Here are 100 books that The Night Eaters fans have personally recommended if you like
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I'm passionate about ghost stories, classic gothic literature, and horror comics, and I have always felt that October is too short to contain the atmospheric chills and versatility of horror stories. I am also passionate about graphic novels and have worked as a professional illustrator, comic artist, and colorist for 7 years. I love the camp, the fun, and the macabre invoked by Summerween. Now that I have written and published my own cozy, spooky graphic novel, which made both the American Book Association's Indies Introduce List for Summer 2024 and People Magazine's Summerween 2024 Book List, I want to shine the spotlight on other comics with the feeling of October.
A hauntingly beautiful anthology of five twisted fairytales that, to me, felt like stepping into a pastoral Twilight Zone and stayed in my mind for days after the final page. Carroll’s artwork is eerie and subtle, and the limited color palette turns scenes of the mundane into a visual nightmare.
The stories are well-paced and spooky, and in my opinion, best read during a dark summer thunderstorm.
I'm passionate about ghost stories, classic gothic literature, and horror comics, and I have always felt that October is too short to contain the atmospheric chills and versatility of horror stories. I am also passionate about graphic novels and have worked as a professional illustrator, comic artist, and colorist for 7 years. I love the camp, the fun, and the macabre invoked by Summerween. Now that I have written and published my own cozy, spooky graphic novel, which made both the American Book Association's Indies Introduce List for Summer 2024 and People Magazine's Summerween 2024 Book List, I want to shine the spotlight on other comics with the feeling of October.
This is a cozy ghost story that explores the anxieties of adolescence and making new friends in a world that moves on way faster than the protagonist is ready for. I found her friendship with the ghost very sweet and compassionate, and it handled heavy topics that many children go through with relative ease.
The comic panels are vibrant and bursting with imagination; it's the comic equivalent of enjoying a brisk autumn day and throwing a small Halloween party with a few friends.
Lora wants to stay a kid forever, and she'll do anything to make that happen . . . including befriending Alexa, the ghost who haunts her house. A middle-grade graphic novel about growing up that's perfect for fans of Ghosts and Making Friends.
Growing up sounds terrible.
No one has time to do anything fun, or play outside, or use their imagination. Everything is suddenly so serious. People are more interested in their looks and what others think about them than having fun adventures. Who wants that?
Not Lora.
After watching her circle of friends seemingly fade away, Lora is…
I'm passionate about ghost stories, classic gothic literature, and horror comics, and I have always felt that October is too short to contain the atmospheric chills and versatility of horror stories. I am also passionate about graphic novels and have worked as a professional illustrator, comic artist, and colorist for 7 years. I love the camp, the fun, and the macabre invoked by Summerween. Now that I have written and published my own cozy, spooky graphic novel, which made both the American Book Association's Indies Introduce List for Summer 2024 and People Magazine's Summerween 2024 Book List, I want to shine the spotlight on other comics with the feeling of October.
This book absolutely horrified me in all the best ways. A “benevolent” being “rescues” 11 of his human friends from the complete apocalyptic annihilation of the planet, and the journey that ensues is dark.
This comic is full of gut-wrenching, visceral storytelling, genius foreshadowing, stunning artwork, and enough cosmic & existential dread to leave me staring out my window for at least a day or two afterward, but in a good way. (CW: adult themes, nudity, gore, violence)
With Something Is Killing the Children and The Department of Truth, James Tynion IV has changed the face of horror in modern comics now get ready for his most ambitious story yet, alongside his Detective Comics partner Alvaro Martinez Bueno! Eisner Award Winner 2022 - Best New Series. Eisner Award Winner 2023 - Best Writer, James Tynion IV. Eisner Award Winner 2023 - Best Coloring, Jordie Bellaire. Eisner Award Nominee 2023 - Best Continuing Series. Eisner Award Nominee 2023 - Best Penciller/Inker, Alvaro Martinez Bueno. Everyone who was invited to the house knows Walter well, they know him a little,…
I'm passionate about ghost stories, classic gothic literature, and horror comics, and I have always felt that October is too short to contain the atmospheric chills and versatility of horror stories. I am also passionate about graphic novels and have worked as a professional illustrator, comic artist, and colorist for 7 years. I love the camp, the fun, and the macabre invoked by Summerween. Now that I have written and published my own cozy, spooky graphic novel, which made both the American Book Association's Indies Introduce List for Summer 2024 and People Magazine's Summerween 2024 Book List, I want to shine the spotlight on other comics with the feeling of October.
This book is a frenetic, funny, and fast-paced horror comedy that's reminiscent of Invader Zim with the humor and the art style, and it’s tons of fun! I loved the dynamic character poses and expressions, and the visual gags caused many laugh-out-loud moments for me. The zany ensemble cast of various Halloween creatures is pure high-octane magical chaos.
