100 books like On Gold Mountain

A work of science writing might be a surprising addition to this list of storytellers, artists, and designers, but surely the life of the African American woman, mother, and cancer sufferer whose cell tissue became one of the most widely used biological lab media in contemporary medical research epitomizes creation and creativity.

Lacks’s history is a terrible story of racial anonymity and exploitation, which Skloot tells with extraordinary sensitivity. Always being sure to keep Lacks and her descendants at the forefront, Skloot both details the atrocities that sometimes underlie civilization’s progress and restores Lacks’s long overdue credit for making possible some of the most important medical advances of the twentieth century.

This book achieves the highest level of nuanced, deeply human storytelling. To me, it is one of the finest works of nonfiction ever. 

Every biographer must do battle with Robert Caro’s Pulitzer Prize-winning book, a monumental account of urban planner Robert Moses, whose God-like power redesigning postwar New York City effectively remade the capital of the twentieth century. Over the course of 1,336 pages, Caro details Moses’s world-making vision while also acknowledging problematic issues, such as Moses’s reported use of racial slurs and his remapping of roads and overpasses to exclude poorer communities.

Today, half a century since its first publication, The Power Broker remains one of the greatest English-language biographies. It's also a landmark in showing how world-historical change can begin with aesthetic power. Like all foundational texts, its comprehensive documenting of both the ambitions and the prejudices of that era also lays a path for future insight. In gesturing toward Moses’s faults, this magisterial work also leaves room for subsequent generations to re-examine the problems of the past. 

Novelist as genealogist, genealogist as novelist. A fiercely loyal portrait of a range of amazing women whose lives feel as if they were fictional, but they were and are not. A tender portrait of several generations of smart and loving mothers, wives, and daughters whose California is not the place of wealth and glamor but rather of making do, getting by, and loving your people and landscapes.

In 1988, a book on film history became an unexpected cultural classic. This book tells how a handful of Jewish immigrants from a very small area of central Europe became Hollywood moguls, effectively creating the screen imagery depicting the American dream.

The moguls’ identity as migrants and marginalized people was crucial to their success. As Gabler writes, precisely because of their striving and desire to belong, a former peddler, cobbler, junk seller, and other impoverished transplants concocted the gilded fantasies of Hollywood’s Golden Age. As a group biography and industrial history of Hollywood illusion, An Empire of Their Own is not usually considered in the same vein as The Power Broker’s bricks-and-mortar history.

Yet, in today’s screen-driven world, the legacy of these early media titans is more obvious than ever. The movie moguls’ quintessentially American story of immigration, success, and reinvention is also a prescient, more fully inclusive history of… show more.

A sprawling family story that, thanks to the sheer effort and skill of its author, tackles four generations of a political dynasty’s history and shapes it into a history of modern California at the same time. We see the Browns both shaping California and in turn being inexorably shaped by it, and we come away knowing them and knowing the Golden State all the better for this book’s depth and ambition.

D.J. Waldie’s writing reminds me of a Raymond Carver short story. His short, deliberate style draws the reader in immediately. You are hooked.

He walks to work. He lives in his parent’s original tract home, part of a planned development built in the 1950s in Lakewood, CA. It was the first one on the west coast. Waldie observes his friends and neighbors, the neighborhood, and its unique place in Southern California history.

After my parent’s divorce, my father lived in Lakewood and Long Beach, so I spent a lot of time down there when I was a kid. Does anyone remember Buffums department store?

A page-turned, a Gilded Age whodunit, and a case study in how to dig and dig and dig into the historical record. This Stanford professor’s brilliant expose of the Stanford family and the university two of them founded is at its best when it reveals two things: how the public and private worlds of the rich and powerful (then and now) are utterly at odds with one another, and just how strange those private realms could (and can) be. Oh, and a murderer revealed, if but for a moment.

Anyone lucky enough to experience the blockbuster Broadway musical Hamilton, performed live and in person, knows how heart-stopping it is, from its revolutionary race-blind casting and unforgettable music and staging to the ingenious, fast-paced wordsmithing that explodes in its famous rap battles and songs. A book might seem a poor shadow of that sensational experience, but this volume enriches the lyrics and libretto with illuminating (and often humorous) commentary describing the show’s conceptualization and production.

The resulting text is as dazzling as the stage show—even as it reminds us that the masterpiece began as the work of a supremely gifted writer. That writer, moreover, isn’t just brilliant composer Miranda or even Ron Chernow, author of the acclaimed 2004 biography about Alexander Hamilton that inspired Lin-Manuel Miranda, but the Founding Father himself.

Alexander Hamilton was an orphaned scholarship student whose extraordinary mind brought him from a tiny Caribbean island to colonial… show more.

I first read Maxine Hong Kingston in college, but I can’t remember if I was assigned China Men or The Woman Warrior (the more famous counterpoint to China Men). All I know is that whichever one I read, I loved it so much that I immediately sought out the companion piece, which I also loved. In China Men, Kingston weaves together fiction and nonfiction, history and myth, story and memory. Is it a novel? A tapestry? I’m not quite sure what to call it, and that’s part of what I love about the book. Brief interludes of two or three pages present a single scene; longer stories narrate entire sagas. I love that this volume covers so much literal ground but ultimately feels incredibly personal.

This book was extremely poignant. It may not be intended for the youngest of readers. I admit, I read it on my own. But the message was deep. Children from preschool to teenage can have strong feelings about their parents’ behaviors. But what young children don’t often (can’t often) understand is where, in their parents’ history, those behaviors are born out of.

This story takes something as simple as foraging for watercress on the side of the road and examines where, in the narrator’s parents’ history, that behavior comes from. It’s sorrowful, haunting, and hopeful all at the same time. This is a beautiful book to address the “big feelings” of embarrassment kids may feel about their parents without understanding the reasoning behind their patent’s actions.