Here are 50 books that All the Ghosts in the Machine fans have personally recommended if you like
All the Ghosts in the Machine.
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I’m an award-winning playwright and screenwriter. My work has been widely staged in London, across the UK, and internationally. I’ve had the honor of receiving the Royal Society of Literature Award and the Michael Grandage Futures Bursary Award, and I was also nominated for Political Play of the Year. Before I began writing, I worked as an anthropologist. Happy Death Club is my first nonfiction book.
I've been a huge fan of mortician Caitlin Doughty for years, and this nonfiction book (which sees Doughty traveling from Japan to Colorado to Indonesia, looking at different things people do with the bodies of their deceased loved ones and how it helps them cope with loss) made me laugh like no other death book, and it taught me a lot, too.
I was especially intrigued by the chapter on human composting: the idea that it's possible to let a body decompose naturally in the earth, so it turns to compost. When my father died I had him buried in a compostable coffin made of banana tree, without any preservatives, and I like the idea of his body feeding flowers and bugs and becoming part of the harmonious web of life.
Fascinated by our pervasive fear of dead bodies, mortician Caitlin Doughty embarks on a global expedition to discover how other cultures care for the dead. From Zoroastrian sky burials to wish-granting Bolivian skulls, she investigates the world's funerary customs and expands our sense of what it means to treat the dead with dignity. Her account questions the rituals of the American funeral industry-especially chemical embalming-and suggests that the most effective traditions are those that allow mourners to personally attend to the body of the deceased. Exquisitely illustrated by artist Landis Blair, From Here to Eternity is an adventure into the…
In December 2000, my much-loved Grandma died. Her funeral was a standard 20-minute slot at the local crematorium, led by someone who didn’t know her. How I didn’t walk out, I’ll never know–but the experience certainly lit a fire under my work as an academic historian, which has burned ever since. As a historian, I’m passionate about what the past can teach us about how to die well: what makes for a good funeral, and for whom? How have our answers to these questions changed–or maybe not–over the decades and centuries?
I love this book partly because it’s a great source of facts and statistics about death and dying throughout the ages.
However it also tells a compelling story of how dying has changed: from short lives often ended abruptly by accident or infectious disease, to what sociologists call ‘the predictable death trajectory’ of gradual death from the diseases of old age and modern lifestyles.
I’m also intrigued by the author’s vision of death and dying in the future: maybe medical advances will even conquer death itself.
A GUARDIAN, ECONOMIST AND PROSPECT BOOK OF THE YEAR
'A superb book' Simon Sebag Montefiore
'An empowering story of human ingenuity' Economist
'Full of curious facts' The Times
Causes of death have changed irrevocably across time. In the course of a few centuries we have gone from a world where disease or violence were likely to strike anyone at any age, and where famine could be just one bad harvest away, to one where in many countries excess food is more of a problem than a lack of it. Why have the reasons we die changed so much? How is…
In December 2000, my much-loved Grandma died. Her funeral was a standard 20-minute slot at the local crematorium, led by someone who didn’t know her. How I didn’t walk out, I’ll never know–but the experience certainly lit a fire under my work as an academic historian, which has burned ever since. As a historian, I’m passionate about what the past can teach us about how to die well: what makes for a good funeral, and for whom? How have our answers to these questions changed–or maybe not–over the decades and centuries?
Such an elegantly written exploration of landscapes of the afterlife, where people in the past believed that souls went to after death, and how those beliefs then shaped funeral customs.
The author evinces an excellent grasp of human nature, especially when discussing the Reformation and how people often clung tenaciously to old beliefs and customs, which helped them make sense of human mortality and loss.
Roaming across the country and over several centuries, this book is packed with quirky, charming examples of how people maintain relationships with their dead.
'This is a wonderful book: curious and insightful' Ian Mortimer, author of The Time Traveller's Guide to Medieval England
We know what happens to the body when we die, but what happens to the soul? The answer may remain a great unknown, but the question has shaped centuries of tradition, folklore and religious belief.
In this vivid history of the macabre, Carl Watkins goes in search of the ancient customs, local characters and compelling tales that illuminate how people over the years have come to terms with our ultimate fate. The result is an enthralling journey into Britain's past, from…
In December 2000, my much-loved Grandma died. Her funeral was a standard 20-minute slot at the local crematorium, led by someone who didn’t know her. How I didn’t walk out, I’ll never know–but the experience certainly lit a fire under my work as an academic historian, which has burned ever since. As a historian, I’m passionate about what the past can teach us about how to die well: what makes for a good funeral, and for whom? How have our answers to these questions changed–or maybe not–over the decades and centuries?
