Here are 100 books that The Train to Impossible Places fans have personally recommended if you like
The Train to Impossible Places.
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Let's face it: pirates of the Golden Age are just cool. No one would actually want to encounter them, but they have been the stuff of escapist dreams since childhood. Adventure, fellowship, treasure–the “romantic” aspects of piracy are what make these otherwise nasty individuals anti-heroes par excellence. As an adult and academic and as an occasional crewman on square riggers, I adopted pirates as a favorite sub-set of maritime history. As with other aspects of the past, I view the history of pirates and piracy as really two narratives: what the records tell us happened and why and what our persistent fascination with them reveals about us.
In my humble opinion, this is the greatest adventure tale in the English language!
Robert Louis Stevenson practically invented pirates for the modern world, particularly his chief antagonist, the crippled but formidable Long John Silver. Highly intelligent, cunning, crafty, ruthless, yet somehow appealing, Silver set the standard for all pirate heroes to come.
Whenever I get bogged down studying pirates, I turn to Treasure Island to remember what it is to enjoy my subject!
Penguin presents the audio CD edition of Treasure Island by Robert Louis Stevenson.
Following the demise of bloodthirsty buccaneer Captain Flint, young Jim Hawkins finds himself with the key to a fortune. For he has discovered a map that will lead him to the fabled Treasure Island. But a host of villains, wild beasts and deadly savages stand between him and the stash of gold. Not to mention the most infamous pirate ever to sail the high seas . . .
I grew up in a small Welsh town and I read to escape into other worlds. My love of myth and legend began when I came across a book of Greek myth in the library. I fell in love with the great voyages, the larger-than-life characters, the snake-haired monsters, and flying horses. I’ve been collecting legends ever since. I studied comparative literature at university, which included epic tales from all over the world and I was struck by how the same motifs come up again and again – quests, battles, magic. I love any story that takes you out of your everyday surroundings and into adventure.
This book combines time travel, computer games, and some very thorny puzzles as a group of friends are trapped in a virtual reality game from the future. This isn’t just a simple ‘solve the puzzles to get home’ story, though: there’s something darker going on behind the scenes and as more and more was revealed, I found myself dying to know what was happening. The story is fast-paced, great fun, and different from anything I’d read before.
Gaming and time travel collide in this exhilarating middle-grade adventure, from bestselling author Jennifer Bell.
THE GAME IS ON. TRAVEL WITH WONDER.
When Arthur, Ren and Cecily investigate a mysterious explosion on their way to school, they find themselves trapped aboard The Principia - a scientific research ship sailing through hazardous waters, captained by one Isaac Newton.
Lost in the year 2473 in the Wonderscape, an epic in-reality adventure game, they must call on the help of some unlikely historical heroes, to play their way home before time runs out.
Jumanji meets Ready Player One in this fast-paced adventure featuring…
I grew up in a small Welsh town and I read to escape into other worlds. My love of myth and legend began when I came across a book of Greek myth in the library. I fell in love with the great voyages, the larger-than-life characters, the snake-haired monsters, and flying horses. I’ve been collecting legends ever since. I studied comparative literature at university, which included epic tales from all over the world and I was struck by how the same motifs come up again and again – quests, battles, magic. I love any story that takes you out of your everyday surroundings and into adventure.
I was given this book as part of Christmas book exchange. My friend thought I’d love it, and she was right. It’s a pirate story at heart, but the action takes place on a frozen landscape and instead of a ship, the Frostheart is a sleigh. The characters are great, especially Ash and his Yeti friend. The pages are packed with danger, magic, and laughs. All my favourite things.
The whimsy of Nevermoor meets the mythical world-building of Neil Gaiman in this unlikely hero's quest to find his parents--and find the home he's always longed for.
In a snow-covered land where monsters rule the icy tundra, only song weavers hold the power to control these vicious giants. But for centuries song weavers have been the subject of suspicion--how can those who hold so much power be trusted?
Ever since his parents were lost on a pathfinding expedition, Ash has spent his life as an outcast. As a budding song weaver, his village marked him as a potential threat, even…
I grew up in a small Welsh town and I read to escape into other worlds. My love of myth and legend began when I came across a book of Greek myth in the library. I fell in love with the great voyages, the larger-than-life characters, the snake-haired monsters, and flying horses. I’ve been collecting legends ever since. I studied comparative literature at university, which included epic tales from all over the world and I was struck by how the same motifs come up again and again – quests, battles, magic. I love any story that takes you out of your everyday surroundings and into adventure.
This book took my breath away when I first read it. An adventure travelling across galaxies, weaving ancient mythology with aliens and spaceships and stars that may literally be singing. I have the hardback edition and the illustrations are stunning. Parts of the book have a graphic novel feel, with the illustrations picking up the storyline and taking it forward. It’s an unforgettable journey.
1
author picked
Phoenix
as one of their favorite books, and they share
why you should read it.
This book is for kids age
4,
5,
6, and
7.
What is this book about?