Perfect for fans of Wednesday, Hooky, Monster High, and anyone in need of a wickedly good laugh, this graphic novel follows an aspiring witch and her two best friends as they try to have a fun-filled Halloween . . . while also dealing with a pair of neighborhood do-gooders hell-bent on vanquishing evil.
Learning to become a witch is hella difficult! Luckily, Gwen can always count on her two best friends in the whole world for help. Except Sloane and Miles aren’t exactly from this world. They’re from the Hallowlands, a monstrous realm, which they can only leave as the…
As a Gen X kid growing up in a very conservative place, I struggled with gender, not feeling like the girl I was supposed to be. I knew I wasn’t a boy, and that just led to uncertainty and perpetual emotional discomfort. When I first heard about the concept of nonbinary gender a few years ago, my mind was blown. I knew if I were young, I would have immediately come out as nonbinary. But as an older person, it felt weird and pointless. Writing and reading books about people struggling with gender gave me the courage to finally be true to myself, and acknowledge that I am agender.
Reading this graphic novel just feels good. It’s so positive and full of all kinds of sweet relationships—romantic, friends, and family.
It’s also a fantastic portrayal of numerous people with something that makes them different from most others, including wearing hearing aids, lesbian grandmas, large bodies, and last but not least, being nonbinary. None of these things is an issue in the book, and instead they’re presented as being as normal as breathing.
I just love the normalization of human differences. Add to that the fun urban fantasy elements of magic and werewolves, and it’s a perfect mix.
"Mooncakes is spellbinding. It had everything I love in a story-magic that felt inventive, characters that became my friends, and a romance that felt truly authentic. It was one of those books that I was sad to see end. Luckily, I can always reread." -Tillie Walden, creator of Spinning and On a Sunbeam
"Mooncakes transported me to a gorgeous magical realm that I never want to leave, and introduced me to lovable characters who stuck with me long after I finished reading. This graphic novel is the joyful fantasy romance we all need right now, and it might just restore…
I come from a family of born storytellers but grew up to become an archaeologist, sensible and serious. Then, my parents’ deaths brought me to my knees. I knew I would not survive their loss in any form recognizable to me. My grief set me on a journey to understand and rekindle the special magic that they and my ancestors had brought to my life. Eventually, through reading books like these and learning to tell my own stories, I, the archaeologist and life-long rationalist, made my greatest discovery to date: the healing power of enchantment.
The railroad worker and the interpreter; The Hong Kong beauty/midwife and the fishmonger’s daughter; the Kung fu master’s family turned tong bosses and the civic leaders and charity organizers; the merchants and the opium dealers; the church ladies and the rice wine hooch brewers; the lofan (white) Aunt Elva with a painful secret….
These are some of the unforgettable characters from Chin’s sprawling family. I loved this glimpse into the Chinese American experience in New York City during the same time my family was muddling through in Georgia. I also have reason to believe my grandfather knew some of these characters personally through his correspondence and Chinese liberation work. Chin did honor to all of the ancestors with this skillful weaving of history, memory, anecdote, and a daughter/granddaughter’s loving intuition.
“Essential reading for understanding not just Chinese American history but American history—and the American present.” —Celeste Ng, #1 bestselling author of Little Fires Everywhere
* TIME 100 Must-Read Books of 2023 * San Francisco Chronicle's Favorite Nonfiction * Kirkus Best Nonfiction of 2023 * Winner of the Chinese American Librarians Association Best Non-Fiction Book Prize * Library Journal Best Memoir and Biography of 2023 * One of Elle's Best Memoirs of 2023 (So Far) * An ALA Notable Book *
“The Angela’s Ashes for Chinese Americans.” —Miwa Messer, Poured Over podcast
Author Greil Marcus’ phrase “the old, weird America” gave me exactly the right words for something I’ve always felt: that there is a specific weirdness to the American landscape, an uncontrollable current of strange that runs beneath the carefully cultivated surface of heroes and neighbors and shared, stable dreams. Of course, as William Faulkner observed, the past isn’t past, and America is as weird as it’s ever been. Maybe weirder. Look at the news. Look out your window. No surprise, then, that I’m drawn to such a perspective when I read other people’s stories, and seldom get completely away from it when I write my own.
When talking with younger writers, sooner or later I ask them to name a writer or a book they can point to and say, “That’s the goal. That’s what I care about. That’s what I want to do.” If I asked myself this question, one of my answers would be Karen Joy Fowler’s first novel, a pitch-perfect account of 19th-century America and the mysterious title character, a weird woman whose weirdness confirms how weird everything else already is.
