100 books like The Sundial

The Ballad of Black Tom rocked my world.

I was already writing stories inspired by H.P. Lovecraft but I wasn’t sure I had a place in the genre. Then Victor LaValle took one of Lovecraft’s most racist works, The Horror At Red Hook, and produced an alternate version.

Black Tom touches on the events of Lovecraft’s original story but tells the tale from the point of view of a black musician named Tommy Tester. LaValle’s reimagining of Lovecraft is a revelation.

He showed me that I didn’t have to be like Lovecraft to write in his world. And LaValle perfectly captures the Harlem Renaissance of the 1920s, a world that Lovecraft’s racism prevented him from seeing, even though he lived in New York City at the time.

I also love books that combine thrilling adventure stories with the thoughtful exploration of ideas.

The protagonists of this haunting sci-fi/existential horror novel make contact with an alien species that, while highly intelligent, appears to lack any sense of self-awareness. This leads to the scary question: Are the aliens the weird ones in this scenario, or is human consciousness a unique mutation in a universe filled with zombies?

When talking with younger writers, sooner or later I ask them to name a writer or a book they can point to and say, “That’s the goal. That’s what I care about. That’s what I want to do.” If I asked myself this question, one of my answers would be Karen Joy Fowler’s first novel, a pitch-perfect account of 19th-century America and the mysterious title character, a weird woman whose weirdness confirms how weird everything else already is.

A stunning assembly of archival photographs and newspaper clippings from Jackson County, Wisconsin, in the last decade and a half of the 19th century, and the definitive explanation of why nobody in old-time photographs is ever smiling—and, I choose to believe, the real reason the parts of The Wizard of Oz set in Kansas were filmed in black and white. Economic privation, unceasing bereavement, disease both physical and mental—in other words, Tuesday. Was there any joy in Jackson County? Somewhere, I’m sure. What’s documented here is a stark, powerful beauty. The most real book I’ve ever encountered, and one of two on face-out display on my bookshelves.

The other book face-out on my bookshelves, in some ways almost too obvious—what’s weirder than UFO culture? This photo-laden account of the material expressions of faith that Something Is Out There (including a house shaped like a flying saucer I used to drive by regularly when visiting Pensacola Beach) seems almost innocent after the toxic eruptions of conspiracy paranoia of recent times. With its rich Kodachrome record of how a sideshow can become the main event, a perfect complement to Wisconsin Death Trip. Whenever I look at either book, I find it hard to look away.

This book borrows its title from a short story coauthored by H.P. Lovecraft, and it starts out like a classic Lovecraft tale, with an escaped psychiatric patient sending his wife a message from beyond the grave.

But just when you think you know what kind of book you’re reading, author La Farge throws in a twist—and then he does it again and again. It’s a unique and amazing novel that defies categorization.

It’s not the scariest Stephen King novel I’ve ever read—I’d give that honor to The Shining—but this book remains my all-time favorite.

The story of John Smith, who awakens from a five-year coma with psychic powers that are more curse than blessing, plays to King’s greatest strength as a writer: the ability to create believable characters who you really care about.

The book is also a time capsule of American politics in the 1970s—one that seems newly relevant in the 2024 presidential season.

The author, Richard Price, is a street reporter trapped in the body of a novelist. He takes firsthand observation and research on life in urban America and spins it into incredibly realistic and moving works of fiction.

Freedomland, my favorite of his novels, was inspired by the case of Susan Smith, who blamed the disappearance of her two sons on a fictitious black carjacker.

Though billed as a crime novel, it is also absolutely a horror story—and it’s fantastic.

Half of the brother duo behind Dumb and Dumber and There’s Something About Mary, Farrelly studied writing in the 1980s and penned a fairly forgotten novel called Outside Providence. He followed it with his second fiction work in the late-1990s, serving as a fictionalized account of himself broke, starving, and trying to break into Hollywood. I can listen to Peter talk all day on podcasts and interviews because he’s so natural and honest. Those traits translate here, with a story centering around a sympathetic protagonist trying to find his way. With real stories like how Farrelly wrote for Seinfeld and was introduced to Los Angeles by someone trying to leap from a building, any writer will instantly connect with this breezy human story about creativity in your twenties. 

Possibly the most underrated cartoonist in the world. Everyone knows his work from Seinfeld and The Simpsons––I’m not overstating this is a comic genius. This book attempts to make sense out of this disastrous period in our history through his unique drawings and visual puns. This book is a Master Class in modern editorial cartooning.