Here are 100 books that The Magic Kingdom fans have personally recommended if you like
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Each of these novels, in their own way, forces us to confront the realities of war and power, showing how fragile humanity truly is. They’ve inspired me to reflect on how interconnected we are, especially regarding the scars of conflict. I am reminded of the John Donne poem that inspired Hemingway’s title, For Whom the Bell Tolls (1940)–which begins: “No man is an island, intire of its selfe; every man is a piece of the continent, a part of the maine.” War doesn’t just affect the soldiers: war has its hooks in us all.
Vonnegut’s book is a unique combination of satire, science fiction, and raw war critique. Billy Pilgrim, the protagonist, lives out the trauma of surviving the Dresden bombing by becoming "unstuck in time," drifting through different moments of his life, from past to future. This strange, nonlinear structure mirrors how we process trauma in fragments and waves, never in a neat, chronological order. The randomness of death, the meaninglessness of war—all these themes come together in a way that’s both absurd and deeply moving. As we witness terror and violence continually unfold across the globe, the echoes of Slaughterhouse-Five feel ever-present.
The phrase “So it goes” serves as a refrain throughout the novel, after every death—reminding us of the inevitability of loss in wartime, no matter the scale. This book hit me hard with its dark humor and cynical commentary on the glorification of war. Vonnegut forces you to laugh in…
A special fiftieth anniversary edition of Kurt Vonnegut’s masterpiece, “a desperate, painfully honest attempt to confront the monstrous crimes of the twentieth century” (Time), featuring a new introduction by Kevin Powers, author of the National Book Award finalist The Yellow Birds
Selected by the Modern Library as one of the 100 best novels of all time
Slaughterhouse-Five, an American classic, is one of the world’s great antiwar books. Centering on the infamous World War II firebombing of Dresden, the novel is the result of what Kurt Vonnegut described as a twenty-three-year struggle to write a book about what he had…
Life is taking a bite of the comedy/tragedy sandwich, savoring the mix of flavors, deciding how you feel about the taste, and taking another bite. I love writing that can gather experiences from across the emotional spectrum and incorporate them into a narrative that is absurd and all the more true because of it. These five books do it better than the rest.
I love a book that makes me laugh out loud and feel something deep about the characters and the world it presents. Ignatius J. Reilly, this novel’s main character, is basically a blueprint for the modern incel: he’s rude, selfish, hypocritical, infantile, and inconsistently idealistic, and while he’d be a horror to interact with in real life, he’s absolutely one of the funniest characters in all of literature.
One of the many magic tricks of this book is making the reader realize they’re halfway rooting for Ignatius by the end of his inane New Orleans adventures.
'This is probably my favourite book of all time' Billy Connolly
A pithy, laugh-out-loud story following John Kennedy Toole's larger-than-life Ignatius J. Reilly, floundering his way through 1960s New Orleans, beautifully resigned with cover art by Gary Taxali _____________
'This city is famous for its gamblers, prostitutes, exhibitionists, anti-Christs, alcoholics, sodomites, drug addicts, fetishists, onanists, pornographers, frauds, jades, litterbugs, and lesbians . . . don't make the mistake of bothering me.'
Ignatius J. Reilly: fat, flatulent, eloquent and almost unemployable. By the standards of ordinary folk he is pretty much…
For me, the most affecting stories are those that are leavened with a sardonic sensibility. Italo Calvino, one of my favorite writers, notes “th[e] particular connection between melancholy and humor,” speaking of how great writing “foregrounds [with] tiny, luminous traces that counterpoint the dark catastrophe.” I’ve always veered toward the great literary comic writers—from Cervantes to Laurence Sterne to Pynchon, with a particular reverence for Nabokov. For me, there is no greater exposition of the underbelly of love and madness than Lolita; of artistic obsession than Pale Fire. Nabokov believed that the best writing places the reader under a spell, enchanting them with the magic of words — and I concur!
DFW’s hyperbolic virtuosity is on display in this collection of stories about fakery, imposterdom, trauma, and the nature of consciousness, of which Good Old Neon, the monologue of a salesman who traffics in fakeries, is the showstopper. DFW knew depression well as he did psychopharmacology and rehab and our mental health apparatus—his work is imbued with the details of these worlds and he conveys possibly better than any other what it is like to be trapped in a depressed, quizzical mind. The collection is a moving and hilarious tour-de-force.
In the stories that make up Oblivion, David Foster Wallace joins the rawest, most naked humanity with the infinite involutions of self-consciousness -- a combination that is dazzlingly, uniquely his.
These are worlds undreamt of by any other mind. Only David Foster Wallace could convey a father's desperate loneliness by way of his son's daydreaming through a teacher's homicidal breakdown ("The Soul Is Not a Smithy"). Or could explore the deepest and most hilarious aspects of creativity by delineating the office politics surrounding a magazine profile of an artist who produces miniature sculptures in an anatomically inconceivable way ("The Suffering…
During my 25-year journalism career and now, in my books, I’ve specialized in telling powerful, human stories that are often humorous and sometimes laugh-out-loud funny. To me, humor is an essential part of life. Real stories might make us cry, but just as often, they make us laugh. That’s the balance I try to achieve with all my writing.
