient Egypt. And to me, this made the ancient Egyptians feel very familiar and accessible. They, too, were anxious about death. They, too, grieved when loved ones were gone and developed practices and beliefs that kept the dead ‘alive’.
Few books have been as influential on my understanding of ancient Egyptian mortuary culture as Jan Assmann’sTod und Jenseits im alten Ägypten, known in English as Death and Salvation in Ancient Egypt. Assmann brings religious theory and ancient history together to argue that “death is the origin and center of culture.”
"Human beings," the acclaimed Egyptologist Jan Assmann writes, "are the animals that have to live with the knowledge of their death, and culture is the world they create so they can live with that knowledge." In his new book, Assmann explores images of death and of death rites in ancient Egypt to provide startling new insights into the particular character of the civilization as a whole.Drawing on the unfamiliar genre of the death liturgy, he arrives at a remarkably comprehensive view of the religion of death in ancient Egypt. Assmann describes in detail nine different images of death: death as…
Rachel is a heart-minded professional specializing in current and relevant approaches in support of individuals and workplaces following a loss or trauma. She is a best-selling author, seasoned keynote speaker, and business consultant. She began her career serving in management of Fortune 500 companies, overcoming her own adversity following the sudden death of her husband while raising a 2-year-old. She was immediately confronted with the see-saw created when personal and professional trajectories collide, giving her the opportunity to provide invaluable insights about loss. Her books include best-selling Living with Loss One Day at a Time, Finding Peace, and Grief in the Workplace: A Comprehensive Guide for Being Prepared.
I would highly recommend this book to anyone who has suffered multiple losses of loved ones, whether it be a spouse, family member, or friend. Nancy Saltzman's story will enter into your soul and give you the strength of a woman who lost her husband and two children in a plane crash. She shares her story of love, loss, and rebuilding of a future as a radical survivor of cancer and loss of her family. Her spirit and desire to live life to the fullest are prominent in her story.
"Radical Survivor" chronicles elementary school principal Nancy Saltzman's extraordinary saga as a two-time cancer survivor who lost her entire family in a small plane crash. Told with honesty, insight and laugh out loud flashes of humor, Radical Survivor traverses the full spectrum of human emotions. Several aspects of this book make it unique among memories. *The book is enriched by letters to the author interwoven with narrative throughout the book. Most of the notes were received after the death of her family, but some are mementos from her husband and entries from her son's journals. *The author has experienced an…
I’ve been in the funeral profession my entire professional career, and my family has deep roots in the profession too. My great-great-great grandfather was a cabinet maker, or “tradesman undertaker” in rural Milford, Delaware prior to the Civil War. In addition to being a funeral director and embalmer, I’m a certified post-mortem reconstructionist and cremationist, and the president of the Delaware State Funeral Directors Association. I’ve written five books on the subject of the funeral profession and am an associate editor for Southern Calls, “The Journal of the Funeral Profession.”
Thomas Lynch does a masterful job in The Undertaking offering a behind-the-scenes look at the funeral profession. Using beautiful, lyrical prose to present a topic (i.e., death) that is often ugly and hard to stomach, and rears its head at the most inopportune times, Lynch offers an unflinching look at what he calls the dismal trade. His deep connection with death and dying translates to the reader not only feeling connected with the subject matter, but empowering the reader to connect with the next death event in their life. Take it from me, someone in the profession, this book is as authentic as they come. A must-read.
"Every year I bury a couple hundred of my townspeople." So opens this singular and wise testimony. Like all poets, inspired by death, Thomas Lynch is, unlike others, also hired to bury the dead or to cremate them and to tend to their families in a small Michigan town where he serves as the funeral director.
In the conduct of these duties he has kept his eyes open, his ear tuned to the indispensable vernaculars of love and grief. In these twelve pieces his is the voice of both witness and functionary. Here, Lynch, poet to the dying, names the…
When my mother enrolled in hospice after years of living with cancer, the nurse asked her: Do you want to know what will happen to your body as it starts shutting down? That was the first time anyone talked with us about the dying process. The question came as an immense relief, eventually inspiring this book. After witnessing the difficulties and surprising joys of my mother’s dying experience, I began hospice volunteering. Later, I spent three intensive stints volunteering at San Francisco’s Zen Hospice Project. And as a former journalist and associate professor of English, I began researching and interviewing experts. Their deep caring and knowledge inform this book.
There are many books about what dying has to teach the living. This is the one I keep on my bedside shelf. When I talk to people about my own experiences with hospice and dying, they sometimes wax ecstatic about the subject. I believe they’re right to see the possibilities for joy and spiritual growth, but I also think it’s crucial to look at death with clear eyes. As a former Buddhist monk and hospice director who has worked with dying people, Smith does just that. Again, and again, he emphasizes that death does involve suffering. But he also writes movingly—and honestly—about the experiences he’s witnessed, helping readers to face our own mortality and learn how to live better and more joyfully.
Rediscover the mystery and wonder of life through gentle reflections on death and dying.
What can death teach the living? Former monk and hospice worker Rodney Smith teaches us that through intimately considering our own inevitable end we can reawaken to the sublime miracle of life we so often take for granted. A well of stories, personal anecdotes, and direct advice gleaned from years of working with the dying in their final moments, Lessons from the Dying helps us redefine our conception of what it means to truly live. Each chapter contains guided reflections and exercises that allow the reader…