In the Old West in 1873, a woman of indeterminate age and great ugliness appears without warning in the camp of Chinese railway workers, babbling incomprehensibly. Chin Ah Kin thinks she may be an immortal sent to enchant him - his more practical uncle sees trouble.
When I was five, my family moved from Morocco to France. We were Jewish in a very homogeneously Catholic world. My French upbringing didn’t include much exposure to other cultures and I often felt uncomfortably different. I would have liked to know more about various lifestyles, cultures, and traditions than those I observed around me. I now love to learn about other cultures through personal accounts, stories, and memoirs. I feel engaged and interested in a way I never experienced with textbooks. Reading about people who live a different life from our own can be an eye-opening experience.
This book seems to be three different stories until one realizes they are the same story told in different ways: the most realistic one is the story of young Jin Wang who suffers intensely from the racist mockery of his peers. Then there is the wondrous tale of the Monkey King who wanted to join the other gods and refused to be a monkey. And finally the parable of Danny who hates his caricature of a Chinese cousin. The three strands converge to reveal one truth: the way to save our soul is to accept who we are.
I particularly loved the character of Wei-Chen who is Jin’s best friend: he is kind, smart, and accepts his origins.
Gene Luen Yang was the fifth the National Ambassador for Young People's Literature and is a MacArthur Fellow, a recipient of what's popularly known as the MacArthur "Genius" Grant.
A tour-de-force by New York Times bestselling graphic novelist Gene Yang, American Born Chinese tells the story of three apparently unrelated characters: Jin Wang, who moves to a new neighborhood with his family only to discover that he's the only Chinese-American student at his new school; the powerful Monkey King, subject of one of the oldest and greatest Chinese fables; and Chin-Kee, a personification of the ultimate negative Chinese stereotype, who…
In 2016, I started thinking about art’s power to unite diverse people. The recent presidential election coincided with a sharp spike in anti-immigrant rhetoric, but artists, musicians, creatives, and performers were fierce defenders of the value of cultural difference. In my own life, I’ve always found inspiration and solace from creative practice. For years now, I’ve been part of an eclectic friend group I first met in painting class. The joy art brings to my life also made me wonder who gets credit and what even constitutes “art.” Is an expensive oil painting really worth more than a comic book, if someone loves the comic book just as much?
Among U.S. immigrants and racially and culturally marginalized peoples, Asian Americans have a particularly complicated history in our national culture. Chinese and other ethnic Asians are still less than 7% percent of the U.S., a modicum at least partly conditioned by Chinese Exclusion, a federal law that for more than sixty years (from 1882-1943) severely restricted ethnic Asians from immigrating to and settling within the U.S.
But just as Neil Gabler and Lin-Manuel Miranda emphasize the migrants and racial-ethnic minorities at the core of America’s founding myths, novelist Lisa See details an eclectic group of artists, movie stars, and other creatives who gathered in Los Angeles Chinatown since the 1930s. This multimedia, multicultural milieu included both whites and ethnic Asians and spanned Hollywood, fine art, and commercial design.
Now a classic Asian American history, See's bestselling 1995 family history documents the enduring impact of the Chinatown residents and creatives who…
Out of the stories heard in her childhood in Los Angeles's Chinatown and years of research, See has constructed this sweeping chronicle of her Chinese-American family, a work that takes in stories of racism and romance, entrepreneurial genius and domestic heartache, secret marriages and sibling rivalries, in a powerful history of two cultures meeting in a new world. 82 photos.
It’s often said that it takes a village to raise a child. I grew up in an intergenerational family in India. Grandparents, aunts, and uncles provided that extended community. Grandparents can pass down traditions, ensuring the preservation of culture. Stories that speak to the reality of multi-generational households can normalize and celebrate the presence of elders. The number of Americans living in multigenerational households is about four times larger than it was in the 1970s, yet the educational potential and the joy of these relationships are often ignored in literature.
I love that the protagonist, Lin, discovers that not only does tofu take time but also takes up the whole universe. It starts with the soybean seed and sunshine. Some kids might not know that tofu can be made at home. Most of all, little Lin realizes that making tofu means spending time with Grandma Nai Nai.
All good things--and foods--take time, as Lin learns in this beautifully illustrated story about patience, family, and a good home-cooked meal.
CLICK CLACK WHIRRRR . . . Lin and her grandma, NaiNai, are making tofu from scratch! When NaiNai goes through each step, from blending soybeans with water to molding curd into shape, Lin gradually becomes impatient. But she soon discovers that making tofu not only takes time, but also takes the whole universe! It takes the seed from soil and sunshine, the cloth from thread and fiber, weight and space, books of words and pictures. And most of all,…