This classic study of the 1832 Anatomy Act is a great combination of scholarly history writing and a call for social justice.
It recounts how the Act solved the problem of corpses being stolen for medical research–by instead appropriating the bodies of poor people who had died in the workhouses. Abuses are still happening: Richardson links the Anatomy Act to the 1990s Alder Hey scandal.
This book reminds me how important it is to keep institutions that deal with the dead accountable–and to know our rights when the time comes.
In the early nineteenth century, body snatching was rife because the only corpses available for medical study were those of hanged murderers. With the Anatomy Act of 1832, however, the bodies of those who died destitute in workhouses were appropriated for dissection. At a time when such a procedure was regarded with fear and revulsion, the Anatomy Act effectively rendered dissection a punishment for poverty. Providing both historical and contemporary insights, Death, Dissection, and the Destitute opens rich new prospects in history and history of science. The new afterword draws important parallels between social and medical history and contemporary concerns…
I’ve researched children’s digital lives since the internet first arrived in many people’s homes. Recently, I noticed parents’ concerns weren’t listened to – mostly, researchers interview parents to find out about their children rather than about parents themselves. Worse, policymakers often make decisions that affect parents without consulting them. So, in Parenting for a Digital Future we focused on parents, following my previous books on Children and the Internet and The Class: Living and Learning in the Digital Age. As a professor at the London School of Economics and Political Science, I love that moment of knocking on a family’s door, and am always curious to see what I will find!
Media producers, digital designers, educators, child psychologists – professionals with different kinds of expertise and experience have different insights to offer.
I find it fascinating how these insights converge in this book on a vision of childhood that I can really support – children are seen as active agents making sense of their digital world, but also in need of thoughtful mentoring and guidance from parents, educators, and media producers.
Unlike some books which forget that media are not just tech but also content, this book really engages with the kinds of cultural representations that now populate children’s lives and imaginations. Of course there are differences between the authors, so this book offers plenty of food for thought to the reader.
All the essays are short, so you can get the gist of an argument and further reading in just a few pages – and each one has something new…
Exploring Key Issues in Early Childhood and Technology offers early childhood allies, both in the classroom and out, a cutting-edge overview of the most important topics related to technology and media use in the early years.
In this powerful resource, international experts share their wealth of experience and unpack complex issues into a collection of accessibly written essays. This text is specifically geared towards practitioners looking for actionable information on screen time, cybersafety, makerspaces, coding, computational thinking, STEM, AI and other core issues related to technology and young children in educational settings. Influential thought leaders draw on their own experiences…
I’m deeply passionate about us all being happy and healthy at work. I’ve been this way ever since I was old enough to realise just how much time we would spend there! I grew up in a time filled with images of stressed out, chain-smoking professionals, where the word ‘executive’ was synonymous with ‘burnout’. I knew there had to be a better way. I’ve worked in mental health for twenty years and corporate wellbeing for over a decade and I love to combine those experiences to help people have their best day at work every day.
When you feel completely overwhelmed at work, with no time or headspace to reflect, then this book is extremely helpful.
I don’t use bullet journalling all the time, but it is my go-to system when I am swamped and want to regain a sense of control and purpose. If you have never journalled then this book is a fantastic resource to get you scribbling, noticing and shifting. Even without engaging in the journalling practice, this book is really motivational and gets you in the right mindset to achieve.
It’s a fantastic book for overcoming overwhelm and tackling your never-ending to do lists.
Transform your life using the Bullet Journal Method, the revolutionary organisational system and worldwide phenomenon.
The Bullet Journal Method will undoubtedly transform your life, in more ways than you can imagine' Hal Elrod, author of The Miracle Morning
In his long-awaited first book, Ryder Carroll, the creator of the enormously popular Bullet Journal organisational system, explains how to use his method to:
TRACK YOUR PAST: using nothing more than a pen and paper, create a clear, comprehensive, and organised record of your thoughts and goals.
ORDER YOUR PRESENT: find daily calm by prioritising and minimising…
As an avid reader, I have been fascinated by children’s reading development and began researching this topic with a specific interest in the personal motivation of young readers. I examined children’s reading in various digital formats, including e-books made by families and children themselves. Today, I work as Professor in Norway and the UK and enjoy working across academia and industry. I feel very passionate about communicating research in an accessible way to children’s teachers, caregivers, and policy-makers. The books on my list do this exceptionally well, and I hope you will enjoy them as much as I did.