There are a lot of books about Florida that are bad or shallowly written, but these days, some real writers are setting their books in the Sunshine State. Kristen Arnett, a Florida resident, uses the backdrop of a failing taxidermy business to write about a crazy family and an odd Central Florida town.
As a fourth-generation Floridian, I found the book true to life and extremely funny. That’s quite an accomplishment.
'Messed-up families, scandalous love affairs, art, life, death and the great state of Florida in one delicious, darkly funny package. Kristen Arnett is a wickedly talented and a wholly original voice' Jami Attenberg
What does it take to come back to life?
In the wake of her father's suicide, Jessa-Lynn Morton has stepped up to manage his failing taxidermy business while the rest of the Morton family falls apart. Her mother starts sneaking into the shop to make alarming art with stuffed animals; and while her brother Milo withdraws, his wife, Brynn - the only person Jessa's ever been in…
I’ve been fascinated by sisters, siblings, and my place in the family since I was old enough to realize I had an older sister and a younger brother. I asked my parents a lot of questions. Why am I blonde? Why is my sister taller? Lots of questions my parents didn’t have answers for. At school in biology, we studied genes, familial traits, and nature versus nurture. I was fascinated, and still am today. Why does my sister behave the way she does? Why do I? Is it because of our upbringing, or was she just born with an aversion to cheese? I wanted to know the answers. I’m still searching.
I adore Jennifer Weiner’s witty, conversational writing style and relatable, three-dimensional characters. With In Her Shoes, Weiner captures the essence of two completely different sisters who are barely on speaking terms. She does it deftly, her characters nuanced and believable, exposing their many flaws and frailties.
I love this book because it helped me see my own sister in a new light. In the book, the sisters’ actions are so realistic (verbal brutality, sniping, home truths) that I felt guilty about how I’d treated my sister over the years. And yes, I rang her several times whilst reading it, and I bought her a copy the following week. Highly recommended.
Rose Feller is thirty years old, a high-powered attorney, with a secret passion for romance novels, an exercise regime she's going to start next week, and dreams of a man who will slide off her glasses, gaze into her eyes, and tell her that she's beautiful.
Meet Rose's sister Maggie. Twenty-eight years old, drop-dead gorgeous and only occasionally employed, Maggie is a backing singer in a band called. She dreams of fame and fortune -- and of getting her dowdy big sister to stick to a skin-care regime.
These two women with nothing in common but a childhood tragedy, shared…
I’ve been captivated by interesting people since I was a kid. Family
members always thought I asked too many questions of people, trying to
learn more about who they are. For that reason, when I started reading
fiction, I looked for characters with originality who opened new
horizons and who I wanted to hang out with. (That’s also why I host the
Novelist Spotlight podcast.) I agree 100 percent with novelist Larry
McMurtry, who said: “For me, the novel is character creation. Unless the
characters convince and live, the book’s got no chance.” The books I
placed on my list reflect this belief. I hope you dig them.
I found this book hysterically funny, and the dialogue more imaginative than any book I’ve ever read. The characters are without equal in terms of their originality, including the children of Jack and Babette Gladney.
The sheer number of meaningful topics this story covers is also without equal. The author’s observations are extremely keen. At its core, it is about the fear of death, though it is not a depressing story in any sense. It’s no wonder why it won the 1985 National Book Award.
The National Book Award-winning classic from the author of Underworld and Libra-an "eerie, brilliant, and touching" (New York Times) family drama about mass culture and the numbing effects of technology-soon to be a major motion picture starring Adam Driver and Greta Gerwig
White Noise tells the story of Jack Gladney, his fourth wife, Babette, and four ultra modern offspring as they navigate the rocky passages of family life to the background babble of brand-name consumerism. When an industrial accident unleashes an "airborne toxic event," a lethal black chemical cloud floats over their lives. The menacing cloud is a more urgent…
I grew up in Boston and New York and currently live in Montreal. I have worked primarily in writing performance texts and plays. I founded the performance company Bluemouth Inc., with whom I have written and staged over a dozen works. In 2018, I completed an MFA in Creative Writing at Concordia University, where I was awarded the Dean of Arts and Sciences Award for Excellence in Creative Writing. As for my expertise in compiling this list, I am the daughter of a strong force-of-nature woman who fought for what she had and taught her kids they can get through anything as long as they have humor, music, and books.
This book was recommended to me by my firefighter brother, who often reads what I call “he-man” books. The titles always have words like mutiny, bullets, gangsters, firestorm, etc. So, when he suggested I read this book, I had my reservations. (In fairness, the books he recommends consistently end up on my list of all-time favorites–I guess that’s what I get for pre-judging!) In any case, over the years, I have learned the one thing we both love in a protagonist–and now I have a name for it–is grit. I can’t recommend this book highly enough.
