73 books like The Winter Witch

I love books that start in the world we know and gently transport the reader into the supernatural. The magic in The Scribe is ancient and the war is underground, but everything feels so natural and real. And how the hero and heroine interact—the reluctance, the tension, the life-or-death alliance. This isn’t instalove, it’s the inescapable love that connects them soul to soul. And when it’s not just the hero who’s haunted but also the heroine, there’s an added dimension to the story that feeds what I crave. The dialogue feels true to life, and the characters come alive on the page. The blend of these elements—fantasy, adventure, and romance—is perfect here, and how they play off one another is like magic.  

Song of Scarabaeus is sci-fi, not fantasy, but it definitely has that perfect blend: just enough adventure, just enough sci-fi/fantasy, just enough of a love story. The relationship between the two characters, a scientist and her bodyguard, creates instant on-page tension. I can’t spoil why, but it’s an interesting life-and-death situation that kept me turning pages. With this captivating plot, great characterization, realistic dialogue, and expert worldbuilding, I wish I could erase my memory of this book and experience it all over again. 

The Gaslight Dogs is a powerful story with expert prose and characters that moved into my heart. Their troubles, their reluctant unions, how human and authentic they feel... despite at times not being very human at all... built such sympathy I had to take breaks from this book just to breathe. This is not a romance, but a different kind of human relationship—one of the most interesting I’ve ever read. The characters’ journey from the comfort of their known worlds into each other's moved me deeply. The blend of adventure in this very unique fantasy world, with these two amazing characters, makes this one of my favorite books of all time.

Unrelenting action and snappy dialogue made this book an instant fav. It contains some of the best things: betrayal, revenge, a mouthy and haunted anti-hero and heroine, spaceships, and sexual tension from page one. The way this book blends all those things—and yes, this is sci-fi, not fantasy—makes a wildly entertaining start to a perfect series. I’ve never loved characters and their banter more. This perfect team both hates and loves each other and won't stop getting up no matter how many times they're knocked down. Impossibly high stakes and a plot that pits hero against heroine until their alliance becomes the key to a universe-sized revolution. What an amazing book. I devoured the whole series and can’t wait for the finale. 

The first big draw of this novel is the characterisation.

The protagonists and antagonists are all wonderfully sketched, giving them depth and life, especially Tormalin the Oathless, of a vampire-like race, and Lady Vincenza de Grazon – eccentric old scholar and wine fiend. The book is full of humour and the plot is well drawn with perfect pacing. 

At the heart of the novel is a mystery – where are the Jurelia – the fearsome race that invaded millennia ago, and are they going to return? What will happen when they do?

Finally, Williams has created an intriguing world full of powerful oppressed witches alongside steam trains and the remnants of the previous Jurelia invasion.

This book is gripping. From the first sentence I was hooked as the autistic heroine showed me what life is like when no one understands you. When no one thinks like you. And when almost everyone underestimates you. I have learned so much from this book and am grateful for it. I love Addie. I love how empathetic she is as she campaigns for a memorial for the accused witches executed by her village centuries earlier. And I love her passion for sharks and her desire for them to live free and natural lives. I am certain that she would not visit aquariums because she knows how cruel captivity is. She is a bright, brave soul and I highly recommend that you read her story.

This book is a little different from the other books on the list because it is specifically geared towards early readers.

Although that is the focus, I found this book to be a perfect balance of story and cute illustrations and makes a great bedtime story full of witches, trick or treating, and all things Halloween. As a bedtime story, it can be separated into chapters and the kids always remember where we left off. 

I also love that this book has a little more story to it and the main character, Wendy, has obstacles to overcome. It is a great book for little ones and also transitions nicely into early reading.

Stories can be dangerous. People who love storytelling are fascinated by Newfoundland, where isolation nourished a rich oral culture (in a distinct English dialect).

Barbara Rieti introduces many colourful Newfoundlanders and the stories they have to tell – but not about long-ago times. These stories are about witches who live among us, or who are dead but well-remembered.

You can imagine how dangerous it might be to be called a witch, even with witch-burning gone out of fashion. (In its place, people cast spells to give witches the burning pain of bladder infections.) But “witches” could also use their reputations to get things they needed.

The author is very scholarly and does not believe there is any real witchcraft or magic behind these stories – but some of them left me wondering!

When I was young, my sister falsely accused me of stealing her money. I remember the pain I felt. If I had had this book in my hands, it would have consoled me.

The author of this funny chapter book teaches 7- to 10-year-old children a great life lesson on integrity and friendship. After reading the book, parents and children should discuss these values.

For the last twenty-five years, historians have been convinced that witch suspects drew on their personal histories as they confessed to being the Devil’s disciples.

Kounine flips that presumption on its head by asking how the processes of interrogations and torture might actually create a self-identity of being a witch, a category that was more flexible and nuanced than we might have expected.