Fans pick 93 books like Hamilton

A work of science writing might be a surprising addition to this list of storytellers, artists, and designers, but surely the life of the African American woman, mother, and cancer sufferer whose cell tissue became one of the most widely used biological lab media in contemporary medical research epitomizes creation and creativity.

Lacks’s history is a terrible story of racial anonymity and exploitation, which Skloot tells with extraordinary sensitivity. Always being sure to keep Lacks and her descendants at the forefront, Skloot both details the atrocities that sometimes underlie civilization’s progress and restores Lacks’s long overdue credit for making possible some of the most important medical advances of the twentieth century.

This book achieves the highest level of nuanced, deeply human storytelling. To me, it is one of the finest works of nonfiction ever. 

Every biographer must do battle with Robert Caro’s Pulitzer Prize-winning book, a monumental account of urban planner Robert Moses, whose God-like power redesigning postwar New York City effectively remade the capital of the twentieth century. Over the course of 1,336 pages, Caro details Moses’s world-making vision while also acknowledging problematic issues, such as Moses’s reported use of racial slurs and his remapping of roads and overpasses to exclude poorer communities.

Today, half a century since its first publication, The Power Broker remains one of the greatest English-language biographies. It's also a landmark in showing how world-historical change can begin with aesthetic power. Like all foundational texts, its comprehensive documenting of both the ambitions and the prejudices of that era also lays a path for future insight. In gesturing toward Moses’s faults, this magisterial work also leaves room for subsequent generations to re-examine the problems of the past. 

In 1988, a book on film history became an unexpected cultural classic. This book tells how a handful of Jewish immigrants from a very small area of central Europe became Hollywood moguls, effectively creating the screen imagery depicting the American dream.

The moguls’ identity as migrants and marginalized people was crucial to their success. As Gabler writes, precisely because of their striving and desire to belong, a former peddler, cobbler, junk seller, and other impoverished transplants concocted the gilded fantasies of Hollywood’s Golden Age. As a group biography and industrial history of Hollywood illusion, An Empire of Their Own is not usually considered in the same vein as The Power Broker’s bricks-and-mortar history.

Yet, in today’s screen-driven world, the legacy of these early media titans is more obvious than ever. The movie moguls’ quintessentially American story of immigration, success, and reinvention is also a prescient, more fully inclusive history of… show more.

Among U.S. immigrants and racially and culturally marginalized peoples, Asian Americans have a particularly complicated history in our national culture. Chinese and other ethnic Asians are still less than 7% percent of the U.S., a modicum at least partly conditioned by Chinese Exclusion, a federal law that for more than sixty years (from 1882-1943) severely restricted ethnic Asians from immigrating to and settling within the U.S.

But just as Neil Gabler and Lin-Manuel Miranda emphasize the migrants and racial-ethnic minorities at the core of America’s founding myths, novelist Lisa See details an eclectic group of artists, movie stars, and other creatives who gathered in Los Angeles Chinatown since the 1930s. This multimedia, multicultural milieu included both whites and ethnic Asians and spanned Hollywood, fine art, and commercial design.

Now a classic Asian American history, See's bestselling 1995 family history documents the enduring impact of the Chinatown residents and creatives who… show more.

If you are looking for a highly opinionated and passionate account of the Broadway musical and the changes it has undergone over the decades, this book is for you. Grant does not pull his punches and the general tone is one of despair at the decline in the quality of musicals. But the book is well researched and offers many provocative ideas which the die-hard musical fan will find fascinating. It's the kind of work that you want to read after you have a solid knowledge of American musical theatre and you want to have your traditional ideas challenged.

When I was kid, it was a rite of passage to watch the movie version of this musical with my parents on TV during Fourth of July week in the U.S.. I’ve since seen regional theater productions as well.

Yes, the play is fun and funny, but what did not sink in until I’d done my own research into the lives of the signers was how marvelously the words and lyrics lay out the history. When one of the flashy South Carolina delegates sings “Molasses to Rum,” you understand the underlying economics of the slave trade. The songs still hold up and advance the plot, as all great Broadway songs must do.

But if you miss the words in the 1972 film or modern staged versions, the only way to absorb it all is to dip into the official libretto itself.

Now look, Stephen hardly needs the bump in sales but I do love this book.

I read it in one sitting one night as a kid and was engrossed. I read it for too young for the adult themes, but I feel like that is an official stage of most peoples’ adolescence and should be in textbooks. 

A steamy billionaire romance novel, this book kept me sitting at a hotel bar late into the night. It was one of the first indie romance novels I read and made me consider a world where writing romance could be my reality. A secretary and her boss decide on a marriage of convenience in exchange for two million dollars. It is an easy read that features everything we love about contemporary love stories.

One of the funniest books I have ever read, outlining the creative genius of those who are destined to fail in life.

I have a quirky sense of humour, and what makes this volume so attractive to me is that they are all true stories of just how stupid some people can be. I’m sure there are many other instances of what could be a never-ending series.

As with Madeleine L’Engle, everything I’ve read by Ursula K. Le Guin—fiction as well as nonfiction—has radically influenced my writing and my teaching of writing. In fact, her impact on my creative awakening was so profound that I sent her a copy of my first book as a thank you! Steering the Craft is filled with wisdom and exercises for both new and seasoned writers, but perhaps the most liberating for blocked writers is her controversial view that “story” is defined by “change” not “conflict.” That’s especially welcoming for writers who feel hemmed in (and, perhaps, blocked) by the traditional definition.