Tap, Click, Read was one of the first books to describe reading with screens in a balanced and measured way. I liked that the authors engaged with a range of research studies and outlined the significant potential of digital books for children’s literacy development, particularly if the books are designed with research principles in mind. The book inspired me to write in jargon-free language when communicating research to non-academic audiences. I loved the many examples in the book illustrating how young children tap, click and indeed read with modern interactive screens.
A guide to promoting literacy in the digital age With young children gaining access to a dizzying array of games, videos, and other digital media, will they ever learn to read? The answer is yes if they are surrounded by adults who know how to help and if they are introduced to media designed to promote literacy, instead of undermining it. Tap, Click, Read gives educators and parents the tools and information they need to help children grow into strong, passionate readers who are skilled at using media and technology of all kinds print, digital, and everything in between. In…
I believe that people need stories and book marketing done well can help readers find the stories they need to craft a more hope-filled, compassionate, and meaningful life. The authors I meet are sharp and creative, but many don’t have experience with book marketing. I find coaching authors to amplify their platforms is a rewarding way to support the community. My front-row seat to watching my clients’ dreams become reality is so inspiring. This book was a collaboration of book marketing experts, whom I admire, and I was so honored they agreed to share their insights with our readers.
This book is a great primer to everything an author needs to know about the business side of the author's life.
Marketing is one aspect that the author touches, but the section of the book I found most helpful delved into how authors make money, how much money authors make, etc. This transparency was eye-opening for me as I was starting to transition from a “writer” to an “author.”
Writers talk about their work in many ways: as an art, as a calling, as a lifestyle. Too often missing from these conversations is the fact that writing is also a business. The reality is, those who want to make a full or part-time job out of writing are going to have a more positive and productive career if they understand the basic business principles underlying the industry. The Business of Being a Writer offers the business education writers need but so rarely receive. It is meant for early career writers looking to develop a realistic set of expectations about…
I am an artist-filmmaker, writer, and Professor of Experimental Film at the University for the Creative Arts in Canterbury, Kent, UK. I have worked at the London Filmmakers’ Co-op and BBC TV. I have been making films since 1974 and teaching since 1988. I have published extensively on Artists’ Film / Experimental Cinema. I have edited and contributed chapters to numerous other books and journals, including Millennium Film Journal, MIRAJ, Film Quarterly, Sequence, and others. I have completed over 70 single screen works in 16mm and video, gallery film and video installations, and multi-projector film performances. These have been screened worldwide.
LeGrice was a founder of the London Filmmakers’ Co-op in 1968 and has worked ever since as a film and video maker, teacher, and writer. His book collects a large number of theoretical and critical essays on a range of topics, from film as material to the way films variously position the spectator as a consumer and/or self-conscious critic, to comparisons between film and digital media, in aesthetic, technological, and ecological terms. The essays are always approachable, even when he is discussing more abstract theoretical problems. Many examples are discussed.
Michael Le Grice, a pioneer of "structural film" in the 1970s and whose first video and computer works were exhibited in the late 1960s, provides a collection of his most notable essays. The essays shed light on the work of other artists and film-makers and documents a period, especially the 70s, when artists' film was at the centre of polemical debate about the nature of avant-garde and the future of radical or experimental film. The book contributes to the contemporary debates about film, video, art and new technology.
My mother’s death from an E. coli outbreak over a decade ago was my wake-up call to an awareness of my own mortality and was the emotional foundation of both my first novel and my latest. I’ve reached a point in my own life where advancing age is a lived experience, and I’ve read broadly about this phase of life that goes largely unexamined despite the fact that we’re all destined for it. My essays have appeared in the New York Times, the San Francisco Chronicle, and the San Jose Mercury News. I’m a graduate of Denison University and Columbia Law School.
The title itself is a consolation to me, and it turns out there really are several strong arguments for why we should be glad we don’t live forever, no matter how appealing that may seem. I found Stark’s whimsical tone throughout the book to be a pleasant departure from the leaden prose of most academic philosophers.
This book didn’t completely convince me that worrying about death is a waste of time, but it did get me part of the way there, and that was and is an enormous comfort to me.
A penetrating and provocative exploration of human mortality, from Epicurus to Joan Didion
For those who don't believe in an afterlife, the wisdom of the ages offers four great consolations for mortality: that death is benign and good; that mortal life provides its own kind of immortality; that true immortality would be awful; and that we experience the kinds of losses in life that we will eventually face in death. Can any of these consolations honestly reconcile us to our inevitable demise?
In this timely book, Andrew Stark tests the psychological truth of these consolations and searches our collective literary,…