A BOY WITH THE POWER OF A STAR . . .
Lucky thinks he's an ordinary Human boy. But one night, he dreams that the stars are singing to him, and wakes to find an uncontrollable power rising inside him.
Now he's on the run, racing through space, searching for answers. In a galaxy at war, where Humans and Aliens are deadly enemies, the only people who can help him are an Alien starship crew - and an Alien warrior girl, with neon needles in her hair . . .
I am someone who has made major decisions in my life based solely on the desire to ski powder! That’s why I live in Sun Valley, Idaho and get to enjoy the snow and winter fun all season long. And because I love children’s books and specialize in writing for the youngest children, I have educated and experiential opinions as to what makes a great children’s book work. So, there you have it: Snow and Kids’ Books; two of my favorite things!
When I was a kid, I loved books about miniature things; they piqued my imagination and had me thinking long after the story was finished.
The Victorian Era family of five living inside the snow globe is not only miniature but it has its own weather system—and it hasn’t snowed in a long time! The snow globe rests on the mantle of a “big house” with a mirrored human-sized family.
No one in the family remembers the snow globe except for Baby, who is left at home with Mama while everyone goes outside in the blizzard to play. Baby tips over the snow globe, giving the tiny family exactly what it has been waiting for; a blizzard! Now both families get to play in the snow and it’s ever so much fun! Wonderful for children of all ages.
Oh, when will it snow again? wonders the little family who lives in the snow globe. They long for a swirling snowstorm—if only someone in the big family would pick up the snow globe and give it a great big shake.
Baby would love to. She alone notices the little family. She gazes longingly at their snowy little world, but the snow globe is up way too high for her to reach. Then, when a real snowstorm sends the big children outside sledding in the moonlight, Baby finds herself alone in the parlor. . . . Will the snow globe…
My mother called me a “television junkie.” In graduate school, where TV was not yet considered a worthwhile scholarly endeavor, I became enthralled by Twin Peaks and Roseanne. Rebelliously, I thought both had so much to say about gender studies and theories of postmodernism. Absent of an official curriculum, I started reading and writing about television history, medium specificity, genre theory and seriality. I got my PhD and published articles on film, TV, and my book. Since 1992, I have developed several television studies courses for our small media studies department: Crime Drama, Reality TV, Gender and Genre on Television, Transmedia Adaptations, and Media Rituals.
I am a fan of Nordic noir, and whenever I am in the middle of a Norwegian, Danish, or Finnish series, I always want to know more about the local aspects that I am missing.
As one of the earliest books covering European crime dramas in English, the individual chapters helped me understand the genre’s appeal over other genres, what motivated the different cultural depictions of local and national tensions, and how this, in turn, impacted global distribution and reception of crime series.
On top of this, the intriguing case studies gave me new crime dramas to add to my ever-growing watchlist. A win-win.
This book is the first to focus on the role of European television crime drama on the international market. As a genre, the television crime drama has enjoyed a long and successful career, routinely serving as a prism from which to observe the local, national and even transnational issues that are prevalent in society. This extensive volume explores a wide range of countries, from the US to European countries such as Spain, Italy, the Scandinavian countries, Germany, England and Wales, in order to reveal the very currencies that are at work in the global production and circulation of the TV…
I’m an information junkie who loves to dance. I fell in love with folk dancing at age 6, European archaeology at 11, linguistics and cognition at 21—and could never drop any of them. My scientist-father always said, “Follow the problem, not the discipline,” and I began to see how these fields could help answer each other’s questions. Words can survive for millennia—with information about what archaeologists don’t find, like oh-so-perishable cloth. Determining how to reconstruct prehistoric textiles (Women’s Work: The First 20,000 Years) then led me to trace the origins of various European folk costumes, and finally even to reconstruct something about the origins of the dances themselves.
This book is a rich source of information about how certain attire, especially the “string skirt” and its variants, has traditionally been drafted in Europe to promote women’s health and fertility, a tradition that we can trace back, through evidence, for some 20,000 years. Wonderfully illustrated, the data here range from Greece and Turkey in the south, through Central Europe to Latvia and Norway in the far north, as well as occasionally deep into Eurasia. And of course, such apparel was particularly donned for dancing on occasions where the wearer would be seen by all. (Being a show-off runs deep in humanity!)
Shortlisted for the Katharine Briggs Folklore Award 2000.Relationships between dress and the body have existed in European and Anatolian folk cultures well into the twentieth century. Traditional cultures have long held the belief that certain articles of dress could protect the body from harm by warding off the 'evil eye,' bring fertility to new brides, or assure human control of supernatural powers. Ritual fringes, archaic motifs, and colors such as black and red were believed to have powerful, magical effects. This absorbing and interdisciplinary book examines dress in a broad range of folk cultures - from Turkey, Greece, and Slovakia…
I am a historian of the early Middle Ages, focusing mainly on the intellectual and cultural history of the post-Roman Barbarian kingdoms of the West. I have always been fascinated by cultural encounters and clashes of civilizations, and it did not take long before the passage from Antiquity to the Middle Ages, which witnessed the transformation of the Roman World, the rise of Christianity, and the emergence of the Barbarian kingdoms, grabbed my attention and became my main focus of academic interest. I have published and edited several books and numerous papers, most of which challenge perceived notions of early medieval culture and society in one way or another.
