100 books like The Wolf Gift

This is the third book in this seven-book series where Hermione Granger plays a more central part in the plot. It was around about the time this came out that I discovered Harry Potter and went back to read from the Philosopher’s Stone onwards.

I was always convinced, from the very beginning, that Hermione Granger is black with her ‘bushy brown hair,’ so I was disappointed when Emma Watson was cast in the subsequent film versions. As we now all know from the play Harry Potter and the Cursed Child, Hermione Granger is black. 

I often suspect that characters in novels are black or Asian, even though there is no explicit reference to them being so in the text. Not all black characters' experiences are just about gangsta or slavery, and not all Asian characters are escaping arranged marriages.

This book is at the top of my list because it’s one of my very favorites. Dunkle spins a gripping, atmospheric story with memorable characters, and you can tell she’s done her research on medieval Scotland. I love the old Celtic tales woven in, and the sweet romance between Maddie and the woodcarver. But what I like most of all is the theme of redemption. Maddie is a true hero, brave in the face of an unimaginably powerful, ancient evil. She showed me that you don’t have to be big or strong or rich or “somebody” to make a difference. You just have to be willing, have faith, and do your part.

Werewolf Cop is a hard-boiled noir quite unlike the other books on my list, but Klavan’s powerful voice drew me in and never let go. The book wasn’t entirely hard and gritty like I assumed at first. I especially like the way Klavan portrays the relationship between the main character and his wife. My favorite quote from the book is: “Bloody hard to know who the good guys are, isn’t it?” “It is,” said Zach. “I’m not even sure that’s how it works... It’s more like—messed-up guys, some fighting for the good, some for the bad, and the rest just wandering around bumping into the furniture.”  

I saw the 2010 movie first and then later found the book version in a thrift store and had to grab it. Both book and movie deftly create a gloomy, gothic, Romantic atmosphere; the book develops the characters and relationships further. It’s the age-old story of a man seeking to rid himself of a curse, pursued by the law and betrayed by someone who was supposed to protect him—I’m a sucker for that kind of tale! If you enjoy the classics like Dracula and Frankenstein, but find it harder to get through them or connect with them emotionally because of the older language and style, give this book a try.

I absolutely loved this novel, not just for the craft (the writing is beautiful), but for the suspense created when a troubled man eavesdrops on a psychologist’s sessions.

Fascinated with one particular client, he gets deeply and actively involved in her search for identity and her ties to Nazi Germany. As a practicing psychologist, I tried, unsuccessfully I might add, to imagine how I would handle a similar situation.

Set in my town, 1970’s San Francisco during a tumultuous era marked by psychedelics, feminism, and the Zodiac killer, I even recognized the building where Ullman’s fictional psychologist practices because some of my colleagues have offices there.

 I love books that are told from a first-person point of view by a main character that is flawed yet lovable. Sam is easy to relate to. Throw in a sexy vampire love interest, and it was impossible to stop reading. Just the right ratio of mystery, suspense and romance. This is easily my favorite book to date.

Lady Oracle was one of the novels I read in the several years after first having the vague notion that I might like to write a novel akin to Steppenwolf but that would be set in the approximate present day and have a female protagonist. As Lady Oracle’s main character is a writer who, after periodically reinventing herself, now fakes her own death, flees her intellectual, non-dancing husband, and holes up in an Italian village, I saw possible avenues for my own husband-leaving Kari. Would Kari flee to another country? Would she have secret lovers or a history of being fat? Would she, too, fake her own death? Kari ultimately didn’t follow many of Joan Foster’s paths, but she might have.

Geographer Tim Cresswell’s work has helped me convince architectural historians that examining how we move through spaces is vital to understanding the full range of the built environment’s cultural meanings. He states the obvious: we all live in physical bodies. And yet historians emphasize the written word and architects emphasize visualization. What about the other senses? Cresswell argues that mobility is a socially-constructed movement much like place is a socially-constructed space. We can learn so much by paying attention to the ways society controls movement: Who is allowed to occupy which spaces? When? With whom? And how has that changed over time? Cresswell’s ideas helped me analyze the lived experiences of multiple people in the same domestic spaces, and ultimately connect the manipulation of architecture and landscape to modernity’s regulation of bodies and ideas. 

Nicholas Humphrey is our Darwin of the human mind. I first came across him in the mid-1980s when his television series The Inner Eye was broadcast. It was a revelation to me that such an elegant, comprehensive, and beautiful theory as his existed, explaining the evolution and nature of human consciousness. I bought the accompanying book at once, and it remains for me the best explanation of consciousness—a constant source of inspiration, including for my novels. Humphrey’s social intelligence theory remains, after forty years, the most widely accepted explanation of the evolution of consciousness.

I know you’re not supposed to judge a book by its cover, but the cover is indeed what got me! I immediately wished someone had captured an image of me looking amazing and strong like the girl featured. I mean, how cool to have a picture that really reflects oneself, so unlike the stiff and awkwardly posed school pics that decorated my home growing up. Her stance and expression just spoke to me and I immediately loved that this book celebrated her strength and presence.  And not just hers! Many, many girls of various ages and backgrounds are photographed doing something that makes them feel good or strong or real. This book is a catalog of photos and words that celebrate girls being their authentic selves. I want that for all the little girls, and all the little girls who have grown up too.