Here are 100 books that The Republic fans have personally recommended if you like
The Republic.
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Ever since my younger years, I’ve spent many hours dwelling within the realms of my imagination, daydreaming myself into whirlwind romances from slow-burn to forbidden and everything in between. Why? The best answer I can give right now is my love of love, my innate understanding that the invisible string that pulls two people so fiercely together at the right time and place ultimately are the connections and relationships that propel us into up-leveling ourselves, evolving into our next best versions. So when I read, watch, or write romance, it’s beyond the physical–it’s emotional, mental, and truly spiritual.
I return to this book time and again because of the captivating connection Elizabeth and Darcy share. It’s not just the tension on the surface, but it’s what goes on emotionally and psychologically with them that has me enchanted.
Austen does a fantastic job of portraying how love will sneak up on you when you’re not even looking for it, how it will push you to face the parts of yourself you’ve been avoiding for too long and to stand boldly in your authentic character while holding compassion for another’s perspective.
Every time I read this book, I feel I know the characters at a more intimate level as new fractals of their personalities and behaviors shine through.
Jane Austen's best-loved novel is an unforgettable story about the inaccuracy of first impressions, the power of reason, and above all the strange dynamics of human relationships and emotions.
Part of the Macmillan Collector's Library; a series of stunning, clothbound, pocket sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition is illustrated by Hugh Thomson and features an afterword by author and critic, Henry Hitchings.
A tour de force of wit and sparkling dialogue, Pride and…
It took a career as a librarian to help me understand my need for order, instead of the emotional chaos I grew up with in a large family. Being the child of an alcoholic father and a codependent mother gave me little personal value. After gaining some sense of worth in college, I wanted to give my kids the stability and support every child deserves, but I had to learn how to do this. I used my resources: education, self-scrutiny, honesty, art, nature, and the good Lord of the universe.
As a leader in autobiographical fiction, Wolfe writes of a large family dominated by an alcoholic, authoritarian father who is highly dramatic in words and behavior.
His wife’s determination to survive by running a boarding house and investing in real estate leaves little time for parental attention to the needs of their children.
While most grow to repeat the dysfunctional family habits that hinder healthy development, the youngest child, with the help of his teachers, struggles enough to finally take steps away from the pain, and out of the cycle, as I did with my own life.
The spectacular, history-making first novel about a young man’s coming of age by literary legend Thomas Wolfe, first published in 1929 and long considered a classic of twentieth century literature.
A legendary author on par with William Faulkner and Flannery O’Connor, Thomas Wolfe published Look Homeward, Angel, his first novel, about a young man’s burning desire to leave his small town and tumultuous family in search of a better life, in 1929. It gave the world proof of his genius and launched a powerful legacy.
The novel follows the trajectory of Eugene Gant, a brilliant and restless young man whose…
It took a career as a librarian to help me understand my need for order, instead of the emotional chaos I grew up with in a large family. Being the child of an alcoholic father and a codependent mother gave me little personal value. After gaining some sense of worth in college, I wanted to give my kids the stability and support every child deserves, but I had to learn how to do this. I used my resources: education, self-scrutiny, honesty, art, nature, and the good Lord of the universe.
As the daughter of an alcoholic, I took enough college psychology classes to know I was part of an unchosen cycle, at risk to continue the family chaos.
Despite my resistance, my personal, unanticipated, troubled behavior did emerge, baffling me, and this book was exactly what I needed to sort things out, especially when I became a parent and feared contaminating my children.
Reading about negative, senseless, and too-familiar family habits of concealment, disparagement, anger, pain, and especially the role-playing coping mechanisms that commonly develop in a dysfunctional family, gave me hope.
Family hero, scapegoat, quiet one, mascot, all of these I recognized clearly. By learning, understanding, and erasing the blame, I could redefine normal and finally “crawl out of the trap.”
Reveals what happens in an alcoholic home, discusses the scars that the children of alcoholics must bear, and explains how adult children of alcoholics can deal with their parents and their own problems.
Benghazi: A New History is a look back at the enigmatic 2012 attack on the US mission in Benghazi, Libya, its long-tail causes, and devastating (and largely unexamined) consequences for US domestic politics and foreign policy. It contains information not found elsewhere, and is backed up by 40 pages of…
It took a career as a librarian to help me understand my need for order, instead of the emotional chaos I grew up with in a large family. Being the child of an alcoholic father and a codependent mother gave me little personal value. After gaining some sense of worth in college, I wanted to give my kids the stability and support every child deserves, but I had to learn how to do this. I used my resources: education, self-scrutiny, honesty, art, nature, and the good Lord of the universe.
Inspired by the works of Thomas Wolfe, Conroy’s autobiographical novel begins after his high school years, with flashbacks to earlier days as it leads toward the end of each of his parent’s lives.