There is no knowing what lies in a man's heart. On a trip to buy ponies, Frank Ross is killed by one of his own workers. Tom Chaney shoots him down in the street for a horse, $150 cash, and two Californian gold pieces. Ross's unusually mature and single-minded fourteen-year-old daughter Mattie travels to claim his body, and finds that the authorities are doing nothing to find Chaney. Then she hears of Rooster - a man, she's told, who has grit - and convinces him to join her in a quest into dark, dangerous Indian territory to hunt Chaney down…
The 14th century had it all: the 100 Years' War, near-constant famines, and, of course, the Black Plague. As a medievalist studying the art of the time, I was struck by the representations of Death that emerged from this near-perfect storm of misery. Yes, Death was often portrayed accompanied by demons and devils, lumped willy-nilly with evil. But it was more often portrayed in the Danse Macabre as a skeletal partner, leading everyone—Pope and Emperor, Lord and Laborer—on a merry dance. I know it was meant as a warning, but I found the Danse Macabre to be oddly comforting, a vision of an ultimate democracy, with Death the final partner and companion to us all.
What’s unique about Klune’s psychopomp, is that he is human.
Hugo Freeman is able to interact with the dead but unlike the usual eternal beings, he is alive, has a backstory, and the ability to empathize with the fears and regrets of his reluctant clients, most recently, the jerk-lawyer, Wallace Price.
The action is circumscribed, taking place entirely within Charon’s Crossing, which serves as a teahouse for the living and a waystation for the dead. And as any fan of Klune’s work will anticipate, the hearth that gathers a found family.
When a reaper comes to collect Wallace Price from his own funeral, Wallace suspects he really might be dead. Instead of leading him directly to the afterlife, the reaper takes him to a small village. On the outskirts, off the path through the woods, tucked between mountains, is a particular tea shop, run by a man named Hugo. Hugo is the tea shop's owner to locals and the ferryman to souls who need to cross over. But Wallace isn't ready to abandon the life he barely lived. With Hugo's help, he finally starts to learn about all the things he…
I've always been fascinated with how people overcome terrible circumstances ever since my childhood when my parents took me through the Tower of London and told me people survived the horrible torture devices on display. I got into reading biographies of war heroes, concentration camp survivors, and athletes who survived torture, betrayal, illness, and cruelty only to become people I admire. I became a clinical psychologist because I love inspiring others to discover their own greatness during life’s worst moments. I’ve had to learn how to find love, hope, and meaning when trauma, disability, death, and broken promises have ground me down to a bloody pulp.
This book tells the story of a teenage girl with terminal cancer who befriends a hospital chaplain and an elderly woman during her last year of life.
She asks the big questions of life and finds friendship and meaning during existential and physical struggle. You cannot help but fall in love with the characters and share their efforts to find self, meaning, and hope during great struggle.
**LONGLISTED FOR THE AUTHOR'S CLUB FIRST NOVEL AWARD**
'Emotional, involving, witty and sad. Everyone is going to love Lenni and Margot' JILL MANSELL
'Lenni and Margot are two of the most wonderful, warm, witty and wise heroines I've ever met. Beautiful and glorious' CLARE POOLEY, author of The Authenticity Project
Fiercely alive, disarmingly funny and brimming with tenderness, THE ONE HUNDRED YEARS OF LENNI AND MARGOT unwraps the extraordinary gift of life, and revels in our infinite capacity for friendship and love when we need them most. _______________________________________
Life is short.
No-one knows that better than seventeen-year-old Lenni. But as…
I grew up in North Carolina and Washington, D.C., and have since lived in Arkansas and Virginia. My two novels are historical, set in the late 1800s and early 1900s in Virginia and North Carolina, and are heavily influenced by the great Southern writers. My books feature family dramas, how the land interacts with characters, questions of fate and personal action, and the decisions that change people’s lives. I love Faulkner, but you’ll find him on every list. He influenced every writer who came later, but there are plenty of other heavy hitters to choose from. Here are a few favorites.
Has to be one of the funniest novels ever written: a road-trip story with weird characters, small-time conmen, and twisting dialogue that could’ve been assembled by Beckett. It’s impossible to predict where the story’s heading. There’s nothing like it out there, and it’s as different from Portis’s brilliant True Grit as Mark Twain from Cormac McCarthy (both of whom Portis resembles), and probably his best.
Ray Midge is waiting for his credit card bill to arrive. His wife, Norma, has run off with her ex-husband, taking Ray's cards, shotgun and car. But from the receipts, Ray can track where they've gone. He takes off after them, as does an irritatingly tenacious bail bondsman, both following the romantic couple's spending as far as Mexico. There Ray meets Dr Reo Symes, the seemingly down-on-his-luck and rather eccentric owner of a beaten up and broken down bus, who needs a ride to Belize. The further they drive, in a car held together by coat-hangers and excesses of oil,…