This book trace the development of national identities in the early Middle Ages and beyond. In his careful reading of classical historians, their early medieval counterparts, and their modern interpreters, Geary challenges the traditional understanding of early medieval identity formation and its relations to the origins of modern European nations.
Geary demonstrates that the early Middle Ages were marked by a fluid and dynamic sense of identity and that rulers and policymakers deployed a plethora of strategies to create a sense of shared identity among their people. I particularly like Geary’s inference that the modern idea of the nation-state is, in fact, a nineteenth-century invention and any attempt to trace it back to the early Middle Ages is plain historical nonsense.
Modern-day Europeans by the millions proudly trace back their national identities to the Celts, Franks, Gauls, Goths, Huns, or Serbs--or some combination of the various peoples who inhabited, traversed, or pillaged their continent more than a thousand years ago. According to Patrick Geary, this is historical nonsense. The idea that national character is fixed for all time in a simpler, distant past is groundless, he argues in this unflinching reconsideration of European nationhood. Few of the peoples that many Europeans honor as sharing their sense of "nation" had comparably homogeneous identities; even the Huns, he points out, were firmly united…
I moved to Britain from Belgrade, then the capital of Yugoslavia, in 1986. Still in my early twenties, I was a published poet in Serbian, but I didn’t dream I would eventually become a novelist in English. I devoured any English book that dealt with East-West encounters. I must have read several hundred as I researched my first book, Inventing Ruritania, a cultural study of the “Wild East”. I returned to them when I wrote Iron Curtain, a novel about a “Red Princess” from an unnamed East European country who marries an impecunious English poet. I sometimes thought of it as Ruritania writes back.
Having not one but three books as my second choice may look like cheating, but the novels which comprise Manning’s unforgettable Balkan Trilogy – The Great Fortune and The Spoilt City, set in Bucharest, Romania; and Friends and Heroes, set in Athens – are now usually published under one cover.
The first two volumes paint the story of Guy and Harriet Pringle, newly married English expats in the Romanian capital on the eve of the Second World War, who then escape to Athens as the Germans advance across the Balkans.
I use the verb “paint” deliberately. Manning was a painter in her youth, and few writers can paint the word-picture of a foreigner in a strange city as well as she does.
I fell in love with Bucharest after reading it, and I travelled there for the first time in the immediate aftermath of the Revolution in 1989, while there…
'Her gallery of personages is huge, her scene painting superb, her pathos controlled, her humour quiet and civilised' Anthony Burgess
'So glittering is the overall parade - and so entertaining the surface - that the trilogy remains excitingly vivid; it amuses, it diverts and it informs, and to do these things so elegantly is no small achievement' Sunday Times
'A fantastically tart and readable account of life in eastern Europe at the start of the war' Sarah Waters
The Balkan Trilogy is the story of a marriage and of a war, a vast, teeming, and complex masterpiece in which Olivia…
I’ve been fascinated by the Middle East ever since being taken to see Kismet at the age of 3. I travel there extensively, married into it, and have lived inside the
Middle East community in the US for the past thirty years. I’m also a
journalist, a playwright, and the author of three non-fiction books, Making the World
Safe for Tourism, Aaronsohn’s Maps,
and INTERLOCK: Art, Conspiracy, and The Shadow Worlds of Mark Lombardi.
Although I wouldn't argue that the issue of women’s rights isn't an urgent one, as a woman who focuses on history and geopolitics, I’m often
disturbed at how it's being used to whip up popular emotion
and obscure other driving forces.
Ferguson shows us a neural network of another sort: the web of offshore finance and international co-investment that culminated in the First World War—not at Sarajevo but in the Middle East, where Great Britain and Germany faced off over railroad access to Britain’s prize possession, India. Wrapped in the thoroughly engaging family history of the far-flung Rothschilds and how they knit themselves together in an empire of their own, Ferguson embeds an equally enthralling history of what he calls “Globalization I,” the 19th-century race to connect the empires established in the preceding age of exploration with their European centers of power by commercial rather than military means, with railway and telecommunications lines as their primary instruments. I am indebted to him for inspiring insights into how, in the years preceding World War I, the great European railway race came down to the finish line, the last and crucial link connecting…
This second volume of Niall Ferguson's acclaimed, landmark history of the legendary Rothschild banking dynasty concludes his myth-breaking portrait of one of the most powerful and fascinating families of modern times. With all the depth, clarity and drama with which he traced the Rothschild's ascent, Ferguson shows how their power waned as conflicts from Crimea to the Second World War repeatedly threatened the stability of their worldwide empire, and how their failure to establish themselves successfully in the United States would prove fateful. At once a classic family saga and a major work of economic, social and political history, this…
