Fans pick 79 books like The Scribe

I’ll admit I’m a terribly picky reader. My specific taste doesn’t seem to fit in one genre and is sometimes hard to nail down—literary prose with genre tropes, softly-integrated worldbuilding, adventure that leaves room for reflection, and a love story subplot that’s more mental than physical. I love anti-heroes and angst and stories that get a bit dark—but not too dark. When I find it, I’m hooked and obsessed, and I feel like I’m twelve years old again, reading late into the night with a flashlight under the covers. That exprience is what I’m always hunting for, and what I attempt to recreate in my own writing. 

I’ll admit I’m a terribly picky reader. My specific taste doesn’t seem to fit in one genre and is sometimes hard to nail down—literary prose with genre tropes, softly-integrated worldbuilding, adventure that leaves room for reflection, and a love story subplot that’s more mental than physical. I love anti-heroes and angst and stories that get a bit dark—but not too dark. When I find it, I’m hooked and obsessed, and I feel like I’m twelve years old again, reading late into the night with a flashlight under the covers. That exprience is what I’m always hunting for, and what I attempt to recreate in my own writing. 

I’ll admit I’m a terribly picky reader. My specific taste doesn’t seem to fit in one genre and is sometimes hard to nail down—literary prose with genre tropes, softly-integrated worldbuilding, adventure that leaves room for reflection, and a love story subplot that’s more mental than physical. I love anti-heroes and angst and stories that get a bit dark—but not too dark. When I find it, I’m hooked and obsessed, and I feel like I’m twelve years old again, reading late into the night with a flashlight under the covers. That exprience is what I’m always hunting for, and what I attempt to recreate in my own writing. 

I’ll admit I’m a terribly picky reader. My specific taste doesn’t seem to fit in one genre and is sometimes hard to nail down—literary prose with genre tropes, softly-integrated worldbuilding, adventure that leaves room for reflection, and a love story subplot that’s more mental than physical. I love anti-heroes and angst and stories that get a bit dark—but not too dark. When I find it, I’m hooked and obsessed, and I feel like I’m twelve years old again, reading late into the night with a flashlight under the covers. That exprience is what I’m always hunting for, and what I attempt to recreate in my own writing. 

Since I was a girl, I’ve had an enduring sense that women must work harder, be cleverer, think more creatively than men, both at work and sometimes at home. So I love a woman who stands up for herself, who doesn’t suffer fools gladly. At one time, when the series Spooks was popular on TV, I wanted to be Ros, the operator who, when a dodgy guy followed her, hid around a corner. She flattened him with some nifty moves, stole his car keys and said: “Never follow me again.” Brilliant! I hope you enjoy all the feisty females on my book list. 

Strangely as an English writer who loves skiing, the one place in the world in which I feel most at home is the old town of Istanbul. I’ve been there so many times and every visit inspires me to write. One trip provided the opening sentences of my first novel, another the middle chunk of my second novel, Copper Trance & Motorways, and yet another a suite of poems. Despite the historical sites it’s not a particularly beautiful city but it has a vitality like an electric charge and the hospitality of most Turks is amazing. When I’ve been struggling with writer’s block it's taking off to Istanbul that’s unstuck me.

I never planned to be a spy thriller writer. One day an editor suggested I write genre fiction. “Pick a genre you read just for fun,” he said. For me, that was spy novels. I had some background (military intelligence, journalist in Europe, Africa, etc.) and John Le Carré had shown that spy novels could be serious fiction. An encounter in the Amazon jungle sparked my first spy thriller, Hour of the Assassins. Then came Scorpion, Homeland, and the rest. What’s the attraction? Intelligence agents lie better than most because their lives depend on it. But if you dig hard enough, you get small truths. Big ones too.

I love thrillers that give you something to think about, keep you on the edge of your seat and take you to new places. And, although I also like Daniel Silva and Lee Child and Tess Gerritsen et al, I love to find new voices in the thriller genre, especially ones (like mine) that haven’t become household names. And I am especially drawn to thrillers with great prose and great characters. Try some of the books I recommended. You will not be sorry. 

Strangely as an English writer who loves skiing, the one place in the world in which I feel most at home is the old town of Istanbul. I’ve been there so many times and every visit inspires me to write. One trip provided the opening sentences of my first novel, another the middle chunk of my second novel, Copper Trance & Motorways, and yet another a suite of poems. Despite the historical sites it’s not a particularly beautiful city but it has a vitality like an electric charge and the hospitality of most Turks is amazing. When I’ve been struggling with writer’s block it's taking off to Istanbul that’s unstuck me.

I am an ex-lawyer, ex-army officer, and ex-Hollywood film editor who loves stories about females in danger who dig deep to solve problems and survive. I can’t claim to be an expert, but I marvel at the breadth of female styles–from delicate, feminine, and sweet to brave, adventuresome, and tough. I have edited films about various women characters, from Charlize Theron’s killer in Monster to Cate Blanchett’s spiritual medium in The Gift and Diane Lane’s brave romantic survivor in Under the Tuscan Sun. I have three successful step granddaughters: an accountant, a lawyer, and one getting a PhD in computer studies. Smart, talented, and interesting women people in my life.