Once a brutal alcoholic, his ex-military father remains verbally abusive but allows a viable relationship with Conroy, the eldest son, while the mother fantasizes relentlessly. As adults, Conroy and his six siblings try to make sense of the negative repercussions they endure from their chaotic, unstable childhood.
I appreciated Conroy’s sincerity, especially when he witnesses another one of his novels being made into a movie and realizes he is watching art in its creation. “It was so powerful in its purity and its sheer honesty that it shook me, terrified me. But it changed me. That is what art always does.”
NEW YORK TIMES BESTSELLER • “A painful, lyrical, addictive read” (People) by the cherished author of The Great Santini that brings his extraordinary career full circle
Pat Conroy’s great success as a writer has always been intimately linked with the exploration of his family history. As the oldest of seven children who were dragged from military base to military base across the South, Pat bore witness to the often cruel and violent behavior of his father, Marine Corps fighter pilot Donald Patrick Conroy. While the publication of The Great Santini brought Pat much acclaim, the rift it caused brought even…
Understanding the world is important for everyone. For me, it takes the form of analyzing colorful images and artifacts in the built environment. In the broad traditions of the global northwest, color is regarded as deceptive and unreliable. For centuries now, and throughout disparate media and technical systems, color has had to maintain this secondary, subordinate status as “other,” linked to falsity, manipulation, and deceit or, to quote David Batchelor, “some ‘foreign’ body". In my work, I argue that we have all inherited this tradition in the global northwest, fetishizing color as both excessive and yet indispensable in its capacity to retroactively confirm the sanctity of what it is not.
Once again, some of our most profound insights into contemporary culture derive from a deep understanding of history. For example, why is there a fundamental distrust of surfaces and shiny “bling”?
In The Republic, and in “Book X” in particular, Plato outlines a theory of images, truth, deception, and appearances that we continue to relive in everyday life.
Long regarded as the most accurate rendering of Plato's Republic that has yet been published, this widely acclaimed work is the first strictly literal translation of a timeless classic. In addition to the annotated text, there is also a rich and valuable essay,as well as indices,which will better enable the reader to approach the heart of Plato's intention. This new edition includes a new introduction by acclaimed critic Adam Kirsch, setting the work in its intellectual context for a new generation of readers.
When I was a teenager, I thought we could create a perfect world—or if not quite perfect, at least much, much better than the one we are currently destroying. Actually, I still think it’s possible, just a lot harder and a lot more dangerous than I originally thought. I’ve been interested in all the efforts to imagine and create utopias, which sometimes produce hells instead of heavens, ever since. I have evolved (I think it’s progress) from being a high school Maoist to something more mature while watching China’s attempts to improve the lives of its citizens with respect and sympathy.
This is the OG of utopias—written in 1516 about people living on a distant island. Later writers made up utopias set in the future, but More’s island is still fun to read about. A place where there is no private property, no one desires wealth, all citizens are equal, and all religions are tolerated—though there is no privacy (or premarital sex) either. Nobody knows whether More meant it as satire or longing, or even if we should translate u-topia as “no-place” or “good-place.”
First published in Latin in 1516, Utopia was the work of Sir Thomas More (1477–1535), the brilliant humanist, scholar, and churchman executed by Henry VIII for his refusal to accept the king as the supreme head of the Church of England. In this work, which gave its name to the whole genre of books and movements hypothesizing an ideal society, More envisioned a patriarchal island kingdom that practiced religious tolerance, in which everybody worked, no one has more than his fellows, all goods were community-owned, and violence, bloodshed, and vice nonexistent. Based to some extent on the writings of Plato…
Why We Hate asks why a social animal like Homo sapiens shows such hostility to fellow species members. The invasion of the Ukraine by Russia? The antisemitism found on US campuses in the last year? The answer and solution lies in the Darwinian theory of evolution through natural selection.
I have a weird imagination and care deeply about being kind in all areas of life. I think people, in general, need to be kinder to one another and to the earth. I find humanity to be too anthropocentric and dismissive of the intelligence of other creatures. The incredible complexity and interconnectedness of nature fascinate me, and I constantly look for connections between two seemingly disparate systems. Writing my book allowed me to put insects at the focal point of planetary control. It was an incredibly fun story to write.
I love how Huxley depicts a utopic community in a sea of unrestrained capitalism. This book got me thinking about solutions to problems I didn’t know existed. It got me to rethink how I view family structures, community, responsible drug use, and meditation. I appreciate how he centered the conflict around his ideal world versus the world imposed on his ideals by reality.
For over a hundred years the Pacific island of Pala has been the scene of a unique experiment in civilisation. Its inhabitants live in a society where western science has been brought together with Eastern philosophy to create a paradise on earth. When cynical journalist, Will Farnaby, arrives to research potential oil reserves on Pala, he quickly falls in love with the way of life on the island. Soon the need to complete his mission becomes an intolerable burden and he must make a difficult choice.
In counterpoint to Brave New World and Ape and Essence, in Island Huxley gives…
I come from a reservation town in Wisconsin, and make my livelihood as a horticulturist in the water-strapped state of Colorado. I’m mix-race and LGBT. These influences have shaped what I look for in stories. I write and seek to read about communities in which the person creating medicine and the person growing food is just as important as the fighter, because let me tell you: if you don’t have the means to make food and heal wounds, all the guns in the world won’t save you. I particularly appreciate stories that explore ecology, agriculture, and plant science in innovative ways. These make my little horticulture-geek heart sing.
By turns uplifting, bloody strange, heartbreaking, and joyful, this story collection touches on so many things: gender relations, race, hope, the need to feel safe, and the need to feel dignity among them. There are versions of America in this series that I dread, and versions of America that I long for. This is a book we need right now: a collection of dire warnings and beautiful dreams, hopes, and fears. We’re at a crossroads in history. This book reminds us that we can take a turn into the dark or the light. And wherever we go, we’ll be taking our whole selves and all our facets along for the ride: good and bad, kind and cruel, genetic and historical.
A glittering landscape of twenty-five speculative stories that challenge oppression and envision new futures for America—from N. K. Jemisin, Charles Yu, Jamie Ford, G. Willow Wilson, Charlie Jane Anders, Hugh Howey, and more.
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY PUBLISHERS WEEKLY
In these tumultuous times, in our deeply divided country, many people are angry, frightened, and hurting. Knowing that imagining a brighter tomorrow has always been an act of resistance, editors Victor LaValle and John Joseph Adams invited an extraordinarily talented group of writers to share stories that explore new forms of freedom, love, and justice.…
I, Ira Nayman, have been writing stories set in the multiverse for almost twenty years, first with the Alternate Reality News Service set of books, then with my Transdimensional Authority/Multiverse novels and, most recently, with multiverse triptychs (the spark for The Dance). One of the things that I recently realized about my writing is that a lot of it focuses on the factors that shape our lives and make us the people we are. My ongoing fascination with the multiverse is because it is a great vehicle for exploring this idea by showing us how our lives could have turned out if circumstances or our choices had been different.
Do you think this multiverse business is something new from MCU Labs? H.G. Wells wrote about parallel universes in this book back in 1923.
Humble Mr. Barnstaple and some 1920 one-percenters pass through a dimensional rift into an alternate world called “Utopia.” Appropriately, there’s no disease or poverty, no war, and everybody’s into exploration and scientific progress. But there are also some worrying things (e.g. “eugenics-light”). Aldous Huxley’s anti-utopia Brave New World (1932) is partly a rebuttal of this book.
This book is more of a slow burn than the high impacts of wonder/terror in The Time Machine and The War of the Worlds. However, the resolution of the story is ingenious, and Well’s vision of humanity’s destiny is still relevant after 101 years.
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Welcome to Utopia.
When Mr. Barnstaple, an Earthling, is accidentally transported to Utopia with a group of others, he begins an adventure that will change how he views the world forever.
Utopia has no government. Utopia has no religion. People are governed only by their own conscience and desires, and Barnstaple is drawn into what he sees as a perfect society. But when a disease brought by the Earthlings threatens the existence of the Utopians, Barnstaple must make a choice: take over Utopia, or betray his own people…
Who was the man who would become Caesar's lieutenant, Brutus' rival, Cleopatra's lover, and Octavian's enemy?
When his stepfather is executed for his involvement in the Catilinarian conspiracy, Mark Antony and his family are disgraced. His adolescence is marked by scandal and mischief, his love affairs are fleeting, and yet,…
At one point in my life, I took Ph.D. classes in the morning, taught philosophy in the afternoon, and tended bar at night. I was always working, and money was tight. Then, one day at a faculty meeting, my colleagues and I discussed developing an appealing new course. I suggested one on the philosophy of work and ended up teaching it and writing my dissertation on work and moral values. I loved teaching the class to the part-time students. They came to class straight from work and shared their experiences. Those students taught me more about work than any book in the library. Years later, I wrote The Working Life.
This is a wise and witty philosophical reflection on the meaning of games and life. Suits asks: If we didn’t ever have to work again, would we have to replace work with things like the housebuilding game or the lawyer game? If so, would the game about work satisfy the need to work?
In the mid twentieth century the philosopher Ludwig Wittgenstein famously asserted that games are indefinable; there are no common threads that link them all. "Nonsense," said the sensible Bernard Suits: "playing a game is a voluntary attempt to overcome unnecessary obstacles." The short book Suits wrote demonstrating precisely that is as playful as it is insightful, as stimulating as it is delightful. Through the jocular voice of Aesop's Grasshopper, a "shiftless but thoughtful practitioner of applied entomology," Suits not only argues that games can be meaningfully defined; he also suggests that playing games is a central part of the ideal…
